About now I’m in the middle of writing three different articles while planning to finally update the Table of Contents. It’s annoying, because I want to have something to post, but I end up being torn between all the different projects and nothing really gets done in time. It’s like I’m a monster that has to choose between the scientist that created him or the loving child that befriended him. Too much time looking back and forth and too little time getting results.

What I’m meaning to say is that this here post is going to be really pointless. More so than usual.

As an introduction, let’s look at this quote from my interview with wrestler “Lightning” Mike Quackenbush:

“A certain type of personality and humor attracts a very specific demographic to CHIKARA, and in that way, we end up in bed with (figuratively speaking), and surrounded by, like-minded individuals. There are so many thematic similarities between pro-wrestling and comic books, that there is bound to be some level of crossover.”

This is very true. There are the obvious comparisons, like the concepts of heroes battling villains in a repeated contest of good vs. evil. Colorful costumes. Slick names, whether they be codenames or last names. Mantles are passed down. Bad guys turning to good guys. Good guys turning to bad guys. Characters with names like Sandman, Mysterio, Hercules, Nitro, Crossbones, Rorschach, the Punisher, etc.

But I got to thinking. There are a lot of similarities between comic books and professional wrestling that go unnoticed. Follow me.

In comics, one of the most entertaining guys is a talented man by the name of Morrison.

In wrestling, one of the most entertaining guys is also a talented man by the name of Morrison.

They both have connections to mind-blowing drugs, now that I think about it.

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“I think the thing to do is produce the best material you can, and on a regular basis, so that your readers know you can produce on a deadline, no matter what. Yabs showed editors, I was told, that I could hit a new idea each week, in a different ‘voice,’ and maintain a certain level of quality. A ton of editors read it each week, and a bunch offered me a shot. All of which I turned down, but that’s another story!”

— Gail Simone giving advice to Gavok

The other day I started cleaning my place, trying desperately to sort my DVDs, games and comics for the first time in about a year. There’s a chair where I toss stuff I had just bought that had gotten so ridiculously cluttered that I discovered barely-read magazines from months back.

Having finally sorted out all my comic trades, it was shocking how many of them remain unread. Some don’t really count because they’re collections of stuff I’ve already read as issues, like All-Star Superman and the first two volumes of 52. The real deal stuff I stacked into one big pile, guarded by an unbeatable team.

Gentlemen… BEHOLD!

The Sentry has the power of a million exploding suns, which is why everything is so glossy. Really. That’s why. Shut up.

I work at a bookstore and when I get paid, I use the option of having my check cashed on the spot. When that happens, I get high on my cash and want to spend immediately. This leads to too many comics and that neglected stack above. By admitting my problem, I hope I can finally push myself into making this stack lighter.

Here’s the what’s what of my far-too-tall tower. What are the books? Why did I buy them in the first place? If I bought them, why the hell haven’t I read any of them? We’ll start from the top and go down.

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Okay, I was going to post some more about last week’s comics, but there’s been a change of plans. Batman #667 just came out, and it’s the first of a three part mystery story! I love mysteries, I love Grant Morrison and I love J.H. Williams III, so I’m definitely on board. It’s great to see Batman be an actual detective for once. I spent my time looking for potential clues as to who the mysterious killer is that called the former Club of Heroes to a desolate island. Let’s hope the conclusion won’t be as disappointing and nonsensical as that of Identity Crisis. I’m going to list all the facts in chronological order, and present my theory from there. Also, I won’t be including the information about the Club of Heroes that Morrison has revealed in interviews, as that would be cheating; we should be able to gather everything we need to know from the issues themselves. So let’s begin… Read the rest of this entry �

I took a long break from these babies to do the Wrestlecrap articles, but now I’m back with quite a collection of characters. Some are a bit topical, too.

CROSSBONES

Captain America #360 (1989)

The story of the issue is part of an arc called the Bloodstone Hunt. It involves Captain America and Diamondback taking on Baron Zemo, Batroc, Zaron and Machete over some gem. That part isn’t really important.

Though I will say that Diamondback’s appearance is sort of off-putting here. Her outfit is pink spandex with a series of black diamonds over her front and back. Considering she’s in the water for most of the comic, she hangs around some people in bathing suits, and the way the pink is colored here, it looks like she’s wearing a black thong that doesn’t cover her chest. That’s all well and good, but her costume is torn in places, so now it looks like she has some nasty-ass skin disease.

Anyhow, she and Cap get away with the prize. As they leave, we see that they’re being watched.

Crossbones is so cool.

