Hal Jordan watched a snail crawl along the edge of a straight razor. That’s his dream. That’s his nightmare.
Hey, now. Looks like it’s time for another installment of Ruining the Moment! Let’s roll.
This is going to sound weird coming on the heels of my “Ollie Queen is a jerk!” post, but hear me out.
I love character turns, be it heroes gone bad (Zoom, Batgirl, Eradicator) or villains gone good. It’s always interesting to see that breaking point that makes someone change. This post is about a villain who went good.
Paul Booker was a crap villain. He called himself Major Disaster, wore a disaster of a costume, and had a disaster of a career. To be quite honest, I haven’t read a lot of his early work just because it looked so awful. He’s got on pink gogo boots, a blue body suit, and a lighter blue hood. It’s a costume on par with some of Scarlet Witch and The Wasp’s worst excesses, but not quite as bad as Susan Richards’s negative-space 4 costume from the ’90s.
Booker joined the JLA at Batman’s request. Yes, the same Batman who gave Huntress the old heave-ho. The JLA were MIA and he had a Substitute League lined up in case of emergencies. Booker so liked the respect that he stuck around on the team and ended up proving his worth. He even made it onto the JLElite, before finally retiring.
Booker’s face turn for JLA was more of an “Okay I’m good now guys” rather than a gradual shift, but it feels right. Here is a guy that, in another world, could’ve been a true hero. He could theoretically prevent disasters, or come up with new ways to research them. The problem is, he’s selfish. He decided to look out for number one first and foremost, and ended up crap villain. He’s had tastes of the good life during his stints in the Suicide Squad and Justice League Antarctica, but he never hit the big times until the JLA accepted him.
He brings an interesting dynamic to the team for a couple reasons. One, he’s a reformed villain. As he says at the beginning of the Rules of Engagement arc, “Vote from the reformed criminal type! If more capes hunted down more bad guys, we’d have a lot less crime!” He doesn’t look at things like the other heroes do. He’s a very to-the-point, man-of-action type. If there is an easy solution that solves the problem well, do it! Why not?
Second, Booker is a big, dumb lug in the Bibbo Bibbowski/Lobo vein. He doesn’t say exactly what’s on his mind because he doesn’t really think. His brain isn’t just not connected to his mouth, it’s not connected, full stop.
Case in point. When the Elite gets together, they’re masterminded by Naif al-Sheikh, who can best be described as an Arab, male, and chainsmoking version of Amanda Waller. He’s got crazy black-ops and intelligence clout, so much so that the JLE gets approval based on his word alone. al-Sheikh sees these men and women as “demons playing in the robes of angels.” They terrify him, and that cannot be. He wants them to share a secret so that they can begin to build a trust. He wants them to explain why they fight for the light from the shadows. Booker’s response? “I, umm… this is really gay. Can’t we just go kick the @&#% out of some bad guys, “sir?”
This man is “Hurrrr!” incarnate! Another example. Booker’s been talking about Kasumi, an assassin on the team with something to hide. This scene follows:
Yes, Booker. You got zapped because it’s that time of the month. That is it exactly.
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It is Hal Jordan Appreciation week. In honor of HJAW…
Huh.
I got nothing. Moving right along–
I love 100 Bullets. You all know this already, right? I’m confident that I can prove that it is the finest piece of comic literature amongst a field filled with self-absorbed people whining about their life and tights’n’fights.
Here’s the long and short of 100 Bullets: The Trust are the scary behind the scenes people that are usually referred to as “they.” They are obscenely rich and outside of the law without being outlaws. The Minutemen were a group of men who protected The Trust from threats both foreign and internal. If a member of The Trust moved against another, the Minutemen would handle it decisively. A few years back, The Trust tired of this and had the Minutemen eliminated in Atlantic City… or so they thought. Agent Graves, leader of the Minutemen, faked their deaths and dropped them into new lives through hypnotism. Now, he’s reactivating his army and appears to be in the process of taking careful revenge on The Trust.
One of my favorite characters in 100 Bullets is Isabelle “Dizzy” Cordova. A reformed gang member whose husband and son were murdered while she was in prison, Dizzy is both one of the reader’s many POV characters and a moral center for the series.
