Archive for March, 2008

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New Fred Hembeck Interview!

March 11th, 2008 Posted by david brothers

Find it at The Comics Reporter

SPURGEON: I know that you have an appreciation for the older comics. Can you talk about some of your more fundamental influences? Certainly your work was very different than other stuff that was being done at the time. Do you have classic influences?

HEMBECK: At one point, I sat around — and this was several years before I had anything published — just re-drawing Beetle Bailey strips. So I kind of had Mort Walker in the back of my head. I also sat around re-drawing Neal Adams strips. You can’t see that. [Spurgeon laughs] I have like a whole sketchbook from when I was 18 where I copied whole issues of Green Lantern/Green Arrow and Batman. I’m going, “Man, I’m the new Neal Adams.” But I guess they didn’t need one.

I’m a little late linking to this, but it’s a great read. Who doesn’t love Hembeck?

Why doesn’t he get more work?

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Comics I Would Buy, Volume 1

March 10th, 2008 Posted by david brothers

waller.jpg
monthly, from dc comics.
Sonning: to disrespect, disgrace, treat with distaste or disgust, or disregard someone who stands in your way.

Amanda Waller doesn’t dis her foes– she dismisses them. Half the DCU is on her Sonned Squad and the other half is busy filling out applications.

This is Pedro‘s fault again.

Mar 10 10:24:50 man, amanda waller has a scrapbook dedicated to batman sonned moments
10:25:33 david: Amanda Waller has one quote up on the wall behind her desk
10:25:43 david: “I been sonning niggas so long, I think I got a grandson” — Big Pun
10:25:57 pedro: dude,
10:26:02 pedro: dc could release a trade
10:26:13 pedro: Amanda Waller’s biggest sonnings
10:26:21 pedro: oh shit is gavok or hoatzin on?
10:26:26 david: nope pedro
10:26:31 pedro: ugh
10:26:34 pedro: i need a cover of that
10:28:05 david: pedro, i can do that cover
10:28:10 david: maybe
10:28:16 pedro: do it
10:28:18 pedro: please
10:28:18 david: which issue had her chewing out Batman?
10:28:29 pedro: i want to post a series of articles
10:28:35 pedro: just of trades dc could release

Credit where credit is due!

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Paul Cornell on Real Characters

March 10th, 2008 Posted by david brothers

From Comic Book Resources – CBR News: SUPER SPY WEEKEND: Faisa Hussain

A Muslim, Faisa’s faith is very important to her. “I have two aims here: to make her a real person and not someone who has to represent the entire British Muslim world all the time — I think superheroes are too prone to being standard bearers for whole communities — and to make her an everyday religious person who you won’t hear anything religious from until it would naturally come up. Which is hardly ever. She’s not going to be letting anyone down, though. She’s the young hero who will win through. And we’ll play out some of these pressures and fault lines in the comic itself. I want people to adore her, not to be pleased she’s there as part of a quota system.”

There are a few things I like here:
1. Paul Cornell is a great writer, judging by the Wisdom miniseries he did a year or so ago. His new book looks great.
2. Pakistani female character written by a great writer.
3. Religion treated as religion is treated in real life. There are few people in life who are representatives of their religion (or race) and go around talking like “Well, in Leviticus 2:10, blah blah blah.” I can’t wait to see this.

Good on you, Paul Cornell.

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Musical Comics

March 7th, 2008 Posted by Gavok

I was in a pretty weird mood when I came up with this, but a while back I created a thread at Something Awful’s Batman’s Shameful Secret forum about musical comic covers. The idea being, take a musical act, album title or lyric and place it on a comic book cover. It didn’t last all that long, but it was definitely fun while it lasted. Unfortunately, it got to the point where I got really sloppy and lazy for the sake of a quick joke. Like taking a solicited cover of Batman fighting Damien and adding “Sonny Came Home… WITH A VENGEANCE!” using a shitty font. Most of these are just as guilty, but I love them anyway.

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All King of Trio’d Out

March 4th, 2008 Posted by Gavok

You may have noticed that for the past week or so, I haven’t said a damn word on this site. That’s because last Friday I went off to Philadelphia for the three day CHIKARA wrestling show known as King of Trios ’08. What a blast.


Me hanging out with Stupefied, El Generico and Player Uno. This should be the new Mount Rushmore.

King of Trios was the biggest tournament in wrestling history, featuring 28 sets of three-man tag teams. The first two days would feature 14 teams each, whittled down to four teams after ten matches and two byes. By the third night, they’re down to eight teams, with several non-tournament matches added on. Follow that? It doesn’t matter. All you need to know is that there were 31 matches over the course of three days and it was rocktastical.

