And we move forward. Yesterday saw Magneto sit back and listen to the Scarlet Witch. But how can that be if Wanda is dead? But what of the Multiple Man hiding out behind his throne? Today’s update has both of those answers.

Thanks to ManiacClown, who tried to have me change Magneto’s rant into a different topic. No dice, my friend.

Tomorrow we’ll see Giant Man vs. the Blob. It’s really stupid.

Day Three!
Day Four!
Day Five!
Day Six!
Day Seven!

Ah, nothing like a major company event taking a lengthy delay to let you stretch out your legs and enjoy your vacation. Time’s up, I’m afraid and it’s time to get back on the horse. Welcome to another week of Ultimatum Edit.

The first two weeks are here and here. If you need to go back even farther, just hit the Ultimate Edit like a good kid.

I’d explain what’s gone on previously, but I’ll just let the comic explain it for me.

Thanks to ManiacClown, who has returned once again to help me co-write this. Tomorrow we’ll get some explosive action with Multiple Man.

Day Two!
Day Three!
Day Four!
Day Five!
Day Six!
Day Seven!

A couple posts down, Esther asks about what makes Azrael special. What are his selling points? Why should anyone care about the character who took the fall for one of the most infamously disliked stories in Batman’s history?

I’ll tell you why. Because deep down inside, Danny Rand wishes he was Azrael. It’s true! Don’t believe me?

And that right there is what makes Marvel and DC different. In Marvel, it’s the badass, super-rich martial arts master that wants to be Azrael and not the other way around.

Meanwhile, check back here later tonight. Our week is just beginning.

During the panels of a Con, there is often a tug-of-war going on between panelists and attendees. The attendees ask question after question, trying to pull any possible information out of comics publishers, while the publishers bob and weave, trying to – all right, I’ve gotten a dodge ball metaphor in my tug-of-war metaphor, but the point is, the panelists try to keep as much information to themselves as possible.

And this year no one had to work as hard to duck the fast-flying continuity questions as Ian Sattler, the senior story editor at DC. Even at the sparsely attended Sunday Conversation panel, trying to get fans to stop asking continuity questions was like trying to pry a British Bulldog off a burglar’s ankle. Read the rest of this entry �

Azrael is the member of the Batsquad I know least about.  He was long gone, continuity-wise, by the time I started reading comics.  The first issue of the new Azrael: Death’s Dark Knight didn’t make me regret that one bit.

It’s not that the book is bad.  It’s just that I don’t care for Azrael.  I can’t exactly pin down why.  The guy’s self-righteous, yes, but self-righteousness is Batman’s stock in trade.  And yes, he does go crazy and try to kill people pretty regularly, but Superman does that as well.  Azrael actually succeeds in killing people, but of course, that’s what the Secret Six do and I love them.  That’s what back-from-the-dead Jason Todd does, and I like him.

That’s right.  Old Azrael ranks below Jason Todd in the Bat hierarchy. 

Azrael fans: What, if any, selling points does this guy have?

Just announced yesterday, the most metal collaboration since… shit, ever!

Wowee! Dethklok vs. the Goon!

I was born to bear witness to this comic. I bet the Goon could have killed that lake troll without the need of a cellphone.

I don’t remember the last CD I bought. I remember the first I bought, but not the last. At some point, over the five years I actually owned a car (two, actually), I’m sure I bought a lot of CDs and CDRs for burning mixes. At some point, though, I picked up an iPod and a car kit, which began the slow, inevitable slide toward going digital only for music.

I buy mp3s now, usually off Amazon. I think I bought one CD last year for an artist who didn’t have a digital release, but that basically meant I got the CD on sale for ten bucks and then downloaded the bootleg for the iPod. I’d be lying if I said all of my music was legal, but I think that a significant portion of it is. Either way, I’ve got almost 70 gigs of music, enough for 36 and a half days of songs, and the fact that my iPod only holds 30 gigs pains me every day.

