It’s interesting when you look back at some of Marvel and DC’s big villains from over the years. Having characters written by a hundred different writers over several decades and style eras lead to a ton of contrasts in character definition. It’s hard to see the humbled Magneto living in the ruins of Genosha as being the same dude who would go to a gas station just to brag about his awesome gasless car. Or that the Joker would go from fighting Batman and Robin on a giant piano to cannibalism for the sake of his own sense of grim hilarity.

I don’t know about you, but when you read enough stories with these villains, you get an idea of what you think they are really all about. You can’t just say that they’re simply evil. That’s lazy. You have to have an idea of what makes them tick. Why are they evil assholes?

I’m not saying I’m right on these or anything like that. This is just me making sense out of fictional characters based on stories and key moments.

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“There’s no such thing as bad characters, just bad writers.” – Unknown

It’s the truth. Especially in a medium where characters rarely have one set writer, sometimes not even one at a time, the quality of a character is largely decided by how they’re written. But sometimes a character needs a little more effort to work; characters with no set goal or motivation, a lack of personality or simply an outdated concept. Tigra is one of those characters. She never struck me as interesting in anything I’ve read featuring her; She was either just kind of a generic urban vigilante with a cat theme or caught up in the plights of some society of cat people with a convoluted history that I couldn’t care less about. But recently Marvel seems to have been making people more aware of the character, by making her the one who betrayed Captain America in Civil War, the person the Hood beat the crap out of to set an example in New Avengers and as one of the characters in the House of M: Avengers miniseries. So if you’re going to bring her to the readers’ attention, the least you can do is make her compelling. That scene in New Avengers was the first time I’d felt any sort of emotion towards the character, but it hasn’t been followed up on so far and it’s unclear if it will be (although I’m still holding out since Bendis tends to write stories with a slow burn). So here are some things I would like to see happening with the character to make me interested in reading about her:

– Politely ignore the cat people stuff. It’s unnecessary baggage and too goofy to take seriously in this day and age. There was a Tigra mini a couple of years back by Christina Z and Mike Deodato Jr. that did exactly this. It wasn’t very good because the writing was too cheesy, but at least it tried to do something new with the character and give her a place in the universe. Oh yeah, she became a cop at the end of that mini. That was sorta interesting. Whatever happened to that?

– Change the name while you’re at it. “Tigra” makes it sound like she should a member of the Thundercats. Either go for the Luke Cage angle and get rid of the name altogether (“Greer Grant” has a nice enough ring to it), or change it back to the more generic yet elegantly simple “The Cat”.

– Change the outfit. It makes her look silly. Yeah, I know, she’s confident about her sexuality, blablabla. Lots of people (real and fictional) are confident about their sexuality, yet they generally don’t walk around in a bikini all the time. Besides, we all know the real reason she’s dressed like that. It’s not even a practical outfit, since very rarely is it drawn as giving any sort of support. The only thing it’s good for is removing the impact from dramatic scenes. She doesn’t need a superhero outfit anyway, much in the same way Wolverine doesn’t need one. She has no secret identity anymore and her look is distinctive enough to not warrant a flashy costume. Like I mentioned, she’s supposed to be a police officer now, so put her in a police uniform.

– Yeah, she’s a police officer! That’s one of the things that always appealed to me about Savage Dragon, that he was a cop who got super powers but chose to stay a cop in favor of becoming a generic superhero. Focus on that idea and it’d both give her a unique role in the universe and be the perfect opportunity to show the Initiative in action; Superheroes actively working together with the police force. And, hey, holy crap, guess who’s the new top dog in Marvel’s criminal underworld? The Hood. The guy she’d have a very personal reason for going after. This stuff practically writes itself.

In fact, this can all be brought back to simply remembering that she’s a cop. That one story element from a five year old miniseries suddenly makes the character relevant again. This really isn’t that hard.

I think my first Cameron Stewart book was Seaguy. I’m pretty sure it was, anyway– I didn’t become a Brubaker/Stewart Catwoman fan until they were nearly off the book. I’m a little fuzzy on that point, though, I might be wrong.

Either way, the man is crazy good. Every book he’s ever done looks 2008% rock solid. He’s got a fun and expressive cartoony style. Lately, I’ve been enjoying the man’s ongoing webcomic at Transmission-X, Sin Titulo. Link to the first page here, as that previous link takes you to the latest comic. Whoops, should have warned you I guess!

