Barry Allen was one of the most optimistic men I’ve ever known. A forensic scientist who looked at life differently than most in his position… Working at the crime lab — Barry saw his job as protecting the innocent rather than damning the guilty. I wish I could’ve understood that.

-Batman, on Barry Allen (Flash #205)

Sometimes, when I’m feeling mean, I call the Justice Society of America a team of guest stars. I pretty much mean that about everyone on the team but Jay Garrick. Jay Garrick is a Flash, and I love Flashes.

They each have their own flavors. Jay is the elder statesman, the guy who’s been around the block and who may not be the best around, but is definitely the most seasoned. Wally is the rookie who made good in being a hero and a man, and has the Justice League status and family life to prove it. I’ve talked about Wally often enough that I think my fondness for the character can go relatively unstated. Barry, though, is something else entirely. I’ve written about the guy before.

One thing that Johns established in his run on the Flash is that the Rogues respected Barry. They didn’t like him, but they respected him. It may not have been fun and games, but it certainly wasn’t made up of death threats and tortured girlfriends.

The phrase that I associate with Barry the most is “Flash fact.” He’s the classic hero. Clean-cut, square jaw, a little goofy in his social life. He’s the Saturday morning cartoon guy. If you wanted to directly translate the Flashes to cartoons, Barry would be your best choice. Wally has the (entertaining) baggage of a family, Jay Garrick is really kind of too boring to lead a show. Barry, though, Barry has everything you need. He has the intrepid girlfriend who knows his secret, even though he doesn’t know she knows, so you have the bonus of both a romance and a capable and funny female cast member without falling into annoying Lois Lane drama. He has villains with really, really dumb and entertaining gimmicks, and the Flash costume is already pretty much one of the best visuals in comics. It’s the perfect Saturday morning cartoon.

So, Barry, to me, represents a different era of hero. Back when heroes were heroes, investigative reporters were dumber than entire bags of bricks, and dudes thought that being so angry about being colorblind made it okay to leave your house and call yourself “Rainbow Raider.”

Jay is the wise Flash, Wally is the accomplished Flash, and Barry? He’s the happy Flash. He has fun.

Here’s the solicit for Flash: Rebirth #1, the post-Final Crisis return of Barry Allen:

The Flash: Rebirth #1

Written by Geoff Johns
Art and covers by Ethan Van Sciver

Through the decades, many heroes have taken the mantle of The Flash, but they all ride the lightning that crackles in the wake of the greatest hero the DC Universe has ever known, the man who sacrificed himself to save the Multiverse: Barry Allen!

Following the events of Final Crisis, Barry has beaten death and returned to a fast-paced world that a man out of time wouldn’t recognize. Or is it a world that is only just now catching up? All the running he’s done before was just a warmup for the high-speed race that he and every other Flash must now run, because even though one speedster might have beaten death, another has just turned up dead! From Geoff Johns and Ethan Van Sciver, the visionaries responsible for the blockbuster Green Lantern: Rebirth and The Sinestro Corps War, comes the start of an explosive and jaw-dropping epic that will reintroduce to the modern age the hero who single-handedly birthed the Silver Age of comics! DC history will be made, and the Flash legacy will be redefined!
On sale April 1 • 1 of 5 • 40 pg, FC, $3.99 US

I love the Flashes, I really do. But, I’m tired of heroes being fueled by tragedy. Reintroducing a classic Silver Age hero with a newly dead one just sounds lame. I realize that I’m judging it by the solicit, but that’s what solicits are there for. It’s a story summary so I can decide if I want to buy it. Right now, I don’t want to buy it. The man out of time aspect could be interesting, but the murder mystery? I’m tired.

Barry Allen cures Iris of the Anti-Life Equation with a kiss. That’s Barry in a nutshell for me. He’s bright and shiny and hope and fast. He’s above all the muck and grime and garbage that superheroes tend to get put through nowadays.

Barry could never be a Marvel character, and I love that about him.

