We don’t have a Paypal button on 4l!, mostly because I’m torn on the idea of people just giving money to the site for nothing. I’d rather someone get something in exchange– Amazon and Project Wonderful ended up being perfect for that.

Amazon is running Black Friday deals all week, and if you click this link, you’ll be taken directly to Amazon, where anything you buy gives us a kickback. Theoretically, this works even if you browse around and buy stuff, as long as you came to Amazon via that link. You can also use the search box on the sidebar (it says Amazon Search, you can’t miss it) and get the same result. Same as the Amazon boxes on any review post.

Costs you nothing extra, you get in on some dope deals, and you help me embezzle money pay for 4l!’s hosting. If you aren’t into shopping online… no bigs. Thanks for reading anyway.

Solo #7 was originally supposed to have a cover by Mike Allred that depicted the 1960’s Adam West incarnation of Batman dancing the Batusi. It was replaced with Wonder Girl doing the same pose. One of the rumors as to why it was scrapped was that Dan Didio wants to put the kibosh on emphasizing the West-style Batman due to beliefs that West’s portrayal ruined the character for many decades up until Dark Knight Returns returned him to form. You get the idea: you can’t take a man dressed as a bat with underwear over his pants seriously if you’re reminded of that show where Cesar Romero painted over his mustache.

Is it true? Probably not. Batman: The Brave and the Bold is very Dick Sprang Batman and Sprang’s take on the Caped Crusader is practically brothers with Adam West Batman. Then again, I’m not sure if Didio had any real say in that.

But the precedent is there. There are fans out there who seem so stuck in their ways that to even portray their beloved character in a different tone offends them. That’s the case with the current Rick Remender Punisher storyline, Franken-Castle.

People HATE this image and all it represents. If you’re seeing this for the first time, chances are you might be thinking, “What the hell is this shit?!”

It’s awesome, that’s what it is.

Read the rest of this entry �

gottsuiiyan at The Eastern Edge bought the new issue of Switch Magazine, and it’s got a feature on the new One Piece movie, Strong World. One Piece is basically the best adventure comic, so I’m looking forward to Strong World. Especially if it has stuff like this:

That mooseasaurus rex in the link looks great, too. Good to see that Oda’s Nami is still 2/3 legs, too.

Heidi MacDonald has the details on a new survey for comics readers, masterminded by Megan Milliken. A bit of cut-n-paste:

I am a University of Chicago graduate student conducting research on comic book readership. I’m interested in demographic trends of comic book readers as well as the medium’s effect on readers’ consumption of other cultural goods and participation in civic activities. I’m motivated to do this research first and foremost because I am an avid comic book fan who has derived a great deal of pleasure and inspiration from both the content itself and the community. I’m interested in how comic books have impacted readers and hope to see what it is about a comic book that keeps a reader coming back month after month. That said I have two surveys (the first is for under 18 respondents, and the other is for respondents that are 18 and over) that I have assembled. It is intended for comic book readers as well as non-comic book readers as I would like to compare responses between these two groups (so please pass it along to the norms as well).

If you’re 18 and over, click here. If you’re not 18, learn to speak when spoken to and click this one. There’s nothing NSFW in the 18+ one– I took it and it had questions about salary and education. I assume the 18 and under one asks about toys or Justin Timberlake or whatever.

One major minor quibble: manga’s been around in the US since the ’80s, at this point. There have been several fairly high profile releases. One of the best comics out in the US this year is from Japan.

Can we stop pretending that manga is a genre? Over the past six months, I’ve bought 1800 pages of historical fiction manga (Vagabond), 600 pages of science fiction manga (20th Century Boys), and 400 pages of slice of life manga (Yotsuba&!). The only thing those books have in common is country of origin and format.

Manga = comics, I don’t know how to put it plainer than that. The differences between Japanese manga and American comics, at this point, are semantic at best.

Manga = comics. Treat it like that.

Tekken 6 came out on PS3 and 360 a while back (and is forty-four bucks on Amazon right now and totally worth the purchase) and captivated my attention, just like the five prior games did. The fighting, the Barbie to the nth level dress-up/customization stuff… half of the games I play online with friends are all about how awesome that bit of hair you put on that character is, where did you get that? And that skirt, whoo! Way to go!

(It’s like playing with dolls, only they fight.)

The thing with Tekken, though, is that its story is dumb. It has a space alien/ancient Japanese ninja who looks like a bug, a bear who takes over a corporation, a kangaroo that gets divorced and that kangaroo’s son who goes on a quest to find his deadbeat father, and a series of people being thrown into volcanos, off cliffs, and into space so that someone else can become president of Mishima Corp. Everything is treated as having happened, including the dumbest “I had a secret twin all along!” twist I’ve seen in my entire life.

It would work very well as a comic, and luckily, Japan is on top of things. Ultra Jump, a spinoff of Shonen Jump, has an online arm called Ultra Jump Egg. And on Ultra Jump Egg is… TekkenComic, a Tekken manga by Rui Takato (author of Scape-God, summaries available here), produced for Tekken’s 15th anniversary and Ultra Jump’s 20th.

The twist is that it’s also available in English, which is new and neat. Pressing a button overlays English text over the Japanese balloons. It’s a little punctuation starved, save for… ellipses, and the font could scale better, but it reads pretty well. And it’s funny. It opens on the story of Paul Phoenix, who, along with Steve Fox and Marshall Law, have entered the King of Iron Fist Tournament to cheat their way to the ten million yen.

