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Tumblr Mailbag: On Faith and Writing

October 18th, 2012 Posted by | Tags:

I’ve been doing questions on Tumblr here and there. I had it turned off for a while, after it turned from “here and there” to “more often than I blogged music videos and pictures of Anna Karina and girls in hoodies.” But it’s back on now and at a much more reasonable pace. I’ve answered a few that I think are relevant here, too, so I’m going to ~crosspost~ a bit. Maybe it’ll spark some convo or something? No sé qué, but I’m doing it anyway. Original post. I don’t think I edited this one much at all, though. Fixed a typo here and there, tightened up a sentence or two, cut the weird bit about the comic-con sex parties…

When questions are turned on, you can ask me things here.


David, I’ve been following you ever since Spurgeon or MacDonald linked to your piece about Frank Miller’s ability to render acrobatics. I’ve noticed you’ve got a pattern of writing with conviction. I’m even noticing as I type this– your tumblr theme is “brutal simplicity.” I’m personally real interested in how faith systems affect folks’ art– do you have some sort of faith background that informs your writing and worldview?

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I’ve been thinking about this question since you sent it in, mulling it over and feeling out the edges of it. I think the answer is yes, I do. I’m Christian, and protestant is as close as I’ll get to claiming a denomination beyond “Christian.” I went to a baptist church growing up, and a mission off and on, but I don’t know that I’m particularly baptist. I don’t go to church much at all any more, but I still believe, pray, give thanks, etc, and I figure I could go bar for bar with anyone in a casual religion conversation. I used to know the Bible really well, but it’s probably down to mildly well at this point.

Anyway, yeah, the things I prize most come from or are a reaction to my background in the church. Let me run down a couple:

Clarity: say what you have to say as clearly as possible, but don’t be afraid to throw some swing off in there to keep people paying attention. I hate it when preachers vamp, because I feel like that’s performance getting in the way of teaching, but when you find a speaker who’s charismatic and interesting, there’s a 90% chance that speaker isn’t just some schmuck who read a book. There’ll be some type of swing, a joke, a smile, a way of speaking that keeps you in.

Directness of speech: the church, the black church at least, can be pretty passive-aggressive and guarded. “Situation” was the one word I always picked up on. “I’m going through a situation, I’ve got a situation,” everybody’s got a situation. Nobody ever says that they’re so depressed that getting out of bed takes twenty minutes every day. Nobody ever says that they’re feeling the weight of the entire world on their shoulders and needs somebody to talk to. It goes in the other direction, too. If somebody thinks you got something going on, “I’ll pray for you.” And naw, I hate that. I understand not letting people know your business — I’m including myself in this for sure, I hate asking for help — but be specific! We can help each other if we know the deal. That thing you’re having trouble with, someone else has had that same problem and might be able to talk you through it. Be direct and be clear.

Well-reasoned arguments: A side effect of knowing the Bible reasonably well is wanting to fight people who know the Bible less well than you but still manage to talk louder. Last time I was back home, this guy was preaching from the Old Testament. I don’t remember the exact verse, maybe 1 Chronicles 12:8 but possibly not. (It probably was.) It was about how certain soldiers were like lions, at any rate. And when this false prophet was like, “Yes, back in the day, there were lion-men and–” I got up and walked out.

I dunno if dude wrote his lecture the night before or what, but how do you get to be like 45 years old and not understand how metaphors work? Or do any type of research? Why would a shepherd lie to his flock out of ignorance and arrogance? because the verse was CLEARLY referring to strength and fearsomeness, not dudes with lion heads tromping around. That’s moronic. But it’s a sermon, and you don’t interrupt those. (My favorite church format is essentially a college class, with back & forth and all. Sunday School > 11 o’clock sermons.)

But I could’ve eaten that guy alive any day of the week because he didn’t think his thing through. So one thing I try and make sure to do is to work the angles on whatever I end up writing about. I think about this stuff a lot more than you might expect, and even dumb posts like the thing about Miller drawing acrobatic moves was the result of like three weeks of thought and jokes/threats to friends about doing that exact post. And it’s such a nothing post, “Frank Miller draws jumps good,” but I still researched, read a lot of books… I knew most of it already, but I wanted to confirm that what I knew/believed was accurate/true. “I work the angles, sharp and precise.”

