Archive for the '4thletter exclusives' Category

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New Ultimate Edit Week 1: Day Seven

March 13th, 2010 Posted by Gavok

The penultimate pages showed Carol Danvers and Tony Stark getting all shouty and arguey. Then Shanna the She-Devil, Ka-Zar, some tigers and the mute Black Panther who isn’t Captain America in disguise this time hang out in Central Park. Things suddenly get cold. What could this mean?

That’s all for this week. ManiacClown would strangle me if I didn’t at least feature the Farmville SHIELD image he made for a throwaway gag. Really, the guy would just give me updates about stuff I don’t understand. Never played Farmville and never plan to. Here you go.

Stay tuned for this Wednesday as my 12-day Wrestlemania Countdown begins, tough guy!

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New Ultimate Edit Week 1: Day Six

March 12th, 2010 Posted by Gavok

Yesterday’s adventure involved Thor having the mistress of the afterlife take care of his hammer. Then Tony Stark and Carol Danvers started going for the jugular. Let’s continue on with that.

This was one of the more difficult Ultimate Edit installments to write based on the matter of what we were critiquing. Back when we first started doing these, we laid down some ground rules and made certain things off-limits. The main one being Jeph Loeb’s personal tragedies relating to his son, Sam. The whole point here is never to make fun of Jeph Loeb the person (who I’ve heard from many is a genuinely nice guy), but of his writing.

A lot of Jeph Loeb’s writing has become very much Sam-based, and that is completely understandable. Captain America: Lost Son was more than anything Jeph’s attempt to come to terms with his son’s passing. It wasn’t my cup of tea, but I respected what he was doing. He would continue to make minor references to his son in his work, which was fine, but it’s become more and more apparent that it’s something he can’t push himself past. Most of his work revolves around it, basing the adventures on father/son relationships and the grief related to it. Hell, look at why Magneto killed everyone in Ultimatum.

For those who haven’t read the original, the Iron Man narration boxes tell the story about how Tony Stark met a young boy named Sam in a hospital who was dealing with cancer. It was the boy’s horrible experiences and eventual death that inspired Tony to become Iron Man and create the Ultimates. The whole overuse of Sam is beginning to dilute the message and the seriousness of it all, at least in my eyes. It makes me think of when Puff Daddy used to talk about Biggie Smalls so much that on one skit show, Jamie Foxx (I think) played the role of Puffy and would randomly start pointing up and yelling about Biggie. The crowd laughed pretty hard at this, showing that the whole thing has resorted to becoming self-parody. It’s disheartening to see that this is the direction Jeph Loeb has been leading into.

It’s a touchy subject, but I wanted to get it off my chest.

Enough about the serious stuff. Let’s move to stupid stuff, like Farmville.

Thanks to ManiacClown, who spent WAAAAY too long working on that Farmville image. Join us next time as the big villain shows up and more sex is had. No, not by the villain. Maybe in the next issue.

Day Seven!

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New Ultimate Edit Week 1: Day Five

March 11th, 2010 Posted by Gavok

Our last installment featured the end of the Ultimates vs. Defenders fight with Son of Satan stealing Mjolnir from a very stupid Valkyrie and then escaping with the rest. Meanwhile, Thor has gotten bored of being king of the mountain and wants to escape the land of the dead. Hela will grant him that wish, but she wants something in return.

This first page might be a little not-work-safe.

Real talk: despite all the crap I give Loeb, I found the original scene between Tony and Carol to be really well-written.

Thanks to ManiacClown, who can’t get past how much Ka-Zar looks like Skwisgaar Skwigelf from Metalocalypse. Join us tomorrow as we finish that scene, get an aside from Captain America and Zarda, then see what Ka-Zar and Shanna are up to.

Day Six!
Day Seven!

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New Ultimate Edit Week 1: Day Four

March 10th, 2010 Posted by Gavok

What happened on Day Three? Let’s see, the duo of Hawkeye and Iron Man were doing pretty badly against the Defenders until Captain America showed up with what seemed to be Xena Warrior Princess and the Glamazon Beth Phoenix. They turn the tide and start whipping some Defender tail. A tail that Hellcat surprisingly does not have. During all this, Zarda punches Luke Cage in the nuts and prevents the possibility of Ultimate Danielle Cage.