The comic has three chapters up (of three?) and it’s pretty entertaining. The shower scene is kind of gratuitous, and I hadn’t realized exactly how much of a stereotypical anime girl Asuka Kazama was before now (all she needs is a magically appearing hammer). Despite that, Lili as Schoolgirl Imperialist really, really works. And I dug Leo’s brief interlude, too. Considering the last page of Battle 03, if this is an ongoing thing (and some 4l! reader with Japanese language skills please let me know!) I’ll tune in once a week. It’s just as delightfully dumb as the game’s story, which may well be the anti-pull quote of all anti-pull quotes, but I like it. Maybe Viz will license it and put it out over here?

Fair warning, though. Battle 03 is basically frilly panty heaven. Or maybe hell, depending on who you are and where you work.

I guess this was a surprise to exactly no one.  A few months ago I would have been ranting and raving at the news.  It seemed to me that the show was just beginning to hit its stride at the end of season one.

Epitaph One and the first episode of season two were fantastic, both mixing inventive stories with deep looks at all of the characters.  I thought that, after the first episodes that pretty much looked like movies of the week, the show was done throwing us episodic stories in which Something Randomly Goes Wrong.

Then we saw an episode where Echo subs in for a mother and gets wiped but still retains her maternal instinct enough to stumble around with a knife.  And a show with a serial killer who ends up in Echo’s body.  That was enough.  I love the show, but not enough to have to sit through six by-the-numbers episodes to get into the main story for each season. 

Goodbye, Dollhouse.  I’m glad I watched you long enough for my love for you to sputter out.  May the next Joss Whedon project end up on HBO.

-Wait, who is that? Who let Gavin on the podcast? Did he hack my computer?
-Theme music: 6th Sense’s 4a.m. Instrumental
-I Made Esther Read: Street Angel, by Jim Rugg and Brian Maruca. Check out this clip.
-Deadpool. What’s the deal with that guy? And Agent X, remember that?

And of course, there’s bad news– the Fourcast! is on hiatus for at least a month and change. Unavoidable technical issues, time, unrelated stress, blah blah blah– we’ll be back at some point in January, most likely. Call it a holiday, and call it a comeback in a month or so.

Subscribe to the Fourcast! via:
–Podcast Alley feed!
–RSS feed via Feedburner
–iTunes Store

This time, I’ve sadly been left high and dry by my 4th Letter comrades. Feh. Guess I’ll have to take care of this week myself. Maybe they won’t have anything to add to my weekly segment, but I’ll have something to add to their little podcast tomorrow, just you wait and see.

Adventure Comics #4
Geoff Johns, Sterling Gates and Jerry Ordway

The Authority: The Lost Year #3
Grant Morrison, Keith Giffen and Darick Robertson

Read the rest of this entry �

-Colleen AF Venable at First Second/:01 is amazing. She’s got another design post up on their blog, and it’s a great read. Is there another company-sponsored blog as good as :01’s? I don’t think so.

-Graeme McMillan, the man behind the man behind the man of comics writing, wrote the best post on colored folks in comics in ages, and I’m including ones that I’ve written in that number. It’s very good.

And how did Rhodey get his start as a superhero again? Oh, that’s right; he replaced Tony as Iron Man. Just like John Stewart got his start replacing Hal Jordan as Green Lantern. And John Henry Irons, replacing Superman back when he died. Oh, and don’t forget Monica Rambeau, Marvel’s second Captain Marvel. Or, hell, the Justice Society of America’s Mr. Terrific or Johnny/JJ Thunder, the Legion of Superheroes’ Computo and Invisible Kid, DC’s Mister Miracle (and, for that matter, Manhattan Guardian) or even The Spectre (And, again, who can forget Black Goliath, who replaced Hank Pym’s original White Goliath – except, of course, the “White” was silent in his name).

Graeme pokes at Rhodey’s history and finds something interesting at work, and ends up saying a lot about what it means to be black in comics. It’s absolutely worth a read or two, and it’s something to keep in mind when looking at black characters in comics.

I hadn’t even realized how few black characters were not “fight the power” types. Storm isn’t, but that’s because she’s completely divorced from any semblance of blackness. Just Bishop and Icon? And Bishop is borderline because of how he was placed at odds with the X-Men. It’s just the “Angry Black Man” stereotype poured into a new bottle.

The post’s excellent, go read it.

So, according to Gail Simone, Achilles is gay.  My reactions are as follows:

1.  But Zeus put him in charge of Amazon Island because he wanted the Amazons to lay down their weapons and become wives and mothers.  Is this one of those Greek irony deals, where the gods act like extreme bastards, but in an amusing way?  Telling the Amazons you want them knocked up, and then giving them a gay guy to get the job done, that’s just mean.

2.  And also damn.  I liked how he was in sympathy with the Amazons even as he tried to follow Zeus’s orders.  It would have been interesting if he had developed an actual relationship with one of the Amazons, instead of a marriage of state.

3.  But I suppose there aren’t that many gay guys in DC.

4.  There’s pretty much just him and Obsidian and Creo-

5.  Oh my god, there’s also Creote.

6.  Who is also a Simone creation.

7.  Oh please, Gail.  Give me Creote and Achilles as a couple for Christmas.  I’ve been so good all year long.

8.  For some definitions of good.