(I think this is also why I hate seeing underinformed people open their mouth about race & comics or creators’ rights & comics. They have the opportunity to do so much damage due to their own ignorance, and that’s not what people in a position to exert influence others should be doing.)

Honesty is another big one, and it ties into directness. I’ve amped up an opinion for dramatic effect (“The Winter Men is better than Watchmen”), but I’ve never expressed an opinion I didn’t hold for hits or whatever. I don’t argue things I don’t believe, and I only argue things I really believe in. I try to make sure that the person I am online is an accurate picture of who I am in real life. The only real difference is that I’m way smarter online (everyone sounds smarter in text) but way funnier in person (glib tumblr answers aren’t just a gimmick, they’re a lifestyle). I curse more offline, too, and generally don’t online.

But like, past that? I think if you meet me in real life, I would be the exact person you expect if you were familiar with my work. I’ve got a black power tattoo on my arm, I’ve done a pretty detailed job of documenting why I like certain types of music, and I’ve even written about fashion. That stuff derives from my life and feeds back into my life. Writing about black history & comics is like pulling teeth, but it enhances my knowledge of black history and myself, which in turn alters (altered, at this point, I think I’m done with BHM) the approach I take next year.

I try to be honest with my readers and with myself. What you see is what you get, you know? If I’m being a turbodick for no reason, I’ll apologize. I’ve written a few awkward apology emails in my time, and I’ve definitely apologized on the site. I never like when people demand an apology because screw you, I’ll apologize when I actually feel sorry. It’s worth more if you mean it, and I try to make sure that I mean it if I have to apologize. If I don’t mean it… ah well, them’s the breaks. Which sounds like something a turbodick would say, but as a dude who has given and received insincere apologies… I’d rather you hate me for me than fake like I like you. That’s just another type of lie.

That’s also why my name is on everything I do, too. I shed pseudonyms entirely a few years back (I think Twitter’s the last holdout, but my name’s on that, too) because I think it’s important that I be held accountable for what I do and do not do. I’ve never said anything online I wouldn’t say in real life if you gave me half a chance, and I feel good about that. I might say it better or more eloquently online — it’s sorta hard to get obscure rap quotes right when dissing someone on the fly I guess — but I keep it as real as I possibly can.

(Eloquence = rap quotes??? what is wrong with me)

There are a few other things, too. At its best, Christianity isn’t so much a religion as a blueprint for self-improvement. Constant self-interrogation, carving out the parts of you that aren’t Christ-like, pushing for a better you by any means necessary. I apply that to my writing, looking for new ways to do old tricks, better ways to deliver points, and just getting better. I attack my work to find out what doesn’t work and turf whatever doesn’t fit.

So yeah, I hadn’t realized it until recently, but faith, and the structures we’ve built up around faith, have definitely affected how I work. I think I chalk a lot of this stuff up to a Malcolm X influence, especially the directness and swagger, but I guess I’ve got a lot of fathers.

Really good question.

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Presidential Debates: Livetweeted

October 16th, 2012 Posted by | Tags: ,

Word on the street is that the Big Pun hologram went off without a hitch… and then went off. The night is young, and the Big Pun hologram is already fighting and hiding his gun. The debate moderator is bugging, screaming, “Who the FUCK invited Pun?!”

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The “Macho Man” Randy Savage Plus Prop Challenge

October 15th, 2012 Posted by | Tags: , ,

It’s become a recent tradition for me to do the Plus Prop challenge every time I make a visit to New York Comic Con. First time it was with Venom and that was fun. Then I used Juggernaut and that worked out well too. This year I wasn’t sure who to use. With so many choices and some reader support, I settled on using the late, great Randall Poffo, known by many names: Bonesaw McGraw, Rasslor, Leonard Ghostal and most famously, “Macho Man” Randy Savage.

And so, I spent much of Comic Con’s four days badgering various comic artists for commissions at Artists’ Alley. The challenge is to draw Randy Savage plus another object. Any object. What that object is is up to the artist and not me. This one ended up being a ton of fun and most of the artists were incredibly into it. Before he even drew anything, Chris Giarrusso and I spent like a half hour talking about how great Savage’s promos were. So sit back and snap into the fruits of their labor.