Chris Eckert has a fascinating look at The Comic Reader, a fanzine from the late ’70s/early ’80s, over at FBB. The inaugural edition of what I hope is going to be a series is pretty fascinating, and even explains those weird painted marks on old comics.

[…]Denny O’Neil contributes an open letter to Steve Skeates, responding to an earlier interview where Skeates lambastes what he perceives as O’Neil’s dishonest business practices and “lukewarm liberalism” masquerading as as “radicalism”.

So in case you were wondering everyone, politics invaded comics a long time ago. Blame Nixon.

TCR allows O’Neil to ramble for over two pages, mixing inside jokes with lengthy quotations from Camus and e.e. cummings, old convention anecdotes and critiques of specific issues of Aquaman. What’s amazing is that these are not the kneejerk slapfights we’ve grown accustomed to in the blogosphere, these are letters delivered by parcel, debates with months between retorts. But even with those hurdles, creators found time to fight!

Go give it a read.

Comics going up to four bucks has been a hot topic lately, with good reason. It’s a big jump in price from 3 bucks, and it’s coming at a time when people are screaming “Recession!” at each other like it was “bingo.”

Probably the best financial-based look at the price increase came from Conor at iFanboy, where he broke down price per page for trades and singles. Matt Silady hipped me to Marvel’s Ultimate trade and hardcover pricing a while back (ten cents per page on the OSHCs, approximately, saves you money, with Ultimate Power being the first to cost more than that), and I’d been paying attention to comic prices before then anyway, since I’d taken an axe to my pull list and gotten rid of 90% of the dross I was reading.

I found another interesting post this weekend, courtesy of Heidi Meeley. She breaks down some real-world equivalents for what you pay for comics:

12 comic books at $2.99 = $35.88
OR
Monthly electric bill at $34.76
That is a big one, right?
16 comic books at $2.99 = $47.84
OR
Cell phone bill at $49.95
Unfortunately, some form of communication remains a viable expense.

I buy most of my trades off Amazon at this point. Getting up to 60% off counts for a lot, particularly when it comes to OSHCs or Absolutes. As my attitude toward comics adjusts, I’ve become more comfortable with waiting to read, or even not reading, some stories. As the price of comics has gone up, I’ve become even more comfortable with waiting to read books and dropping other books entirely.

Basically, I don’t really have any interest in paying four bucks for a comic book, especially not when I can double that investment, add a couple bucks, and get six times the story. Four dollars for 22 pages is a quite a bit more than a bit much. I quit buying CDs when they went over 12 bucks for similar reasons. I started looking for sales. With comics, I’m looking for full stories. Serialization is good and all, and hanging with the gang on Wednesday is fun, but most stories are interminable when split up these days.

And with Marvel pulling tricks like sixteen pages of story and charging four bucks for books like Astonishing X-Men Ghost Boxes, which wasn’t even really worth three bucks to begin with, well, I don’t feel too guilty about making four bucks my hard line.

I’m done. Horse is dead.

Here’s a question*. Do you think that people who are interested in reading Vixen: Return of the Lion, with words by G Willow Wilson and pictures by CAFU, care about this?

The correct answer is no.

Vixen is a series that is a repositioning of a recently reintroduced Justice League character who hasn’t appeared regularly for years. Batman appears on a few pages out of the issue as a guest star on a rescue mission. There’s no mention of his troubles in RIP– he’s just Guest Star Batman. Guest Star Superman, Guest Star Red Arrow (ugh), Guest Star Black Canary, and Guest Star Black Lightning round out the cast.

No one cares about Batman RIP because it doesn’t matter in the context of Vixen. How about we kill this continuity spider-web stuff and just stick to the shared universe approach? “Hey, it’s Batman! I like Batman, and even though he is currently Jean Paul Valley in his ongoing comic, I’m not enough of an anal-retentive OCD nerd to care!”

I’m not saying that you should never acknowledge things… but use some discretion. It’s worthless here.

