
Tone Versus Story
November 12th, 2008 Posted by Esther Inglis-Arkell | Tags: Batman, DC comicsBatman’s life is one of sustained tragedy. His loved ones will suffer, his path will be lonely, his city will see terror and destruction again and again, his friends will pull away from him, and no matter how hard he fights or what battles he wins, crime will always be present in the darkened alleys of Gotham City.
And this is a good thing. We read Batman comics for a certain noir tone, and that means corruption and cynicism and the looming threat of tragedy. When you give that up – well, just look at some of the Batman covers from back in the sixties.
There are other reasons for the fatalistic tone of Batman comics. A huge event happens, Batman plans a counter-attack. He hits it with everything he has, all his allies, all his tech, and wins. And then he sits around sprucing up the Batcave for the next year and a half, while the police easily handle the minor criminals in Gotham and the press cheerily reports the massive drop in crime. Comics are an ongoing form of entertainment, and there always needs to be something more to do, some evildoer left unvanquished.
At the same time, I would like to see a girlfriend introduced and not think, ‘which is it going to be, evil or dead?’ Or see an event come up that means something other than a body count. I’d like to see a few battles unequivocally won. I remember seeing The Batman/Superman Adventures animated series while I was a kid, and I was thinking, recently, how the comics are a little too dark and too traumatic to be labeled as ‘Adventures’ anymore. I think I would enjoy a little less noir and a little more adventure stories, even when it comes to Batbooks.
I also have no doubt that some people want the series to get a lot darker, but I wonder, at what point do you have to break the tone of the series to get a little more variety in your stories?