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For a variety of reasons, I’ve been a bit lax on real content over the past few days. Blame it on how much the Battlemania thing took out of me, work in general, being distracted by the horrific news of that uncharismatic wrestler who went and Parallax’d his once-legendary legacy, etc. Either way, the work I have done has focused a bit more on the site itself. New headers and the like. hermanos has been on a roll lately, so it’s no great loss. I’m just fluff, while he writes actual content.

The point of this post is that I updated the Table of Contents for the first time in a while. It’s starting to get a bit thick and for any new readers, it’s probably not going to seem worth sifting through. I figure that hermanos, Wanderer and I should just mark various articles as “staff recommendations”. But I also think that you regular readers out there are just as qualified. So for those of you who do stick around, what 4th Letter articles are your favorites? What would you suggest to someone who had just stumbled upon this site?

On another note, A.o.D., the guy who brought us the Ultimate Rom: Spaceknight articles, has been crossing his fingers for the past several months ever since Annihilation: Conquest had been announced. He’s been hoping that Wraith, the dark gunslinger of the cosmos, is in fact Rom himself. Over time, his hope had died down, but recently, it’s stronger than ever.

Let’s look at the facts.

1) Wraith looks an awful lot like Rom’s human form, in all his “get a haircut, cyber-hippy” glory.

2) The Spaceknights have a pretty big role in Conquest already.

3) Rom’s enemies are the Dire Wraiths.

4) Marvel is unable to use the name Rom, nor are they able to show Rom as a cyborg. On the other hand, they can do whatever they want with Rom’s human form, his backstory, the rest of the Spaceknights and the Dire Wraiths. That explains his random human appearances, like at Rick Jones’ wedding or in Universe X.

5) Despite being so grim, Wraith seems to go out of his way not to kill a villain in the preview for his first issue. Rom also had a thing against killing.

6) Solicits did say that Wraith’s backstory would make science fiction fans happy.

I for one welcome our new post-cybernetic overlord!

The last comic I read, there was a lot of rape and crying. Kinda harshed my boner for fun, you know?
–Casanova Quinn, Casanova #2

Casanova (words by Matt Fraction, art by Gabriel Ba) can be explained in two lines from a Wu-Tang song:
Yo, too many songs, weak rhymes that’s mad long
Make it brief son, half short and twice strong
–The GZA (Genius), “As High As Wu-Tang Get”

That’s on Wu-Tang Forever, by the way.

Those two lines describe Casanova perfectly. Casanova has, save for the first issue, 16 pages per issue. The average comic has 22 pages. The missing pages are given up to behind the scenes-type text pieces and art showcases. In addition, the series so far is seven issues long, and each issue is a complete story unto itself. One complete mission for Casanova Quinn. The seven issues connect in an overarching way to form the first arc, Luxuria.

Casanova is one of the greatest comics of all time.

I’m trying to review this without ruining it for you, but I think the first issue may end up being a casualty of war. You see, Casanova Quinn is a thief. He’s suave, sophisticated, he’s like Han Solo but more honest with himself. He’s having fun living the life, but everything goes wrong.

Cass has a sister, Zephyr. She dies on a mission, which causes Cass to reconnect with his father Cornelius, the head of EMPIRE. Zephyr was the good twin, so to speak, and the jewel in her father’s eye. Where Cass went left, she went right. Both Cass and his father loved her… because she was not Cass.

After that, Cass’s world goes upside down. He ends up in a parallel universe, one where he died on a mission and his sister, Zephyr, is still alive. Only– things are different. Here, Zephyr is the evil twin. She works for Newman Xeno, noted criminal and head of WASTE. Newman Xeno wants an inside man in EMPIRE, and who better than the evil alternate universe twin of the son of EMPIRE’s top dog?

That’s right. Evil Twin and Evil Twin versus Daddy. What’s the word for that? Ultraoedipal?

Casanova’s dialogue is sharp and pop culture infused, but not in that kind of annoying too cute for it’s own good way that Joss Whedon does it. The characters have real motivations, and these are motivations are ones we can relate to. Cass doesn’t want to save the world, he just wants to do right by someone important to him. Zephyr loves thrills. Cornelius? He gets a good moment where he reconnects with his son.

Casanova has assassin pop stars, hyper-advanced cultures, robots, sex, a dude who creates robots to have sex with, and tons of other mad ideas– but it’s all about the character moments. The ending is real- everything that’s been building up throughout the series comes to bear and zigzags at the last moment, but in a way that feels right. The relationship between Cass and Zephyr alone is a complicated one, and veers from simple sibling rivalry to outright malice, but in this weirdly familial way.

