Fourcast! 66: Dead Wrong at New York Comic Con

October 18th, 2010 Posted by david brothers

-New York Comic Con Special Edition Fourcast!
-I borrowed my main man Pedro Tejeda from Funnybook Babylon and grabbed Gavin for a true FBB4l! connection.
-We talk about the con.
-I predict the cancellation of Young Allies, though I have it eight issues rather than six.
-We sing.
-We say mean things.
-We say hilarious things.
-There are music clips.
-Big ups to Joe from FBB for editing and recording this one for us.
-This is one of my favorites.
-6th Sense’s 4a.m. Instrumental for the theme music.
-If we want to talk to you, you better not listen, you might wind up in critical condition… we’re American Males.
-See you, space cowboy!

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This Week in Panels: Week 42

July 11th, 2010 Posted by Gavok

Another week of panels is upon us. David only tosses in one panel this time around. I remembered to remind him that one of the guidelines for This Week in Panels is not to put anything from the last page. After all, we don’t want to spoil the entire book for you, nor do I want it to be like one of those comic covers that depicts the very last page. Let’s see what he chose.

Amazing Spider-Man #636
Joe Kelly, Zeb Wells and Michael Lark


Avengers: The Children’s Crusade #1
Allan Heinberg and Jim Cheung

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The Redemption of Sean McKeever

April 29th, 2010 Posted by david brothers

Sentinel was most likely the first Sean McKeever book I ever read. It hit in 2003, right about when I’d pretty much given up any hope of not getting back into comics. Marvel did me the favor of launching the Tsunami line around that time, with a bunch of new series built for the manga/teen reader. I picked it up, spurred on mostly by UDON’s art, and thought it was pretty good. A boy and his giant death robot out having adventures. Kinda simple, but it worked. Not great, but enjoyable. He later picked up Mystique from Brian K Vaughan and did a solid job there, too.

What really sold me on him was his writing on Mary Jane with Takeshi Miyazawa and Gravity with Mike Norton. Gravity is one of those books that played with the Marvel Universe in an interesting way. Greg Willis, a kid from the middle of nowhere, gained gravity-based powers. Now, he’s grown up in the Marvel U, where heroes have been active for about as long as he’s been alive. So, what does he do? He moves to New York City for college, with a side of superheroing. He sucks at it. And then he gets better.

Mary Jane, though, was excellent work. It was, boiled down, Spider-Man’s Girlfriend Mary Jane. McKeever scripted a high school drama from Mary Jane’s point of view that was part Saved by the Bell, part reinvention of the early era of the Spider-mythos, and part romance comic. Spider-Man figured large in the series, with Peter Parker firmly in the background. It was a good series, and managed to spinoff a sequel miniseries and then a full-blown ongoing called Spider-Man Loves Mary Jane.

2007: Sean McKeever moves across the street to DC Comics. He jumps into Countdown with both feet and, well, it sucked. Everyone sucked on Countdown, though, so maybe that was just the fist of editorial fiat cramping his style. He took over Teen Titans in issue 50. Twenty-one issues and a mini-series later, there were, what, a lot of dead Titans and a whole lot of comics that weren’t exactly worth reading? McKeever gave up the reins to the book, and instead scripted a back-up feature starring Ravager that run until issue 81.

In late 2009, McKeever came back to Marvel with Nomad: Girl Without A World. Nomad was Rikki Barnes, an alternate universe’s Bucky who was trapped on Earth. She had no hope of getting back home, so she was trying to make do with the life she was given. A story about a teenage girl hero trying to find where she belongs? McKeever killed on it. It was a good story, the sort of pitch-perfect teen work that I expected to see out of him when he took on the Titans. It clicked. It worked.

McKeever got an upgrade. Nomad was moved to a back-up story in Ed Brubaker’s Captain America, boosting its profile and reminding Marvel fans that McKeever was back. Though the hardcore espionage tone of Captain America clashed with Nomad‘s free-wheeling teen action, the story was good. It was simple stuff, a hero having to solve a mystery and make a friend (Araña, a heroine dating from the days when Gravity debuted), but it was good. It’s what you want out of teen comics.

Later this year, McKeever and David Baldeon, the artist on Nomad, are launching Young Allies. It’s a teen team book and it sounds like it’s right up McKeever’s alley. He’s bringing in Firestar of the New Warriors, a character he recently wrote to good effect in a one-shot, Araña, Gravity, and a few new characters.

I hate to pigeon-hole the man, but it seems like teen heroes are his thing. He’s good at them, and I like reading about them under his pen. Teen Titans should have been a match made in heaven, with Marvel’s premiere teen writer paired with the only teen team that was still viable in comics at that time, but something got screwed up somewhere and the stories we got were nowhere near what McKeever is capable of. I don’t know why, though my best guess considering other high profile disappointments at DC would be “editorial handcuffs.” Who knows, though. It’ll make a good tell-all interview one day.

But, he’s back at Marvel, and he came out swinging for the fences. I think I’ve liked all of the Marvel work he’s done since he came back. He’s even done a little fill-in on Web of Spider-Man with Stephanie Buscema that I dug. I’m happy that this guy who was there with some interesting ideas back when I was getting back into comics is back to pumping out good stuff years later. Young Allies sounds dope, and I’m honestly hoping that Marvel gives Heinberg a miss and hands over the Young Avengers. McKeever would kill with those characters.

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