Hey all. Our last server choked and died, so now we’re running on a Dreamhost box. Just in case, we’re sorry for flooding your friends list, news reader, or favorites page with posts. If you guys spot any problems, let us now, okay? Comment here or drop me an e-mail.
(edit: T’Shan was not BP’s sister. Shuri is.)
To our readers from When Fangirls Attack!– welcome! Check out the post and don’t be afraid to leave a comment, okay? Onward.
It’s been a long time, I shouldn’t have left you,
Without a strong rhyme to step to.
Think of how many weak shows you slept through,
Time’s up! I’m sorry I kept you!
–Rakim
Man, this article is crazy late, isn’t it? Just, uh, six months or so.
It’s late for a number of reasons. I’ve been trying to ramp up my writing career, which means more time writing about games, less about comics. Did it work? Well, I’m no longer living paycheck to paycheck, but talk to me in another six months.
The number one reason why it’s late, other than business and laziness, is that it is hard as crap to find good black female characters in recent comics. I mean, Monica Rambeau had a bit part in Black Panther and I’m not much for Nextwave’s portrayal of her, so she doesn’t really count. There was the great-granddaughter (grandniece?) of Jim Harper in Robinson’s Batman: Face-the-Face, but, uh, she had maybe nine panels of dialogue total, and that’s probably being generous. I’m not as familiar as I should be with Milestone’s work (beyond Static), so I wouldn’t feel comfortable putting any of those characters on this list. Bishop’s daughter in X-Men: The End has three strikes against her. 1) She’s Bishop’s daughter. 2) She’s in X-Men: The End. and 3) She’s Bishop’s daughter and is in X-Men: The End. Onyx is kind of cool, but I know exactly nothing about her and she got punked by Jason Todd so she’s out. Pantha, according to Wikipedia, is black, but, again, I know nothing about her. Thunder, from Outsiders? No thanks, hoss.
So… this is going to be a little different. It’s a top three because, frankly, there aren’t enough good black female characters out there. I’d include Glory Grant, ’cause she’s pretty awesome, but when’s the last time you saw her in a comic that wasn’t Civil War Frontline #10? (Nice guest spot, even if it was only a panel.) A better question– how many of you even remember who Glory Grant is? Monica Lynne is in the same situation. Charlotte Jones? Same deal.
I entertained the possibility of putting Monet St Croix on her, at least partially because I really enjoy her character. But, that’d make this a top 4 and these lists are traditionally either top three, top five, or top multiple of five. Four is right out.
So, a top three. But, I’m telling you, I better see some awesome black females over the next year or I’m going to do something reprehensible! I mean, black females in comics are like black head coaches in the NCAA!
BLADE
Tomb of Dracula #10 (1973)
“They call me… Blade! Blade the Black Agent X!”
Times change, don’t they? The story that introduces Blade doesn’t so much go into his background, other than his hobby of offing vampires. He takes care of some of Dracula’s henchmen early on and then fights the big bad on a cruise ship. When Dracula has things won, one of his mind-controlled lady victims comes to jump his bones. This distracts Dracula enough that Blade can get back up. Dracula makes the decision to leave, though the boat will explode in moments. Blade tosses everyone off the boat and makes it to safety himself, knowing that he and Dracula will fight again one day.
BLINK
Uncanny X-Men #317 (1994)
Before Blink was well-known for her role in Age of Apocalypse and Exiles, she showed up in regular 616 continuity as part of the Phalanx Covenant. Along with members of Generation X, she finds herself captured by the Phalanx.
When attacked by a being named Harvest, Blink uses her power to teleport him away while tearing him apart. Other than that, she follows the others as they attempt to escape, knowing that the Phalanx was unable to find a way to dampen their powers.
(This is the first of what’ll probably be a couple of posts today from me, with probably a Gavok post following after. Stay tuned, true believer!)
Dear Marvel:
I went into Wolverine Origins #10 this week with much trepidation. I thought that Jubilee, one of my favorite characters, was going to bite it. I mean, seriously, look at this solicit you sent out:
It all ends-and it all begins-in this issue, featuring both the death of a beloved Marvel character and the debut appearance of a new one: the son of Wolverine!
What was I supposed to think?!
However, Daniel Way and Steve Dillon (probably) didn’t kill her and showed that Wolverine still sees her as a daughter figure of some kind. I liked that bit, even if the rest of the issue was a little so-so.
