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This Week in Panels: Week 94

July 10th, 2011 Posted by Gavok

This week I’m joined by only Space Jawa, who still loves him some Flashpoint tie-ins. For a while, I was just kind of okay with the two big Marvel/DC events. They weren’t hurting the regular books (well, I guess Flashpoint will in a few months) and they haven’t been offending me in any way. With their latest issues this week, I’m finally won over on both of them. Especially the Fear Itself scene my panel is from.

In non-comics news, I’m still at work for the upcoming Summerslam Countdown series, which will start up early August. Right now I only have 12 shows left to sit through. The good news is that I’ve endured Undertaker vs. Giant Gonzales already. The bad news is that I still have to endure Good Undertaker vs. Evil Undertaker.

Batman and Robin #25
Judd Winick, Greg Tocchini and Andy Smith

Fear Itself #4
Matt Fraction and Stuart Immonen

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We Care a Lot Part 24: The Antihero’s Journey Concludes

July 9th, 2011 Posted by Gavok

It’s so weird to see this article come full circle. As I said long ago in the prologue, We Care a Lot gained its genesis in a series of posts in a forum that no longer exists. David Brothers was new to blogging and asked me to join him many years ago, citing that I’d be able to repost my Venom essays, finish them and write junk like it. I may have done that latter part, but I never could get back into writing about Venom. At the time, the character I once loved and saw things in that few else ever did had become a dummy used in various stories that for the most part weren’t very good. Unlike the “weren’t very good” stories from the 90’s, these stories actually went and destroyed my interest in him.

Look how far everything’s come since then. As Venom, Mac Gargan became a major star in the Marvel Universe for quite a while, got his own miniseries and was a wheel in one of Marvel’s top selling books at the time. Now Venom is worn by Flash Thompson and stars in his own comic that has definite staying power (I was going to say that it has legs, but, well…). Eddie Brock has been reborn in a new form with appearances in Spider-Man’s main comic here and there, as well as an upcoming Venom crossover. Carnage has come back from the afterlife with a couple miniseries that make the character kind of sort of worth reading. Not only did his return give us yet another symbiote hero character who will fall off the face of the Earth, but a preview of Carnage USA suggested that there’d be some kind of task force made of obscure symbiote characters only remembered by me, the people who’ve read these articles and maybe six other people. I can only hope.

The whole Venom Family is thriving and comics have evolved in the way that modern writers have a better grasp on what to do with these guys. I’ve seen a lot of criticism on Dan Slott’s Amazing Spider-Man, but I can’t fault him on his use of Anti-Venom. The dude just plain gets it. Or he at least gets what I get.

I suppose with Venom, my enjoyment of the character has been almost defining for me. I know some people online might consider me “the Venom guy”, for better or worse. I never set out to make readers fully agree with my delight with the character/concept, but I at least wanted to make them understand where I was coming from. I hope that I’ve at least succeeded in that.

He’s a Silver Age concept painted with a 90’s extreme paintbrush. Look at the whole symbiote idea. Tell me that that isn’t a Silver Age idea that nobody got around to using until they were decades too late. It’s a plot device that writers continue to pull new tricks out of their asses for (might I remind you that symbiotes can kill people through the internet?). Yet in the end, it’s Eddie Brock who anchors it all. I’m not one of those fanboys who wants him to be Venom again because, “That’s the only way it can be.” No. I’d rather he be Anti-Venom forever.

When done right, Eddie is someone that writers have yet to scratch the surface of. He isn’t like the Punisher. He may kill and justify it, but he isn’t dead inside. In fact, he’s more optimistic about what he does than most superheroes in their saner exploits. He thinks he’s right and sometimes he is, but he’s occasionally capable of understanding that he’s wrong and can indeed agree with logic every once and a while.

Over the years, Venom has been treated like the redheaded stepchild of Marvel. Tossed around from writer to writer and making appearances that treat him as more of a money-making accessory than an actual character. He’s been in some good stories, he’s been in a lot of bad stories and he’s been in a few incredibly terrible stories. I recognize that. I’m not blind.

I also recognize something else.

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This Week in Panels: Week 93

July 3rd, 2011 Posted by Gavok

Welcome to yet another week of panels. As we race towards Week 100 (no idea what I should do, if anything, for that week), I’m joined by the usual crew of David Brothers, Was Taters and Space Jawa.

The important thing is that we just had a week where we got a Venom comic, an Anti-Venom comic, Batman Inc and a prequel to the badass Marvel Universe vs. the Punisher. It made me go from this:

To THIS:

Sorry about that. I’ve been watching an excessive amount of Summerslams from throughout the years in preparation for next month’s Summerslam Countdown article, so I have grappling on the mind.

Amazing Spider-Man #664
Dan Slott, Christos Gage, Giuseppe Camuncoli and Max Fiumara

Batman Incorporated #7
Grant Morrison and Chris Burnham

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Annotating CM Punk

June 29th, 2011 Posted by Gavok

WWE has been in a major rut lately. They have all the talent in the world and yet they’ve spent the last several months mismanaging themselves. So much time and effort has been spent on shoving Cena and Orton in our faces as overly dominant heroes that everyone else looks like shit. This is even worse when they bring in older top guys like Triple H to tell everyone that he and the Undertaker have to have a big, high-profile match because everyone in the back smells and none of them are on their level. Most attempts to build up new talent screeches to a halt because they’d rather see how said wrestler would react on a professional level if they started looking like a joke day in and day out.

