Archive for 2008

h1

Incredible Hulk: The Deleted Scenes

June 13th, 2008 Posted by Gavok

Caught the midnight showing of Incredible Hulk tonight. Very fun movie that’s definitely better than the Ang Lee non-prequel. It flows nicely and the action wasn’t too brief, as it sometimes felt in Iron Man. Not to say it’s better than Iron Man, because it isn’t, but there’s no shame in that. Besides, this is the second episode of the Avengers Movie Saga and it does feel right in that respect.

Several weeks back I read the Peter David novelization, as I’m wont to do, so I already had been spoiled in terms of the plot. While there are few surprises, there’s still the interesting experience of seeing stuff that was in the original version of the story that got cut out. I’ve done this before, of course, with Spider-Man 3 and Iron Man. The former was originally a solid story until important chunks of it got cut out. The latter remained good, despite a subplot cut out because of the Air Force’s say so.

With Incredible Hulk, the good outweighed the bad in terms of cuts. God, did it ever. Yes, there was definitely some stuff that should have stayed in there. No doubt. It’s just that a lot of scenes that got ousted had the potential to be really bad. Really bad. I’m talking Superman’s cellophane S projectile bad. I’m talking Matt Murdock fighting Elektra at the playground bad. I’m talking the entirety of Rise of the Silver Surfer bad. It’s cool that I count that movie as one long, horrible scene, right?

Word on the street is that there are 70 minutes of stuff cut. It’ll probably be seen in DVD form. Whether or not that makes for a better movie remains to be seen. The deleted scenes below, filled with spoilers, don’t seem to sum up to 70 minutes, but when it comes to cutting them being a good or bad idea, I’ll let you be the judge.

Read the rest of this entry �

h1

Wrestlecomics Interview: Gavok Battles Shayne Hawke at Snarkfest ’08!

June 12th, 2008 Posted by Gavok

Yep. It’s already time for another interview, this time with an honest-to-Gog comic fan. First, I should point out that it’s been a while since I’ve done any articles that compare the CHIKARA DVD covers to their comic book counterparts, but I should be getting around to that next week. I hope.

In the meantime, check out this awesome cover of Café Culture, featuring Claudio Castagnoli.

Obviously, that’s based on the comic cover where… uh… Despero was… er… enjoying a cup of coffee. Yeah.

…………

So! This time I get to interview Shayne Hawke, a charismatic youngster in the CHIKARA ranks with a lot going for him. He’s entered in this weekend’s Young Lions Cup 6 tournament, convinced he’s going to make it to the end and acquire the championship trophy. Meanwhile, he and his raspy mentor Mitch Ryder have won three tag matches in a row, thereby earning them a title shot against the tag champs Delirious and Hallowicked.

Shayne Hawke agreed to meet me up on the 4th Letter Helicarrier for an interview, mainly as an excuse to keep his pale hide out of the sun for a few minutes. I mean, that’s not what he told me, but I got that vibe just from looking at him. Anyway, the interview.

Read the rest of this entry �

h1

Review: Secret Invasion: Who Do You Trust?

June 11th, 2008 Posted by Gavok

Over the past few years, with all the various comic mega-events shoved down our gullets, the idea of the tie-in comic has been make-or-break to the main series. House of M seemed to do it the best, where all the tie-ins were completely unnecessary to the main series, but were mostly well-written and made for a good expansion to what was going on. Annihilation dodged the bullet by having seemingly no real tie-ins at all. Infinite Crisis became a huge mess where you had to know a lot about what was going on in the smaller books to truly get the story. Civil War, as far as I’m concerned, is the worst offender. The main series was competently-written, if a little convoluted, and Millar wrote very fair versions of Captain America and Iron Man. Then you look at all the tie-ins where Captain America is the perfect god of morality and Iron Man is the king of all assholes. The only truly good tie-ins were the two Captain America/Iron Man one-shots.

With Secret Invasion, the issues of New Avengers and Mighty Avengers, whether good or bad, are in a class of their own. After all, Secret Invasion is Bendis’ big cumulative storyline tying together a lot of loose ends from those series. They’re more like extended scenes and extra issues to the miniseries than anything else. Discarding those, I honestly haven’t read too many of the Invasion tie-ins. Yes, Captain Marvel was completely amazing and Hercules is a blast regardless of what story it’s linked to, but I’m not a regular reader of Ms. Marvel and I haven’t picked up Captain Britain yet, so I can’t comment on them.

That brings us to Secret Invasion: Who Do You Trust? This one-shot, based on five different stories, gives us more details on certain characters and their roles in the series. The five writers, Brian Reed, Mike Carey, Christos N. Gage, Zeb Wells and Jeff Parker keep things extremely competent and diverse in topic, while staying true to the series.

