Check it, it’s like…
My man Jus used to keep an ox between his teeth
Said he could spit it with pinpoint accuracy if there was beef
We chuckled out loud… Still the thought of it intrigued me, (right)
So now I keep a jackal under my tongue to spit with related reasoning
–Aesop Rock, “Nickel Plated Pockets”

(an ox is a razor)

If he talkin’, he a target
–Royce da 5’9″, “Politics”

I missed my third year comics blogging anniversary by a just under couple months, looks like. I’ve been preoccupied, I figure.

Anyway– three years of blogging. Wow. I think I took a break of a few weeks at some point in 05, where I relaunched 4l after being a little less than enthused with both online and offline things, but it’s been more or less weekly ever since. Hopefully more than weekly. Maybe thrice weekly. Maybe a bit more, I don’t know.

I was mulling this over and thinking about what I’ve learned and seen. Interacting with people via blogs, message boards, and emails has been interesting. What have I learned? Let me boil it down to 13 things.

1: Don’t expect e-fame. Three years on and I’d consider myself small time. A few people who run popular blogs know my name, and that ended up in me running another comics site (and what a ride that is!). We’ve got a grip of readers, but 4l was never about hits anyway. It was about me listening to the sound of my own voice while I talk about comics with other people who may or may not agree with me. It was about learning, listening, and laughing.

If you’re blogging to get famous, you’re probably not doing it right. Do it because you like it.

2: Timeliness helps. If you want readers, you have to attract them. Part of that is being timely, whether that means meeting a daily deadline or talking about current comics events. Doing 29 days in a row for Black History Month was a beast, but I felt good when I finished and I felt like I’d learned something. Even better, I felt like maybe somebody else had their thoughts provoked a little bit.

4l has been not quite daily in varying degrees of “not quite” since forever. We’ve added a considerable amount to our visitors ever since we started doing “almost daily” rather than “not quite daily.” Timeliness helps.

3: Timeliness doesn’t matter at all. Honestly, if your content is good, people are gonna tune in. One of my favorite blogs is Not Blog X, a review blog for X-Men comics that were coming out in the 1990s. Each post is a trip down memory lane for me, but the most recent comic reviewed on the blog is basically 14 years old. Fourteen years old. Regardless– it’s awesome. Each post reminds me of something from when I was a kid, and G. Kendall is a pretty dope writer. He’s got a format, a good hook, and a site that I immediately added to my RSS feeds.

4: Blogger is terrible. Seriously, I switched to using WordPress and bought my own domain a few years back. It’s been pretty much smooth sailing ever since. My site only breaks when I break it, rather than when Blogger goes down and freaks out. I have total control, and that is a wonderful thing. 100 bucks a year isn’t a lot at all. RSS feeds, RSS comment feeds (I can’t describe how much I love those), plugins, all of that. It’s golden. Livejournal and blogger are dinosaurs. Make your own site.

5: Don’t name your site after yourself if it’s a group blog. For some reason, the exclamation point in my site’s name always ends up left out and a space gets added in between 4th and letter. However, 4thletter! means one thing– D. As in David. As in me.

Oops.

It’s catchy, though, and 4l/fourel is kind of a cool abbreviation.

Sorry Gavok and Hoatz! It’s all about me-me-me-me-me. We’ll have another 7thletter! and an inaugural 8thletter! day sometime in 2009 when I finally stop talking about black people in comics.

6: Don’t be afraid to use your real name. When I asked Gavok if he wanted to do some work at PCS for me, I also asked him if he wanted to be credited as Gavok or Gavin. He said Gavin, ’cause PCS was a different kind of site than 4l. Here, a nickname is gravy. It’s a fansite, it’s a place to make stupid posts about Jubilee or What Ifs.

I can see where he’s coming from, but I took it a step further. There’s only one place online where I still use a pseudonym, and that’s more due to laziness than anything. Plus, “hermanos” is a really, really crappy secret identity.