That’s not to say that there weren’t any disappointments in the roster. CHIKARA top guys Chris Hero and Claudio Castagnoli are in Japan, so they missed out. Plus some of the more memorable guest stars from last year like Yago, Dino and American Balloon weren’t returning. Despite that, we had some of the reliable mainstays, surprisingly entertaining new guys and some bizarre surprises.

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The Sound of My Own Voice

March 4th, 2008 Posted by david brothers

Matt Silady and I were interviewed at Wondercon for Lene Taylor’s I Read Comics podcast. Come out and listen to me blab about being a blogger and Matt talk about being a comics creator. I think that Matt’s bit is a bit more interesting than mine, but maybe that’s just my long-lost sense of humbleness at work! Anyway, I talk about blogging, black comics stuff, and tokenism and why I post on the internet.

I manage to mention a bunch of internet people I like, too. Pedro and co., Kalinara/Melissa, Ragnell/Lisa, WFA, Writers Old Fashioned, and Cheryl Lynn.

Whoo.

Give it a look and toss I Read Comics into your podcast catcher.

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Rubber Bullets. Honest.

March 4th, 2008 Posted by david brothers

I’d forgotten that this existed until the other night. Bless YouTube.

DC, get cracking on a DKR movie and make sure that Michael Ironside plays Bats. Who’d be a good Carrie Kelly?

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Guest Post: The Fourth World Is Not Enough

March 3rd, 2008 Posted by david brothers

(I need a breather after the marathon that was Black History Month, so here’s a guest article for you from Steven “HitTheTargets” Bush. Of course, when I say “breather” I mean “I have to do some hardcore work on Pop Culture Shock.” Anyway, enjoy!)

As a general disclaimer, this is all speculation. It’s based on current events throughout DC universe, so you might be lost if you’re not familiar with things going on in the lead up to Final Crisis.

Thanks to Death of the New Gods we now know the reason for damn near everything that’s happened in the DC universe since the end of Identity Crisis. No, it wasn’t Maxwell Lord’s fault. No, it wasn’t Alexander Luthor’s handiwork. No, it was not even Great Darkseid’s doing. For you see, the intricate, Rube Goldberg-esque plots these fine fellows hatched were themselves all part of another entity’s subtle cosmic master plan. A white beachball with black splotches called The Source (Yes, that The Source) has taken credit for organizing everything done by everyone, including the ones who organized everything that everyone else did. A cunning plan not entirely unlike a Matroska doll that takes years to open and can’t be explained by DC’s editors because that’s what the internet is for. I’m here, on the internet, to explain what I believe to be going on with the birth of the Fifth World.

Here’s a quick primer for anyone not up to speed on the World that’s coming:

Who? The Source, aka The Voice, The Creator. It made everything, it is everything. Looks like a beachball. What? The Fifth World. The point of this article is to figure out what it is. When? May 2008. Countdown ends and the Final Crisis begins. In story terms, creating the Fourth World was hella tiring, and The Source just now woke up. Where? Earth, of all places. It’s been referenced as the birthplace of the Fifth World several times. Why? It’s a mulligan. The Fourth World is like a sequel without the original cast & crew, so The Source wants a do-over. How? Making Nth Worlds is basically what The Source does. So the question here is not how it does that, but how it does that right. In short, The Source needs its groove back.

Of course, the true architect of the Fifth World is Grant Morrison, with help from Geoff Johns & Dan Didio. The story of Final Crisis is the story of the Fifth World’s birth.

At this point, I should probably lay out everything we know about how the Fifth World will come to be. As mentioned, the problem is that while The Source can normally make Worlds no prob’, right now he isn’t one hundred percent. A long time ago The Source created the Old Gods, then they got uppity and slapped the black outta him (seriously, they zapped him and a black beachball popped out), so he killed ’em all and created the New Gods. But he was missing half of his essence, his being, and they just didn’t measure up. Now he wants to become whole and do it proper, but there’s one problem: the black ball fell through dimensions and the Crisis on Infinite Earths created some kinda… solid… dimension… thing. Um… Yeah… OK, how about this? It fell in a lake, and CoIE froze the lake. That works. So The Source does what we’d all do in that situation; it manipulates Alexander Luthor, Conner Kent, Rip Hunter, and Mr. Mind to create 52 unique universes, thereby thinning the ice or something like that. The Source is currently on the final step of its plan; harvesting the souls of the New Gods in order to power the merger itself and then to act as raw material in the creation of the new World.

