As inspired by a post on Higher Voltage, I present to you: World War Hulk, the Vastly Abridged Version Where Things Actually Do Change Somehow.
(Honestly, at this point, the best thing for the Marvel Universe would probably be the Hulk killing off half of their established cast to thin the herd, but there’s a goddamn Iron Man movie coming out, so that can’t happen…)
I mentioned this in another post as being a scene I enjoyed seeing recreated in Spider-Man 3. I’ve got it below the cut.
Art’s by Sal Buscema, words by JM DeMatteis. It’s a great scene and wonderful capstone. Spoilers abound, obviously.
For comparison’s sake, here’s the scene from the movie, paraphrased.
Harry leapt in front of Peter and ended up being stabbed through the chest. Pardon the chatlog.
Peter: Hey pal, how you doin’?
Harry: Been better.
Peter: Get you through this.
Harry: No.
Peter: I should never have hurt you. Said those things.
Harry: None of that matters, Peter. You’re my friend.
Peter clasps his hand.
Peter: Best friend.
And Harry dies.
There it is. No commentary needed, I figure? Be a little careful with your comments and spoilers, since the movie is fresh out. If you want to talk spoilers, toss them between <spoiler>spoiler tags</spoiler> and it should hide them properly. Make sure you mention what you’re spoiling, too!
I owe you guys a post. I was writing it on Sunday, but some paying work dropped into my lap, and with a move set for next Monday, you can understand how important that is right now. Soon.
I too saw the midnight showing of Spider-Man 3. Fun movie, even if it does have its flaws.
I do like how the crowd I saw it with was totally into it. Stan Lee got a round of applause. Bruce Campbell got a crazy ovation. The initial Venom transformation got a round of applause. Even that one bit at the Jazz Club towards the end where Peter does that thing he immediately regrets got a huge applause despite the fact that it was meant to be serious.
There are some groan-inducing scenes, though. I can understand why people wouldn’t like it.
Keep in mind, with the novelization, I thought it was quite good. It’s just that Raimi decided to cut out a lot of stuff and I’m not sure I agree with what he decided on.
Below is a list of most of the stuff that was either cut out of the movie, or Peter David just snuck into his version of the story. If a lot of this stuff is included in the eventual Spider-Man 3.1, I’ll be sure to pick up a copy. It may not be an improvement the level of Kingdom of Heaven, but I’m sure it would be an overall improvement nonetheless.
Remember, this is spoiler-heavy. So don’t go complaining to me because you accidentally read about the scene where Spider-Man defeats Venom by playing the entire guitar solo from Freebird and the rent-crazed landlord reveals himself to be Dormammu in disguise.
This is pretty much what we have to look forward to during this summer’s Fantastic Four: Rise of the Silver Surfer. Galactus is a giant cloud. Great.
I can verify this. We got the novelization of the movie at work the other day and I skimmed the latter half of the book. This, plus the goofy final battle, are enough to keep me out of the theater for the time being.
I like that Spider-Man 3 and F4:RotSS come out during the same summer. They’re as different as night and day. The F4 movies take some of Marvel’s most beloved villains and bastardize them to the point that it’s painful to even talk about them. Spider-Man 3, based on the novelization, does a great job taking a villain most comic fans hate (Venom) and a classic villain who never really did all that much (Sandman) and making them interesting and exciting. I’m expecting Sandman to make a major comeback based on the movie’s portrayal.
How the hell are they going to make merchandise for a giant cloud, anyway? You can’t give gas kung-fu grip.
This is a straight up fanboy post, so bear with me. I’ll have actual content later on, hey?
I love the Wildcats and the whole Wildstorm Universe, but no way can I explain why. It just works for me, in no small part because of the Jim Lee connection.
Joe Casey’s run on Wildcats is a personal favorite of mine, with 3.0 being tops in my book. There’s a bit in where Grifter, who was injured in an earlier battle, is training the man he wants to be his replacement. A Grifter II, if you will.
Anyway, there’s a bit of a training montage, which, if you’ve ever seen an action movie, is a staple of the genre. It’s important, and kind of cool to see in a comic. He’s showing him all the basics of, superheroing and being a bad dude. “Remember, the cooler you look, the less likely it is you’ll actually have to shoot.” Check out the bottom. Wisecracking is an important part of superheroics, and of course wisecrackery is a big part of your training. I’d always thought that was a particularly clever bit of writing, with a properly corny one-liner. (I love Die Hard, pardon me.)