Using my real name is just taking away that (thin) veil of anonymity that the internet gives us. It’s saying, “Yeah, you can’t see me, but I’m here and my words matter.” No one can use that “Oh, you’re hiding behind a fake name” excuse when you call them out.

7: If you’re talking, you’re a target. This is step one is basic discourse: don’t open your mouth if you aren’t ready to back up what you say. This is the internet– someone is gonna argue with you on whether or not the sky is blue today. What makes you think they won’t call you out when you’re wrong?

I think about every blog post I write. I’ve had posts checked out by other people when I’m really worried. This is because I’m not the type of person to pop off at the mouth with something half-cocked. You have to think if you’re going to blog, and you have to be prepared to be disagreed with. Expecting everyone to fall in line behind you like you’re Pollyanna is dumb.

I once wrote a love letter to Joe Quesada. Joe Q is a guy that half of the fans out there want dunked in acid for “ruining Spider-Man forever.” I did it and got away with it because I backed up what I said. I thought it through and argued my points. Looking back, I could’ve done better, but that’s any post I’ve ever made. Some may not agree, but they can’t say I didn’t try and didn’t make sense.

8: Controversy sells. The flipside of the above is that the squeakiest wheel gets the grease. The loudest blogger gets the hits. Going off half-cocked and shouting at people is going to get you attention. Being a jerkbag is going to you even more attention, as people who should know better will come to try and set you straight or debunk your points. Don’t be afraid to troll a little bit. Call that blogger worthless. Call that creator as a pedophile. Put out that hit piece on a popular comic and how overrated it is and all its fans are racist ageist sexist misogynist misandrist flat-footed pot-bellied balding imbeciles who probably eat babies for lunch and senior citizens for dinner.

However, all of this will make you look like a jerk to everyone ever. At least, I hope so. Anyway, don’t do this one. Controversy doesn’t sell, it just makes you look dumb.

9: Everything has a funny side. Learn to laugh at yourself. Taking yourself too seriously is for, I dunno, action figure bloggers (do those exist?), not comics bloggers. We’re talking about funnybooks here, and while there are Issues to be solved, you cannot take this too seriously. It’ll kill you.

Seriously. Your blood pressure’ll get up and then you’re screwed. Semi-famous comics blogger dead at 27 of a fatal heart explosion due to reading the internet, news at 11.

Don’t be jealous, either. Sure, there’s an idiot of a blogger with crap opinions who has higher hits than you, but screw that. Do your thing. They’ll self-destruct eventually, right? If they don’t, uh, pretend like I never said that.

10: Comments count. I’ve had some of my best conversations in comments. That’s part of why I love WordPress’s Comment Feeds feature. It’s brilliant.

There are three kinds of blogs out there. Ones with comments, ones without comments, and ones with moderated comments.

Ones with comments are wonderful. You get to dig in, debate, question, answer, troll, reply, and figure things out with others. If things get out of line, the blog owner can step in and shut things down. In my mind, this is the perfect blog. It’s like a mini message board or classroom. It also turns the blog into a two-way street– if you’re going to make a stupid post, someone out there is gonna call you an idiot for it.

Ones without comments are less wonderful, but still good. Nine times out of ten in this case, you can toss an email at the blogger and get into private conversations with them. In a way, this is a better thing for the blogger, ’cause you’ve got to the space to make your point clear and you don’t have to worry about commenters getting things twisted up. It’s all about you. No distractions.

Ones with moderated comments are worthless, nine times out of ten. I feel like moderated (as in approval first) comments just lead to commenters toadying up to the blog owner, neutering your point so you don’t offend, and a culture of yes-men playing greek chorus in each post. It’s lame. The temptation is too strong to just leave out the negative posts. After all, who wants to be told that they’re wrong? Who wants to be questioned?

I want to be called out when I’m wrong or lazy or intellectually dishonest with my points. I’m in this to learn, not to have my feet rubbed. Yes, Virginia, that’s why this blog has comments– so that I can be called an idiot when I need to be.

11: Any idiot can be a blogger. And sometimes, that idiot is you. Or me. Or a friend. Make an effort to not be that idiot.

12: Make some friends. I hesitate to call them allies, mostly because that sounds corny and terrible, but go out and find semi-like-minded people and chat. Discuss things over email. Keep in contact. I’m hitting New York Comic-con again this year and I’m easily supposed to meet over a dozen people who I only know via the internet. All of these are online friends that I’ve been talking to.

This includes the iFanboy (though I met them at Wondercon), Funnybook Babylon, and PCS gangs. Not to drop names or anything.

I wonder if I can convince Pedro that the FBB/4l! alliance should be called F-Unit. Funnybook Babylon, Four(4)thletter!…

Anyway, knowing people is great. It’s a huge plus to blogging, and gives you even more people to talk shop with. If someone writes a post you like, drop them an email. It’s more personal than a comment, but less personal than visiting their house. Give it some thought. All of my e-buddies are e-cool.

Also, you can use your friends to bounce ideas off of, or check to see if you’re out of line.

13: It’s just comics. If blogging isn’t fun, you aren’t doing it right.

With Secret Invasion on the horizon, you can bet your ass that there’s been plenty of theories and speculation. Bendis has given us some major hints and claims that ideas have been there since the beginning of New Avengers. The Raft, the House of M, the Civil War, Taskmaster going back to his original costume instead of his badass hoodie ensemble, and others are all the fault of the Skrulls in one way or another.

I’m not going to spend this post going over who I think is probably a Skrull. But since you asked: Dum Dum Dugan, Spider-Woman, Hank Pym and maybe Thing and Luke Cage. Spider-Woman is still a hero despite her Skrullitiousness.

Comedian and cartoon rat Patton Oswalt mentioned having read the first three issues, thanks to being good friends with Bendis. One of the more interesting quotes in his blog entry is, “As it stands right now, someone’s holding a possible key to stopping the Skrulls, and it’s the LAST person in the Marvel Universe you’d want with that info. And no, it’s not Dr. Doom.”

Some think that this means Marvel Boy, which would make sense in a way, since Brevoort admitted to him being in the first issue. I, on the other hand, think he’s talking about the Hood. Some things to think about:

1) Not even Brother Voodoo could see through Dr. Strange’s illusion at the New Avengers secret headquarters. With his cat-eyed vision, Hood saw through it easily. Hood’s magic trumps Strange’s magic.

2) Secret Invasion is supposed to involve the Skrull gods. I believe that the creature that gives Hood his powers is one of these gods. We know nothing about it other than its appearance and the powers it gives Hood. One of these powers is making him so invisible that NOTHING can detect him. Compare that to the current crop of Skrulls who are so advanced that NOTHING can detect them either.

3) On a Skrully level, the Hood’s recent actions could work into their plans. Not only is he distracting the New Avengers, but he gets Dr. Strange to leave the team and his plan is generally about fucking with the superhero population.

4) Despite all the whining about how much Tigra got smacked around, keep in mind that it was only Hood who got to do anything to her. With witnesses. Every instance of the Hood attacking a hero could be explained away, such as Wolverine will heal, shooting Strange leads to that deus ex machina, and when he gets ready to shoot Iron Fist, Tigra shows up to stop him. The SHIELD agents, I’ll get to in a sec.

5) After his defeat at the end of New Avengers Annual #2, the Hood starts talking to someone. Possibly himself or the creature that gives him his powers. Look at his final line.

Is he really talking about the Avengers?

This leads me to ponder one of two scenarios for the Hood. First, he may be a pawn of the Skrull god and not even know it. He’s helping the invasion against his own interests.

Second, the Hood has been fucking with the Skrulls longer than we’ve known. This whole time he’s been able to see through their tricks and knows that the hero community will never work with him on this. His whole villain team-up idea is really just his own way of dealing with the Skrull threat by trying to get them to kill what he knows to be Skrull imposters. Some of those SHIELD agents were probably Skrulls, possibly covered up by other agents after they were killed.

Tigra is in on this. All those acts of humiliation was a game.

Secret Invasion is the most fun comic book guessing game since Identity Crisis. At least it’ll probably have a better payoff.

I’m with Hoatzin.

I love the idea of Brubaker and Fraction trading off arcs on Uncanny. I’m a Terry and Rachel Dodson fan. I think that they have an awesome style.

The only wrench in the works is Greg Land for me.

I’m not gonna lie– Land has a seriously sick art style. I used to dig it. His characters are realistic, though his action scenes are kinda stiff, but it’s aesthetically pleasing. Then I started noticing more and more weirdness. Didn’t I see this Storm two issues ago? Wasn’t this Wolverine from…? What’s with these facial expressions?

Land is a hard sell for me right now. Brubaker and Fraction are writing two of my favorite Marvel books and Land is the thing that will make or break it for me. Marvel released his cover for Uncanny 500 and it looks like more of the same.

Solenna, of SolArts.net, feels the same way, but she’s better than I am because she’s got proof and no small amount of skill in creating GIFs. Thanks to our own Hoatzin and FBB’s David Uzumeri in helping her source. Big ups to her for putting in all the leg work, so go to her site and show her some love.

The GIF’s 200-some k. Is that gonna lag anyone out? I figure that we’re all on broadband these days, so we can handle it, right? Direct: http://4thletter.net/gregland.gif

monthly, from dc comics!

I have got to stop talking to this guy. I’m going to get into trouble.

david: I want to start a new line of faux Golden Age comics like Congo Bill and Tarzan
david: about one lone white dude standing vigilant against the dark skins of the inner city
david: Compton Bill
pedro: ha ha
pedro: compton bill is awesome
pedro: oh god
david: i might have ot make another cover 🙁
pedro: i want that comic so badly
pedro: but compton bill should be about an old dude who joins the bloods
pedro: it’s the only way to survive in the neighborhood

For those who do not get the joke: Tarzan, Congo Bill, every jungle girl movie ever, Jungle Book, and other stories were essentially all about what Rudyard Kipling called “The White Man’s Burden.” Bringing peace, light, knowledge, and lots of guns to countries populated by brown skins and shooting them until they give up.

Sorry, that was a little cynical. I don’t read Kipling for the same reasons I don’t read Lovecraft. Let me let wiki tell it:

At face value it appears to be a rhetorical command to white men to colonize and rule people of other nations for their own benefit (both the people and the duty may be seen as representing the “burden” of the title). Because of its theme and title, it has become emblematic both of Eurocentric racism and of Western aspirations to dominate the developing world.[8][9][10] A century after its publication, the poem still rouses strong emotions, and can be analyzed from a variety of perspectives.

The trope of “One Lone Lantern-Jawed White Guy (and possible Jaguar Skin Clad Lady Friend) Kicking Savage (or Gorilla) Butts In Africa” used to be a common one in movies (hello 10,000BC how are you doing while I am over here not watching you) and even more common in fiction.

I just thought I’d update it a little bit. You know, revamp, reboot, and relaunch with a new #1. It was brought on by this, wherein we find out that James Robinson is getting a new Justice League series and introducing a ’90 year old Congo Bill.

Marvel’s panel on the X-Books at Wizard World Los Angeles just ended. Check here for Newsarama’s coverage, here for CBR’s. The most interesting news? Matt Fraction is joining Ed Brubaker on Uncanny X-Men as co-writer starting with issue 500, with rotating art duties by the Dodsons and Greg Land.

Wow. The Lord giveth, and the Lord taketh away. Fraction and Brubaker are two great tastes that taste great together, and the Dodsons are fine artists, but Greg Land? Seriously? Haven’t people caught on to his plagiarizing ways yet? Why is he on a comic that matters? He’s going to make that book annoying to read at best, unreadable at worst. Just look at the cover for issue 500 alone:

Let’s play “Spot the Ripoffs”!

– Warpath, Cyclops and the guy behind Cyclops have exactly the same body. Land has used it at least once before.
– Tattooed guy on the left and Colossus have exactly the same body.
– Wolverine and long-haired shouting man in the background on the right have exactly the same body, only Wolverine’s head is different. Land has used it at least once before. I distinctly recall Ultimate Namor in this pose as well, but I don’t have the relevant issue at hand.
– Land has used Cannonball’s body at least once before.
– Land has used Rogue (is that Rogue?)’s body at least once before.
– Land has used Storm’s body at least once before.
– Land has used Pixie’s body at least once before. It also happens to be the one with that ridiculous porn face made immortal by Ultimate Scarlet Witch. Very appropriate for a sixteen year old girl!

This is from spending maybe five minutes looking at this image and skimming through four issues of Ultimate Power. I could probably find a lot more if I spent effort on this. Maybe I’d even find the photographs he traced these from. Come on now. This is absolutely ridiculous. Why can’t we have an artist that actually draws?

A while back, I read Jerry Lewis’ book Dean and Me: A Love Story. I never knew much about either guy, but I saw Lewis on Letterman shilling it one night and the stories he told sounded interesting enough that I picked the book up. It’s a heartbreaking story of two friends whose ten year relationship as business partners went to shit due to their own personal flaws and their individual growth as performers. A very good read. Keep in mind that you can’t hear Jerry when you read it, so that’s a plus.

Something interesting Jerry brought up is how Dean Martin was a big comic guy. He was huge into Superman, Batman and Captain Marvel. According to the book, after the first time meeting Frank Sinatra, it was meeting Bob Kane that was Dean’s most star struck moment. It was a neat thing to read about, since in those days comics really were made for kids and Dean Martin was the coolest motherfucker around.

One of the movies they made in their time as a duo was Artists and Models, a movie seemingly custom made for Dean. The very concept of it made me interested enough to want to track down the movie, but it wasn’t until recently that it was available on DVD. I finally got around to watching it and while it isn’t the best movie of the 1950’s, it’s still not bad. It’s definitely interesting to look back on, in terms of the comic-related parts.

To give you an idea, here’s the opening scene, where Eugene (Lewis) and his obsession with comics gets he and his roommate Rick (Martin) fired.

Eugene is mostly into a comic called Bat Lady. Not only does his obsession cost Rick work, but sleep as well, as Eugene’s always having these crazy dreams about a character named Vincent the Vulture and won’t stop screaming. Otherwise, Eugene really wants to write children stories and Rick wants to get work as an artist.

Two ladies take residence in their apartment building. One is Abigail (Dorothy Malone), the writer and artist of Bat Lady, and the other is Bessie (Shirley MacLaine), who works as her model. There’s a subplot where Eugene sees Bessie in full Bat Lady gear and is stoked to find out that the character is actually real, meanwhile giving little notice to Bessie when she’s out of costume. Rick first thinks comic art is a joke, but upon getting the hots for Abigail and realizing how he could easily make a fortune off of it, he quickly changes his mind.

Rick doesn’t have a single comic idea, but instead just steals from Eugene. Whenever Eugene talks in his sleep, Rick would just write down his ideas and secretly work on his own Vincent the Vulture series. It’s pretty ridiculous.

The comic book stuff is pretty funny to watch, just to see how little things have changed. Abigail’s editor keeps insisting that comics need to be more violent and that gore sells. Jerry Lewis’ portrayal of a comic-loving manchild is like a parody of something that barely exists yet. Not to mention his thing for Bat Lady cosplay. A mother blames violent comics for her child’s erratic behavior, yet blatantly shows that she is actually a really shitty parent. The movie is totally before its time.

I should also mention that at one point, Eugene claims on national TV, “Comic books have made me retarded.” I guess that term wasn’t so off-color back then, but it made me laugh.

It is very funny too, despite one really, really bad Rear Window reference. Jerry Lewis may be annoying at times, but with Dean there to play off of him, they really had great comedic chemistry.

It’s just unfortunate that sometime after the one hour mark, the movie goes off in a completely different direction. There’s a subplot out of nowhere on how the Vincent the Vulture comic includes half of a formula that the US government has been using for their rocket ships. So the secret service is trying to get to Rick and Eugene before the Russians can. Huh?!

Other than that, it’s totally worth a look. You can pick it up off Netflix, along with another one of their movies on the same disc.

Oh, and while I was getting that YouTube clip above, I came across this.

Cheryl Lynn poses an interesting question:

You know who I want to see? Waller’s kids. I don’t want them becoming superheroes, but I’m kind of curious as to how Waller has managed to protect them so well with all the dirt that she does and people she has pissed off. Is everyone afraid of the woman? Even crazy loons like the Joker? Actually, it would be interesting to see what Waller would do if one of her kids pulled a Proteus. Would she be able to take her own child down? The only tie left to a husband who was brutally murdered? Given the interesting ways that so many writers at DC have examined family ties, I think it would be a good story.

I can tell you exactly what happened to her kids.

Amanda Waller is a true patriot. She is willing to do the raw and dirty things in order to keep someone else from having to sully themselves. She is damned of her own accord, and she is okay with that. It needs to be done, and if she is the one who has to do it, she definitely will perform to the best of her ability.

Therefore, the absolute last thing she wants is for her kids to have to follow in her footsteps. That’s a standard thing for parents, isn’t it? They don’t want their kids to make the same mistakes or face the same issues that they did. They want their kids to have a brighter future, usually by any means necessary. Parental instinct at work– your kids come first.

So, Waller did a few things once she got into the position we know and love. She made herself available for the dirty jobs, the ones that no one else wanted or could stomach, and then she used that knowledge to secure her children’s future. It isn’t quite blackmail– she’s in a position where blackmail would be a little too obvious. All she has to do is ask for something, and the men in power will stop, think about what she knows, and give it to her. She doesn’t just know where the bodies are buried– she’s got the receipt for the backhoe that dug the hole. So, in a effort to do what all parents attempt to do, Waller looked out for her kids first. I have a few theories.

1. Her surviving family are set for life, though she rarely sees them. College careers funded, houses bought, incredible credit score established, health insurance for life, and so on. No get out of jail free cards. Definitely not. She raised them better than that, and they know better than to get arrested ’cause the only thing worse than getting arrested is to have to call your mom while she’s sleeping, or even worse, at work, and telling her you’re in jail.

(She rarely sees them because it wouldn’t be right. She loves them deeply, but her work has left her hands filthy. She isn’t guilty, and her self-righteousness never cracks, but this goes back to the wanting better.)

2. Cabrini-Green isn’t the same place that murdered her husband and daughter. She took care of her family, and the next step is taking care of business. It’s the exact opposite of our Cabrini-Green. Intelligent federally funded social services hit Cabrini-Green hard in the DCU and turned the place around, all of which was masterminded by a flunky who is at least three offices removed from the desk of one A. Waller. That’s the smokescreen– true patriots don’t need credit. They don’t need praise. They just do. Cabrini-Green took too much from her, so, like Bruce Wayne, she’s going to ensure that that never happens again.

3. If one of her kids went bad, I think that she would have to be the one to put them down. She gave them all the chances in the world, and it is her responsibility to punish them. She wouldn’t like doing it, and it’d probably lead to either a (temporary) break down or retirement. A break down would be the worst thing to possibly happen to her, because when she comes back from that break down, she’s going to overcompensate.