Okay, so let’s say black & white reunite, and The Source do the voodoo he do. Bang! Fresh squeezed Fifth World. What I think will happen here is basically that The Source will take the existing New Gods and raise them up as a new, complete mythology rather than just being superheroes from space. To elaborate, let’s look at the Greek gods as portrayed in the DCU. They’re home is cut off from access to all but the most powerful magicians, they each have power enough to rival high level beings like the Oans, and they never directly interact with mortals, instead sending out champions like Wonder Woman or Hercules. Yes, Granny Goodness did appear in the form of Athena and magically depower all the Amazons at the end of Amazons Attack, buy she did it with power stolen from the real deal. By contrast, the New Gods more closely resemble Marvel’s Greek gods. They live in another world but all it takes is a spaceship with inter-dimensional capabilities to get there, they’re powerful enough solo to match most Earthly powers but not any cosmic beings like Galactus, and Ares himself is a member of the Avengers. Boom tubes seem to float around Earth’s black market and the Guardians have Green Lanterns there just like any other space sector. Although he does have the Omega Effect, Darkseid is more or less even with Superman in a slugfest. Mr. Miracle, and Barda have a permanent home in the suburbia, and along with Orion have been JLA members.

If you regularly follow rumors in the comic book industry, superpeople ascending to an even higher existance may sound slightly familiar. There was at one time a rumor saying that Earth’s superheroes would be elevated to the level of gods, with Superman, Batman, and Wonder Woman as the ruling trinity. And even though Earth is the birthplace of the Fifth World, common sense tells us the writers would never fuck with the status quo like that. But we know for sure Earth is more than involved, it’s where everything happens. My guess is the reason for this reinvention is to bring the Fourth World saga closer to home. If the new mythology is centered on Earth, writers and readers will be more interested in exploring it than if we stick it in some far off corner of space. I’ve heard a lot of mentions of “sides” of the DCU: the magic side, the space side, the political side, the criminal underworld. I think Final Crisis will be introducing a God side.

The best clue to the exact relationship of Earth and the Fifth World is in Morrison’s Seven Soldiers: Mister Miracle. Shilo Norman drops into a black hole and winds up in a world where the New Gods possess human bodies. From what we’re shown, the gods of New Genesis are only dimly aware of this and live in squalor, although Shilo briefly “awakens” Metron. The Apokolipsian gods are still themselves, they just seem to be using humans as host bodies or avatars. I suspect this is a glimpse at the Fifth World. A higher plane centered around New Earth where the New Gods will reside, now as truly godlike beings. If they have reason to act on Earth, it’s in the form of living fictionsuits. The Gods of New Genesis are stuck here though, giving Dark Side free reign.

An interesting thing to note here is that the Mister Miracle issues of Seven Soldiers have very little to do with the Sheeda invasion. They’re there to prepare him for his role as the champion of New Genesis after the advent of the Fifth World and Darkseid’s triumph. Darkseid allows the Sheeda to attack in exchange for Aurakles, forcing Shilo to exchange himself for demi-god. That’s it. That’s his role as a Soldier; freeing Aurakles to let him fight the Sheeda. After doing that, Shilo is shot in the head and the very last page of the Seven Soldiers #1 shows his hands breaking out his grave, now in the art style used to represent the gods in their real, otherworldly form. In his role as New Genesis’s chosen one, Shilo is to truly reawaken the good Gods and prevent Darkseid from achieving total domination. In short, the book is a prelude to Final Crisis and only connects to the Sheeda story when Darkseid takes advantage of their presence in order to destroy Shilo, the one person who can threaten him.

The explanation for why the Dark Side rules and the good gods are powerless is found in the lead up to Final Crisis. That’s right, Countdown. It may not be very good, but its raison d’etre is to foreshadow the events in Final Crisis while reflecting goings-on in the DC universe as a whole. Every subplot is connected to Apokolips (Even Piper & Trickster somehow) For reasons unknown, Jimmy Olsen is acting as a soul-catcher, of sorts, and has within him the gods killed in Death of the New Gods. Since these god-souls are essential to The Source’s goals, Jimmy manifests convenient superpowers whenever his life is in danger. Meanwhile, Darkseid plans to unleash a biological weapon on Earth, I surmise specifically to get at Jimmy, in what will be called the Great Disaster. Here’s the tricky bit: The weapon doesn’t exist yet. Darkseid has manipulated Karate Kid into visiting Brother Eye, and given Eye some New God tech to bring the whole gang to Apokolips. There he will combine the Kid’s virus with the Soul Fire Serum. The Source is countering this by sending the Challengers of the Beyond after Ray Palmer, who knows how to stop said virus, and then sending that group to Apokolips. I can’t be sure exactly what happens next, but presumably the state of the New Genesis gods post-Fifth World is a result of the mutated virus’s ability to fatally expand consciousness and Ray’s cure, which would only be partially effective against the new strain.