I acquired an iPod Touch last year, in addition to my 5G. At first I bit the bullet and dealt with the 16 gigs of space, but a few weeks ago, I went back to using the 5G for music purposes. I really only break out the Touch to watch videos or listen to podcasts. I’d used Stanza for ebooks on the Touch, and I really dug the interface and speed. It’s very easy on the eyes. I read all of Candide and another novel on it over the course of an eleven hour plane ride. I found it very easy to get into, and being able to have music playing in the background was a boon, too.
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When we’re talking about the current zombie craze, do we start with 28 Days Later, which proved that the zombie movies still have some juice in them?  Or do we start with Shaun Of The Dead, which really opened up the genre, encouraging more creativity in the field of living-deadology?  Maybe we start with Diablo Cody, princess of pop-indie, who is producing Breathers: A Zombies Lament.

Well, in this case we say ‘screw them,’ because we’re into comics and, by god, no other medium is going to steal our thunder.  BOOM! Studios has a Zombie Tales ongoing that packs a bunch of zombie stories into a floppy with an exceedingly gory cover.  At WonderCon, I got a chance to speak with Ian Brill, a writer who has published several stories in Zombie Tales, and whose latest story will be published in Zombie Tales #12, coming out tomorrow.

Read the rest of this entry �

A few days ago, Leigh Walton, marketing coordinator of Top Shelf and writer of Picture Poetry, hit me on the instant messaging machine. “Have you been following ‘Tikboom’ on Top Shelf 2.0?” he asked. I hadn’t, and while we talked, I caught up on Tikboom.

It turns out that Tikboom basically rules, and you can see the proof here. It’s a light-hearted story starring three little creatures (Cake, Turtle, and something that almost definitely isn’t a banana). They’re pretty pissed at global warming, like all good creatures, and set out on a quest to stop it. What follows is a tale involving ice cream, a nuclear bomb, and an octopus. It has this very care-free feel to it that I enjoy, and the art is equal parts cute and expressive. I’m also extremely fond of the hand-lettered sound effects. That kind of thing shows both careful attention to craft and a willingness to use all of the comics page as art. I wish more people employed letters-as-art– John Workman is definitely one of the major reasons why I love Walt Simonson’s Thor and Orion as much as I do.

The comic is cute and funny in a way that isn’t cloying. In fact, the humor comes off pretty deadpan to me sometimes. Characters say funny things, but the humor isn’t punctuated with a guy pulling an oh-so-wacky-whooooooaoaooaaoaaaa-Jim Carrey face or anything. It’s just funny. It doesn’t need parlor tricks to make you laugh. The bit where the turtle is talking to the cop in chapter three and slipping, falling, and explaining that the giant missile is not a car, it is a missile, is solid gold to me. It’s just good, straightforward humor. Show your friends.

I’d be remiss and a jerk if I didn’t point out Top Shelf 2.0 as a whole, too. It’s updated Monday through Friday with something new for you to read. It’s also basically the best company-run digital comics portal out. Marvel, DC, and Top Cow all have digital comics portals, and all three leave something to be desired. I’ve tried to read Shadowline books where the scrollbars disappear, Marvel Digital Comics Unlimited is an unwieldy beast, and Zuda is slow.

Top Shelf gets it right. All you need to put comics on the web is a jpeg and a couple of arrows. TS2.0’s interface is simple. There’s a breadcrumbs header, which lists the site, the creator, and the title of the comic. You can click on them to go back a level. There’s a drop down box flanked on either side by two arrows. The arrows let you go forward and back, and the box has the pages listed. And beside that is another drop down, this time for related comics. Here you can find comics by the same creator or in the same series.

We’re all on high speed here, but that’s no reason not to keep it this simple. I’ve grown pretty fond of reading webcomics on my phone, and TS2.0 is basically the only comics company who’s doing it right. I realize that Marvel/DC need to serve ads or track views or whatever, but I honestly don’t even want to use MDCU. It’s clunky and ugly and awkward. If they had a TS2.0-style front-end, I’d be way more interested and way more likely to use it. As-is… eh, I’m okay without it. There are plenty of webcomics out there that actually want me to read them.

JPG. Couple of arrows. Keep it simple. TS2.0 gets it right.

from marvel’s black panther: little green men. words by reggie hudlin, art by cafu

(it isn’t daily, but it is weekly. a different moment every monday morning at nine PST for the foreseeable future, an amazon link so you can read it, and minimal commentary from me. just a little something to brighten up your monday mornings, and i’ll never suggest a scene or series that i don’t genuinely enjoy. if you’ve got requests, be it for a character or a specific scene, you know the e-mail.)