Absolutely massive set of comics this week. What If: World War Hulk is my pick of the week, even despite the crappy Thor story and the even worse comedy stuff at the end. The main story rocks.
Adventure Comics #5
Geoff Johns, Sterling Gates, Jerry Ordway and Francis Manapul
Batgirl #5
Bryan Q. Miller and Lee Garbett
Punisher: War Journal #12 came out this week. The whole Hate-Monger storyline went on a little too long, but since then, things have been looking up. The Bucky issue was a nice diversion and now we have this entertaining World War Hulk tie-in.
Here are three pictures of the issue for you. It’s okay, these aren’t much in terms of spoilers, unless you’re anal about it. Each picture is set-up for what you just know is going to be some sweet, sweet payoff.
Stuart is better than Microchip ever was. Stuart is an artist.
That last page and everything that follows makes me believe that Matt Fraction knows who I am and wrote this issue specifically to make me happy. If you enjoy it too, good for you, but that was never the point. It’s all about me. So there.
(Thanks, Mr. Fraction!)
In other news, Runaways is really losing me. Straying from the core plot mixed with delays makes me forget what the hell is going on.
Stay tuned tomorrow. I’m going to have a nice, full article up. I made it. For you. For Christmas.
So far I think World War Hulk has been pretty great. A good deal of thought has gone into the event, but they didn’t over-think it, like they did with Civil War. I admittedly haven’t read the badly reviewed Frontline (fool me once…) and Gamma Corps, but most of the other tie-ins were pretty fun. I even enjoyed the Ghost Rider arc, so suck on that.
The X-Men tie-in was cool for what it was. It was just a slugfest where Hulk was meant to dominate the entire X-roster. They used this space to develop Juggernaut’s story. Maybe “develop” is the wrong word here. “Rubber banding” is more accurate, unless this is all misdirection and they’re going to keep him good in the long run, as they really should.
Either way, it was an effective subplot. Juggernaut was one of the few major threats to face the Hulk. Only something about it bothered me and I couldn’t put my finger on it. Like with many Marvel comics, my mind likes to come up with possible What If stories based on canon events. It’s a side-effect from that damn list, so cut me slack.
This fall/winter, we’re going to be getting more What Ifs. The ones announced are all based on the big events. What If: Planet Hulk is a trilogy of stories that sound downright orgasmic. What If: Annihilation pushes the events of Annihilation, Civil War and Silent War into one big, unpredictable melee. There’s a two-story Civil War issue based on Captain America either beating Iron Man, or even getting everyone to join his side. Plus What If Vulcan Had the Power of the Phoenix.
What could the eventual World War Hulk story be? It got me thinking.
First impressions are important. I’ve spent several hours pondering about how to start my introductory post on 4thletter, and in the end I decided to just take the easy route. Hi, I’m Hoatzin, 4thletter’s newest staff member, but call me Paul if you like. I am Dutch. I like comic books. But only when they are good comics. I also draw, badly, but I’ll leave that for another article. For now, just to get an idea of what type of comics I like, I’ll leave you with some random thoughts on this week’s comics. And yes, I do basically read every single Big Two book that’s being published. Thank you for noticing.
Action Comics 853 – Despite my usual enjoyment of Kurt Busiek’s comics, the fact that this is a Countdown tie-in really hurts the book. Although Busiek does a better job at making me care about Jimmy Olsen’s plight to become a superhero than Countdown, the general storyline is still pretty lame and predictable.
All New Atom 14 – Pointless fan-pandering is rampant in part three of the Hunt for Ray Palmer, with the (temporary) return of Ted Kord in a book that does not feature any characters that should care about him. But Donna Troy is soooo amaaaazing.
Black Canary 3 – Oliver Queen is a moron.
Countdown 39 – A Sean McKeever issue, so at least the dialogue is decent, but the pacing remains glacial, none of the plotlines and characters are compelling and the artwork is once again fairly atrocious. The character introduced as last issue’s cliffhanger panel does not actually show up until the last two panels of the second to last page of the main storyline and the cliffhanger page after that is hilariously pointless. The only reason I’m still reading this book is because it will lead into the Grant Morrison-penned Final Crisis.
Detective Comics 835 – Dini is apparently busy with Countdown, so it’s a filler issue, but a surprisingly solid one at that. John Rozum (creator of Milestone Comics’ cult-hit Xombi) re-invents the Scarecrow as a genuinely terrifying enemy in part one of what promises to be a very interesting two-part story arc. The dark tone of the book is perfectly complimented by Tom Mandrake’s excellent atmospheric artwork.
