The Contest of Champions paved the way for the event miniseries that Marvel and DC have become dependant on. The star-studded scavenger hunt wasn’t the greatest story in the world, but it was still memorable and classic for being the first step. Naturally, there would one day be a sequel.

If you can call it that.

When I think of Contest of Champions II, I think of the Infinity Gauntlet. Bear with me on this. Infinity Gauntlet was a popular Marvel miniseries starring a bunch of heroes that was eventually used as the basis for Marvel Superheroes, a very good arcade fighting game. While the game did include characters like Psylocke, Magneto, Juggernaut, Blackheart and Shuma Gorath (that still boggles my mind), the gist of the story was that it was supposed to be a retelling of Infinity Gauntlet, only the heroes aren’t useless.

What does this have to do with Contest of Champions II? Marvel Superheroes was a fighting game based on a Marvel miniseries. Contest of Champions II is the opposite. It’s a Marvel miniseries based on fighting games.

Funny thing about fighting games is that there aren’t many variations of the story out there. For the most part, every fighting game’s story is based on one of two concepts. Sometimes it’s just about a quest where different characters run around with a goal, meet each other and fight. Marvel Superheroes was basically this. The other, more popular one, is the tournament. It’s the easiest reason to have different warriors from different walks of life battle each other, especially when there’s no animosity between some.

The tournament stories are occasionally straight-laced and legit. That’s boring. Many others would have the tournament just be a front. In actuality, the host of the tournament is trying to use this as a way to kill off all threats to his or her plans for world domination. Maybe the host plans on using the beaten warriors as zombie cyborg soldiers. A lot of the time, all the fighting is just a way to unleash some long-imprisoned monster god thing to wreak terror on the lands.

This is pretty much what Contest of Champions II is.

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Okay, I was going to post some more about last week’s comics, but there’s been a change of plans. Batman #667 just came out, and it’s the first of a three part mystery story! I love mysteries, I love Grant Morrison and I love J.H. Williams III, so I’m definitely on board. It’s great to see Batman be an actual detective for once. I spent my time looking for potential clues as to who the mysterious killer is that called the former Club of Heroes to a desolate island. Let’s hope the conclusion won’t be as disappointing and nonsensical as that of Identity Crisis. I’m going to list all the facts in chronological order, and present my theory from there. Also, I won’t be including the information about the Club of Heroes that Morrison has revealed in interviews, as that would be cheating; we should be able to gather everything we need to know from the issues themselves. So let’s begin… Read the rest of this entry �

I’m in the middle of a huge project at work, so posting from me may be sparse this week! I want to post every day, but we see how that’s gonna go…

Anyway, I’ve got another Pre-Crisis 4l post for you, this time over one of my favorite stories. Hunter Zolomon, Zoom, is easily Geoff Johns’s best idea and this covers his origin.

This was originally published 05/03/05, back when I was still using Blogger (yuck). It’s actually shorter than I expected! Edits only made for spelling and to take out the word “pervert suit” because I hate it now and I was high on Warren Ellis back then.

Flash’s villains are probably the best DC has to offer. They just make more sense than a lot of DC’s other villains, seems like.

Even if one of them is a talking Gorilla.

Flash’s supporting cast is pretty cool, too. From left to right are Joan Garrick, Iris Allen, Bart (Impulse) Allen, and Jay (Flash) Garrick. It’s kind of cool how four Flash generations are represented in the book. In the foreground are Linda Park-West and Wally West. Not pictured are Morillo and Chyre, who are a couple of cops. It’s worth noting that Chyre is basically Marv from Sin City.

Another member of his supporting cast is Hunter Zolomon. He was what they call a “rogue profiler.” Think of him as a serial killer profiler for super villains. If Flash needed some info on a rogue, Hunter had it. He was very good at his job.

They became fast friends and both respected the other equally. Wally respected Hunter because he was very reminiscent of Barry Allen (Barry was in forensics, Hunter is more into the mental disciplines, but both work toward the same goal) and Hunter respected Wally because Wally was a true blue hero. Then, Gorilla Grodd crippled Hunter Zolomon and everything changed.
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First impressions are important. I’ve spent several hours pondering about how to start my introductory post on 4thletter, and in the end I decided to just take the easy route. Hi, I’m Hoatzin, 4thletter’s newest staff member, but call me Paul if you like. I am Dutch. I like comic books. But only when they are good comics. I also draw, badly, but I’ll leave that for another article. For now, just to get an idea of what type of comics I like, I’ll leave you with some random thoughts on this week’s comics. And yes, I do basically read every single Big Two book that’s being published. Thank you for noticing.

Action Comics 853 – Despite my usual enjoyment of Kurt Busiek’s comics, the fact that this is a Countdown tie-in really hurts the book. Although Busiek does a better job at making me care about Jimmy Olsen’s plight to become a superhero than Countdown, the general storyline is still pretty lame and predictable.

All New Atom 14 – Pointless fan-pandering is rampant in part three of the Hunt for Ray Palmer, with the (temporary) return of Ted Kord in a book that does not feature any characters that should care about him. But Donna Troy is soooo amaaaazing.

Black Canary 3 – Oliver Queen is a moron.

Countdown 39 – A Sean McKeever issue, so at least the dialogue is decent, but the pacing remains glacial, none of the plotlines and characters are compelling and the artwork is once again fairly atrocious. The character introduced as last issue’s cliffhanger panel does not actually show up until the last two panels of the second to last page of the main storyline and the cliffhanger page after that is hilariously pointless. The only reason I’m still reading this book is because it will lead into the Grant Morrison-penned Final Crisis.

Detective Comics 835 – Dini is apparently busy with Countdown, so it’s a filler issue, but a surprisingly solid one at that. John Rozum (creator of Milestone Comics’ cult-hit Xombi) re-invents the Scarecrow as a genuinely terrifying enemy in part one of what promises to be a very interesting two-part story arc. The dark tone of the book is perfectly complimented by Tom Mandrake’s excellent atmospheric artwork.

Fantastic Four 548 – Dwayne McDuffie continues what has so far been an entertaining run on the book. I disagree with the numerous complaints that McDuffie has been overplaying Black Panther; T’Challa is essentially Marvel’s Batman, always ready with a plan and quick on his wits, so his portrayal in the book has been perfectly in-character.

Justice Society of America 8 – After the (terrible) Lightning Saga crossover, Johns has decided to take a breather with two more low-key issues focusing on two of the lesser known JSA members. Last month was a one-shot focusing on the new Commander Steel, this month is a story about Jesse Quick, the new Liberty Belle. It’s a welcome change in pace, but the issue itself is a mixed bag. Jesse’s characterisation is well done, but her relationship with Rick Tyler is obnoxiously written. Johns should also either give Zoom a rest or do something new with the character, because at this rate he’s growing stale really fast. I still fail to care about Damage and his clichéd damaged (ha ha!) past. This issue also has fill-in art by Fernando Pasarin, and although it’s decent, it’s nowhere near as good as Eaglesham’s. Despite all this, it’s not a bad read overall.

Metal Men 1 – The surprise book of the week for me. I was unfamiliar with Duncan Rouleau’s writing prior to this, so I don’t know how it stacks up to his previous work, but this was definitly an entertaining read. There’s a lot of content crammed into 22 pages and most of it is interesting. The banter between the Metal Men is amusing and they each have distinct, defined personalities, Will Magnus is a nice sketch of a character so far and the mysterious ongoings are intriguing, especially the last page cliffhanger. The artwork is another high point. It’s cartoonish and vibrant and the coloring is lovely, with inventive panel layouts and lots of energy. It’s not perfect; at points it gets overly busy and some of the computer effects are annoying, mainly the copy-pasting of specific elements, but it’s a nice break from the conventional look of most current DC books.

And now that I’m halfway through my books for the week, I’m going to take a little break. More thoughts (in particular the new Supergirl and World War Hulk issues) later!

A couple weeks ago, Marvel Zombies vs. Army of Darkness finished off. Marvel Zombies 2 has just been solicited for October. With that in mind, it’s about time I laid out my thoughts on the whole Zombieverse.

It all started back in 2005. Mark Millar was in the midst of his Ultimate Fantastic Four run and he started making some hints at a certain special story arc. From the looks of things, the Ultimate Marvel Universe was about to make a crossover with the mainstream universe Marvel 616. I wasn’t paying attention at the time, since I wasn’t reading Ultimate Fantastic Four, but I can only imagine people were annoyed as hell. Not only did this defeat the purpose of the Ultimate continuity, but Millar probably didn’t garner all that much faith going into what would be such an important story.

But the evidence was there. The story was titled “Crossover”. One of the variant covers for the first issue showed Ultimate Reed exchanging a shocked glance at an older Reed with snazzy white hair tufts. The second issue of the arc showed a more mainstream version of Magneto manhandling the Ultimate Fantastic Four. The first issue builds up to this meeting, including a scene where the two Reeds discuss the differences between their worlds. Older Reed — shown via hologram — mentions the Avengers and his children Franklin and Valeria.