We move forward.

Here is a quick cutting room floor panel. The expression on his face sells it so well:

Thanks to ManiacClown for the Thor dialogue. Speaking of Thor, I only noticed during the editing, but Frank Cho snuck in some uncensored bare breasts on that page. I blacked it out, but in the original spread you can see it in-between the panel of Thor sitting on the throne and the panel of Hela unmasking. I guess Frank Cho is to boobs as Leinil Yu is to Howard the Duck.

More bare breasts tomorrow, but these will be the comic book hair-draped-over-the-nipples kind.

Day Five!
Day Six!
Day Seven!

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New Ultimate Edit Week 1: Day Three

March 9th, 2010 Posted by Gavok

Welcome back!

In our last installment, Hawkeye and Iron Man continued to talk about stuff (their favorite bands, chicks who’ve broken their hearts, the Matrix) until a bunch of angry dudes with superpowers showed up randomly. Sucks especially for Hawkeye, since nearly everyone on the opposing team appears to be bulletproof.

How will our heroes (if you can call them that) get out of this alive?! HOW?!

Join ManiacClown and I tomorrow as we watch the Ultimates continue to fight the Defenders. Then we get a special appearance by everyone’s favorite Ultimate Edit mainstay! Then again, I’m only assuming he is.

Day Four!
Day Five!
Day Six!
Day Seven!

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New Ultimate Edit Week 1: Day Two

March 8th, 2010 Posted by Gavok

Yesterday, Iron Man flew by a burning building to have a heart-to-heart with Hawkeye, who seemed down. With everything squared away over the course of two pages, Hawkeye is in better spirits. Read on as stuff happens.

Thanks go out to ManiacClown, who continues to be confused at the length of Clint’s ammo compared to the depth of his magazines.

More fighting tomorrow.

Day Three!
Day Four!
Day Five!
Day Six!
Day Seven!

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New Ultimate Edit Week 1: Day One

March 7th, 2010 Posted by Gavok

It had to happen. Jeph Loeb returns to the Ultimates cast with his new series New Ultimates, this time accompanied by Frank Cho. Naturally, ManiacClown and I have returned to take it to task. For those who are lost, check out the previous installments of Ultimate Edit and Ultimatum Edit. Go on, I’ll wait.

Now, then. Let’s get this show on the road.

We’ll continue tomorrow as Tony and Clint make some new friends. Wow, two pages into a Loeb comic and there hasn’t been an action sequence two-page spread yet. Somebody get Guinness on the phone.

Day Two!
Day Three!
Day Four!
Day Five!
Day Six!
Day Seven!

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Christmas Dollars: What to Spend Them On and Why

December 21st, 2009 Posted by david brothers

A couple weeks ago, I had the bright idea of doing a gift guide. We’d each pick four books (because of the site, you see, and because I am a narcissist) and talk about why you should buy them for friends and family. Except then I got slammed at work, Gav hit Retail Hell (his favorite time of year) and Esther accidentally read an issue of X-Men and fainted dead away on the spot.

So, instead, the 4thletterers (4thletterkateers? citizens of Earth-4thletter?) are presenting to you twelve (or so, none of us are math majors) books that you should definitely, absolutely spend your Christmas money on. And if you do it through Amazon by clicking here… you help us out, too.

Gavin

Essential Super-Villain Team-Up, Vol. 1
The Marvel Essential books are always fun to read, but they are also incredibly intimidating. I can’t get into reading the ones about Captain America, Spider-Man or the X-Men because they have hundreds upon hundreds of comics. It’s more fun to read through a series that had a more finite number of stories. Stuff like Spider-Woman, Iron Fist and Godzilla.

My favorite one, and the one I always suggest to others, is Super-Villain Team-Up. Don’t be fooled by the title. It isn’t about various villains joining together to take over the world and then fail due to the Avengers and/or Fantastic Four. At least, not for the most part. It’s mainly about the strange, but intriguing relationship between Doctor Doom and Namor, two Marvel kings who at times ride the line between hero and villain. Before that, there are several issues of Astonishing Tales that tell the story of Doctor Doom and his would-be usurper Count Rudolfo, a character who never met his full potential.