Fantastic Four 548 – Dwayne McDuffie continues what has so far been an entertaining run on the book. I disagree with the numerous complaints that McDuffie has been overplaying Black Panther; T’Challa is essentially Marvel’s Batman, always ready with a plan and quick on his wits, so his portrayal in the book has been perfectly in-character.
Justice Society of America 8 – After the (terrible) Lightning Saga crossover, Johns has decided to take a breather with two more low-key issues focusing on two of the lesser known JSA members. Last month was a one-shot focusing on the new Commander Steel, this month is a story about Jesse Quick, the new Liberty Belle. It’s a welcome change in pace, but the issue itself is a mixed bag. Jesse’s characterisation is well done, but her relationship with Rick Tyler is obnoxiously written. Johns should also either give Zoom a rest or do something new with the character, because at this rate he’s growing stale really fast. I still fail to care about Damage and his clichéd damaged (ha ha!) past. This issue also has fill-in art by Fernando Pasarin, and although it’s decent, it’s nowhere near as good as Eaglesham’s. Despite all this, it’s not a bad read overall.
Metal Men 1 – The surprise book of the week for me. I was unfamiliar with Duncan Rouleau’s writing prior to this, so I don’t know how it stacks up to his previous work, but this was definitly an entertaining read. There’s a lot of content crammed into 22 pages and most of it is interesting. The banter between the Metal Men is amusing and they each have distinct, defined personalities, Will Magnus is a nice sketch of a character so far and the mysterious ongoings are intriguing, especially the last page cliffhanger. The artwork is another high point. It’s cartoonish and vibrant and the coloring is lovely, with inventive panel layouts and lots of energy. It’s not perfect; at points it gets overly busy and some of the computer effects are annoying, mainly the copy-pasting of specific elements, but it’s a nice break from the conventional look of most current DC books.
And now that I’m halfway through my books for the week, I’m going to take a little break. More thoughts (in particular the new Supergirl and World War Hulk issues) later!
I’ve seen this in a couple places, so I activated my giant brain and put some thought to it. 72 hours later, I have a solution.
Short answer: they don’t.
Long answer:
In World War Hulk, Sentry is shown as unresponsive and noncommittal. He has yet to lift a finger to help the anti-Hulk side.
In a recent issue of Mighty Avengers, so recent it just came out yesterday, something happens. Lindy Reynolds, wife of the Sentry, is apparently killed by Ultron. I say apparently because there is at least one 100% fake death in the series already, not to mention the fact that Ultron can create appendages and probably change shape.
People are linking this and WWH to explain why Sentry is so out of it. Here’s a simpler idea–
The Hulk is a good friend of Sentry’s. He’s only calm around the Sentry, so the Sentry has kind of a paternal love for him. He wants to be able to help him as best he can. And then, one day, Hulk comes back and blames Reed Richards and Tony Stark for firing him into space. The Sentry’s own friends betrayed Hulk.
And then they come to him and ask him to help the Hulk… by taking him down.
When they ask him to help, Sentry asks Tony for a moment. He wants a word with him. My bet is that Sentry asked Tony, “Is it true? Did you send him into space?” and Tony said, “Yes.”
That’s why he’s sitting on the sidelines. His own friends are using him.
WWH is a good story and it stands on its own. It doesn’t need Mighty Avengers and it’d be foolish to tie that in.
WWH is about old Hulk vs new Hulk. His new friends vs his old friends. General Ross shows up in the last issue. He’s an old enemy, but his daughter was married to the Hulk. She’s dead now, I think. Hulk’s invading Earth because his wife died. There’s your drama right there.
The Rick Jones = Miek thing is pretty dumb, though.
WWH, when you boil it down, is about relationships. World War Hulk: X-Men is proof positive. (It’s also the only tie-in I’m enjoying.) The X-Men, even after all the crap Xavier has put them through, stand by their former headmaster. Xavier is willing to give in, but the X-Men are a family. All for one and one for all. It’s pretty good stuff.
I’m betting that the big fight in WWH isn’t Hulk vs Sentry. Not at all. I feel kind of like it’d be an depowered Hulk (read: Banner) versus Bob Reynolds. It’s just a hunch.
Oh, and Spider-Man: One More Day isn’t about Mary Jane dying at all. That’s a smokescreen. Joe Q is pulling the wool over your eyes again.
It’s about Aunt May getting one more day with Uncle Ben, or maybe her family, before she dies.
As inspired by a post on Higher Voltage, I present to you: World War Hulk, the Vastly Abridged Version Where Things Actually Do Change Somehow.
(Honestly, at this point, the best thing for the Marvel Universe would probably be the Hulk killing off half of their established cast to thin the herd, but there’s a goddamn Iron Man movie coming out, so that can’t happen…)
Have you guys read the new Marvel and DC solicits? I love comics, but those things are a bore and a half. It’s like they don’t even want you to read their books.
It’s cool, though. Here are the ones that are new and good and interesting. Jumping-on points only here, with one exception, perhaps. My pithy and vitally important commentary is in italics.
DC Comics is first since Marvel is better!
BATMAN #667
Written by Grant Morrison
Art and cover by J.H. Williams III
The Batmen of All Nations reunite for a weekend of fine food and nostalgia, but an unexpected visitor has other plans for the gathering. Batman, Robin, and the rest of the Club of Heroes find themselves trapped and at the mercy of a dangerous madman on the Island of Mister Mayhew!
This is why I read Grant Morrison. Mad ideas that sound completely goofy. He’s Silver Age with a Modern Age sensibility. Plus, I hope the sweet Knight and Squire from JLA Classified 1-3 shows up.
ROBIN #163
Written by Adam Beechen
Art by Freddie E. Williams II
Cover by Patrick Gleason & Wayne Faucher
It’s Tim Drake’s first Father’s Day as Bruce Wayne’s adopted son, and he wants everything to be just right. Unfortunately, the justice-crazed supervillains known as The Jury pick that very day to go on a murder spree in Gotham City!
This is a great idea for a story. The “family” part of Bat-family doesn’t get looked at often enough. “The Jury,” though, conjures up images of a certain ’90s anti-Venom team.
BATMAN: HARLEY & IVY TP
Written by Paul Dini and Judd Winick
Art by Bruce Timm, Joe Chiodo and others
Cover by Timm
Paul Dini and Bruce Timm -two of the masterminds behind Batman: The Animated Series – join forces in this volume collecting the miniseries BATMAN: HARLEY AND IVY! Also included is the special: HARLEY AND IVY: LOVE ON THE LAM by Judd Winick and Joe Chiodo, plus a newly-colored story rom BATMAN BLACK AND WHITE VOL. 2!
It’s Harley Quinn, so shut up and buy it.
Read the rest of this entry �
What comics are you reading? Good stuff, I trust. Personally, I have impeccable taste. Okay, maybe not impeccable, or even good, really, but at least I don’t read Tarot: Witch of the Black Rose or Fantagraphics’ porno comics so shut up you pervert. :doom:
Anyway.
I’ve been really enjoying Ed Brubaker lately. Criminal was one of the best comics I’ve seen lately, and is proof positive that the Brubaker/Phillips team is the proverbial bee’s knees. They tell a tragic noir tale full of the usual twists and turns that you’d expect from both Brubaker and films noir, and then hit you with a downer ending that feels oh-so-right. His run on Captain America has revitalized the character and quietly done away with the story-arc focus that Marvel had a while back, when each story was modular. Here, the issues are composed of multi-part arcs, but each arc builds organically into the next. Bru’s first twenty-five issue all tell one story. It’s pretty impressive, and the quality of the work has been ridiculous.
Of course, you can’t talk Brubaker without mentiong Immortal Iron Fist, and therefore Matt Fraction. This book is practically perfect. The story promises us(and delivers) new insights into the Iron Fist lineage and manages to pull off the “long, lost X” angle very well. It nails Danny Rand as a character almost as well as David Aja is nailing the art. There’s a nine-grid in the latest issue, #4 I believe, of Danny flitting around the building that is just a perfect comics page.
Talking about Fraction dovetails into Casanova. I haven’t read the entire series, due to me missing out on two or three issues of the seven issue series, but what I’ve read, I have loved. It’s another nigh-perfect comic, from the words to the art to the back matter. Casanova Quinn is both a sympathetic and alien protagonist, but I love him nonetheless. Casanova, the book, is pure id on the surface, but there’s a scary intelligence working underneath. It’s whip-smart and clever. It wants to fool you even while beckoning to you. It’s passionate, and that may sound a little corny but it’s absolutely true. You can feel the emotion coming off this book. But then, you check out the back matter and you realize that with the things he says and the feel the book gives off that you’re reading an amazing book. It isn’t just id or ego, it is Fraction himself in those pages. There’s an amount of “This is cool, so we’ll do it,” but 90% of that book is about or mirrors Fraction, just like The Invisibles mirrored Morrison.