Gabriel Ba’s art works, too. There’s a few panels that are just pitch perfect. The scene where Cass attempts to kidnap a certain man who may or may not be a god is poetry in motion, from eye-opening to “I don’t believe in you.” There’s a panel of someone crying really late in the book that yanks your heartstrings something fierce.

This, along with David Aja’s work in Iron Fist, is some fine, fine work that really brings things to a newer or more experimental level. There are a lot of scenes that really could’ve come off like crap under a less skilled pen. The god scene, yeah, and there’s also a scene where Cass is pretty much reduced to a two-dimensional being and the art totally sells it. He turns into non-toned black lines with no shading at all, and you instantly get the point. Writing-wise, there’s an issue where each page is one of three moments in time and they cycle throughout the issue. Easily could’ve fallen flat– but it works. The art sells it and it ends up working.

Casanova is a brave comic, dense, and better for it. Matt Fraction and Gabriel Ba took a chance and poured distilled quality into sixteen pages. It never stops being interesting, because each issue is like an infodump of fictional and real information. The “savages” from one issue of Casanova are loosely based on a real people, the last living vestige of neolithic society in the modern day. An island of the past sitting in the present.

Casanova is half short, almost, and twice strong. It’s a strong work, and the recently released hardcover is definitely worth your purchase. It’s got more stuff in it than Marvel’s Civil War megahitblockbusterpieceofcrap. Even better– it’s fun.

edit, the next day: I screwed up and forgot to talk about the text pieces from Fraction and art showcase from Ba. Anyway, in exchange, Fraction love from back in the day: Perfection in Slices and A Few Good Comics, wherein I do talk about the backmatter a little.

But, you know what? They really ain’t that bad, either! Onward!

It’s those kids. That’s what’s different. He’s got sidekicks. Maybe if I get a couple of punk kids. Picked ’em up off the street and taught them what I know. Mothboy or Lepidoptera Lad or…
–Killer Moth, Batgirl: Year One

You reading any good comics right now? What’s that? You’re reading comics you don’t like? Pfft and *smh*. Read good comics, okay? Treat the problem, not the symptom.

Good Desktops

Playing with a new format today. First up, some desktops. I can’t promise that these are properly formatted, but they are a few of the 221 desktops in my DocumentsDesktops folder so they’re appropriate. Two are related, the others are just cool. We’ve got art from Marcos Martin, Michael Lark, Darwyn Cooke, and Talent Caldwell.

These desktops are Good.

Good Comics

These comics are good.
Mighty Skullboy Army (by Jacob Chabot)
I was sent this one by a buddy who knows the author, so I guess this is my first comp copy of a comic! Sweet! Of course, I received the book in Aprilish, so this is way late and I’ve got no excuse really! Sorry Kevin.

And what a comic it is! Did anyone out there ever watch Dexter’s Lab? I used to love it dearly. Mighty Skullboy Army reminds me a lot of Dexter’s Lab, not in content, but in tone. It’s got that same kind of slick sense of humor that both kids and adults can appreciate. The art is very sharp, too. It’s very cartoony, but a lot of fun to look at. The scenes involving the monkey are, in my ever so humble opinion, some of the best in the book.

MSA is, essentially, about a young supervillain (Skullboy) who is in way over his head. You see, he’s a young fella… and he’s got to go to school. You can’t very well conquer the city, nay, the world, from a school desk. He’s got a few assistants in the form of a monkey, a robot, and an intern. One problem: they’re all imbeciles and/or too flighty.

Mighty Skullboy Army is whimsical, but in a good way. It’s a respite from the super serious, or faux serious, stuff I usually read. I hate to invoke the name of the almighty Calvin & Hobbes, which is the Greatest Newspaper Strip of All Time To Which There Are No Contenders, but it is fun like C&H is fun. If you like good comics, MSA is up your alley.

Batgirl: Year One (words by Chuck Dixon and Scott Beatty, art by Marcos Martin and Alvaro Lopez)
I got my copy for 17.99, it’s 19.99 on Amazon pre-discount. Weird.
Anyway, DC was, at one point, running the Year One concept into the ground. Hard. They whooshed hard on what Year One stories should be and pumped out some pap. And then, Chuck Dixon and Scott Beatty come along and get it right, not once, but twice. Robin Year One, which I believe was drawn by Javier Pulido, and Batgirl: Year One, by Marcos Martin/Alvaro Lopez, hearken back to the noir asthetic of Batman Year One in art.

Batgirl: Year One isn’t quite perfect. Dixon and Beatty seem to love tossing in little knowing nods to DC continuity, including a few too many references to Cassandra the Oracle, and a scene where someone tells Batgirl that heroes tend to end up crippled and stuff like that. It ends up being too cute by half and distracting.

