Archive for the 'brief bits' Category

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Getcher Cheap Omnibuses Here!

March 6th, 2010 Posted by david brothers

I dunno if it’s a mistake or not, but Amazon has 48 pages of 15 dollar Marvel hardcovers, ranging from Premiere (aight), OSHC (nice), and omnibus (holy crap!) format.

I ordered six. A couple preorders, Tomb of Dracula v1, The Death of Captain America, and then the last two Ultimate Spider-Man joints. Cheap hardcovers make me stupid, apparently. But whatever, I’m getting cheap comics. Also we get a small cut if you buy through that link, so you know, there’s that.

Shill over! I’ve got a to-read stack to demolish before all these books get here.

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Scanlations and Piracy: Cry for Justification

March 4th, 2010 Posted by david brothers

Hey, let’s talk piracy!

AnimeVice published a pretty poorly written defense of scanlations, tying into a larger discussion of Nick Simmons jacking art from Bleach. It has some fairly huge issues, including some outright factual inaccuracies, but boiled down? It’s crap.

I don’t want to spend this point by point rebutting Remmell’s essay, but I will say that hinging a pro-scans piece on Viz’s “butchery” of Gosho Ayama’s Case Closed is an incredibly bad decision when the changes were requested by Gosho Ayama and the Japanese licensors. It is the real story, since the author wanted the changes. Your mom’s pound cake is your mom’s pound cake, no matter the recipe she chooses to use.

The biggest problem with the essay is the idea of justifying scanlations, and through that, piracy. That’s stupid. Here’s the truth: you can’t justify scanlations. Justifying an act requires proof that the act is necessary. You can justify a war, you can justify violence, you can justify sleeping in and missing some school. The thing is, you can’t justify scanlations. The original creator that you’re such a fan of gets no recompense from you reading scans online. No money, nothing. In exchange for that nothing, you get to read that creator’s book for free. In the end of things, that’s what happens. You aren’t supporting, you aren’t helping, you’re just leeching.

Let’s keep it all the way real. I have a Demonoid account, just like everybody else. Sometimes I hear about a movie and I want to watch it, but Netflix has nothing. Well, look at that: Fatal Fury the Anime is on Youtube. When an album I’m looking forward to leaks a week early, I download it, listen to it, and then decide whether or not I’m buying it off Amazon’s MP3 store. I follow several mp3 blogs to keep up on new singles, freestyles, and mixtapes.

In fact, real life example: I wanted to listen to A Tribe Called Quest’s Midnight Marauders the other day. It’s one of my favorite albums, I was having a crap day, I figured it’d be a pick-me-up. I found out my mp3s were screwed up. They were skipping, some didn’t play, blah blah blah. This morning I remember that the songs were broken, delete the ones I had, and downloaded the album. I threw them into iTunes, synced my iPod, and got on my bike to go to work.

Now, I’ve owned a copy of Midnight Marauders for years. Several- from cassette to CD to CD after that other CD broke. I could justify it by saying that I’ve paid for the album before, so why should I pay for it again? But- no. It’s on Amazon for ten dollars. I’ve got ten bucks, I love the group, it’s one of my top five favorite albums, and there’s nothing stopping me from downloading the album from a legal venue, except for the fact that I valued my own convenience over the rights of the dudes who made the music.

Make no mistake: this is, legally speaking, piracy. I can’t defend it, I can’t justify it– under the letter of the law, I’m a music pirate. If I got my card pulled over it, what am I gonna say? “I did it because I want to purchase content, not format?”

(The content vs format debate is a valid one, but completely secondary to what happened and why it happened. I downloaded that album because I wanted to not pay for it.)

I did it because I wanted it and it was convenient. This morning, I prized myself over someone else. Nothing more, nothing less. Trying to justify that kind of thing is dumb. If you did it, you did it. At least be real enough to say, “Yeah, I did that. That sucks, huh?”

Scanlations aren’t how you stand up for Authentic Manga or creator’s rights or whatever. Scanlations are how you read books for free. You aren’t fighting the power. You aren’t sending a message to the companies. You’re reading for free. If you care that much, then the only thing you should be doing is purchasing the original tankobon from Japan and reading it yourself. That way, everyone involved gets paid, you get your authentic manga, and we’re all happy.

Pretending that scanlations are something you can justify, or something that is morally correct in any way, shape or form, is a joke. You want it, you read it. That’s what it is, that’s how it works. Be grown up enough to admit it, rather than trying to justify it.

“Be aware and be honest,” is what I’m trying to say here.

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Invincible Iron Man Omnibus: Cheap!

March 4th, 2010 Posted by david brothers

Pardon the crass commercialism, but if you’ve been thinking about picking up Matt Fraction’s run on Invincible Iron Man, Amazon’s got a surprise deal for you. Marvel’s releasing an Invincible Iron Man Omnibus collecting the first 19 issues of Matt Fraction’s run. While it was originally supposed to come out in early April, it looks like it’s gonna ship early next week. They tell me mine’ll arrive 03/10/10.