Read the rest of this entry �

h1

Elseworlds Destiny: Some Guys Age Like the World’s Finest Wine

June 10th, 2008 Posted by Gavok

I’ve talked about the differences between Marvel’s What If comics and DC’s Elseworlds comics before, but another major contrast has made itself apparent to me. They are both about taking a cool out-of-continuity concept and running with it as a full story. The problem with Elseworlds is that a lot of the time they get bogged down by either the need for familiarity (how many times has Kal-El become Superman when the entire idea of the story is that Kal-El is not Superman?) or the over-complication of the storyline.

Take JLA: Destiny for instance. The four-issue miniseries is based on a concept that is so full of promise that it could have carried the story itself. They could have just plugged it into the DC Universe and let loose a great story. Writer John Arcudi decided not to, seemingly going for more of an epic clusterfuck of a story. So this big twist in DC history is made into part of a bigger theme. It also becomes merely a subplot to the whole miniseries and this big shocker that should have been the selling point for the comic isn’t fully revealed to the reader until the third issue.

A couple years back, when I first read Destiny, I scoured online for reviews. I’m too lazy to check now, but all the reviews I found were for the first two issues only. Some didn’t make it past the first. Nobody knew what the point of the story was yet and had no indication that they were going to discover it in the final two issues, so everyone dropped it like a rock.

Read the rest of this entry �

h1

Pilot Season: Genius

June 9th, 2008 Posted by david brothers

Courtesy of the digitalfemme Cheryl Lynn:

Torchbearers: Destiny Ajaye

Torchbearers is her spotlight on black women in comics. Destiny Ajaye is the heroine of Genius, and is drawn by Afua Richardson. Jon from PCS reminded me that it was coming out.

Who’s psyched?

Me, right here. It’s got two things I want– black female heroine and revolution. Yes, please. More.

h1

Test Your Speculation

June 6th, 2008 Posted by Gavok

I’ve joked about the upcoming Mortal Kombat vs. DC Universe game a lot and I don’t expect it to be an especially good game, but at the same time, I’m drawn to the lead-up. As a crossover, it’s such a unique concept that I can’t help but wonder about the final product. In other words, at the moment, I’m enthralled by the speculation.

As of now, only four characters have been revealed: Superman, Batman, Sub-Zero and Scorpion. Series bigwig Ed Boon said that there will be 20-22 characters on the game’s roster. On one hand, I get that this is because the game has a brand new engine working for it. On the other hand, it doesn’t bring in the fun factor that comes with the obscure characters.

Capcom’s crossover games initially had the same problem, which is why the sequels had more going for them. With the foundation in place, the creators got to move outward and be more creative with the character spots. That’s when we got guys like Marrow, Tron Bonne and Chang Koehan. So if there is a sequel to this game, only then will we get Noob Saibot vs. The Shade or Moloch vs. The Shaggy Man. Myself, I’m all for Stryker vs. Azrael in the battle of who fanboys hate the most.

For the fun of speculation, I’m trying to make some educated guesses on who will be in the game. The low character count helps. The need to include the more marquee characters from both sides helps too. Boon also mentioned that each character pairs into a rivalry with the crossover counterpart.

That means you have to figure out first who Midway wants to put in the forefront. That means most of the MK1 cast and a handful of the other more memorable fighters. Then you mix and match while making sure to stick in all the well-known DC heroes. To be optimistic, let’s say that there are 11 characters on each side.

Read the rest of this entry �

h1

I Suck.

June 5th, 2008 Posted by david brothers

Summer of Love is on hold– I’ve got a grip of paying work to get done, and I’m also kind of exhausted. I’m gonna take this weekend to write and start posting on Monday, M-F.

I’d apologize, but I promised I’d stop lying*.

Back to listening to T.I. and writing.

(*that is a lie)

h1

Summer of Love 01: Middle Tier Comics

June 4th, 2008 Posted by david brothers

One post a day for as long as I can manage it. Let’s get it in!

The first post is not even on my blog, and therefore means that I lost before I even started. JK Parkin of Blog@Newsarama asked me to do a guest blog for their I Heart Comics summer piece. I wrote I Heart The Middle Tier. It went live today. My partner-in-crime Matt Silady (of MattSilady.com, natch), did one last week. It is on the new Golden Age.

An excerpt from mine:

Can you imagine a Superman comic where Clark Kent hangs up the cape and simply decides to chill out on the farm in Smallville for a few months and do nothing? Or a Batman comic where Bruce Wayne pours his Batmobile budget into the Martha Wayne Foundation? What if Tony Stark hung up his armor and we got twelve issues of Tony Stark brokering business deals, picking out thousand dollar suits, and trying to appease his stockholders– how about that?

Those books would feel weird. We’re used to getting a certain kind of story out of the top tier comics. Superman’s gotta punch people, Batman’s gotta scare people, and Spidey’s gotta make bad jokes. The stories usually need to have some kind of attention paid to continuity or something to do with shake-ups or lasting changes. If you’re writing a character who doesn’t have these expectations, though, you can get away with a lot more.

Go check it out.

While I’m here, if you’re a video game fan, go visit SOCOM.com and see what part of my day job is like.

h1

May 30th is a Good Day

May 30th, 2008 Posted by Gavok

So 27 years ago, back on May 30, 1981, I showed up and started doing my thing. To copy from hermanos, I decided to look up some old covers for comics that came out during the month of May, 1981. Sadly, What If skipped that month. Bastards.






Notes:

– The best covers are definitely the Justice League of America Starro fiasco and Dr. Doom acting like a complete pimp. You know he’s saying, “Suck it, T’Challa!” in that image.

– Ow! Look at Hal Jordan there. I thought John Stewart was the one who injured his spine.

– I need to get back into reading Essential Power Man/Iron Fist. What the hell is going on in that comic?!

– Good to see that Batman’s been an asshole since way before the 90’s.

– I don’t know what’s going on in that Superfriends comic, but I aim to find out and review it.

– Did I mention how fucking awesome that Dr. Doom cover is?

h1

T’Challa & Ororo vs The Sexist Racists

May 30th, 2008 Posted by david brothers

Let me start this off with a quote from Common’s “Sixth Sense,” just so that you don’t get what I’m saying twisted.

Some of that shit, y’all pop to it, I ain’t relating
If I don’t like it, I don’t like it, that don’t mean that I’m hating

Plain talk: Racists and sexists make for terrible villains.

Wonder Woman’s next big story arc is about the Manazons. They were introduced in DC Universe Zero over the course of three pages where a couple gods are sitting around and watching Wonder Woman. They reveal the Manazons and say something along the lines of “Never send a woman to do a man’s job!”

Lame.

The thing with villains these days is that we basically have two types. One type has two or fewer dimensions. They cackle and kill and are basically evil. Depending on the writer, this is the Joker and Magneto. Their gimmick is that they are evil. If they are part of a group that once called itself “Evil” or “of Doom” or something like that, they are probably part of this group. This is a holdover from the days when (bang, pow) comics were for kids.

The other kind of villain is the kind who is more three dimensional. He has a goal beyond just wrecking shop, or at least some kind of personality that makes him more than someone who just wants to kill everything ever for whatever reason. Claremont’s Magneto pretended to be this guy, Lex Luthor is this guy, Two Face is this guy when written popularly, and Prometheus started out as this guy. They aren’t evil for evil’s sake– they are evil for a (occasionally good) reason.

Which one of these villains do you prefer? The nuanced one or the black & white one?

I don’t mind evil villains. Joker is frustrating, but fun when Harley Quinn is around to take away from the “RARR EVIL” stuff. But, I think that evil villains are a cheap writer’s trick at this point. With the skill of writers these days, we should be able to have villains that don’t instantly inspire revulsion in the reader. We should be able to mix it up.

I’m only picking on the Manazons because it’s the most recent example. Their gimmick is that they were put into action by two gods who straight up say that women are less capable than men. What decent person is going to be able to say “Hey, this guy is really interesting. I wonder what would happen if they win?”

What happens if the Manazons win? A bunch of women are banished to the kitchen, and even then, they know that men cook better, anyway.

What’s the point? Where’s the depth? Racist sexist villains are cheap. When’s the last time you were like, “Boy, the Red Skull sure is an interesting character! His methods suck, but I can understand where he’s coming from!”

Racism and sexism are bad words. This is partly why people who are (rightly or wrongly) accused of sexism or racism get so upset at the very idea of being such. The only people who accept those labels are people who will never change. Everyone would like to be past the use of them. Racists and sexists are Bad People. Who wants to be a Bad Person?

Tossing these traits onto a bad guy is just another way to make him more unlikeable without actually writing scenes that illustrate that. It’s telling, not showing, and it is cheap like a dinner at a friend’s house or a date at the communal TV room in your dorm. It’s lazy.

Seeing a brand new villain immediately go into “mulatto” or “whore” talk immediately kills any connection I might have had. Now, he’s just a regular old bad guy. A regular, old, uninteresting, boring, cliched, terrible bad guy.

Give it a miss. You can have bad guys without using these shortcuts. I can’t believe how tired I am of seeing cheap cookie-cutter villains. It takes me out of the story instantly. and it just feels hilariously lazy.

I’m not asking for a moratorium, but at least give me another reason to hate these dudes beyond “Ha ha, he said nigger.”