Anyway, the comic is really good. Stewart has a pretty smooth writing voice and the story is really engaging, though I’m not sure where it’s headed. Plus, I can get my Cam Stewart fix once a week this way. That’s good stuff.

It’s funny, but I haven’t thought about Seaguy in a long while. In a very real way, Grant Morrison’s Seaguy and JLA Classified #1 were the reasons why I started blogging about comics around this time in 2005. My first comics blog was Guerilla Grodd (shut up it was clever back then). My first post was on JLA Classified #1. A few posts later, I posted the first of two explorations of Seaguy, with an imaginary third rounding out the trilogy. I really want to rewrite these. It’s been a while since I have really dug my teeth into a subject, not to mention reread Seaguy. I feel like I could bring a lot more to the table now.

Speaking of blogging in 2005, one of my favorite sites was Fanboy Rampage. It was a linkdump of all the best (worst) comics fans had to offer and run by one Graeme McMillan. I don’t think I’m exaggerating when I say it was probably my favorite comics blog back in the day. Imagine my surprise when I move to SF this year and the guys are like “Hey, do you know Graeme?”

So, yeah, Graeme McMillan is cool people and I’m pretty pleased to call him buddy. He’s got a fun interview with Tom Spurgeon over at the Comics Reporter. Give it a look, all right?

Man, do you guys remember when comics blogging was all The Beat, Journalista, a little Warren Ellis (“The Bendis Board is full of rape-os”), Fanboy Rampage, Neilalien, and ADD? I feel like I’m leaving people out, but it’s late and my memory is bad. Casey and Fraction on the Basement Tapes, Augie on The Pipeline… Three years, man. Wow.

Controversial opinions–

–Have you ever wished for the death of a comics creator, be it an EiC, writer, or artist? Maybe an editor or colorist if you’re really into funnybooks? If you can answer yes, you probably suck as a person. It’s just comics, man. Chill out.

–The “comics fans are shut-ins/creepy nerds/worthless man-boys/fat/neckbearded/stunted” stereotype needs to be lost, stat. It doesn’t matter whether you’re explaining why comics are sexist, poorly written, racist, or whatever– lose it. It ain’t true, man. I know a bunch of people who read comics. I don’t know any shut-in creepos. Let those dudes do their own press– we don’t need to do it for them. Real recognizes real and they need to be invisible.

–Have you ever used the word “overrated” in a review? If you did, I probably didn’t finish reading what you wrote. Overrated is a stupid word that has no place in a review. It basically means “This is popular and I don’t like it so I’m going to diss everyone else’s opinion in an effort to make myself look smart(er).” You might as well be saying “as if” as far as I’m concerned.

–Seriously though– it’s just comics. It’ll be okay. Go read Kraven’s Last Hunt or Batman: Year One or Flex Mentallo or Casanova or something you haven’t read yet that’s generally well-regarded if comics right now are making you mad. If it’s getting your blood pressure up, back up off it. It ain’t worth it. It’ll come around.

–I’ve been listening to Lupe Fiasco, T.I., and Juelz Santana pretty much exclusively for the better part of a week now. It’s a weird mix of maybe 16 hours of music (9 of T.I., 5 of Lupe, and 2 of Juelz). T.I. for the south (deuces up, a-towns down), Lupe ’cause he’s a nerd, and Juelz because he’s sick at storytelling. “Gone” is dope.

Youtubes, which are probably nsfw if only for lyrics and the fact that they’re youtubes:
Lupe Fiasco: I Gotcha, Dumb It Down, The Cool (Music only)
T.I.: Big Things Poppin’, Hurt, U Don’t Know Me
Juelz: Oh Yes, Dipset Anthem, Gone (Music Only)

Man, I love that sample on Oh Yes. “Wait a minute mister mista mista mista”

Check out this “Tribute to Stan Lee” artwork at the Gallery 1988. There’s a lot of awesome stuff there, although the fanboy in me gets annoyed when I see art of characters Lee had no hand in creating or writing. Credit where credit is due, you know? Still, I want some of these on my wall.

     

PETE WOODS: TO INFINITY – NEWSARAMA

I love Pete Woods, and it’s nice to finally see him on a book that looks good in writing as well as in art. I’ve been fighting against buying the Amazons Attack hardcover, but Woods’s art makes it hard to miss.