Truly, this had to be the Ultimates/616 crossover we’d been dreading.

Or not.

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From Newsarama:

Marvel recorded 48.42% of the Unit Market Share, nearly 20 percentage points above DC’s 28.57%. Both the size of the “spread” between publishers and DC’s percentage of share are perhaps both historic figures in the Diamond/single distributor era.

From a Dollar standpoint, Marvel’s 43.62% to DC’s 27.07% is comparable to May’s figures.

That’s Marvel up twenty percentage points in market share. This is not even remotely a good thing for DC, obviously. Five books in the top twenty? Countdown shedding a couple grand worth of readers a week? Not cool.

I hate on DC a lot, but it’s out of love, believe me. Or maybe like. Anyway– I want them to do better, because they’ve got a sick cast of characters. I love Charlie Huston, but what is Moon Knight, an eternal B-lister, doing selling more than Detective Comics, Wonder Woman, and Superman? What’s DC doing wrong?

DC can do a lot of right. Here’s one you might not of heard of. Son of Vulcan, a miniseries by Scott Beatty and Keron Grant. It’s a legacy book, or at least pretends to be one, so that’s DC’s niche right there. It’s got a kid hero, an older kid hero (who is in a retirement home), and a very colorful and entertaining cast. It’s the kind of world-building that DC just doesn’t do any more.

Scratch that– Blue Beetle, written by the excellent John Rogers (who also wrote the best movie of the summer featuring Robots in Disguise), does this kind of thing and it’s one of the greatest books DC has. That isn’t damning with faint praise, either– Blue Beetle is excellent. In fact, SoV is kind of a proto-Beetle in a lot of ways.

Son of Vulcan. Balls nasty. Six issues. Great comedy. World building. It’s what DC needs more of. Don’t believe me? Here’s a few pages. I want to talk more about the series later on, but I’m still pretty wiped after E3. I’d love to see more of this series, but I don’t think it fits in with NEW EARTH and COUNTDOWN TO EXILES OF NEW EARTH and KILL CHARACTERS IN LIMBO FOR CHEAP THRILLS, you know?

Me, I’m just waiting for Death of the Z-List DC Characters You’ve Never Heard Of mega-crossover.

Enjoy.

from issue one

from issue five

Let’s be honest here.

I would pay DC money if they let me write an Injustice Gangstas miniseries. Even a one-shot.

There once was a comic called Edited Crisis 04. It skewered Infinite Crisis 04 and was pretty freaking hilarious.

The #sa-comics crew got together to do another one, this time based off Sinestro Corps… when we realized that it was really nowhere near as badly written as Infinite Crisis 04. We did a get a few pages in, though, so you get to reap the rewards.

:whatup: to Edgeandchristian, Pookie_Bear, indigi, d00gz, and everyone else who helped.

One more, unrelated to Sinestro Corps but wholly related to this.

Click here to see it.

I took a long break from these babies to do the Wrestlecrap articles, but now I’m back with quite a collection of characters. Some are a bit topical, too.

CROSSBONES

Captain America #360 (1989)

The story of the issue is part of an arc called the Bloodstone Hunt. It involves Captain America and Diamondback taking on Baron Zemo, Batroc, Zaron and Machete over some gem. That part isn’t really important.

Though I will say that Diamondback’s appearance is sort of off-putting here. Her outfit is pink spandex with a series of black diamonds over her front and back. Considering she’s in the water for most of the comic, she hangs around some people in bathing suits, and the way the pink is colored here, it looks like she’s wearing a black thong that doesn’t cover her chest. That’s all well and good, but her costume is torn in places, so now it looks like she has some nasty-ass skin disease.

Anyhow, she and Cap get away with the prize. As they leave, we see that they’re being watched.

Crossbones is so cool.

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For a variety of reasons, I’ve been a bit lax on real content over the past few days. Blame it on how much the Battlemania thing took out of me, work in general, being distracted by the horrific news of that uncharismatic wrestler who went and Parallax’d his once-legendary legacy, etc. Either way, the work I have done has focused a bit more on the site itself. New headers and the like. hermanos has been on a roll lately, so it’s no great loss. I’m just fluff, while he writes actual content.

The point of this post is that I updated the Table of Contents for the first time in a while. It’s starting to get a bit thick and for any new readers, it’s probably not going to seem worth sifting through. I figure that hermanos, Wanderer and I should just mark various articles as “staff recommendations”. But I also think that you regular readers out there are just as qualified. So for those of you who do stick around, what 4th Letter articles are your favorites? What would you suggest to someone who had just stumbled upon this site?

On another note, A.o.D., the guy who brought us the Ultimate Rom: Spaceknight articles, has been crossing his fingers for the past several months ever since Annihilation: Conquest had been announced. He’s been hoping that Wraith, the dark gunslinger of the cosmos, is in fact Rom himself. Over time, his hope had died down, but recently, it’s stronger than ever.

Let’s look at the facts.

1) Wraith looks an awful lot like Rom’s human form, in all his “get a haircut, cyber-hippy” glory.

2) The Spaceknights have a pretty big role in Conquest already.

3) Rom’s enemies are the Dire Wraiths.

4) Marvel is unable to use the name Rom, nor are they able to show Rom as a cyborg. On the other hand, they can do whatever they want with Rom’s human form, his backstory, the rest of the Spaceknights and the Dire Wraiths. That explains his random human appearances, like at Rick Jones’ wedding or in Universe X.

5) Despite being so grim, Wraith seems to go out of his way not to kill a villain in the preview for his first issue. Rom also had a thing against killing.

6) Solicits did say that Wraith’s backstory would make science fiction fans happy.

I for one welcome our new post-cybernetic overlord!

Garth Ennis is known for a few things. Blood, curse words, comedic facial deformities, sex jokes, a mild hatred of superheroes, and more blood and then a few more curse words. On the good side, he’s a pretty solid plotter, he knows his strengths, he does great dialog, and he’s the best war writer since Kanigher and Kubert.

Just in case you aren’t familiar, he’s written comics where a demon named Baytor becomes master of hell, Nick Fury strangles another dude with his own intestines, an alien sex pervert becomes a British diplomat and gets eaten by a tiger while dressed in a corset with an orange up his butt, a soldier constantly tries to trick his superior officer into kissing him by faking death, a guy gets his nose swapped with his penis and vice versa, an Australian pope has sex with nuns and curses, the Saint of Killers shoots God, a short man with glasses has sex with a giant statue made out of meat, superheroes are depicted as a bunch of people who are completely worthless human beings (and sex perverts), a dude has sex with himself and then shoots himself in the face in front of his son, and– actually, this is a pretty good sampling of the stuff he’s known for. Plus, this is going to completely ruin the search terms on this site.

Anyway, Ennis has got something of a rep. He’s done his fair share of gross-out comics, though it’s usually played for humor. But, I’ve been noticing something in his comics. He keeps sneaking in these little things that make a scary amount of sense. I don’t necessarily agree with Ennis on the religion front, but he makes good points about how to live life. Sexism, racism, whatever– it’s all stupid. It doesn’t matter. Leave it behind and just do right.

The quote up top is from The Boys #8, a series about some humans whose entire job consists of smearing and then beating the snot out of superhumans, who are all sex perverts and callous jerks. We’ve seen a bulldog have sex with another, smaller dog, and a Teen Titans-alike have a screwed up coke orgy. The book opens with a guy swinging around with his girlfriend like they were in a movie, only a superhuman comes crashing down and basically explodes her on impact, leaving the guy holding her severed arms. There’s also a dude who lives below a comic shop who basically calls Will Eisner a punk. And despite all this grisly stuff, you get little scenes like the one in that image up there.

Punisher: The Slavers dealt with white slavers. On the one hand, it’s a wish-fulfillment fantasy. We, the reader, get our revenge on the rapist and slavers of the world through Frank Castle’s actions. He kills quite a lot of them, and the series ends with him lighting a local boss on fire on video, looking into the camera, and saying “Don’t come back here.” He sends the video back to Eastern Europe with one of the allies of the slavers. On the other hand, though, I can’t remember the last time I saw the aftereffects of rape and kidnapping in a comic. One of the cops featured in the story actually quits the force, because she believes she can do more good helping track and assisting the girls who were kidnapped. The last two pages of The Slavers are heartbreaking. You don’t have the full context here, obviously, but I think the pages are worth sharing. Check out the softcover or the hardcover (B&N link) if it catches your interest. The softcover’s like ten bucks, it’s worth it. I cut out the pages where Cristu was burned alive because they aren’t 100% relevant here.

For reference: Viorica lost her daughter to the slavers.

(words by ennis, art by fernandez)

“All she can do is live with what life they left her.” Ouch.
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