I picked up the first WildC.A.T.s trade on the cheap the other day (“because I am a sucker,” is what you all are thinking). Part of the way through the first chapter, I saw a familiar scene.
Oh, Grifter.
I’ll have a post with some actual content (about Superman and fathers again, if things work out right), rather than fanblatherings, later on.
(The first Wildcats trade is really kind of a so-so comic at best, to be honest. I am a sucker, though. I’d probably buy Absolute WildC.A.T.s if they put it out.)
Norman Osborn would be the worst celebrity partner for $10,000 Pyramid ever.
Contestant: Okay, okay. Animals. Cages.
Osborn: Spider-Man?
Contestant: No, no. Peanuts. Signs that tell you not to feed the animals.
Osborn: Ah. Spider-Man.
Contestant: Pass. Er, hm. Bread. Biscuits.
Osborn: Spider-Man.
Contestant: No! Cookies. Um… cupcakes!
Osborn: Things that sound like Spider-Man!
Contestant: NOT SPIDER-MAN!
Osborn: Spider-Man?! Where?!
Contestant: Stop that! Jeez… Cakes! Pies! Brownies! Freaking bread!
Osborn: Things that you bake…
Contestant: YES!
Osborn: …for Spider-Man!
Contestant: NO! Pass. He’s a superhero. Wears red and blue, but now wears black. Shoots webs. Has a movie coming out. Made you kill yourself.
Osborn: Miss Stacy!
Sometimes I can’t keep myself from reading spoilers. A week or so before Revenge of the Sith came out, I read the comic based on it. I like Runaways member Chase so much that at one point I had to check Wikipedia to make sure he wasn’t the one who died in Runaways #18. I read spoilers for Supernova’s secret identity the day before that issue of 52 came out.
This is no different. The other day I got my hands on the novelization of Spider-Man 3, as written by Peter David. I was a bit wary, as the last time Peter David wrote Venom, this happened:
I’m going to try and stay away from major spoilers, but I may slip here or there. For instance, there’s an excellent scene where Aunt May defeats the Grizzly in a game of beer pong. What I won’t spoil is that she did it blindfolded.
I’m going to level with you. This is not going to be an impressive group of characters. Remember how the last article had Captain America and Captain Marvel and shit? The most famous character here is known for having a cameo in X-Men 2 and a damn near non-existant role in the third movie. But we are going to delve into some really weird stories. Oh, yes.
God, I hate you, Wonder Woman.
CELESTIALS
Eternals #2 (1976)
The Celestials are mentioned a few times in the first issue of Eternals, but we don’t get to actually see one until the next issue. Now, bear with me on this because I don’t know the slightest thing about the Eternals and I’ve never really paid attention to the Celestials. The story here has to do with Ikaris and his archeologist friends fighting some Deviants until Ajak comes in on a spaceship and saves the day. All of the sudden, this guy shows up.
Sorry. Too much trippy exposition for me to follow.
CHALLENGERS OF THE UNKNOWN
Showcase #6 (1957)
I would barely even know who these guys were if it wasn’t for New Frontier and that one Amalgam story where the Challengers of the Fantastic fought the mighty GALACTIAC. Looking at it from the beginning, these guys have one cool origin story.
Rocky Davis, Professor Haley, Red Ryan and Ace Morgan are four different guys announced to be guests on a radio show dedicated to heroes. As they ride the same plane, they run into turbulence and crash.
Too long, didn’t read version: 300 was a pretty rocking movie, but I still like the book better.
Short story long version:
I think that I may have mentioned this here before, but Frank Miller got me back into comics five or so years back. I usually attribute it to the Daredevil Visionaries and Dark Knight Strikes Again, but I’d totally forgotten that I’d read a different Frank Miller book a year or two before I’d read those.
This would’ve been back when I was in Madrid. Me, my mom, and little brother were at Hipercor, Supercor, or whatever the crap our local grocer was called. I was in the arts & crafts/books section (it was kind of jumbled) and I saw a book there. It looked familiar, and I realized it was by the Sin City guy! I probably begged Mom to buy it for me so I could read it.
It was the Norma Editorial edition of 300 and it was completely in Spanish.