This is a good deal because a) it’s 40 bucks retail, b) 26 bucks on Amazon, and c) a steal at that price. This will also get you more or less caught up to Fraction’s run on Invincible Iron Man, too. There is one arc between the omnibus and being caught up: the five issue “Stark Disassembled.”

So, yeah, if you’re addicted to hardcovers (holla) or you’ve been wanting to see what’s up with Iron Man before the movie drops– it’s a good deal.

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DC Comics: Meanspirited, spiteful, and childish.

March 3rd, 2010 Posted by david brothers

I don’t think anyone reported on it when it happened, but DC pulled several subtext-laden quotes from Milestone Forever #1. They said that the quotes weren’t covered under fair use and they didn’t want to get sued. However, rather than informing McDuffie of this at the time and giving him a chance to alter the quotes or create new ones, they waited until the book was at the printers. That’s shady, but okay, maybe they really would’ve gotten sued.

Milestone Forever #2 comes out later today, and whoops, it happened there, too. Click through for the quotes. Read them? Okay, now look at this one again:

“Sometimes I suspect that we build our traps ourselves, then we back into them, pretending amazement the while.”
—Neil Gaiman

Whoa! Neil Gaiman! That’s a good one, right? The thing is, it’s from The Sandman #75… a book wholly owned by (wait for it) DC Comics.

So! Let’s recap. DC Comics pull quotes from Milestone Forever #1 and #2 because they didn’t want to get sued. They wait until the book is at the printers to let the writer (and owner of the work) know, preventing any changes from being made. At least one of the quotes they pulled was from a property that they own completely, it being a legacy character and created pre-Vertigo. It’s the latest in a long line of shady, but legal, moves they’ve made regarding McDuffie and Milestone, and possibly the last, considering that McDuffie has no announced DC work coming up.

Were they gonna sue themselves? Is that it? Was Karen Berger gonna run across the hall and whack Dan Didio with a shoe if a quote from The Sandman made it into a comic that isn’t from Vertigo?

Or is someone at DC a petty, childish, scummy, shell of a human being? I don’t know who, nor do I have any ideas, so I’m not dry snitching here. I honestly want to know: who’s dicking around McDuffie? ’cause at this point, beyond of a shadow of a doubt, somebody up there is a firm believer in Industry Rule #4080: comic book people are shady.

I could go on and on and pile insult upon insult, but you know what? This situation should be clear to anyone with half a brain and half a shred of basic human decency. Someone there is prizing beef over money, and someone up there is mighty stupid. End of story.

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Station Identification

March 1st, 2010 Posted by david brothers

I’m taking a couple days break now that BHM is over, so it’ll be a few days before I get back to calling DC stupid and Mark Millar’s Kick-Ass racist. In light of that fact, now’s as good a time as any to remind you who we are and what we do!

4l! turns five years old this month. The anniversary is later in the month, and hopefully we’ll have some cool business going on. Five years, though, dang. If you have anniversary stuff you want us to do, drop a comment down below.

4thletter! is
Gavin: Funny stuff and wrestling
Esther: Batman and Batman
David: Black people and exasperation

RSS feed for posts
RSS feed for comments
Livejournal syndication
Facebook page
iTunes page for the Fourcast!
RSS feed for the Fourcast!

The Family
Blog@Newsarama: Psyche.
Cheryl Lynn: Cheryl likes to send me links that are to either funny animated gifs or are meant to get me writin’ mad. She’s also the maintainer of The Ormes Society.
The Factual Opinion: TFO is the home of Tucker and Nina Stone. Nina’s just looking for somecomic to love while Tucker’s handing out two-fisted reviews. Both are worth reading.
Funnybook Babylon: Chris, Pedro, Joe, Jamaal, and David U bring some tough talk for funnybooks.
Julian Lytle: Creator of Ants and dope artist. Check out his reviews and miscellany on Ignorant Bliss.
Ron Wimberly: Dope artist, creator of Gratuitous Ninja, jet-setting dude who does a whole lot.
Sean Witzke: Sean is the kind of guy who brings up something you’ve seen a million times and completely dismantles it, forcing you to look at it in a new light. You don’t get it, boy. Supervillain isn’t his blog. It’s an operating table. And he’s the surgeon.

If I forgot you… I forgot you. Peace!

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Glyph Comics Awards Nominees

February 17th, 2010 Posted by david brothers

Glyph nominees! I’m pretty happy with how these turned out. All of it’s worth reading. Vote for the fan awards here.

This was a real eye-opening experience for me.

FOR IMMEDIATE RELEASE

THE 2010 GLYPH COMICS AWARDS NOMINEES ARE NAMED; THE FAN AWARD POLL IS OPEN

Last year, Jeremy Love’s Bayou made history at the Glyph Comics Awards (GCA) by winning five times, including for Story of the Year; a new record. In this, our fifth anniversary year, many new faces are in the running from all across the industry.