I can only hope they hit rock bottom (no pun intended) over the past few months because the company should know better than to be this lousy on a regular basis. Luckily, they’ve started to get enough forward momentum in the last couple months. R-Truth has taken his character to another level. Christian and Orton are having good matches. Good wrestlers are still having good matches when nobody’s watching.

A major happening came from this week’s Raw. The next PPV, Money in the Bank, which is in Chicago, will have John Cena defending the WWE Championship against CM Punk in what is billed to be Punk’s farewell performance. The writing was on the wall with this one if you follow the backstage hijinx of the company online, but Raw’s ending added a new level of interest in it.

In a tables match between Cena and R-Truth, Punk interfered to help Truth win. With a weakened Cena selling something for the first time in maybe a year, Punk sat upon the entrance ramp and had this to say.

Was it legit? Of course not! Like they’d have him talk that long and choose only then to cut him off. But it was cool! It was really, really cool and does a good job of building up the PPV as a situation where something intriguing could happen. It was shocking and buzzworthy.

Some of the more hardcore fans (or “smarks”) out there have said that the promo alienates the casual fans because they don’t know what he’s talking about. Too many inside references. That’s bullshit, of course. Anyone can pick up what he’s talking about and figure out what they don’t get. Still, the smarks get some extra flavor from Punk’s remarks as it speaks for the most of them. The response reminds me of a lot of Grant Morrison’s recent DC Comics work, only even more straightforward. Just because you haven’t read decades of Jack Kirby work doesn’t mean you can’t read through Final Crisis.

That got me thinking. David Uzumeri has been annotating Grant Morrison’s comics for the past few years. Maybe I could annotate CM Punk’s speech and give the casual fans something to go with an already fantastic rant. Let’s give it a shot.

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This Week in Panels: Week 92

June 26th, 2011 Posted by Gavok

Welcome back to another week of panels of stuff that didn’t happen. This week I’m joined by Was Taters (who thought the Lois Lane book had some good concepts buried under miles of gratuitous cleavage and thongs), Space Jawa (who has a lot to say about why Ultimate Spider-Man’s death doesn’t work, but that’ll wait for later) and naktekh (who agrees that War Machine does a whole lot of nothing in a series that’s supposed to be about him).

In other news, my brother directed yet another music video. This time for Selena Gomez, which is both a pretty big deal and is being linked to instead of embedded onto 4L because I have my e-cred to worry about. Of course, if Selena Gomez isn’t your thing, you can always watch that nightmarish video he made about the ventriloquist dummy made of raw meat. They kind of offset each other.

Now the panels.

Batman: Gates of Gotham #2
Scott Snyder, Kyle Higgins and Trevor McCarthy

Captain America #619
Ed Brubaker, Butch Guice and Chris Samnee

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This Week in Panels: Week 91

June 19th, 2011 Posted by Gavok

Hola. This week I’m joined by the regular crew: David Brothers, Was Taters, Space Jawa and I form the head! Jawa happened to supply the entirety of the Flashpoint tie-ins, God help him.

Today I took in a double-feature of Green Lantern and X-Men: First Class. Green Lantern was really average, but then became completely forgettable once I finished watching First Class. While the movie was merely okayish, the mid-credits sequence had me laughing my ass off at how bad it is.

I don’t feel like I’m really spoiling anything with this. I mean, we all know who Sinestro is, right? You’re on a comic site. You know that Sinestro is to become a bad guy. Rather than give him some kind of character arc to push this, he plays the role of Ice Man from Top Gun until it’s time for the credits. You know how people complain about the way Anakin Skywalker was portrayed in the Star Wars prequels? Imagine if at the end of Attack of the Clones, after the wedding, they cut to the credits, then afterwards show Anakin put on his Darth Vader armor and go, “Okay, I’m evil now. Kuh….shhhh!

Avengers Academy #15
Christos Gage and Tom Raney

Avengers #14
Brian Michael Bendis and John Romita Jr.

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The Top 27 Original Weird Al Songs

June 18th, 2011 Posted by Gavok

David’s been doing his musical articles for a while and I figured it was about time I stepped up to the plate. Unfortunately, I’m not nearly as well-versed in music as he is. Then I realized that Alpocalypse, the new Weird Al Yankovic album, is coming out in a couple days. Hey, I know Weird Al pretty good!

Weird Al is someone I grew up listening to that I’m glad to see is still at it. I got into him at age 7 with Even Worse, which gave us the Michael Jackson “Bad” parody “Fat”. It took me years to even realize the joke about the album’s name. While I stuck with Weird Al for years (he used to come out with a new album every year or two back then), I don’t think I really got a lot of it. I only caught the absolute outer shell of his work and ignored the rest. I’d listen to his parodies, but fast forward through the originals.