(I would like it a little more if she still had her powers and her and Kitty Pryde teamed up to fight Wolverine II [or whatever his name is], but that’s okay. I also really like the idea of Jubilee as a mutant rights activist.)
But, I just wanted to let you guys know that I’m happy she is (probably) not dead. I’d hate to form JERK, the JubilEe Resurrection Kult, and show you that Hal Jordan fans have nothing on me.
I’m kidding.
Maybe.
Please don’t kill her 🙁
david b
age 10 1/2
(seriously, do another Jubes and Kitty story please, the one about illyana was probably one of the six good things scott lobdell ever wrote)
Before we delve back into the insanity of what passed as a story in Extreme Justice, let’s look at what the various characters were up to when they weren’t baring their teeth and looking in-your-face. Captain Atom and Blue Beetle finally came to an understanding and started to get along. Firestorm ended up getting suspended from the team after his drinking problem got out of control. As for Amazing Man and Maxima, the two of them started to grow towards each other. Though at first, Amazing Man was offended due to the fact that Maxima only seemed to be interested after he powered up from his fight with Monarch’s quantum beasts. Also, there was this…
Maxima admitted that she was still culture-shocked from being on Earth. Almerac was advanced to the point that there was only one race and culture, so she was interested in a world with diversity. Amazing Man decided to start teaching her Earth customs in the form of books, music and television. During their look at TV, Maxima stumbled onto the porn channel, which immediately piqued her interests. Being from a planet that only believed in sex for the process of fertilization, she wasn’t quite prepared for… well, something X-rated.
Ah, fun. I can talk about Maxima and pornography all day, but I got a job to do and that job is discussing the Wonder Twins. Because, you see, I hate myself.
Before I continue, I should point out that I have read worse comics than Extreme Justice. In actuality, the series wasn’t all bad. For instance, while the situations were idiotic, the characters were fine for the most part. There were some decent relationships like Captain Atom/Blue Beetle, Amazing Man/Maxima and Blue Beetle/Firestorm. In fact, Blue Beetle came out looking all right throughout this whole mess. He got to be his regular jokey self without Martian Manhunter yelling at him for not being serious. Plus he was actually useful in fights and wasn’t relegated to just hang out in the Bug and pilot.
As we last left our heroes, Captain Atom found himself before an unmasked Monarch, who was apparently Nathanial Adam. How could this be? The explanation was that when Adam was blown into the quantum field all those years ago (his origin), a quantum clone was created out of some alloy that escaped back to Earth while the real Nathanial Adam just hung out in space for a millennia, never taking the time to get rid of what had to be the dirtiest, nastiest pair of underwear in the universe.
The original Monarch showed up one day and the two became great friends. Monarch taught Adam much over the years, including the life Captain Atom stole from him. Monarch found a way out of the quantum field eventually and upon his death, sent his armor to Adam. Adam became the new Monarch and escaped. He felt that the original Monarch had the right idea of how to bring world peace, but spoiled it with some bad decisions.
The important thing from that gibberish is this: Captain Atom isn’t the real Nathanial Adam. Oh boy. You know how popular these storylines are. Just ask the many fans of Ben Reilly and Deadpool’s arch-nemesis T-Ray.
Nothing important happened with Monarch for a while, other than a bit where he had some “quantum beasts” attack Extreme Justice before destroying the creatures to make himself look like more of a hero to the on-looking crowd. The only important part to come out of this was Amazing Man absorbing the power of one of the creatures and permanently bulking up from it. That will come into play later.
(Note: This is another set of articles from the early days of 4th Letter. I always liked these articles, so I figure I’d update and repost them. Plus I have an extra article prepared that goes with it. Enjoy)
As you already know, I really like Booster Gold. Out of interest, I made it my mission to read nearly all of his major comic appearances. At the very least, read through any series that heavily included him. His solo series? Check. The Giffen era of Justice League and the one or two years following? Check. The Superbuddies stories? Check. Infinite Crisis and its bells and whistles? Check. His scattered appearances in Superman, Green Lantern and Flash? Check.
This left one major challenge: I had to read through Extreme Justice.