On the other hand, the art and overall story are nearly flawless. It tells the tale of a young Barbara Gordon, a young lady who has just begun to pull on the tights. There are a lot of little character touches that are great. Babs Gordon is short for her age, thin, and not particularly chesty (cf. her current portrayal which is a bit busty and statuesque, ugh). She’s headstrong, impetuous, and very teenaged. She makes a lot of dumb decisions, despite being very smart. It’s practically a Marvel story, to be honest. Babs is flawed, and her flaw is her pride. She’s got to prove she’s better than everyone else expects her to be.

I just kind of realized that Babs Gordon, as written in Batgirl: Year One, is a slightly more responsible version of Veronica Mars. No wonder I like this book so much! Not to mention that it isn’t afraid to be silly.

More tomorrow. I’m trying to get back into the swing of things!

Time for something a little different. A few weeks ago, I talked about the World Championship Wrestling comic, discussing a horrifying clash between comics and wrestling. Of course, I’m not done. I have to cover WWF Battlemania, after all. Plus I have a guest article on the way covering a comic that’s very concept causes my brain to explode.

Mixing comics and wrestling isn’t always a bad thing, though. I’d like to talk to you about CHIKARA, an independent wrestling federation that lives out of Pennsylvania. I had heard of it a while ago, but only recently have I given it a look. A couple weeks ago, I was invited to tag along to their show Rey De Voladores and I was basically blown away. It’s got everything I want in wrestling. The wrestling talent is there, giving us innovative and exciting match-ups. It’s got enough story to get by without making it more important than the actual matches. Even when the match is lopsided and the winner is blatant, they don’t make it a one-sided match that lasts two minutes. The match-ups aren’t entirely stuck on good vs. evil. Two heels can fight without having to worry about the crowd not knowing who to cheer for. Two tag partners can compete against each other without some forced storyline about them breaking up.

Most importantly is the fun factor. A lot of these guys are just weird. There’s a guy named the Hydra, who wears a monster mask, but is so skinny that he has to draw a six-pack onto himself with a sharpie in a desperate attempt to make himself seem menacing. There’s Chuck Taylor, once a smiling good guy, now driven mad by success and ego as he physically threatens children and the elderly on a regular basis. He also has a random love for dolphins and has the theme from Pete and Pete as his entrance music. There’s Player Uno, the 8-Bit Luchador, who usually wears tights that resemble overalls, as well as a lucha mask and a cap. During some matches, he’ll even kick a turtle shell into his opponents.

Others I’ll get to later.

The point of this article is the DVDs. Since CHIKARA doesn’t have a TV deal, they mostly get by with their DVD sales. This is actually what got my initial attention, as many of the DVD covers are based on classic comic book covers. The homage covers are done by Marco de Alfonso (possibly spelled wrong) and he does an amazing job.

Let’s have a look.

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I too saw the midnight showing of Spider-Man 3. Fun movie, even if it does have its flaws.

I do like how the crowd I saw it with was totally into it. Stan Lee got a round of applause. Bruce Campbell got a crazy ovation. The initial Venom transformation got a round of applause. Even that one bit at the Jazz Club towards the end where Peter does that thing he immediately regrets got a huge applause despite the fact that it was meant to be serious.

There are some groan-inducing scenes, though. I can understand why people wouldn’t like it.

Keep in mind, with the novelization, I thought it was quite good. It’s just that Raimi decided to cut out a lot of stuff and I’m not sure I agree with what he decided on.

Below is a list of most of the stuff that was either cut out of the movie, or Peter David just snuck into his version of the story. If a lot of this stuff is included in the eventual Spider-Man 3.1, I’ll be sure to pick up a copy. It may not be an improvement the level of Kingdom of Heaven, but I’m sure it would be an overall improvement nonetheless.

Remember, this is spoiler-heavy. So don’t go complaining to me because you accidentally read about the scene where Spider-Man defeats Venom by playing the entire guitar solo from Freebird and the rent-crazed landlord reveals himself to be Dormammu in disguise.

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If you’ve spent more than two minutes at this site, you may have noticed that it absolutely blows to navigate through. You want to look for that time I ranted about Wolverine? Check Google, because chasing through the archives will probably take you two hours.

That’s at an end… hopefully. I finally put in a Table of Contents page. You can see it under “Pages” on the right side of the screen. Here we have a majority of the 4L articles, split up into little groups. And a big group for David’s articles, the show-off. Plus you can actually get a little blurb about what the article in question is about.

Give it a test drive and tell me if you come across any mistakes.

I really should replace that Green Arrow image with a headshot of Ruin from Superman, but I can’t find a decent enough image of him. Damn me for coming across that arc towards the end.