Graves approached her with a briefcase and revealed that two policemen were responsibile for the death of her new family. The briefcase held a pistol and 100 bullets, both of which were completely untraceable. They were “magic bullets,” and any police investigation that involved them would be canceled and wiped away clean. It was a license to kill.
By the end of that arc, it was clear that Dizzy was destined for greater things. She’s appeared throughout the series and you can see a clear progression from broken-hearted girl to grown woman. She’s still young, though quite some time has passed since she first crossed paths with Graves, or rather, since Graves began grooming her for his purposes.
You see, Dizzy is “The Girl,” and she is slated to become one of the new, post-Atlantic City Minutemen. Even more so than the others, Dizzy is slated to be a check within the group itself, as she has been given both a reason (or two!) and the training to kill Agent Graves if and when the time comes.
Time will tell how she ends up, but as-is, she’s easily my favorite female comics character. She’s got heart, she’s got character, and she’s awesome. She’s had an interesting character arc, too. She’s gone from ex-con with a death wish to a person with a fierce wish to live.
Early in the series, she’s told that she had every right to kill a man. She would have gotten away with it. “Well,” she responds, “that don’ make it right, knowhumsayin’?”
That’s Dizzy.
I have trouble with Green Arrow. Ollie Queen has only had a handful of stories that ever really interested me, and even then only slightly. It doesn’t help that the past few years of his book have been not to my taste at all. Longbow Hunters was good, and I’ve been meaning to read Grell’s run on the character because of it. It might help me “get” Ollie.
I think it boils down to his character. He’s this super lefty, hero of and to the people type of guy. He’s that annoying, loudmouth, brash guy who I don’t think anyone likes. He’d be positively frustrating to hang out with. I dig Black Canary, but I have no idea what she sees/saw in him.
Plus, there’s this kind of thing.
So, in short, Ollie Queen is an annoying slimeball with a stupid mustache. I realize that this is a plot point in Justice League Elite, but I don’t see it being even remotely out of character for Ollie. Shoot, one of his character traits is “unfaithful.”
Also, Hawkeye has the same gimmick but is at least fifteen times as cool, Connor Hawke is more interesting, and Oliver Queen having a win against Prometheus is ridiculous. I actually like Mark Millar’s Ultimate Hawkeye more than I like Oliver Queen. Hate may be too strong a word, but I definitely am not an Ollie fan.
BLADE
Tomb of Dracula #10 (1973)
“They call me… Blade! Blade the Black Agent X!”
Times change, don’t they? The story that introduces Blade doesn’t so much go into his background, other than his hobby of offing vampires. He takes care of some of Dracula’s henchmen early on and then fights the big bad on a cruise ship. When Dracula has things won, one of his mind-controlled lady victims comes to jump his bones. This distracts Dracula enough that Blade can get back up. Dracula makes the decision to leave, though the boat will explode in moments. Blade tosses everyone off the boat and makes it to safety himself, knowing that he and Dracula will fight again one day.
BLINK
Uncanny X-Men #317 (1994)
Before Blink was well-known for her role in Age of Apocalypse and Exiles, she showed up in regular 616 continuity as part of the Phalanx Covenant. Along with members of Generation X, she finds herself captured by the Phalanx.
When attacked by a being named Harvest, Blink uses her power to teleport him away while tearing him apart. Other than that, she follows the others as they attempt to escape, knowing that the Phalanx was unable to find a way to dampen their powers.
Sorry, just a bit of sarcasm there. Seriously guys, I know you love Hawkeye/Beetle/Spoiler/The Aquarian/New Warriors/JLI, but no one actually has a vendetta against these characters. Do you know why companies kill them? They kill them because you love them. They know that every character, from Skin to Ronnie Raymond to Doug Ramsey to Bill Foster, is someone’s favorite, except Wyatt Wingfoot, of course. This is especially true on the internet. Killing a character, or hinting that you will kill one, is a surefire sales and word-of-mouth bump. That’s why they do it. They’ll get a rise out of you each and every time.
It’s okay to be upset, but not to the point that you’re throwing out ad hominems and death threats at writers.
Just… be real about it. It’s just comics, dog, it’s not that serious. It sucks, yeah, but that’s life, right? It’s cool to come up with scenarios to bring them back to life or critique why they died, just have some perspective.