Kyle Baker’s Nat Turner cannot be praised enough. I’ve got volume one and I’m ordering volume two asap. It’s a tale I remember hearing rarely in school, and then it was always painted as something to skip over in class and unimportant. I’m rather fond of the story myself, and Baker has definitely done it justice.
This is going to sound dumb, but I really like Jimmie Robinson’s Bomb Queen. I picked up the first trade (Woman of Mass Destruction) the other day. On the one hand, its gratuitous nudity, language, and violence are exactly what’s wrong with comics today. On the other, this kind of winking-at-the-reader lowbrow humor just pushes all the right buttons. Jimmie Robinson’s official position is that it is parody, and I can see that at work, too. It’s charming, in a smutty, violent, lewd kind of way. Maybe charming is the wrong word?
Anyway, Bomb Queen tickles that same funny bone that Garth Ennis’s humor work does. Adventures in the Rifle Brigade, for example, is a completely non-serious book with really, really dirty jokes. There’s a bad joke in there about America still being a colony of England is funny just because of the earnest way that Hugo “Khyber” Darcy delivers the line. Plus, it’s a story about the most bungling bunch of soldiers this side of Beetle Bailey going after Hitler’s missing testicle, so how “mature” can it be?
The Authority: Kev cycle of four miniseries is another good example, and it blends a message into all the jokes about poop and people with hideous and/or hilarious facial deformities. How do you find the strength to march to the beat of your own drum? How do you become a better person than what you are? Kev, More Kev, The Magnificent Kevin, and A Man Called Kev almost all explore this while doing Ennis’s usual “Superheroes are jerks” and “guns are awesome” stuff. The first three minis are collected in two trades. Hopefully A Man Called Kev will hit soon, as it’s easily the best of the lot.
Speaking of Ennis, though, I finally own my most favorite of his stories. It even beats out Punisher MAX, which is quite a feat. It’s 303, the book he did out of Avatar with Jacen Burrows. It is about one man, empires, wars, costs of wars, and what it means to be a man. It is, of course, in Ennis’s He-Man, War is Interesting, Guns are Awesome, Mind the Gore, Luv mode. Quite a lot of people die. The story has a point, though, as one man begins a trek for, if not revenge, honor, armed with his 303 Lee-Enfield rifle. 303 says a lot about war and the effect it has on later generations. It talks about how history chews up and spits out people. I should stop now, as I kind of want to do a dedicated post to this book later on this week. Suffice to say that it is one of Ennis’s best works. If you’re an X-Men fan, it’s everything Wolverine ever said about duty and honor but failed to deliver on. It’s played completely straight, too. No jokes, no maimings, just drama. Well done.
I’m slowly making my way through Sequart.com’s Modern Master: Grant Morrison: The Early Years. It covers Zenith through Doom Patrol, I believe, and it is pretty fascinating. I already knew a lot of it, but it’s neat to see someone else’s perspective on the same things. I’m making my way through the Animal Man section at the moment. Lit-crit applied to comics is so cool in such a nerdy way!
100 Bullets, Loveless, and Tales of the Unexpected are all obvious favorites, too. Loveless is building suspense, and genuine suspense at that, something that is rarely seen in comics. Things are heating up to a fever pitch, and Atticus, Ruth, and Wes are going to go from knee-deep in it to neck-deep in blood in only a few short issues. I can feel it. The Dr. 13 special in Tales is in a book that features Dave Lapham and Brian Azzarello both writing, which was sure to get my attention, but it’s so much better than I expected. I’d never heard of any of these characters before, save for Dr. 13, but he’s written a story that is both continuity porn and its polar opposite. I don’t have to know anything about these guys, since everything I need to know is there. Frankly, I thought he was making people up for the first few parts. I, Vampire? Infectious Lass? Seriously?
On a more sour note, Incredible Hulk‘s Planet Hulk is starting to lose me, I fear, which does not bode well for World War Hulk. I just kind of stopped caring about what happens to that planet. I’ll be mighty glad when these events are over and done with, but I do hope that WWH at least delivers on its premise.
What’re you into?
