I was planning to see Watchmen when it came out in theaters, but I wasn’t particularly excited about it.  As I’ve said before, it follows the extra dark trend of superhero movies.  For me, an extra dark superhero movie is like extra dark chocolate.  Yes, it’s trendy these days, and everyone agrees that it’s classier, but most of the fun has gone out of it. 

However, then I learned that Fox started legal proceedings against Warner Brothers and the movie would be delayed, or perhaps even, (gasp), never released.

So of course then, I wanted to see it, needed to see it, started concocting I Love Lucy type schemes in order to get to see it, like unearthing one of those suits that I bought when I thought going to work meant wearing suits when in actuality going to work means advancing far enough that you don’t need to wear suits anymore, and pretending to be a lawyer (I would also probably need a briefcase) and saying that I represented one side or the other in order to get to see it.  Or perhaps I would find someone on the internet to whom it had been leaked, and beg it off of them, and transfer it to others using the netname Rorschach/Owlman4evah.

And now, the legal issues have been settled, and the movie is out in March, and I’m thinking, ‘Okay.  I’ll see it.  If it’s playing at that theater where they let you pump your own butter on to the popcorn.’

It’s sad when you’re a grown woman and you realize that you would be easily tricked into helping Tom Sawyer whitewash a fence.

“All right. It’s conceivable you could beat me, Avenger. But it would take you a very long time. Tell me this, though – do you want to?”

“No. You’re not the enemy. We’re all just pawns, in a larger scheme.”

“Then we might be better off letting the others play out the events according to the desires of whoever’s pulling the strings – while the two of us try to find some real answers.”

“You’re on. Let’s go.”

— Batman and Captain America from JLA/Avengers #2

I remember back when Marvel and DC had their Marvel vs. DC back in the mid-90’s, it was my first real introduction to Captain America. Sure, I had seen him pop up in Maximum Carnage (wow, I read some shitty stuff when I was that age), but I didn’t understand what a big deal he was supposed to be until they said that he’s supposed to be Batman’s counterpart.

It was weird, since they didn’t seem to have much in common. When they did that Amalgam event and they merged Batman and Wolverine, it seemed to make some sense more based on the two of them being scowling badasses with kid sidekicks and psycho killer (qu’est que c’est… fa-fa-fa-fa fa-fa-fa-fa-fa-far better) bad guys. Even the idea of Batman being the counterpart of Iron Man worked out better, since their secret identities were virtually the same guy.

Yet Marvel and DC, despite all their differences, has written in stone that these two are not only counterparts, but equals. They’ve gone far enough to show Superman beating up the Hulk and Thor, but even when the fans vote on it, they refuse to show an actual winner in Batman vs. Captain America. I always found that interesting.

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Know what sucks about character death?

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Comics going up to four bucks has been a hot topic lately, with good reason. It’s a big jump in price from 3 bucks, and it’s coming at a time when people are screaming “Recession!” at each other like it was “bingo.”

Probably the best financial-based look at the price increase came from Conor at iFanboy, where he broke down price per page for trades and singles. Matt Silady hipped me to Marvel’s Ultimate trade and hardcover pricing a while back (ten cents per page on the OSHCs, approximately, saves you money, with Ultimate Power being the first to cost more than that), and I’d been paying attention to comic prices before then anyway, since I’d taken an axe to my pull list and gotten rid of 90% of the dross I was reading.

I found another interesting post this weekend, courtesy of Heidi Meeley. She breaks down some real-world equivalents for what you pay for comics:

12 comic books at $2.99 = $35.88
OR
Monthly electric bill at $34.76
That is a big one, right?
16 comic books at $2.99 = $47.84
OR
Cell phone bill at $49.95
Unfortunately, some form of communication remains a viable expense.

I buy most of my trades off Amazon at this point. Getting up to 60% off counts for a lot, particularly when it comes to OSHCs or Absolutes. As my attitude toward comics adjusts, I’ve become more comfortable with waiting to read, or even not reading, some stories. As the price of comics has gone up, I’ve become even more comfortable with waiting to read books and dropping other books entirely.

Basically, I don’t really have any interest in paying four bucks for a comic book, especially not when I can double that investment, add a couple bucks, and get six times the story. Four dollars for 22 pages is a quite a bit more than a bit much. I quit buying CDs when they went over 12 bucks for similar reasons. I started looking for sales. With comics, I’m looking for full stories. Serialization is good and all, and hanging with the gang on Wednesday is fun, but most stories are interminable when split up these days.

And with Marvel pulling tricks like sixteen pages of story and charging four bucks for books like Astonishing X-Men Ghost Boxes, which wasn’t even really worth three bucks to begin with, well, I don’t feel too guilty about making four bucks my hard line.

