Because it definitely does for me.  I can’t help but wonder if the fact that something like five Batman: The Road Home books are coming out on Wednesday has something to do with the timing.  Batman’s a draw, sure, but dropping a twenty on tie-ins that are coming out before the end of the series that they’re supposedly sequels of doesn’t seem like the kind of thing that even die hard fans would do.

I buy that DC and Marvel are both scaling back because readers have done the same.  Hell, when I started buying comics they were $2.50 each, and I haven’t been collecting long.  Raising prices by sixty percent over less than half a decade is asking a lot of consumers, especially since all those ‘extras’ and ‘second features’ dried up pretty fast.  I wonder, though, if the damage has been done.  Once people get in the habit of dropping things, once they realize they can and it doesn’t make that much of a difference, it could be hard to get them out of it.

Especially since books may be getting scaled back by two pages an issue.  Paper costs money, of course, and I don’t think that anyone is planning a get-rich-quick scheme by milking the oh-so-lucrative comic book market, but I can’t help but remember paying five dollars for a comic book that had a First Wave preview.  A few months later, almost every book being published that week had that same preview added on for free. 

Still, I think that scaling back the price will do what Marvel and DC hope it will do; encourage people who are on the fence about an issue to throw it on their stack with a, “What the hell.  It’s only three dollars.”  That will give more marginal books a chance to thrive, and I think it would be a real boon to everyone. 

Are there any issues that you’re planning on picking up due to the price rollback?

As I talked about in my article about NYCC ’10, I decided to make use of Artist Alley after three years of passing it by. The question was, what did I want out of it? Asking for a sketch of just a comic character wasn’t enticing enough for me. I needed something just a little extra.

Therefore, I came up with the Venom Plus Prop Challenge, based on fulfilling my own typecast. Each artist would be tasked with drawing Venom along with another object. Any object. What will the prop be? That’s up to the artist his/herself. I had a lot of fun with this and got a good pile of sketches out of it.

Let the showcase begin.

Venom with Lobster Bib
by Todd Nauck

Venom with Handlebar Mustache
by Jacob Chabot

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My fourth New York Comic Con came to an end last weekend, so naturally, I’m compelled to tell you about it. While the earlier years were more based on seeing a million panels, scouring the trade floor and hanging around the Marvel and DC booths to get signed comics from whoever was nearby, I mostly went in a different direction this year.

I’ve been wanting to take this picture for quite a while. Would have been better with Esther there and maybe a fourth person with a question mark pasted over their face. If fighting games has taught me anything, always give the extra spot to the random select button.

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Hey Wally Sage, star of Flex Mentallo and lifelong comics fan, how do you feel about Alan Moore and Jacen Burrows’s Neonomicon 02, published by Avatar Press?

Yeah, me too, buddy. That book was vile and put me off Alan Moore entirely. Jog’s review explains exactly how foul it is, and has a few of the reasons why I hated it.

-Movie review!
–Superman/Batman: Apocalypse is out.
-It’s an adaptation of Jeph Loeb and Michael Turner’s Superman/Batman, Vol. 2: Supergirl.
-Overall? We both think it was a mixed bag.
-Too short for what it was trying to do, too full of stuff to have anything but problematic pacing and editing.
-There were great bits (the last fight)
-There were awful bits (Lashina’s brand new backless costume)
-But yeah, 50/50 over here.
-6th Sense’s 4a.m. Instrumental for the theme music.
-See you, space cowboy!

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. . . on whether David bought a signed and numbered compy of The Outfit in New York.

I’m betting he did.  If the New York book had a special cover or a chance to get an inner-cover sketch by Mr Cooke, no bets will be honored.  It’s a sure thing.

Back from Comic Con. I’d tell you all about it, but I’m tired as hell. Still better off than David, who’s probably completely unconscious as I type this and will remain so for the next 36 hours. Or he might be dead of a heart attack, considering he ate 5 Guys Burgers and Fries no less than three times in two days. Unlike me, he did NOT go there because Norman Osborn told him to.

While David is out, Was Taters is in. She included a Wonder Woman panel, even though that was last week. I won’t tell her if you won’t.

Avengers Academy #5
Christos Gage and Jorge Molina

Chaos War #1
Greg Pak, Fred Van Lente, Khoi Pham and Reilly Brown

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Back in my day, which was the video rental era of anime in the mid to late ’90s, this was cutting edge animation:

[flashvideo file=/wp-content/uploads/dirtypair-trailer.mp4 /]
Dirty Pair is about as ’80s as it gets, like Lily C.A.T., Demon City Shinjuku, and poorly thought out gratuitous shower scenes. Right Stuf is releasing the DVDs of the tv show as Dirty Pair: The Original TV Series, Pt. 1 DVD Collection. I’ve seen the OVAs and Dirty Pair Flash, but not the tv show, so I’m a little tempted. I should do a thing on the anime I watched as a kid, shouldn’t I?

Adam Warren had a great run on the DP comics, but good luck finding them.

Just last week, Rick Remender’s infamous Franken-Castle story arc had come to a close. Never have I seen a more divisive reaction to the character’s developments in all his history. At least with his whole Punishment Spectre-lite run, just about everyone hated it. I thought the whole Frankenstein concept was interesting and fun and I’ve seen many agree with me, but I’ve seen just as many hate it with the fury of a million Nick Furys. My local comic shop for months had a bulletin board with nothing up it other than Punisher #11 with a sign over it saying, “DISGRACE!” I kept forgetting to lovingly lick the covers of whatever Punisher issue I was buying while at the register.

Since Matt Fraction took up the character in Punisher: War Journal, Frank Castle has become more and more involved in the greater Marvel Universe. Outside of Jigsaw being killed off (and then being replaced with another guy taking up the mantle several issues later), not much carried over into Rick Remender’s Punisher run other than his latest injection into the superhero scene. The problem was that the Dark Reign banner put Frank’s writing in a corner. With Osborn and Hood in charge of things, he obviously had to be itching to take care of them, but even as the protagonist, he can’t. There’s far too much plot armor to work through. So how does one write a story about Frank Castle being completely impotent as an unstoppable vigilante?

The first ten issues of Punisher and the one Annual take their time to get to something super-strong. Don’t get me wrong, it’s a fun bunch of issues, but the first five-issue arc is so closely melted into the second five-issue arc that there doesn’t appear to be much more than wheels spinning in place. There is one piece of interest in all this in the introduction of supporting character Henry Russo. Henry is a young hacker who tracks down Frank and makes himself the third man to take the role of Punisher’s tech-savvy sidekick. I really like Henry and want to see more from him. Thankfully, he’s gotten play in other stories like Deapdool: Suicide Kings and Anti-Venom: New Ways to Live.

Yes, yes. I’ll get to the next We Care a Lot soon. I promise.

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Top Cow First Look Volume 1 TP is a five dollar trade with six first issues of upcoming Top Cow series.

If you want some incentive to pick it up, here are some keywords:
-Afua Richardson
-Marc Bernardin
-Adam Freeman
–Genius #1

Pick it up or word is bond Cheryl Lynn is gonna come to your house while you sleep and punch you in the stomach.

Check out this preview, courtesy of Top Cow:

I wrote it up for CA a while back.