We’re at the tail end of Original Sin as an event. I think we just have that last issue of the Thor/Loki tie-in and we’re done and we can move on to Axis. Axis can go either way, but when it comes to Original Sin, I’m of the opinion that it may be the best Marvel/DC event story in at least the last decade.
The miniseries itself was strong. It wasn’t the best ever, but it’s a good standalone story, which I can’t say the same about Infinity. Don’t get me wrong, I thought Infinity was amazing, but that’s only because I’ve been reading Avengers and New Avengers from the beginning and if you don’t do that, you’re kind of lost. Original Sin just felt like a remake of Identity Crisis that tried to be over-the-top instead of mopey. Instead of a sudden, out-of-nowhere ending where “THAT LADY BE CRAZY!” we got something more interesting. In fact, the events surrounding it are still rather ambiguous and the moral debate between the characters of Fury and Uatu are quarantined to the mini itself. It’s not like Civil War where every single comic for nearly a year is arguing one point against another.
Also, there’s the tie-ins. Sometimes events can be murder with tie-ins because we’ll get the same crap over and over again. Secret Invasion, World War Hulk and Blackest Night were stories where the tie-ins felt like the same thing over and over again. You read one, you read them all. Original Sin had a gimmick of heroes discovering shocking secrets, but they didn’t go the easy way out and make it create a rift in every single relationship. Instead, we only get Captain America’s current hate-on with Iron Man, which honestly has very little to do with Original Sin anyway and was going to happen regardless. Even the Hulk tie-in where it’s suggested that Iron Man created the Hulk out of spite ended with a sweet ending that highlighted the movie-mandated friendship between Stark and Banner.
For real, Stark emotionally yelling at Banner and bitching him out for thinking everyone would be better off if he was dead was such an awesome scene.
“Never say that! Never say that, you $#(@ !$#%!”
“Don’t make me angry.”
“Then don’t make ME angry, Bruce! You always make me so damn angry!”
Another awesome tie-in came in the form of this week’s Deadpool #34. I wrote a review of it here, but the gist is that it’s a soul-crushing issue that goes into one of the more messed up moments of Deadpool’s past. It’s one of the darkest moments in the character’s history. Luckily, being a Deadpool comic and also a Brian Posehn/Gerry Duggan Deadpool comic, it’s also hilarious otherwise.
The gimmick is that it takes place during the early 90’s. Scott Koblish proceeds to make it 90’s as fuck, doing his best Liefeld impression. The characters look right, but one of the best subtle running gags comes with a piece of missing anatomy that we’ve all come to recognize Liefeld for.
Spot the missing feet.
During this entire flashback sequence – which is all but three pages of the full issue – we never see a single foot. As great as that is, the real punchline comes from the ending, where we return to the present and a regular art style. Behold.
Of COURSE that’s the first thing we focus on.