YEAH! DIG IT!

Randy Savage with Skull
by Jacob Chabot

Randy Savage with Mjolnir
by Chris Giarrusso

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This Week in Panels: Week 160

October 14th, 2012 Posted by | Tags: , , , ,

I’m going to be quick about this one because after four days of New York Comic Conning, my dogs are barking and my leg muscles are painfully trying to rebuild themselves. I’ll talk about my experiences later. For now, I got panels from myself, Gaijin Dan, Jody, Was Taters and Space Jawa.

And they’re ALL BATMAN!

…okay, maybe not. But the first chunk are.

Batman #13 (Gavin’s pick)
Scott Snyder, Greg Capullo, James Tynion IV and Jock

Batman #13 (Jody’s pick)
Scott Snyder, Greg Capullo, James Tynion IV and Jock

Batman #13 (Taters’ pick)
Scott Snyder, Greg Capullo, James Tynion IV and Jock

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Crossover Celebration Part 2: The A-Team and the WWE

October 11th, 2012 Posted by | Tags: , , , , , ,

The big urban legend says that a long-lasting fight between Muhammad Ali and virtual unknown Chuck Wepner inspired Sylvester Stallone to write the screenplay to Rocky. Some say that that isn’t true and that he was inspired by Rocky Graziano’s autobiography Somebody Up There Likes Me. Whichever is true is a pretty heavy incident as like a prime event in a butterfly effect, it had major ramifications on pop culture. I’m not even joking. The creation of Rocky led to the sequels. The third movie springboarded the career of a former bouncer trying to make his way into acting, as well as a lesser-known professional wrestler who would become a household name after a fairly small role in the opening minutes.

As much as I love Mr. T, I’ll concede that his budding career isn’t exactly the most important thing in the world. The rise of Hulk Hogan, on the other hand, is a pretty big deal that may not have happened had he not been given that role opposite Stallone. Mr. T’s fame would increase as part of the ever-so-popular A-Team and he’d have a major role in the World Wrestling Federation’s increasing prominence, including the first two Wrestlemanias. Such a major output was created, possibly because a man refused to go down so easily against the greatest boxer in the world. It’s crazy to think about.

In the mid-80’s there was a time when Hogan and Mr. T seemed inseparable. Mr. T joined Hogan in his war against “Rowdy” Roddy Piper and “Mr. Wonderful” Paul Orndorff, but that was as his stage self. When Hogan would return the favor, he wouldn’t be teaming up with, “First name: Mr. Middle name: Period. Last name: T.” No, he and the world of the WWF would step into the reality of the A-Team.

The A-Team shouldn’t need an introduction, as the opening credits explains things so perfectly. It was probably the manliest of all shows, giving dudes four characters we wish we could be. The calculating genius, the suave ladies man, the lovable lunatic and the take-no-guff badass. All of them helping people while sticking it to a corrupt government. What’s not to love? Well, other than some of the first season and most of the fifth season? Luckily, when Hulk Hogan shows up, it’s during the fourth season when things are still going strong.

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Marvel Universe vs. The No-Prize

October 10th, 2012 Posted by | Tags: , ,

This week starts the first chapter of Jonathan Maberry’s Marvel Universe vs. the Avengers, expanding on the world created in Marvel Universe vs. Punisher and Marvel Universe vs. Wolverine. This time the main character is Hawkeye, coming to grips in a world rapidly succumbing to a biological defect. As always, it reads like how Marvel Zombies should have been and as far as I can tell is the first and only comic to ever depict Squirrel Girl as being killed. So it has that going for it!

Early into the issue, there’s a page depicting Captain America giving an inspirational speech to the various Avengers teams and other heroes. Looking at this page caused me a moment of confusion followed by genuine laughter because I know exactly what went wrong.

Can you spot it? Can you spot where artist Leandro Fernandez screwed up? Let’s just say that there was a bit of a miscommunication in there.

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This Week in Panels: Week 159

October 7th, 2012 Posted by | Tags: , ,

I would post 500 panels and I would post 500 more. Luckily, I don’t have nearly as many today, but thanks to Jody, Gaijin Dan and Was Taters, I have enough.