As time went on, this changed. Like with watching Adam West Batman, the older I got, the more I got. The more I was able to see the actual talent and genius that my younger self didn’t notice. It became a thing where I’d come for the parodies but stay for the original music. Now we’ve reached a point where I look at the sources for the parodies on his new album’s track list and I don’t recognize a single one (I know “Born This Way” now, but only after the brief controversy with “Perform This Way” momentarily not being released). It doesn’t matter for me because even if I’m unfamiliar with a lot of it, I know I’ll still be fully entertained.

I wanted to pay a little tribute to Weird Al’s catalogue. I thought I’d cover only his original songs. No direct parodies (style parodies are more than fine), no polka medleys and no covers. Doing the research was a complete blast. I listened to favorites, old tunes I never gave the time of day to and even some older ones off albums I never heard before.

For the record, if I had been doing a list of his best parodies, “I Think I’m a Clone Now” would win.

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This Week in Panels: Week 90

June 12th, 2011 Posted by Gavok

Bare your teeth, put on your pouches and sharpen your spikes because we’re entering the 90’s!

This week I’m joined by David Brothers, Was Taters and Space Jawa. Due to David dropping the Cipher, his Wednesday article which lists just what books I’m reading for the week, Jawa and I have a bit of overlap in the Flashpoint department that I probably should have warned him about before he scanned his images. I read everything but the Aquaman book and he read everything but the Frankenstein book, so a couple of them will have panels from both of us.

In regards to Flashpoint, Deathstroke the Terminator being a pirate is an idea so perfect that I can’t believe it’s never been done before. I wish his post-reboot self would remain a pirate and continue his adventures on the high seas, but that’s not in the cards.

American Vampire: Survival of the Fittest #1
Scott Snyder and Sean Murphy

Annihilators #4
Dan Abnett, Andy Lanning and Tan Eng Huat

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We Care a Lot Part 23: Red Jelly

June 11th, 2011 Posted by Gavok

I admit that I’ve been putting this one off for quite some time. It’s only natural, since it means having to read Maximum Carnage for the first time in about fifteen years. For a while, I didn’t even intend to review this story since it’s been covered to death across the internet, but then I realized that my take may have its own flavor. After all, I’m a guy who likes Spider-Man, loves Venom and tolerates Carnage. That last one already puts me on a different path from most reviewers.

Carnage falls into the category of, “It’s not the character that’s bad but the writing.” Carnage can be in a great story, I’m sure. We just haven’t seen it yet, though the Carnage miniseries (originally going to be called Astonishing Spider-Man and Iron Man until Marvel realized they could lure more readers in by naming it after the long-dead villain) has certainly had its moments. In preparation, I read through Carnage’s original story arc in the pages of Amazing Spider-Man #361-363, which isn’t at all an offensive story. The Micheline/Bagley joint mostly acts as a way to both remove Venom from his status quo where he peacefully lived on an abandoned island while believing Spider-Man to be dead as well as giving Venom an excuse to fight alongside Spider-Man against a threat greater than both of them.

This idea, which I’m sure sold like gangbusters, was made fun of in the pages of the Ren and Stimpy Show #6 when Spider-Man made a guest appearance to fight a mind-controlled Powdered Toast Man.

This was written by Dan Slott, who would go on to create Anti-Venom and a bunch of gimmicky Spider-Man costumes. Pot and kettle.

So anyway, Carnage was a decent enough villain for his initial story. If they kept their cool about it, he’d probably be more accepted by your average comic fan. Instead, they went nuts over how this was the best idea Marvel’s come up with in years. The covers would literally say that Carnage was so awesome that they had to put his name on the cover twice! It was this thinking that made Marvel brass believe that a lengthy Spider-Man arc spanning all his books should be centered around this supervillain.

After reading Maximum Carnage, I felt that it had a lot of similarities to the Clone Saga. Part of it is the innocent idea of taking a character who’s been taken off the board in a previous story and bringing them back for the sake of telling a bigger, better story. Due to the hype behind the character, many issues are dedicated to telling this story. Too many issues.

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Excited About the New Fantastic Four Movie, Guys?

June 10th, 2011 Posted by Gavok

I’ve been working on my next We Care a Lot article, which centers on a certain 14-part Spider-Man/Venom team-up story from the 90’s that we all know so well. It’s going to be one of the longer write-ups and it should be up in just a day or so. Because of the length, I couldn’t find a spot to fit this in. It’s from the editorial column in Web of Spider-Man #102 and it caught my eye.

That’s kind of rough to read in hindsight. For the few of you not in the know, that’s talking about the Roger Corman Fantastic Four movie from the 90’s. A terrible movie created on a shoestring budget for no reason other than allowing the studio to legally hold onto the franchise for a few more years. The entire movie was created and only a handful of people involved knew that the studio had no intention whatsoever to release it. It stands with the Star Wars Holiday Special as one of the most bootlegged videos out there.

I love how excited that article is. All that hype. They just can’t wait to be able to watch THIS.

“REED! WHAT HAVE YOU DONE?! WHAT HAVE YOU doooooooooooone?”

The wedding scene mentioned is also the final scene of the movie, so thanks for the spoilers, jerks!

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