And I did it. It nearly killed me, but I finished the series. Oh, and what a series it was. The mid-90’s was a dark time for comics and Extreme Justice was no shining beacon among the crap. Before I go into the story, let’s look at the original roster for the team and what brought them here:
Sorry, just a bit of sarcasm there. Seriously guys, I know you love Hawkeye/Beetle/Spoiler/The Aquarian/New Warriors/JLI, but no one actually has a vendetta against these characters. Do you know why companies kill them? They kill them because you love them. They know that every character, from Skin to Ronnie Raymond to Doug Ramsey to Bill Foster, is someone’s favorite, except Wyatt Wingfoot, of course. This is especially true on the internet. Killing a character, or hinting that you will kill one, is a surefire sales and word-of-mouth bump. That’s why they do it. They’ll get a rise out of you each and every time.
It’s okay to be upset, but not to the point that you’re throwing out ad hominems and death threats at writers.
Just… be real about it. It’s just comics, dog, it’s not that serious. It sucks, yeah, but that’s life, right? It’s cool to come up with scenarios to bring them back to life or critique why they died, just have some perspective.
Anyway, Blue Beetle.
Like a lot of the DCU, I first encountered Ted Kord in the pages of the Death of Superman. He, along with Booster Gold, were part of the JL(A?) that went up against Doomsday before Superman. I had no idea that those two were the jokey-jokesters that they apparently were in JLI. I thought that they were just two heroes with cool costumes, but that’s possibly because I’ve always thought of goggles as being kind of cool. (Don’t tell anyone I told you that.) Plus, geez, they went up against the guy who killed Superman!
I thought that Blue Beetle was pretty cool, and then promptly forgot about him and the rest of that Justice League until probably about the time that Formerly Known as the Justice League hit. That was good stuff, so I became a mild fan. Countdown hit after a while and bam, Beetle was dead.
And the internet knew the sound of a billion angry keyboards, epithets and incensed forum posts a-typing.
I thought that the Beetle parts of Countdown, save for the bits where Bats and J’onn were jerks to him, did a good job of showing that he was a hero. I particularly liked the bit where Beetle realized that he had a choice between doing wrong and living or remaining a hero and dying.
“My name is Ted Kord. I am the second man to call himself the Blue Beetle. I tell myself there will be a third. And I hope whoever he or she may be, they do better at it than I have.”
He realizes that he can’t stop what’s happening, not even remotely. Lord’s plan is going to take effect, and it’s “Join me or die time.” Beetle’s response?
“Rot in Hell, Max.”
That, lads and ladies, is a true hero. Defiant to the end and ready to spit in a villain’s face.
He was right about there being a new Beetle, too.
The new Beetle is Jaime Reyes. (It’s not Jay-me, by the way. It’s pronounced more like High-may. Sorry, I’m a stickler for Spanish.) He’s the brainchild of Keith Giffen, John Rogers, and Cully Hamner. He’s from El Paso, Texas, and got the Scarab that gave Dan Garret, the first Beetle, his powers.
I really, really like Jaime. He’s quite a believable teenager, thanks in no small part to some smart dialogue from the writers. Jaime was missing for a year thanks to the events of Infinite Crisis, unbeknownst to him. While he was gone, his family came apart. His father was shot, but not killed, and his mother turned into a wreck. When he got back, the very first thing he did was reveal his powers to his understandably freaked-out family.
Yes. That is excellent and it was so nice to see. Jaime is still a teenager, still in high school. He isn’t super smart, or agile, or whatever. Shoot, he doesn’t even know how to fight. But, he understands that family is one of the most important things in a person’s life. He trusts them enough to give them his secret. His best friends, too.
After that, Jaime is almost a traditional Marvel hero. He’s inexperienced, flawed, and honestly, he doesn’t even want to be a hero. He didn’t ask for this, and he definitely didn’t ask for the JLA to take him into space and leave him there. He’s been dealt a raw deal, but he’s going to deal with it as best he can.
I like Jaime. I think that he’s a worthy successor and his book is a lot of fun. It sucks that Ted had to die to make way for him, but that’s comics. You can either embrace the illusion of change and hold onto your favorite characters until they stagnate, or you can embrace actual change and watch your favorite characters grow old, die, retire, or whatever, only to be replaced by new and improved versions or, heaven forbid, actually new characters!
It’s just comics, baby. Love them or leave them. Bad stories are a given in any medium. Whether it’s War Games or Onslaught, something out there is going to rub you the wrong way. Enjoy the good stories, ignore the rest. Just don’t be afraid to try something new.
Sorry for being a week late. The holidays drained me faster than a three-way with Rogue and Parasite. …Please pretend I didn’t just say that.