That book is probably why I still remember so much Spanish nowadays. I’ve easily read that book a dozen, maybe a couple dozen, times. More than any other comic I own. I now own it in English and Spanish, but I remember all the good lines in Spanish. “Stumblios” is “Storpios,” “Barely a year ago” is “Hace apenas un año,” that sort of thing.
I’m just trying to set the stage here. I’m a big fan of the book, and though I haven’t read it in a while, I’ve read it enough that I basically have a lot of it memorized, which probably colored my opinion of this movie.
I’ll sling this behind a cut, since there’ll probably be some (fairly light) spoilers.
Read the rest of this entry �
(Images have been added to the post! Scroll all the way down.)
Have you ever had something take you utterly by surprise that, in hindsight, is completely obvious?
That happened to me with Annihilation. I had no idea that Annihilus was the villain of Annihilation until the end of the Annihilation Special. No duh, right? I’m usually pretty good with picking out plot twists. I bet watching tv shows or movies with me sucks, since sometimes I just can’t help going “That guy’s the traitor, his wife is the hero in disguise, and that little one-liner about being good with explosives means he’s going to fake his death.”
But, I’ll still miss some completely obvious things.
So, pull up a chair and check this out. I’m probably going to spoil the ending of Fantastic Four: The End for you in the process. That’s still a few paragraphs down, though.
Just for clarity’s sake– FF: The End is the first of two (!) FF: The End projects. The upcoming one is being done by the team of Stan Lee and John Romita Jr. The one I’m talking about here, though, is the recently concluded FF: The End by Alan Davis and Mark Farmer. As usual, Farmer inks while Davis pencils and writes.
The last project I remember Davis and Farmer collaborating on is JLA: The Nail and JLA: Another Nail. They were Elseworlds tales about Superman being raised by Amish farmers, rather than the Kents, and the differences that brought out in the world. They weren’t perfect stories, as I seem to remember Jimmy Olsen somehow getting superpowers or something a little ridiculous like that, but they were great fun. JLA: Another Nail actually had the best Green Lantern ever. A deceased Mister Miracle escaped from death on Apokolips and into a GL ring which was worn by Big Barda.
A husband-and-wife Green Lantern. Awesome.
Davis has a lot of strengths. Costume design, for one. Another Nail is full of pretty sweet redesigns, and FF: The End is no different. He is kind of overly fond of raised collars, but he comes up with a cool in-story explanation for why so many Inhumans wear masks, so it evens out. Another is that he’s the original Bryan Hitch. Hitch used to be a Davis imitator, and his inker Paul Neary is well known for working with Alan Davis. Both of them have a great eye for detail and realism, which means that disaster scenes and low-key scenes both hit with appropriate impacts.
What I’m trying to say is that Alan Davis is an awesome artist. With FF: The End, he becomes a good writer, too.
FF: The End is set after the Mutant Wars, and after Reed Richards has finally put his mind toward improving the Earth to its fullest potential. He’s extended the lives of everyone on the planet exponentially. Lives are measured in the centuries now, which also provides a convenient reason for all your favorite heroes to show up still youthful, though Doc Strange missed out on the treatment. Crime is essentially gone, and there are heroes all over the solar system. The solar system itself has been quarantined, shut off from the Kree, Shi’ar, Skrulls, and most other Marvel space aliens. Marvel is finally a utopia.
That’s not to say that it’s been a bloodless advancement. The prologue shows that Franklin and Valeria Richards died in the FF’s final battle with Doctor Doom. We fast forward to twenty years after that, and the FF didn’t manage to stay together. Ben Grimm retired to Mars with Alicia Masters, his longtime girlfriend, and they have a handful of kids. Ben can turn from monster to man and back again, as well. Johnny Storm goes by John now, and he’s a bigshot hero in his own right. He’s extremely well-respected, to the point where he’s the top dog in the Avengers. His is the only new costume that I’m not really digging, but he thankfully gets some FF duds part-way through the series. Either way, the hothead has grown up into a true hero. Sue has buried herself in archaeological research and is hunting for various esoteric objects all over the Earth. She’s also sporting a boyish haircut that is pulled off amazingly well, and speaks to Davis’s sense for character design. Reed? Reed is alone on a satellite, cut off from human contact nine times out of ten, tinkering with his inventions and looking to keep pushing forward. Marvel’s First Family aren’t much of one any longer.
Read the rest of this entry �
