As we last left our unfortunate heroes, Nick Fury is visited by Mr. Fantastic, Dr. Doom and Zarda. He doesn’t seem at all surprised to find out that the world is being torn apart in his absence, as he apparently warned Doom about it back in the day.

Hey, ever notice that the current Squadron Supreme series takes place five years after Ultimate Power, but only months have passed in the Ultimate Universe? What the hell is up with that?

ManiacClown and I will be back tomorrow to finish off the Kitty Pryde scene and finally get to some actual Magneto action. It’s about time.

Day Six!
Day Seven!

Last time, we saw Dr. Strange try his chances with the Great Pumpkin Dormammu. Unfortunately, Dr. Strange only got a rock. And by “a rock”, I mean “his head exploded”. Then Hulk jumped around and met up with the X-Men. We’ll continue with that, then move on to the Search for Nick Fury subplot.

Just so you know, the end of that Hulk sequence in the original Loeb version was really a joke about the Hulk having a raging boner. Christ…

Tomorrow, we’ll continue with the Nick Fury stuff, then see what Kitty Pryde is up to.

Thanks again to ManiacClown, who believes that Zarda really just hates the stick shift and doesn’t know how else to express her feelings. Maybe she should have written a catchy song about it, like Cake.

Day Five!
Day Six!
Day Seven!

Yesterday had Kitty Pryde find the torn mask of Spider-Man and then Dr. Strange and Dormammu started doing one of their magic fighting skits. And Dormammu’s in the middle of a song. Don’t forget about that.

“THEY CALL HULK THE STREAK! HULK STRONGEST ONE THERE IS ON TWO FEET!”

You know what’s even stupider about this? We’re not going to get to the climactic battle with Dormammu. Chances are, that’s going to be left for Ultimate Fantastic Four: Requiem and left out of the main book.

Hulk’s rampage will continue next time. Come on back tomorrow. ManiacClown and I will be waiting for you.

Day Four!
Day Five!
Day Six!
Day Seven!

from milestone’s static shock: rebirth of the cool. words by dwayne mcduffie & robert l washington iii, art by john paul leon.

(i’m done. that’s 13 weeks of black comics– 6 guys, 6 chicks, and a resurrection batting clean-up. you can’t tell me you can’t find comics starring black people any more. we’re out there, superheroes or not.)

I’m sure you remember yesterday… or maybe not. I mean, nothing really happened due to it being just a cover, a recap and a page of Hulk breaking stuff. At least here we’ll get somewhere.

Blame ManiacClown for the Yo Gabba Gabba thing. The dude’s a dad, so I guess that’s his excuse. Still, he showed me clips from that show of Biz Markie talking to children while being stoned out of his mind, so I can’t hate on it.

If you want some actual context on how we got from point A to point B, in the pages of Ultimate Spider-Man, Spider-Man and Hulk stumbled upon Strange’s house, where demons and stuff were being released due to the place’s structural damage. Strange was taken over by Nightmare, who attacked the heroes, only for Hulk to pound on Nightmare until that big explosion happened. I explain this because Ultimate Spider-Man is the only comic that makes the Ultimatum situation not suck.

We’ll be back tomorrow for more from Strange and the Great Pumpkin.

Day Three!
Day Four!
Day Five!
Day Six!
Day Seven!

Lone Wolf and Cub volume 3: The Flute of the Fallen Tiger
Writer: Kazuo Koike
Artist: Goseki Kojima
Publisher: Dark Horse Comics
ISBN: 1569715041
319 pages

All told, it took me about an hour to read Lone Wolf & Cub volume 3: The Flute of the Fallen Tiger. I was surprised when I realized it, but there are a lot of wordless pages in this volume. Koike backs off the scripting some and lets Kojima really work his storytelling and show off some solid swordfighting. It works out for the better, as this volume moves along much faster than the previous one, due in part to the variety of stories inside.

The Flute of the Fallen Tiger keeps up the 60 page story. This time, we get five stories, chapters fifteen through nineteen. In order, we’ve got “The Flute of the Fallen Tiger,” “Half Mat, One Mat, a Fistful of Rice,” “The White Path Between the Rivers,” “The Virgin and the Whore,” and “Close Quarters.” “Half Mat” is definitely my favorite of the five, though “Flute” is a great story, as well.

“Flute” is a story I recognize, since it is essentially the ending of Shogun AssassinShogun Assassin. I was surprised at how faithful the movie was to the book, since my understanding was that it was a hatchet job. I’ve uploaded the relevant portion of the film and the ending of the chapter for comparison’s sake. The sequence from the film is one of my favorite martial arts flick quotes, so it was definitely cool to see it in action.

The jewel of the book, for my money, is “Half Mat, One Mat, a Fistful of Rice.” The title is a reference to a philosophy that a character espouses during the story. He says that when you sit, you take up half a tatami mat. When you sleep, you take up a full mat. Finally, your stomach holds a mere fistful of rice. That, in essence, is what life means. Everything else is artifice, simply words that actually mean nothing.
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Hey, buddy! Welcome to another week of Ultimatum Edit! It’s been a while, so I’m sure you’re a little fuzzy on what’s been going on. Let me recap for you.

Issue 1: Nightcrawler died, Dazzler died, Beast died.

Issue 2: Wasp died, Xavier died.

Issue 3: Thor died, Yellowjacked died, Cannonball died, Emma Frost died, Polaris died, Sunspot died, Blob died, Detonator (who?) died, Forge died, Longshot died.