The dynamic of Doom and Namor lasts for well over a dozen issues, including two specials and an Avengers crossover with special appearance by Dr. Henry Kissinger. Sometimes they help each other out. Sometimes they’re at each other’s necks. But you know what? Not ONCE do they go forth with a collaborative way to take over the world. It’s STILL fun as hell.

There is a satisfying conclusion to their stretched out story arc, leading the way to a weird Doom vs. Magneto storyline and a disappointing Red Skull/Hate-Monger issue. Just consider that one an extra to a great collection.

The Death and Return of Superman Omnibus
I wasn’t reading comics when Death of Superman came out, but I remember how big a deal it was. It did lead to one of my favorite Saturday Night Live skits where Chris Farley as the Hulk represented Marvel Comics and read a eulogy at Superman’s funeral ending with him smashing the podium and mumbling, “’Nuff said.” Plus, despite what people say about the lack of good Superman videogames, I’ve always dug the Death and Return of Superman SNES game.

The SNES game gave me a very skimmed look at the story’s events. When I got into comics for reals in the early 2000s, I had the idea that the whole story was a dull piece of garbage that wasn’t worth my time. After all, the 90s were known for long comic stories that tried to take the classic hero out of the picture, only to fail miserably, such as Knightfall, Clone Saga, Age of Apocalypse, and Onslaught/Heroes Reborn. The only reason I did read Death of Superman in the first place was because I was getting into Booster Gold at the time and wanted to read as many of his appearances as possible.

I dug it! Even knowing who the true Superman was and who Visor Superman and Cyborg Superman would turn out to be didn’t stop me from enjoying the hell out of the epic. Granted, the art does jump around and the Funeral for a Friend part can’t end fast enough, but everything else is fantastic. We get a good mystery, featuring some crafty red herrings and a couple neat hints here and there. Like when Cyborg Superman is in the White House, connecting to all the satellites and computers, there’s a monitor in the background that shows the Fantastic Four symbol. It’s a nice little clue on his original identity.

Even knowing who the real Superman is, you don’t even realize that he’s shown up until several issues after he appears. There’s some nice distraction in the storytelling to trick you.

The omnibus has the entire series in one thick hardcover for your enjoyment, plus extras in the back. It is a lot cheaper and easier to get the softcovers (The Death of Superman, World Without a Superman, The Return of Superman), but I’m throwing the option out there. With the softcovers, you can easily skip over Funeral for a Friend, but that does mean having to miss out on the “first sighting” segments at the end. That part still gives me chills.

The Marvel Art of Marko Djurdjevic
I feel bad for saying this, but I’m not a big art guy. Yes, I appreciate good art, but I don’t go out of my way to collect it. When at Comic Con with hermanos and our good friends at Funnybook Babylon, they’ll usually be scouring Artist Alley as I wander around for other treasures.

That said, I have a jonesing for anything with Marko Djurdjevic’s name on it. I absolutely love his stuff. When I found out there was going to be a book of all his different Marvel covers, I was on it like consonants on “Djurdjevic.” That awesome cover of Dr. Doom holding the Infinity Gauntlet for What If: Secret Wars? It’s in there. Wolverine impaling Blade’s skull? It’s in there. The mind-blowing cover to Daredevil #100?

Hells yes, it’s there.

It features commentary by Djurdjevic for most of the pieces. This includes a bit in the end where he shows some attempts to redesign key characters. Apparently, he wanted to transform Iceman into Terry Bogard from Fatal Fury/King of Fighters. I can dig that if it involves knocking Apocalypse off a rooftop.