Anyway, Blue Beetle.
Like a lot of the DCU, I first encountered Ted Kord in the pages of the Death of Superman. He, along with Booster Gold, were part of the JL(A?) that went up against Doomsday before Superman. I had no idea that those two were the jokey-jokesters that they apparently were in JLI. I thought that they were just two heroes with cool costumes, but that’s possibly because I’ve always thought of goggles as being kind of cool. (Don’t tell anyone I told you that.) Plus, geez, they went up against the guy who killed Superman!
I thought that Blue Beetle was pretty cool, and then promptly forgot about him and the rest of that Justice League until probably about the time that Formerly Known as the Justice League hit. That was good stuff, so I became a mild fan. Countdown hit after a while and bam, Beetle was dead.
And the internet knew the sound of a billion angry keyboards, epithets and incensed forum posts a-typing.
I thought that the Beetle parts of Countdown, save for the bits where Bats and J’onn were jerks to him, did a good job of showing that he was a hero. I particularly liked the bit where Beetle realized that he had a choice between doing wrong and living or remaining a hero and dying.
“My name is Ted Kord. I am the second man to call himself the Blue Beetle. I tell myself there will be a third. And I hope whoever he or she may be, they do better at it than I have.”
He realizes that he can’t stop what’s happening, not even remotely. Lord’s plan is going to take effect, and it’s “Join me or die time.” Beetle’s response?
“Rot in Hell, Max.”
That, lads and ladies, is a true hero. Defiant to the end and ready to spit in a villain’s face.
He was right about there being a new Beetle, too.
The new Beetle is Jaime Reyes. (It’s not Jay-me, by the way. It’s pronounced more like High-may. Sorry, I’m a stickler for Spanish.) He’s the brainchild of Keith Giffen, John Rogers, and Cully Hamner. He’s from El Paso, Texas, and got the Scarab that gave Dan Garret, the first Beetle, his powers.
I really, really like Jaime. He’s quite a believable teenager, thanks in no small part to some smart dialogue from the writers. Jaime was missing for a year thanks to the events of Infinite Crisis, unbeknownst to him. While he was gone, his family came apart. His father was shot, but not killed, and his mother turned into a wreck. When he got back, the very first thing he did was reveal his powers to his understandably freaked-out family.
Yes. That is excellent and it was so nice to see. Jaime is still a teenager, still in high school. He isn’t super smart, or agile, or whatever. Shoot, he doesn’t even know how to fight. But, he understands that family is one of the most important things in a person’s life. He trusts them enough to give them his secret. His best friends, too.
After that, Jaime is almost a traditional Marvel hero. He’s inexperienced, flawed, and honestly, he doesn’t even want to be a hero. He didn’t ask for this, and he definitely didn’t ask for the JLA to take him into space and leave him there. He’s been dealt a raw deal, but he’s going to deal with it as best he can.
I like Jaime. I think that he’s a worthy successor and his book is a lot of fun. It sucks that Ted had to die to make way for him, but that’s comics. You can either embrace the illusion of change and hold onto your favorite characters until they stagnate, or you can embrace actual change and watch your favorite characters grow old, die, retire, or whatever, only to be replaced by new and improved versions or, heaven forbid, actually new characters!
It’s just comics, baby. Love them or leave them. Bad stories are a given in any medium. Whether it’s War Games or Onslaught, something out there is going to rub you the wrong way. Enjoy the good stories, ignore the rest. Just don’t be afraid to try something new.
Sorry for being a week late. The holidays drained me faster than a three-way with Rogue and Parasite. …Please pretend I didn’t just say that.
THE BEYONDER
Secret Wars II #1 (1985)
We start out with another iffy entry. The Beyonder was present during the first Secret Wars. That’s obvious. It’s just that at no point did he actually appear. That didn’t happen until the horrifying sequel. We know him for his silly disco outfit, but that wasn’t what he originally showed up in.
I like it. We see him talking with the Molecule Man, who tries to explain things to him in a way that is admirably calm and casual. Molecule Man and Volcana send Beyonder on his way as he takes a more subtle form on his quest for experience. This form is of Molecule Man himself. He proceeds to turn a desk into apples, turns a fat television writer into a super-villain and then turns invisible and follows Captain America around for the hell of it.