On the flip side, this is kind of hilarious. One of my favorite things about Marvel is that they don’t throw anything at the wall to see what sticks– they throw everything.

For those of you who don’t know, Midnight Sons was Marvel’s ’90s supernatural line. Morbius, Blade, Hannibal King, Frank Drake, Ghost Rider, Johnny Blaze, Vengeance, and Marvel’s other supernatural characters were in a supergroup, or loose affiliation to this supergroup, called the Midnight Sons. They fought vampires, satanist mummy people, demons, Mephisto, and whatever other vaguely supernatural enemies decided to come calling. They were about as edgy as you’d expect, too. The satanist mummy chick had her pentagram on her right breast, for example.

Anyway, it’s the kind of idea that you’d never expect to make a comeback, but so far we’ve said that for Luke Cage, Iron Fist, Bucky, Hellcat, Captain Marvel, Moon Knight, and so on- you get the picture. Marvel has a habit of revitalizing their b, c, d, and z-list in a way that’s either genuinely entertaining or entertaining on a curiosity level, at least temporarily.

I can’t promise it’ll be good, but it’s almost sure to be more interesting than the latest Superman origin re-telling.

*This question takes place after Secret Six Discussion, but before Weapons of Mass Destruction.

My PCS cohort Jon has hit us with another big idea– Comixup. It’s a feed aggregator plus network. Sites can trade links, banners, or whatever helps to try and make your mark. Hit up Jon if you want in, or check out the post on COMIXUP on PCS if you want more info.

Basically, this is a pretty good way to show that retcons are pretty much a lame storytelling device. Nine times out of ten, it’s just another way of saying, “Welp, we screwed up and we don’t want to have to deal with the consequences.” Sometimes it’s something like, “We need this character to be in this position for this story to work and don’t want to do the in-betweening.”

Retcons can be used well, but by and large, they are about sidestepping consequences. Hal Jordan murdered a whole bunch of people, and so far, it seems like his punishment is to get called a stupid earthman and sneered at once every eight months or so. Why? Because he’s Hal Jordan, Hero, and DC Comics needed him to be a Green Lantern for some reason. Sinestro? He ain’t dead! Why, he faked his death! Why? Because Hal Jordan needs Sinestro as a villain. Jean Grey isn’t dead, she’s just in the bottom of a bay. Why? Because we need a team featuring the original X-Men. Prometheus? He hasn’t been looking like a buffoon all over the DC Universe for years. He’s been all locked up, who is that other guy? He’s just some guy who acts just like him, has the same gimmick, costume, personality, and powers.

This is stupid. There’s dozens of other ways to get around Prometheus being an idiot. Faulty tech. A deep-seated fear of Batman (it worked for Deadshot). Slumming it and trying to stay off the radar. Anything but “it wasn’t him, nope.”

That’s just lazy.

Kyle Baker gets it.

The internet went from a weird thing nerds used to do whatever it is nerds do to being a day-to-day part of all of our lives. The best place to put something where somebody can find it is online, so he put the first issue of his mean, beautiful, amazing, heartbreaking, and totally 100% worthwhile comic book about the war in Iraq online for free.

Go and read it.

Last year, I did a series of posts during Black History Month, one post a day for the entire month of Feb. It brought in the hits, but didn’t necessarily generate a lot of off-site commentary, which is what I would’ve liked to have seen.

Regardless, it was a hard and enjoyable experience, and I’d like to do it again this year. I don’t want to repeat msyelf or step on my own toes, however, so I’m putting it to you– what do you want to see me talk about? Have book/creator/topic suggestions? Are there any dumb questions that need answering? Things that need to be talked about? Nothing’s too dumb or out there. Drop me a comment or throw me an email and let me know what you want to see. If you can link this around, that’d be great, too.

This is from Haunted Tank #2, words by Frank Marraffino, art by Henry Flint:

I was going to review it, but I got a surprising message from a fan of 4l! who beat me to the punch. Prince, how did you feel about the issue, and this page in particular?

Ouch.