Cookin’ with Coolio: 5 Star Meals at a 1 Star Price
David: Gav, I need to talk to you about your pick for the holiday article.
Gavin: Is this about the omnibus? Because I didn’t know it was out of print until I handed it in.
David: No, I—
Gavin: Okay, I admit it! I found out about two sentences in! But they’re still selling it at a ridiculous price! Cut me some slack!
David: Stop. Please.
Gavin: You did say please. What’s up?
David: Cooking with Coolio? Seriously?
Gavin: I know! It’s great, isn’t it? I can’t believe it exists either. Just like that autobiography by Dustin Diamond.
David: That’s not what I’m talking about.
Gavin: It damn well should be! There’s a segment in the book called “Pimp Your Shrimp”!
David: Gav? Can you tell me something?
Gavin: I can tell you many things. I can tell you how to both chill and grill at the same time thanks to this amazing book.
David: No, I want you to tell me something specific.
Gavin: Oh, right. It’s on page—
David: Not that! I want to know what Coolio has to do with comics. This is a comic book site. You realize that?
Gavin: But he’s comic…al?
David: …….
Gavin: He is! You should read the back cover! It describes him as being “one of the most popular and successful rappers worldwide”!
David: I don’t care.
Gavin: He had a couple hits well over a decade ago and they still have the balls to say that! He’s most famous for being completely butthurt at Weird Al because the theme to that Michelle Pfeiffer movie is serious business! You ever see him on that Celebrity Poker Showdown show? He was out in two hands because he kept betting all-in!
David: That still has nothing to do with comic books.
Gavin: He… was in Batman and Robin. Oh, and he was in the director’s cut of Daredevil!
David: *sigh* Fine. Do whatever. I don’t have time for this.
Gavin: Of course. Busy with Kwanzaa and all that.
David:
Gavin: What?

Esther

Blue Beetle
I’ve recommended these before, but I’m just going to keep on doing it until everyone has them. This is an all-ages comic in the best sense of the word. A grandfather could read these and love them. A small child could read them and love them just as much.

Jaime Reyes has somehow managed to become attached to The Scarab. It’s a ancient alien artifact that becomes sentient and gives him fantastic powers. Soon there are superheroes on his doorstep and aliens invading earth. Helping Jaime deal with this is his close-knit family and his two friends, Paco and Brenda.

It sounds like every superhero’s story. It isn’t. I don’t know how to describe it, except to say that the heart that goes into this story makes it stand out from every single book on the shelf. This is a story that will shock you with its power and its intrinsic sweetness. Buy it. Buy it. My god, buy it.

The volumes are, in order: Shellshocked, Road Trip, Reach for the Stars, and Endgame.

Two Superman Books with Tim Sale Art: Superman for All Seasons, and Superman: Kryptonite
There are few books that I read for the art. I’m a story and character junkie. Tim Sale’s Superman, though, gets me every time. The enormous, meaty face, the dark eyes, the way the character never seems to know what to do with his hands, they all add up to a story that you don’t need be able to read to understand.

Superman for all Seasons and Kryptonite, though, are worth getting out your reading glasses, though. They have the same thing that attracted me to the Blue Beetle series; an optimistic sweetness. That tone is hard to find anywhere. It’s too easy to prop up a story with horrors, or go for the cheap sensationalism of a hero pushed to the edge. Good books that are about the struggle to be kind, to be generous, to do the right thing, are worth a lot more than another edgy comic.

Agent X
So let’s talk about cheap sensationalism and a hero pushed to the edge. Agent X is an early Gail Simone book. Published by Marvel, it’s about a scarred anti-hero with no memory who careens through the Marvel Universe in the least dignified way possible. The hero, Alex Hayden, gets trained as a mercenary, goes through a series of disastrous missions, and finally finds his identity and his purpose in life.

Or maybe he doesn’t. It was too funny for me to really notice. A well-drawn, well-paced and hilariously funny series that was (criminally), never collected, this is worth haunting eBay for.

David

Kiyohiko Azuma’s Yotsuba&!
You know what’s really, really nice? Having a book you know without a doubt that you can turn to have your mood lighten. Yotsuba&! is like that. The story of Yotsuba and her group of friends and family is a great one, made even better by its simplicity. There’s no overarching plot beyond “Yotsuba and…,” though there is continuity between the stories.

One of the best parts is Yotsuba’s relationships. Her relationship with the world is one of utter naiveté and sheer joy. Everything she sees is a source of wonder and possible fun. Her relationship with her friends, the three girls who live next door, varies according to their ages in a really interesting way. Her relationship with her dad is part brother and sister and part sidekick, with lots of shouting and posing and >:O faces. Her relationship with her dad’s two friends, Yanda and Jumbo, is hilarious and completely believable.