I’m done. Horse is dead.

Here’s a question*. Do you think that people who are interested in reading Vixen: Return of the Lion, with words by G Willow Wilson and pictures by CAFU, care about this?

The correct answer is no.

Vixen is a series that is a repositioning of a recently reintroduced Justice League character who hasn’t appeared regularly for years. Batman appears on a few pages out of the issue as a guest star on a rescue mission. There’s no mention of his troubles in RIP– he’s just Guest Star Batman. Guest Star Superman, Guest Star Red Arrow (ugh), Guest Star Black Canary, and Guest Star Black Lightning round out the cast.

No one cares about Batman RIP because it doesn’t matter in the context of Vixen. How about we kill this continuity spider-web stuff and just stick to the shared universe approach? “Hey, it’s Batman! I like Batman, and even though he is currently Jean Paul Valley in his ongoing comic, I’m not enough of an anal-retentive OCD nerd to care!”

I’m not saying that you should never acknowledge things… but use some discretion. It’s worthless here.

On the flip side, this is kind of hilarious. One of my favorite things about Marvel is that they don’t throw anything at the wall to see what sticks– they throw everything.

For those of you who don’t know, Midnight Sons was Marvel’s ’90s supernatural line. Morbius, Blade, Hannibal King, Frank Drake, Ghost Rider, Johnny Blaze, Vengeance, and Marvel’s other supernatural characters were in a supergroup, or loose affiliation to this supergroup, called the Midnight Sons. They fought vampires, satanist mummy people, demons, Mephisto, and whatever other vaguely supernatural enemies decided to come calling. They were about as edgy as you’d expect, too. The satanist mummy chick had her pentagram on her right breast, for example.

Anyway, it’s the kind of idea that you’d never expect to make a comeback, but so far we’ve said that for Luke Cage, Iron Fist, Bucky, Hellcat, Captain Marvel, Moon Knight, and so on- you get the picture. Marvel has a habit of revitalizing their b, c, d, and z-list in a way that’s either genuinely entertaining or entertaining on a curiosity level, at least temporarily.

I can’t promise it’ll be good, but it’s almost sure to be more interesting than the latest Superman origin re-telling.

*This question takes place after Secret Six Discussion, but before Weapons of Mass Destruction.

My PCS cohort Jon has hit us with another big idea– Comixup. It’s a feed aggregator plus network. Sites can trade links, banners, or whatever helps to try and make your mark. Hit up Jon if you want in, or check out the post on COMIXUP on PCS if you want more info.

Basically, this is a pretty good way to show that retcons are pretty much a lame storytelling device. Nine times out of ten, it’s just another way of saying, “Welp, we screwed up and we don’t want to have to deal with the consequences.” Sometimes it’s something like, “We need this character to be in this position for this story to work and don’t want to do the in-betweening.”

Retcons can be used well, but by and large, they are about sidestepping consequences. Hal Jordan murdered a whole bunch of people, and so far, it seems like his punishment is to get called a stupid earthman and sneered at once every eight months or so. Why? Because he’s Hal Jordan, Hero, and DC Comics needed him to be a Green Lantern for some reason. Sinestro? He ain’t dead! Why, he faked his death! Why? Because Hal Jordan needs Sinestro as a villain. Jean Grey isn’t dead, she’s just in the bottom of a bay. Why? Because we need a team featuring the original X-Men. Prometheus? He hasn’t been looking like a buffoon all over the DC Universe for years. He’s been all locked up, who is that other guy? He’s just some guy who acts just like him, has the same gimmick, costume, personality, and powers.

This is stupid. There’s dozens of other ways to get around Prometheus being an idiot. Faulty tech. A deep-seated fear of Batman (it worked for Deadshot). Slumming it and trying to stay off the radar. Anything but “it wasn’t him, nope.”

That’s just lazy.

Kyle Baker gets it.

The internet went from a weird thing nerds used to do whatever it is nerds do to being a day-to-day part of all of our lives. The best place to put something where somebody can find it is online, so he put the first issue of his mean, beautiful, amazing, heartbreaking, and totally 100% worthwhile comic book about the war in Iraq online for free.

Go and read it.

Last year, I did a series of posts during Black History Month, one post a day for the entire month of Feb. It brought in the hits, but didn’t necessarily generate a lot of off-site commentary, which is what I would’ve liked to have seen.

Regardless, it was a hard and enjoyable experience, and I’d like to do it again this year. I don’t want to repeat msyelf or step on my own toes, however, so I’m putting it to you– what do you want to see me talk about? Have book/creator/topic suggestions? Are there any dumb questions that need answering? Things that need to be talked about? Nothing’s too dumb or out there. Drop me a comment or throw me an email and let me know what you want to see. If you can link this around, that’d be great, too.