And other characters died in other comics. That’s what’s important. Who cares about telling a story? It’s all about being SHOCKING! Whoa, did you see how bloody that one scene was? Who’s going to go next?! Whoo! Hope died a little too, by the way.

ManiacClown and I will be back tomorrow to deal with Dr. Strange. Oh, and Kitty Pryde gets a page too.

Day Two!
Day Three!
Day Four!
Day Five!
Day Six!
Day Seven!

The Best of Simon and Kirby
Joe Simon & Jack Kirby, edited by Steve Saffel
240 pages, 9″x12 1/4″

Titan Books

I’m a Kirby fan.

It’s obvious if you know me, I think. I love the Captain America & the Falcon stuff he did, I love the New Gods, and I think that his character design is top notch. Of course, all of my favorite Kirby work was created after he’d become Jack “King” Kirby. This was late era Kirby, if you go by the length of his career.

Early Kirby, the raw stuff from the beginning of his career, is mostly a mystery to me. I have one of Marvel’s Visionaries hardcovers that collects a lot of it, like the Two-Gun Kid stuff, and it’s pretty fascinating. A lot of what made Kirby Kirby was there in the text, though in an unpolished form.

Titan Books recently released The Best of Simon and Kirby, a volume collecting a lot of those issues that I’ve never seen. I’ve got to say that they did a stellar job with it. It’s oversized (essentially a coffee table book), printed on non-glossy paper, and a real work of art. The extra size really lets you get into the art, which is part of the point of this book.

Joe Simon and Jack Kirby were a team for years, and worked in a variety of genres. This volume collects stories featuring superheroes, criminals, and (the deep, dark secret of Kirby & Simon) stories from the original romance book, Young Romance. I’d known that Kirby had a hand in popularizing romance comics, and it’s nice to finally get a chance to read them.

The Best of Simon and Kirby also reprints a couple of titles from DC and Marvel. Captain America, The Vision (the old one), Sandman, and a Boy Commandos tale wrap up the Big Two work in this book.

I really, really like this book. It’s a historical collection, but the way it’s presented is as more of a conversation piece. Each genre gets a chapter break in the form of a short essay that also doubles as a biography of the careers of each man. It’s conversational in tone, and detailed enough to educate you about a time you rarely hear about. It makes it easy to burn through the book, too, since it provides an easy stopping point for each genre. I spent a couple of days knocking out a series of stories before bed.

The most striking thing about this book, I think, is how un-Kirby a lot of it looks. The thick lines and insane layouts that dominated Kirby’s later work are present in the occasional story here, but most of the work isn’t as undeniably “Kirby” as, say, the Fourth World volumes. My first thought is to say that it was Joe Simon’s inking that makes it look so different, but something I keep forgetting is that a lot of these stories were over twenty years old before Kirby put pen to paper on Fantastic Four #1. Over the course of twenty or thirty years, anyone’s style would, and should, change around a little bit.

The Best of Simon and Kirby is forty bucks, which is a little pricey, but worth every penny to Kirby and Simon fans, or even people interested in comics history.

The other day, Thomas Wilde — former writer on this site and all around good guy — emailed me with a couple pages from last week’s Amazing Spider-Man. Notably, the part with the Spider-Man/Wolverine fist-bump. He wanted me to do something with it in terms of a battle rap.

This is what became of the challenge.

With apologies to hermanos. I promise no battle raps in the next Ultimatum Edit.

One of my favorite games, from both a story and a gameplay standpoint, is Prince of Persia: Sands of Time. I played through it on either Xbox or PS2, I forget which, but it was a great time. The gameplay combined platforming mechanics and traditional combat to create a kind of gameplay that was extremely fun. The enemies provided a way for the Prince to make his platforming easier, turning creatively acrobatic combat into a crucial gameplay component.

Where the game really shined for me, however, was the story. Shortly before the end of the game, you find out that the game you’ve just played, deaths and all, was not a game– it was a story that the Prince was telling Princess Farah, the daughter of the Maharajah. There are a number of twists involved, but what it boils down to is that, due to an error, the princess died. The Prince reversed time, and now he must convince her of what happened and save her life. So, he told her the story of his adventure.

This wasn’t exactly out of the blue. The Prince narrates the game, and every time you died, he’d say something to the effect of, “No, that’s not how it happened,” and begin again from just before your death. It turned the story of the game into a story within the game, and it’s a plot twist that I greatly appreciated. If anything, it heightened my love for the game and hooked me for life.

First Second Books released a Prince of Persia graphic novel late last year. I picked it up and read it a couple months after release, but never really got around to talking about it on here.

Rather than do a straight adaptation of any of the handful of Prince of Persia titles, writers Jordan Mechner and AB Sina and artists LeUyen Pham, Alex Pulvilland, and Hilary Sycamore instead told a tale that spanned two timelines under the loose umbrella of being about a “prince of Persia.” There is a nice nod early in the novel to the way that the Prince of Persia series has changed over the years. A king calls for his son, the prince, but all three of his children, two sons and a daughter, come together, rather than the prince he wanted. When quizzed about why they all came, they respond, “For I am the prince!”

In a way, I enjoyed Prince of Persia more due to Sands of Time. They both showed a deft way of telling their story in a way that I didn’t expect at the time. The story takes place over two timelines, and they tend to blend in and out of each other as the book goes on. It can be confusing, but not in an off-putting manner. It simply gives the book a different tone than I’d expected. It’s much more whimsical, or fairy tale-like, in tone than a straight up adventure novel. It isn’t quite magical realism. Everything that happens fits within the story and is perfectly believable. However, there is a definite dream-like quality to the story.
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