The nominees for 2010 are:

Story of the Year
Luke Cage Noir; Mike Benson & Adam Glass, writers; Shawn Martinbrough, artist
The Original Johnson; Trevor von Eeden, writer and artist
Unknown Soldier #13-14; Joshua Dysart, writer, Pat Masioni, artist
War Machine: Iron Heart; Greg Pak, writer, Leonardo Manco, artist
World of Hurt, Jay Potts, writer and artist

Best Writer
Joshua Dysart, Unknown Soldier
Jeremy Love, Bayou
Greg Pak, War Machine
Jay Potts, World of Hurt
Alex Simmons, Archie & Friends

Best Artist
Chriscross, Final Crisis Aftermath: Dance
Jeremy Love, Bayou
Shawn Martinbrough, Luke Cage Noir
Jay Potts, World of Hurt
Trevor von Eeden, The Original Johnson
Read the rest of this entry �

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Be Kind to Your Valentine

February 14th, 2010 Posted by david brothers

If you’re running late on your Valentine’s Day shopping (shame on you, by the way, we’re all very disappointed), your pals at 4thletter! got you covered. We’ve had these Street Fighter Valentine’s Day cards kicking around on the hard drive at 4l!hq forever, but they date back to the good ol’ days of 1992.

Print one out, throw a quick inscription inside (make it sheepish to avoid a fight), and hand it over. That’s how you save Valentine’s Day. You’re welcome in advance.

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Puffy is Good, but Milestone Is Forever

February 5th, 2010 Posted by david brothers

I wrote a bit about Milestone Media in honor of the release of Milestone Forever #1 this week. It’s a brief history and essay on its impact, a lot of which gets forgotten nowadays.

A brief excerpt:

Oh, you knew it was coming, didn’t you? It’s Black History Month, baby, pay attention!

Milestone was never the “black” comics company. Its creators, like its characters, were a multicultural blend of various races and ethnicities. It stands to reason that when your company is composed of a variety of types of people that your books will reflect that reality, doesn’t it?

In the case of Milestone’s comics, that is definitely true. “Blood Syndicate”‘s cast was composed of black, white, Chinese, Korean, canine, Latino, and alien characters. In fact, in a move that is still amazingly rare, “Blood Syndicate” featured Latino characters of different Latin ethnicities. A Puerto Rican, a Dominican, and a Salvadoran in the same book? That’s incredible, because most companies just stop at “Generic Hispanic Character.”

It’s nice that mainstream comics are making a play at paying attention to people who aren’t white dudes again, but don’t forget that before Batwoman, before Steph Brown, before Jaime Reyes, and before Luke Cage was on the Avengers, there was Milestone. Give credit where it’s due. Pay attention.

There’s this Malcolm X quote I like. He said, “You can’t drive a knife into a man’s back nine inches, pull it out six inches, and call it progress.” If you’re doing something now that isn’t as forward-thinking (or equal, or normal, or whatever) as seventeen years ago? That ain’t progress, doggie. That’s playing catchup to everybody else. It’s nice that you’re trying, but either do better or go home. I’m not going to congratulate you for finally doing what you’re supposed to have been doing for decades. That’s like congratulating parents for paying their rent. Newsflash: you’re supposed to be doing that.

And that’s about as negative as I’m willing to get over race & comics this month. I’m tired of fighting.

Go give that post a read. Denys Cowan comments below and he dug it, which basically made my day.

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Young Justice League Animated Series

February 5th, 2010 Posted by Esther Inglis-Arkell

Hunh.

With this little information, I can’t say much, except that I hope it will be more Young Justice and less Justice League.  I loved the Justice League and Justice League Unlimited series. 

I just really don’t want to see The Justice League, Only They’re TeenagersYoung Justicehad its own feel and its own cast  (the fact that Arrowette is on the show is a good sign).  I hope that they’re not going to shove adult heroes into teenage roles.

Okay, enough about what I hope it’s not.  Here’s what I hope it is.  I hope that they have the dorky-as-hell Superboy.  He was fun and shallow, but also very sweet, with a poignant back story.  I hope that they include both Cassie and Cissie, and that they’re friends all the way through.

And I hope that they have the adult superheroes in the show, just as they were in the comic; stepping in and annoying all the kids.  Young Justice wasn’t just a series about a team of kids.  It was a series about a team of kids who were rebelling, and challenging, and clinging to, and thinking about, and testing the grown-ups in their lives.  That was part of what made it fun and poignant.  If it’s just a bunch of kids fighting monsters, it would just be like Teen Titans Go!

Oh, and I hope they have the supercycle.

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Black History Month ’10…

February 1st, 2010 Posted by david brothers

starts tomorrow.

In the meantime, check out Ron Wimberly’s Weekly Inspiration this week, which comes with a Black History theme. Look at the crazy design sense on those issues of The Black Panther.

Weird trivia- the guy who founded the Black Panther Party chapter in Brooklyn in the ’60s? David Brothers.

BHM10 is tomorrow.

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