Yotsuba is young, energetic, credulous on a level that is equal to six Amelia Bedelias, and intensely curious. The series is fun, and you can pick up any of the seven volumes that are currently out without missing anything major. And good on Yen Press for picking up the lapsed rights to it.

Yotsuba&! is cake comics, intensely enjoyable from all angles. Savor it when you read it.

Richard Stark’s Parker: The Hunter (Darwyn Cooke)
Sometimes, not all of the time, but sometimes, you just need to see somebody get what’s coming to them. And Parker: The Hunter delivers that in spades. Parker is a cold blooded man in the truest sense of the word. Though driven by revenge, he’s scarily calm and collected throughout the book. He doesn’t pause at doing things that would slow a normal person down and when he tracks down his target, there’s no explosive confrontation. It’s a foregone conclusion.

Darwyn Cooke’s already impressive art hits a new level here, with a clean green being the only color in the work, barring the color of the paper and strong blacks. It’s a treat to look at, even without reading the words. It feels like a crime comic should, with a palette that puts you out of your comfort zone and a main character that’s about as bad as the bad guys.

This book is the kind of thing that’s aimed directly at me, crime movie junkies, and people who like a layer of grime on their books. Almost as good as the book itself is its design, which is decidedly not that of your average comic. It looks like a crime novel, or a particularly fancy DVD cover, and the image instantly sets the tone. Totally one of my favorites this year, if not the favorite.

Pluto: Urasawa x Tezuka, Vol. 1
I could spend another eighty thousand words talking about this wonderful book, and The Hunter‘s only real competition this year, or I could point you here, here, and here. Buy it now and you can say you liked it before it wins every award at the Eisners next year.

And if it doesn’t win anything… we’re bumrushing the stage.

Takehiko Inoue’s Vagabond
A financial reason you should buy Vagabond Vizbig Volume 1: It has six hundred pages for twenty bucks, half that if it’s on sale. The value is insane.

A story-based reason you should buy Vagabond Vizbig Volume 1: It tells the story of Miyamoto Musashi, the most popular samurai ever, and how he came to be. We learn about his past, his friends, his family, and his love. We see him when he is talented, but not skilled, and little more than a savage. We see him fall back into old habits over and over while striving to be the best.

An art-based reason you should buy Vagabond Vizbig Volume 1: It looks amazing. Inoue employs a variety of styles throughout the book, resulting in a tale where the art adds a whole lot to the text, above and beyond the call of duty. Facial expressions, posture, and eyes tell tales above and beyond what the word balloons do. Visual metaphor is used to great effect, being both instantly recognizable (though one metaphor in book 4 was intended to take its time, and it paid off huge) and beautiful.

A historical reason you should buy Vagabond Vizbig Volume 1: It’s a manga based on novel based on the life of a real person. It may not be 100% historically accurate, but it is primarily rooted in fact. There are no magic powers, nothing outlandish. It’s just the story of a man, his sword, and his thirst to be the best. You learn something along the way about Japanese history, culture, and various forms of martial arts. You learn the advantages a spear has over a sword, and a sword over a spear. When you finish a volume of Vagabond, you come away with something more than you came in with.

One last reason you should buy Vagabond Vizbig Volume 1: It’s insanely good, bottom line. Words, story, setting, all of it is dead on.

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Boobgate: Nine Days Later

November 28th, 2009 Posted by Esther Inglis-Arkell

Jen Van Meter, the writer of “Spin Cycle,” the Cyclone and Power Girl story in the JSA: 80 Page Giant, has responded to my entry of last week. 

Hi, Esther. A friend forwarded me links to your post and to a couple other blogs that have picked up on your comments, and I feel compelled to reply because you’re right — I failed in what I was trying to accomplish with the “Spin Cycle” story, or, at the very least, I failed you and many of your respondents.

What I was asked by DC to supply was essentially a short story about one of the younger JSA characters walking through a door in the brownstone to find something unexpected, surreal, impossible (by the character’s standards) that, whether it “really happened” or not, could somehow have bearing on the way that character perceives her-/himself.