There is an interesting bit of discussion going on over at Blog@Newsarama over the very same comments Joe Q made that I linked a couple days ago. Click over and read it. The comments thread is more interesting than the Bendis Board reports, because a couple interesting tangents have popped up. I’m reproducing a response of my own here because, 1) just spent a long bloody time typing it up while sitting in bed, 2) I kind of like it, and 3) “Joe Questrawman” is positively inspired at this time of day night and I feel like patting myself on the back for thinking of it in my addled state.
I come in with my is-allnow-comics zen at comment 14. Read the rest of the thread, too, though. It’s got some long posts, but interesting ones. I try to present both sides equally because, even though I may give DC a lot of crap (some of it is even deserved), I still love a lot of their comics, you know? I may not have spent my time in elementary school thinking up awesome Batman stories like I did with Spidey, but a lot of the characters are near and dear to my heart.
(Spider-Man is still better, though :spidey:)
One day, I will write on this blog about things that aren’t superheroes, I promise. I think I’m still in Wally Sage/Flex Mentallo mode, though. Morrison’s good comics are like mental viruses.
Anyway, read. feel free to discuss below or over on Blog@. It’s a conversation I’m quite interested in.
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— Dinosaur Comics is one of the hands-down funniest webcomics out. Here is my favorite strip. It is a comic about the male gaze (yes, that male gaze) as explained by a neon green t-rex. The red-tinted text is the devil speaking. Enjoy!
— I’m a Wonder Woman fan for very specific stories, and Amazons Attack sounds like one of those stories! Plus, Pete Woods and Will Pfiefer are great together. I’m not sure why they’re attacking, or how, since I could’ve sworn that the Amazons disappeared to another dimension or oblivion along with the Greek gods and didn’t exist any more, but okay. I do like that Pfiefer is going to focus on the foot soldiers, though. That sort of thing has always been more interesting to me.
— Amazons Attack is a great title and I’m glad that they’re actually going to use it. It really, really needs an exclamation point, though. 4thletter!. Amazons Attack!. It’s dynamic, exciting, and cool. Very Silver Age.
— Paul Pope is one of my favorite creators. He is definitely among my ever-growing Top Five Favorite (I’m up to 150!). He has a must-read blog. He’s got a lot of Kirby-related shots up. A little bit of FF, a bit of OMAC (a little Erica in my life). Their styles couldn’t be more different, but both bring a large amount of energy into the fray. Their figures pop off the page. Pope’s OMAC story in his issue of SOLO was great, great stuff. I’ll admit that I haven’t read any of THB (much to my chagrin), but I own 100% (brilliant comics) and One Trick Rip-Off in trade, 3/4 of Batman: Year 100 (and I will buy that trade when it hits), and his issue from Spider-Man: Tangled Web. I love his indie and superhero work equally and I eagerly await everything he puts out. Anyway, read the blog. The stuff about the Batman typeface is fascinating.
— This is an odd thought, but I don’t think I’ve ever seen a Jack Kirby-drawn Batman. I think at the point when Kirby hit DC, Batman was enjoying the new and gritty revamp, so his style might not have fit? I’d kind of like to see his Bats.
— The 4l crew, as far as we know, are all going to be in full effect at New York Comic-con, Feb 23-25. We’ve got the hotel room booked, flights scheduled, and money saved for getting on a jet plane. See you there? Quite possibly!
— Brian Vaughan’s The Escapists, with art from Phil Bond/Steve Rolston/Shawn Alexander turned out really, really well. Excellent book and possibly my pick for miniseries of the year. Christos Gage and Mike Perkins’s Union Jack, from Marvel, was another surprise hit. It was kind of delightful in a superspy action movie kind of way. The end bit with Sabra and Arabian Knight both not being willing to let go of their prejudices, despite a grudging respect between the two, was pretty well-written, too.
— Come to think of it, Gage wrote that pretty awesome Deadshot mini from a couple years back, too. Someone give him more work. Stormwatch is a start, okay?