Today I did my Improv 301 show. It went pretty well. I was kind of shitty for the first few minutes, but it picked up in a scene where I was basically molested on stage in a bit with a plot of, “Your online profile scares me, but my 3 months of eHarmony is about up, so I thought I’d give this date a try.” I also played a parrot on American Idol and did the world’s worst John Stamos impression.

Hey, look at those panels that are happening right there!

Action Comics #13
Grant Morrison, Travel Foreman, Sholly Fisch and Brad Walker

Age of Apocalypse #8
David Lapham and Renato Arlem

Animal Man #13
Jeff Lemire, Steve Pugh and Timothy Green II

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Crossover Celebration Part 1: JLA vs. Predators

October 7th, 2012 Posted by |

You know what I love? Crossovers.

Really, when you look at it, it’s such a fun concept. Write a story where the main selling point is that two pre-existing parties cross paths and interact. It says a lot about the power of fiction and the properties that come from it that you can even do that. At worst, it’s a cheap cash-in. At best, it’s an interesting character study.

I think my admiration for crossovers is similar to why I’m drawn to Marvel’s What If series and to a lesser extent DC’s Elseworlds. It’s a celebration of the characters and ideas that have been built up over time while lovingly stretching them in fantastic ways. Like, I’ve never seen Star Trek. At all. Never watched any of the shows or seen any of the movies. I think I tried watching the cartoon when I was really young, but it bored me into a coma. Anything I know about the series comes from pop culture. That said, when they did an X-Men/Star Trek crossover and had a scene of someone busting into the room to yell, “DR. MCCOY?!” and both Leonard McCoy and Beast react to it and then glare back at each other, I still laugh about it because it’s almost like that was the entire reasoning for doing the comic. If it wasn’t, you know that writer had that on the top of his idea list, just over, “Spock takes out Wolverine with the Vulcan Neck Pinch and then Wolverine gets back up because of his healing factor.” Story came secondary at best.

I figured that if crossovers are a celebration of the characters, then maybe it’s about time that I celebrate the crossovers. One of the great things about crossovers – and another similarity with What If – is that they’re all so damn fascinating. It’s hard to make one that’s dull and uninteresting. You might find a crossover that works out great for everyone involved and tells a good story to boot. More than likely, you’ll get a bizarre mess that’s fun to look back at.

I’m not going to strictly talk about comics here. I’m talking crossovers in all media, whether it be comics, TV, movies and so on. I’ll only count stuff that’s official. Fan works and the like don’t count. Avengers fighting the Squadron Supreme, who themselves are Marvel’s stand-ins for the Justice League, doesn’t count. Also, in-universe crossovers don’t really rate here. Spider-Man meeting the Hulk isn’t very special. Regular Spider-Man meeting Ultimate Spider-Man? Yeah, maybe. I’ll at least use DC/Wildstorm crossovers.

For this debut entry, I’m going to go with JLA vs. Predators from 2001, drawn by Graham Nolan and written by John Ostrander. Ostrander’s a guy who I respect enough that I did a double-take when I realized he was behind it because he’s better than this.

This is one of the six times the Predators have crossed over with DC, five of the times in stories involving Batman. It hits me how safe the Predators are in this situation as the story is already written the moment you come up with the title. The Predators have a little more substance and likability than the Alien xenomorphs, but at the end of the day, in situations like this, they’re just high-profile cannon fodder. It’s a race of nameless creatures made up of some loose traits created from scenes from the first movie and, to a lesser extent, the sequel. When the xenomorphs aren’t around to make them the lesser evil, the Predators are simply, “those assholes from space”. They’re cool as hell, but there’s no mystery on who will win and who will die while laughing and exploding.

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Language: XV – “Mirror’s Edge”

October 4th, 2012 Posted by | Tags: ,

I like it when songs, or musicians, rather, come up with an ill metaphor for living life. I like it because it’s always interesting to see life through someone else’s eyes, and seeing how they approach that life is often valuable or uplifting. My favorite’s probably always going to be the pigeon/phoenix metaphor on Cannibal Ox’s The Cold Vein (Pigeon bird got a breath left/ Heart beat no more/ Phoenix bird morph and we live off the G-force”), but XV’s “Mirror’s Edge” is one that I think about a lot lately, and dig a whole lot.

The hook sets it up: “It feels like I’m running on walls, and I don’t wanna touch the ground/ And if you say that I’m lost, then I don’t wanna be found.” The verses are about being on the come-up and living life better than you ever expected, and they always come back around to the chorus by way of a direct lead-in. The chorus is kind of the point of the song. It’s what XV is feeling about where he’s at in life.

I like that this song sounds very open and casual, kinda dreamy. There’s a pointed refusal in the chorus and XV’s delivery, like someone’s pointed out that he’s about to fall, but he’s too busy enjoying the moment to take a moment to accept that. And that’s why this POV works so well for me, I think. It’s about being in a moment and appreciating that moment. It’s about understanding that moments are momentary, but that isn’t a reason to not enjoy that moment to the fullest.

But “Mirror’s Edge” is also about appreciating what you’ve got, but not getting so wrapped up in that moment that you lose sight of what’s coming. Enjoy, but be prepared. Walk that knife’s edge, but have the stitches ready. You can hear it in his voice. He’s incredulous and elated, but with his eyes wide open.

It’s a simple metaphor about living in the moment, but it works so well because XV doesn’t drape it in magic tricks or wordplay. Even if you don’t know Mirror’s Edge, the game that inspired XV’s song, it’s easy to get. It works.

(The reverb-y sound of the song puts me in mind of Gorillaz’s “Doncamatic,” too.)

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4 Elements: Captain Atom

October 2nd, 2012 Posted by | Tags: , , , ,

12 months after DC’s problematic reboot made its way onto the scene, we finish the month of getting various #0 issues of DC properties. A couple comics are canceled as of their #0s, which includes the clever use of which in Resurrection Man. For years, that guy’s been wandering around while wondering who he really is and where he comes from and to have his story end in the origin issue is kind of perfect.

One comic I’m disappointed to see go is Captain Atom by JT Krul and Freddie Williams II. Not at all surprised, granted. In fact, I’m surprised it lasted as long as it did (I had similar feelings about ill-fated comics Azrael and Magog). The series was selling terribly and did even worse than Hawk and Dove, which makes me incredibly disappointed because that means at least two people were buying Hawk and Dove before that got the axe.

I feel Captain Atom got a bad rap and was far better than most gave it credit for. It’s no surprise why. Captain Atom is a bunch of comic book wrongs somehow making a right. That’s excluding Williams, who while there are a couple issues that seem a little too fluid and melty, his art is great stuff. I mean, this is a comic written by JT Krul. That is NOT a name that makes you optimistic. You can reboot continuity all you want, but people will still remember a tripping Roy Harper holding a dead cat and thinking it’s his daughter. The fact that he hasn’t worked on anything notably good since then keeps that red flag flapping.

Then you have Captain Atom himself. Captain Atom is one of those guys who I really want to like, but know it’s a hard sell. He’s pretty boring most of the time. He’s a Superman-level hero without much of a spark. He’s so boring that they’ve given themselves no choice but to try and turn him into a villain three times and all three times it went horribly wrong. There have been times when he’s shown promise. I thought he was the perfect ambassador character to interact with the Wildstorm Universe during Captain Atom: Armageddon. I’ll even say that I didn’t hate his portrayal in the days of Extreme Justice. Judd Winick was able to make something of him in Justice League: Generation Lost but, oops, Flashpoint happened and that character growth no longer matters.

You put a character that’s hard to pull off with a writer who can’t pull off something readable and… you get something good! There’s something inspiring about that. I still won’t buy anything with Krul’s name on it that involves a bow and arrow, but I’ll be a little more open-minded to his future work.

I feel that Captain Atom is the best use of the New 52 concept trying something new. New 52 is essentially DC’s Ultimate Universe, only it’s the new mainstream instead of a parallel. Too many characters are nothing more than a reset button for the sake of telling the same stories, but you have guys like Morrison’s Superman who go in a slightly different direction. Captain Atom strays away from the original concept while holding onto just enough, making him a cross between pre-Flashpoint Captain Atom, Dr. Manhattan and the Sentry.

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