That is when she calls Batman and is like “Meet me at the spot and bring those kid sidekicks of yours. It’s on. We’re going to fix everything.”

Just as an interesting side note, Amanda Waller is either from, or at least lived in for a while, Cabrini-Green, Chicago. You know who else is a world changer from Cabrini-Green? Or rather, “The Green,” as she knows it?

Martha Washington.

Couple more quick hits:

This is the Amanda Waller/Martha Washington theme song. (Will my crush on L-Boogie ever go away? No, I don’t think so.)

And because I’m on a Nas kick, this song is hot. (I’m so glad Nas is back to being good. It was looking dire to be a fan of Nasty Nas for a minute there. Hip-hop is dead… long live hip-hop.)

IGN: From Comics to Screen: Marvel’s Babes

(Nevermind the fact that most of these fictional ladies were created by sex-starved geeks, who imagined such busty and scantily clad female characters from either their mother’s basement, or a studio filled with other similarly sexually deprived male artists.)

Sue Storm: created by Stan Lee (married since 1947) and Jack Kirby (married since 1942)
Mystique: created by Dave Cockrum (married)
Jean Grey: created by Stan Lee (married since 1947) and Jack Kirby (married since 1942)
Mary Jane: created by Stan Lee (married since 1947) and John Romita Sr (his son JRjr was born 08/1956)
Elektra: created by Frank Miller (married to Lynn Varley in the ’80s, divorced now)
Rogue: created by Chris Claremont (has a wife and kids) and Michael Golden (can’t find any info on him)
Storm: created by Len Wein (married twice) and Dave Cockrum (married)

Sex-starved geeks? Sexually deprived?

Characters that were “busty and scantily clad” upon creation: 1 (and that’s Elektra, which is being a little generous.)
Characters created in someone’s mother’s basement: 0
Number of worthwhile articles on IGN.com, period: 0

Me and Gavin know a fella by the name of James Howard. He’s a funny guy, and his blog is well worth a read. Here’s his latest post and one I particularly enjoy. It’s a trip through his city via photographs.

Slurpees and Murder: Local Flavour, Part One: Reading is Fundamental

The comic of Jeph Loeb is fearful. Were the new scrapped vessel body and onslaught where the origin it changes read? Is this junk what?

Oh, sorry. I just tried venting at Jeph Loeb’s current work, only I translated it into Japanese and again back to English. It’s funny how that turned out, isn’t it?

If you recall, a few months back I posted an article that featured the comic adaptation of the Street Fighter live action movie. Sure, I had a ball with it and hopefully you enjoyed it as well, but something felt off about it. Having already seen the movie, it took out a lot of the flavor of the comic. That got me thinking.

There are a ton of comic book superhero movies out there and when you look at it, only recently have they been getting it right more often than naught. Back in the day, yes, we had stuff like Superman 2, but good movies like that were flukes. I like a bad movie as much as the next guy, but even I’ll admit that I’ve stayed away from these monstrosities for one reason or another.

Luckily, I don’t have to see these movies. Marvel and DC have almost always been kind enough to release these superhero stories the old fashion way, within the pages of a comic book. Why overpay for popcorn and sit in a cold theater when I can read about Shaq fighting crime while laying in a hammock in my back yard? I’m sure I won’t have to worry about bad acting or bad special effects.

This will be my first of several articles delving into the double-translated works of superhero movie comics.

The background of this movie confuses me a bit. From the little research I did after reading the comic, it was finished and released in the UK back in 1990, but then they did a bunch of re-shoots and edits before simply releasing it on video in the US in 1992. When I read a summary of the story for the finished version, it definitely shows that Stan wrote his comic about the initial screenplay of the film prior to the edits.

What’s that I said about Stan? Yes, I mean that Stan. The Stan. Stan Lee wrote the comic version of the movie with Bob Hall on art. This makes everything more interesting, since Stan Lee’s storytelling contrasts with anything you can imagine in a movie environment.

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