— Is it possible to read too many comics? I’ve consistently cut boring or bad comics off my to-read list, so my reading habits are pretty healthy, but I think I try to read everything that’s good. Speaking of good, I think we’re due for a new volume of Naoki Urasawa’s Monster any week now…
— There is a game coming out pretty soon called Arthur and The Invisibles. It isn’t the picture to the left, there, in any way shape or form. It’s based on some movie or another, but I’m so disappointed that I don’t even want to see the flick or play the game! I mean, this thing right here is what you call a killer crossover. You get in the toddlers and youngsters and the dope-smoking smelly hippie crazies! I’d see it twice, even! Arthur Read meets Dane McGowan. The world would never be the same.
That’s a damned good question, Michael. First appearing in the pages of 52 Week 8, Supernova’s since been a mystery. Where does he come from? What exactly are his powers? What is his role in the grand scheme of things? And just who is this guy?
First, let’s take a look at Supernova’s various appearances up to this point:
Week 8: Over the course of several days, we see the first appearances of this red, white and blue stranger. On Day 3, he appears before an old woman and her grandchild, glows real bright and brings them across the street before they can be crushed by a falling monorail. The next day, he appears among firemen who are about to get crushed by falling debris. Glowing brightly once more, the new hero makes the debris vanish. The next day we get reports of him cleanly shearing a gunman’s rifle in half, as well as saving one woman’s daughter from a riptide. Booster Gold, whose image has just been destroyed a week earlier, rants about this new character in front of one Clark Kent.
Week 10: Clark Kent, having just been fired at the Daily Planet, sees Supernova flying around the city. With sudden inspiration, he hops out the window and freefalls. Supernova swiftly catches him, assures him of his safety and asks if he’s okay. Clark pulls out a tape recorder and asks for an interview. As Clark later explains to Lois, they didn’t get too far before seeing Bahdnesian terrorists stealing a military all-terrain vehicle. Supernova puts down Clark and uses his glowing power (which Clark describes as “peculiar eyebeams”) to take away the pavement under the vehicle, locking it into the ground. Supernova poses and answers a couple questions from Clark, trying hard to conceal himself. He sees a child almost walk into the hole in the ground, teleports in a bright light and appears in front of the child. The way he responds to the boy shows that he has some semblance of a personality under the mask. Clark tells Lois that he believes that Supernova’s on the level and that he has an air of experience about him. Elsewhere, Booster is growing more and more frustrated, while Skeets admits that even he doesn’t know who Supernova is from his historical files.
Week 15: The big one. Booster takes on a giant sea monster in the middle of Metropolis. He fails pretty badly, including a bit where he causes a massive power outage. Supernova flies in, soars to the monster and with a bright blast, zaps him away. Supernova offers his hand to Booster and makes a comment about Booster not caring about the people he saves. Noticeable frown under the mask. Booster snaps and tackles Supernova. The two brawl, showing that Supernova is at least strong enough to trade fists with Booster. Supernova’s only use of powers are to momentarily blind Booster. Supernova highly disapproves of Booster, saying he’s too pathetic to be considered a joke. Skeets mentions a radiation leakage. Supernova wants to stop it, but Booster sucker-punches him and tries to stop it himself. Beaming at his return to greatness, Booster saves everyone, but is engulfed in an explosion. Supernova, shocked, flies upwards and catches Booster’s body. To the horror of Clark and the noticeable surprise of Skeets, Booster Gold is just a skeleton in futuristic tights.
It’s worth noting that there were two alternate endings to this issue. In one ending, Booster turns to dust upon landing in Supernova’s arms. In the other, there is no radiation leakage. Supernova tries to teleport Booster back a few feet. At the same time, Booster turns on his force field. The result causes Booster to be cut in half. A horrified Supernova swears he didn’t mean for it to happen and Clark Kent believes him. Supernova covers one half of Booster with his cape while Clark uses his jacket on the other half.
(This was pointed out by my longtime buddy Mark Poa)
There is something interesting going on in Russia! This is a shot of Vladimir Putin touring a new defense intelligence building in Moscow. Notice anything familiar? Holy Red Son Batman, is that symbol really what I think it is? Did the Russians really grow their own Batman and put him in charge of DI? Note how they are all looking down at the emblem.
They are giving the Bat his due honor.