Assuming any of this is right, it’ll be awhile before we really get to see it. Final Crisis begins in May and runs for seven oversized issues. Like Infinite Crisis’ introduction of New Earth and 52’s debut of the new Multiverse, FC will probably only show the barebones of the Fifth World, letting other writers expand and explore the new mythology. Morrison did use a pantheon scheme in his Justice League and I’d imagine that sort of thing would make a comeback in a major way in a story about actual Gods, so perhaps we’ll see who’s who among the New New Gods. The possibilities beyond that are wide open, as you’d expect not only from Grant Morrison, but also from a true life mythology. I look forward to these new story opportunities giving rise to Legends.

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Black History Month 30: Call Me Nat Turner With a Burner

March 3rd, 2008 Posted by david brothers

Warfare’s inevitable, Rebel I hold several government official
Issue thirty-eight specials, that step through
Like Nat Turner create a spectacle
I may die in the scuffle, but I’m takin’ forty devils

–Inspectah Deck, “The City”

I watch my small home burn to the ground. My wife and daughter’s screams stopped over half an hour ago. I should get up, but I can’t find the reason or the strength. My world has been destroyed, and the cruelty is that I have survived it.

After a long time, I find a reason to move. I can’t say it’s a good reason, or a Christian reason… but it’s reason enough.

I head into the direction of the white triangles.

I head into the dark.
–John Henry, New Frontier

Steel Drivin’ Man

I was really big into American folk tales for a while, real or fictional. Paul Bunyan, John Henry, George Washington Carver, and so on. They were infinitely interesting, but one that kept catching my eye sounded like fiction, despite the fact that it actually happened.

Nat, commonly called Nat Turner, (October 2, 1800 – November 11, 1831) was an American slave whose slave rebellion in Southampton County, Virginia, was the most remarkable instance of black resistance to enslavement in the antebellum southern United States. His methodical slaughter of white civilians during the uprising makes his legacy controversial, but he is still considered by many to be a heroic figure of black resistance to oppression. At birth he was not given a surname, but was recorded solely by his given name, Nat. In accordance with a common practice, he was often called by the surname of his owner, Samuel Turner.

Nat Turner is an icon, and kind of a hard one to explain my interest in. I mean, his mission was to straight up kill white people and free slaves. “Hey guys, I heard this awesome story about this dude named Nat. He helped kill like fifty white people and–”

Yeah, that’s about as far as you get before the funny looks start, huh?

I guess if I had to nail it down, it’d be the fact that Nat was up against a wall in an untenable position and didn’t just sit there– he reacted. He made a choice. One thing that pretty much every black kid I knew would do was brag about how if they were alive back in slave days, they’d fight back, kill the master, and take over the plantation. You’d think you were looking at an entire generation made up of Huey Newtons and Malcolm X’s the way we used to talk.

I’m older now, and to be honest, I’m not sure how I would react. Would I stand tall? Would I bend? Heaven forbid, would I buckle and break? I know which one I’d hope to do, but I can’t say for sure.

John Henry in Darwyn Cooke’s New Frontier is a character I love dearly, and it was very cool to hear Cooke say that it was some of his favorite writing and best scenes in the book. Including him in New Frontier greatly increased my enjoyment of the book and, in a way, summarized a lot of the time going up to the civil rights struggle. There have always been people trying to do good– however, they were ahead of their time. So far ahead of their time that they ended up dead.

One connection that I happened upon, that may or may not have been intentional, is the one between Nat Turner, the legendary John Henry, and the New Frontier John Henry. New Frontier John Henry’s real name was John Wilson. He seemed to have been a well-established dude, with a wife and daughter, before he “died.” When he came back from the dead, he became a mix of two black folk heroes: Nat Turner and John Henry.

The iconography is John Henry with a twist. The hammers are John Henry, but the hood and noose are new. The hood and noose are bold statements. “You can’t kill me,” the noose says. “You tried, you failed, and here I am again.” The hood has a similar message. “I am no one. I am everyone.” It turns John Henry into an idea.

The actions, though? Those are a more focused Nat Turner. Instead of indiscriminate murder, he’s going after the people who do wrong. He’s going after the problem. He’s taking a stand. He’s standing tall. He’s striking back. It’s all he has left to live for.

It’s a mix that really speaks to me, I guess. Two of my favorite heroes in one person and beautifully illustrated. I feel like the John Henry sequence is a vital portion of the book, if not the best portion, and was pretty brave to include in the final product. I’m curious as to whether or not DC editorial had any qualms, but at the same time? It went through. That’s the important part.

Wondercon was a trip and a half for me. I had GDC on Monday through Friday, and then Wondercon on Friday through Sunday. I did a lot, saw a lot, found a lot. I’m still recovering and my sleep schedule is awful. However, it was also worth it because I bought the best page of art from New Frontier.

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I win.

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