I’ve been interested in Cyclone since she was introduced because, unlike most teens in costume in the superhero worlds, she doesn’t seem particularly interested in conveying a fully-formed adult sexuality, nor is her chosen costume conventionally sexualized. I like her smarts, her sense of the theatrical, and I think she’s interesting because her insecurities seem very plausible and refreshingly commonplace. I wanted the story to be a series of experiences that in one way or another allay some of her anxieties about meriting a place in the JSA, and given that she was team leader at the time I was writing it, I wanted to use PG to stand in for the focus of those anxieties.

Because I was thinking about the story as being some whacked-out magical construct emerging somehow out of Maxine’s point of view, I wasn’t thinking about Power Girl–in the story–as herself but as something produced by how Maxine sees her, and in my reading of these characters Maxine had been seeing PG the way a new hire might see a CEO as explicably demanding, intimidating, and intense as, say, Oprah, Madonna and Secretary Clinton all rolled into one. I wanted Maxine to leave the story feeling more like a worthy peer and teammate.

So one thing led to another, and I found myself wanting Maxine to come upon PG doing something simple, ordinary, humanizing, and when I decided on laundry I started wondering what Maxine would think of Power Girl’s costume. There was nothing externally meta-textual going on for me, but I was indeed thinking that Maxine looks at super-heroics as at least one part theater; she’s got the theater background and knows that–in their world–there’re lots of reasons they’re not all running around in track suits and army/navy surplus. What I had in mind was that in “reading” the costume to this apparition of Power Girl, what Maxine is really doing is explaining to herself some of why she finds Power Girl so intimidating. I’m not pretending to be unaware of the conversations amongst fans and creators about the sexism that seems so deeply embedded in the genre, especially as it focuses on costuming; I am saying that what I was concerning myself with at the time was the notion that similar conversations might/must be ongoing in the world the characters occupy as well.

One other thing I do need to offer up for consideration, and I see this come up frequently in comic reviews and critiques: you ascribed intent to lecture to me but used the art as the focus of your argument. In the script, what I asked for was a shot of Power Girl, “a little surprised by the enthusiasm, perhaps thoughtful,” or something like that. I didn’t see what you have when I saw the inks; if I had done, I probably would have asked if there was time to redraw at least that panel, or, more likely, would have tried to make changes at the lettering stage to make the ideas behind the scene more plain.

Do I like the vast and very gendered disparity in costuming in conventional superhero comics? No. Do I love superhero comics despite the many flaws of the genre? Absolutely. Having chosen to write superhero comics for hire on occasion, must I work with what’s available to me? Sure. Did I imagine that I could say something about Cyclone by giving some thought to how she might see, or want to see, one of the costumes most emblematic of the problem at hand? Yeah, I did. Clearly, I misstepped.

I wish I had caught how the scene could be taken while I was working on the script. I would have done something about it.

No obscenities, no intimations of rage, and no snotty rhetorical questions (which is more than you can say about my original entry).  Very classy.

And here is a link to the original post.  (Jen Van Meter’s comment currently the third from the bottom.  You can also see my response, and a special guest appearance by Jimmy Palmiotti.)

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Ultimatum Edit Week: The Annotations

August 9th, 2009 Posted by Gavok

It took about nine months, but the comic miniseries Ultimatum had finally finished, meaning that the 4th Letter fan-favorite Ultimatum Edit is kaput as well. As always, ManiacClown and I had a blast and we hope you enjoyed it as well.

Thing is, we make a lot of references to random things that I’m sure fly over the heads of many. To help in retrospect, here’s a little page-by-page guide to what was going on in our heads.

WEEK ONE

Page 1

– The narration box is quoting the horrible Fantastic Four cartoon theme from the mid-90’s.

– The events Reed and Sue discuss are based on the Ultimate Fantastic Four/X-Men Annual two-parter that acted as a prelude to Ultimatum. It involves a bunch of superheroes from the future coming to the present in an attempt to change their reality, as their status quo has Invisible Woman ruling the world alongside Namor with an iron fist. In one scene, the regular Sue got in Wolverine’s face by unsheathing claws just like his, but made of her invisible force fields. She didn’t slice him or anything. She just whipped them out to threaten him. THEY ARE INVISIBLE!

– Thing is bringing up how that robot looks an awful lot like the scanner droids from the beginning of Empire Strikes Back.

Read the rest of this entry �

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