THE BEYONDER
Secret Wars II #1 (1985)
We start out with another iffy entry. The Beyonder was present during the first Secret Wars. That’s obvious. It’s just that at no point did he actually appear. That didn’t happen until the horrifying sequel. We know him for his silly disco outfit, but that wasn’t what he originally showed up in.
I like it. We see him talking with the Molecule Man, who tries to explain things to him in a way that is admirably calm and casual. Molecule Man and Volcana send Beyonder on his way as he takes a more subtle form on his quest for experience. This form is of Molecule Man himself. He proceeds to turn a desk into apples, turns a fat television writer into a super-villain and then turns invisible and follows Captain America around for the hell of it.
The new banners are in effect! We’ve got around 53 in rotation right now. New ones, old ones, ones with NFL Superpro in them. I like the new look and the logo is clean.
Let me review a couple things before I get into the meat of it, though.
Black Panther 23: This book has gotten better and better thanks in no small part to Civil War. One problem: Koi Turnbull’s art is completely inappropriate for the book. He reminds me a lot of Larry Stroman, from old school X-Factor and Tribes, I think it was called. The characters are big and chunky in general, and Panther in the sewer? I thought it was a new character. The surprise Soviet guest star had a cool scene with some interesting storytelling, but the storytelling in the rest of the book was just kind of soso, particularly in the last confrontation between Panther and an old friend. It’s decent, not good, solely due to iffy art.
Loveless 14: Obviously, I’m an Azz fan and this book is staying true to form. Daniel Zezelj provides appropriately moody art as we find out exactly why Ruth and Wes hates Blackwater so much. It is extremely harsh and pretty chilling.
The Union army, after raping Ruth, drag her into the city and talk trash. The top dog humiliates her in the city square and not one person lifts a finger, though they’re all watching. That’s heinous.
Azz is playing with time on this one, too. It takes place during July 17, 15, and 10, with July 10 featuring a not-so-surprise in terms of a death. The requisite flashback also pulls the present day (or past day, rather) person looking at their own past. it’s a technique I like quite a bit. One thing that’s certain is that Blackwater and her citizens deserve the hell that’s coming. Harsh book, but earns its A.
Okay. This next bit isn’t quite a review, more like a ramble.
I like Iron Fist. I like Luke Cage. I like Iron Fist and Luke Cage because it’s a merge of two of my favorite genres of film: blaxploitation and kung fu. The Heroes for Hire is one of my favorite duos and a great gimmick, I think. The slumming rich kid and the slum kid who wants to get rich.
The Immortal Iron Fist captures what I love about the duo and makes it work. The series gets better with its second issue as we get another glimpse of an old Iron Fist protecting what’s hers, the Iron Fist from the previous issue using the Fist in a new and intriguing way (these are not the droids you are looking for), and some wonderful Heroes for Hire interplay. Also, John Severin (yes!) does art on a wonderful flashback with tremendous payoff.
The idea of an Iron Fist lineage is one of those “Why didn’t I think of that?!” ideas. It’s so blindingly obvious and perfect that you cannot help but wonder why no one has done it before. A big part of kung fu movies (and actual kung fu, I assume) is passing down what you know. Kung fu is your techniques, your style, and your heritage. Having there be previous Iron Fists gives Danny Rand something to both live up to and pass on.
(This, of course, means that when I get a job writing for Marvel in the future, I’m going to have Danielle Knight, prodigal daughter of Danny and Misty, take up the Iron Fist in a rocking adventure across the United States to reclaim her heritage.)
The best part of this is that, if Marvel is feeling really brave, we can get an Iron Fist miniseries or one-shot about one of these old Iron Fists, be it about Wu Ao-Shi, the Iron Fist of 1545 or whoever. Please Marvel!
Matt Fraction and Ed Brubaker are doing a ridiculous job with this book, and David Aja’s art is top notch. Very moody and it really fits. He does dopey Danny Rand (Helllloooo Nurse!) just as well as he does fight scenes, especially the aftermath of Randall’s scene. Danny’s father issues sound quite interesting, too.
Best new Marvel book in ages, I think. Brubaker is hitting on all cylinders with Daredevil, Criminal, and Cap, while Fraction is rocking the house with Casanova and Punisher War Journal. Two great tastes that go well together.
Oh, and Mike Carey and Humberto Ramos on X-Men is as smooth as butter. Lovely issue, lovely art.