Plus, there’s this:

While most of the locations have been established for the book, we haven’t seen much of them, so there’s plenty of wiggle room as far as design goes. Steelworks is the most exciting of those. Here we have John Henry Irons- the Tony Stark/Reed Richards of the DCU- who knows what sort of weird bleeding edge tech he’s got sitting around. The possibilities are endless…

John Henry really is, isn’t he? He’s Superman’s go-to gadget guy. Hopefully Milligan plays with that some. All we need next is for the redesigned Eradicator to make a comeback and I’ll be happy.

I know that if you’re writing for a comic book blog and it deals with superheroes you’re pretty much obligated to say something about One More Day, but I think everybody’s getting sick of it by now and I don’t have anything interesting to say about it anyway. So I’m not going to write anything about One More Day itself, but the song Four Color Love Story by accoustic indie band The Metasciences came up on my playlist the other day and I had to share it with everyone. It was composed about two years ago but is almost eerily appropriate for the story. Even the line “Elektra isn’t evil or insane” is accurate, since she’s actually a dead Skrull.

I used to feel kind of sorry for Iron Fist, despite not having read many of his comics. It’s stupid to feel that way for a fictional character you know little about, but I did. Everyone always thought highly of Luke Cage, but nobody ever cared for Iron Fist. Did Iron Fist get shoved back into center stage by Brian Michael Bendis? Did Iron Fist ever review old Twinkie ads with Doctor Doom and a talking fish? Have you ever heard anyone wax poetic about that awesome comic where Iron Fist beat up Doom? No, not really. All he got was a bunch of jokes about his name and costume, all while being referred to as Power Man’s sidekick.

Even Bendis didn’t seem to give him much love. If you look at Iron Fist’s appearances in Daredevil under Bendis’ pen, it feels as if he writes him out of necessity. In every appearance he makes, he’s standing firmly in Cage’s shadow. All he ever does is help out Cage. He’s the supporting character of a supporting character. Granted, Bendis did give him that awesome scene in the Pulse where Danny got all tense and insinuated that Jessica Jones is a whore. I like Jessica and all, but that was flat out hilarious.

His facial expression after that just says, “Whoa, that may have been a bit over the line… but really.”

It was Bendis’ lax treatment that made Ed Brubaker’s reveal that Danny Rand was filling in for Daredevil one of the all-time best revelations in comics. It worked out so well. It didn’t come out of nowhere, but Iron Fist was so low profile in his background actions that it wasn’t obvious. Then it succeeded to both push Iron Fist out of Luke’s shadow and give him a new lease on life by giving him his own critically acclaimed series and a spot on the Cage-led New Avengers.

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‘Tec 840 is the follow-up to the Resurrection of R’as al Ghul. A friend of mine said it had two good things: the penciller and inker. I’d expand that to three and get the colorist some respect, too.

But, that story was terrible.

First– The Globe. Dumb villain, dumb gimmick, dumber puns.

Second– R’as. You resurrect him just to throw him in Arkham under an assumed name and take him off the board? What was the point of that seven part crossover, then?

840 felt like a clipshow of bad scenes. Here’s Batman fighting a fat guy with a gimmick, here’s the new R’as, here’s a semi-clever scene, here’s Batman throwing a fat guy at ninjas, here’s Batman drugging R’as and sticking him in Arkham forever.

Terrible.

Batwoman was in Crime Bible: The Five Lessons of BloodThe Question #3 last week. It’s the first time I thought this version of Batwoman was kind of cool, and it’s generally a good comic that you should be reading. Anyway, I noticed an interesting thing: Matthew Clark made some sly but noticable changes to her design. It’s an improvement.

On the left is Alex Ross’ original design. On the right is Batwoman from the issue in question (hehe), as drawn by Matthew Clark. Note the streamlined cowl, the more realistic gloves, the actually functional looking utility belt, the lack of superfluous and poorly placed bat-symbols and best of all: The ridiculous high heels appear to be gone.

Pretty cool huh?

I’m currently bouncing back and forth between several writing projects for this site and I’m tired as hell, so I’ll just fall back on a stupid Photoshop gag.

For shame, Quesada. Ruining the dreams of all those 13-year-old girls and Hoatzin.

Right now, I’m going to stay away from Amazing Spider-Man. Unless, of course, there’s some kind of Venom arc. I’m shallow like that. Other than that, I’m going to spend my reading time catching up on Sinestro Corps or Casanova for a while. If I’m proven wrong and Brand New Day turns out to be redeeming, then that’s what trades are for.