“All right. It’s conceivable you could beat me, Avenger. But it would take you a very long time. Tell me this, though – do you want to?”

“No. You’re not the enemy. We’re all just pawns, in a larger scheme.”

“Then we might be better off letting the others play out the events according to the desires of whoever’s pulling the strings – while the two of us try to find some real answers.”

“You’re on. Let’s go.”

— Batman and Captain America from JLA/Avengers #2

I remember back when Marvel and DC had their Marvel vs. DC back in the mid-90’s, it was my first real introduction to Captain America. Sure, I had seen him pop up in Maximum Carnage (wow, I read some shitty stuff when I was that age), but I didn’t understand what a big deal he was supposed to be until they said that he’s supposed to be Batman’s counterpart.

It was weird, since they didn’t seem to have much in common. When they did that Amalgam event and they merged Batman and Wolverine, it seemed to make some sense more based on the two of them being scowling badasses with kid sidekicks and psycho killer (qu’est que c’est… fa-fa-fa-fa fa-fa-fa-fa-fa-far better) bad guys. Even the idea of Batman being the counterpart of Iron Man worked out better, since their secret identities were virtually the same guy.

Yet Marvel and DC, despite all their differences, has written in stone that these two are not only counterparts, but equals. They’ve gone far enough to show Superman beating up the Hulk and Thor, but even when the fans vote on it, they refuse to show an actual winner in Batman vs. Captain America. I always found that interesting.

Read the rest of this entry �

1.Significant Others Of Superheroes Society. It would be a great cross between an emergency response team (considering how often they get attacked), a support group (dealing with the Flash Force, Kleenex/Steel, and how a ‘charged relationship’ is only romantic as a metaphor), and Army Wives. They could have a SOSS message board, and use the teleporters for a Sig Others Night Out when the heroes were forced to rush off at the last minute to save the day. It would be a gossipy, action packed, salacious geek dream.

2. Lois Lane: Investigative Reporter. This series would be kind of like Gotham Central (Yeah. That did so very well.) only Lois would go out looking for trouble instead of letting it come to her. It would let us see the day-to-day Metropolis, as well as letting us get to know Lois as more than just someone who loves Superman and has moxie. Plus it could take a variety of tones. The first arc could be a dark look at the kinds of Metropolis crime that Superman can’t deal with. The second might be a day-to-day look at the city and how it adapts to the presence of a nearly all-powerful hero. The third could be a fun homage to the old Superman’s Girlfriend days, with Lois getting bonked on the head so that she forgets that she’s Superman’s wife, and trying to win Superman over, ward off Clark Kent, and insisting, upon hearing that she’s wife to both of them, “I’m a polygamist? Never. It must be an imaginary tale!”

3. Jason Todd and Cassandra Cain: On Their Own. I’m talking about pre-Infinite Crisis batkids. Imagine them roaming around the country with superheroes on their tails and the mobs scattering in front of them. They could bond over stories of how Batman might be the crappiest father-figure that ever there was. Cass could bring the muscle and Jason, in what must be a refreshing change for him, would provide the know-how. Think about Jason trying to teach Cass how to go undercover. Think about her doing it by imitating him – a five-foot-not-very-much slender girl acting like a six-foot-something muscle-bound man. Think of him having to teach her how to go undercover by trying to imitate the body language of a small girl. Also, they would kill people and feel good about it, which would be a change in the Superhero world. . . . I sense you’re not convinced. They’d never set foot in Gotham again. Deal? Deal.

A few months back, I suppose inspired by the internet anger at One More Day, Tom Brevoort made mention on his blog how puzzled he was about part of the reaction. Back when The Other happened, people were annoyed as hell that Spider-Man had those crazy new powers, like his newfound wrist spikes. Now that they’ve gone back to webshooters and removed his new powers from the table, people are angry again. Why is that?

It brought me to realize that change in comics has two parts. One is the change itself. The other is the use of that change. Why was everyone annoyed? Because even though The Other was over-hyped and boring, it’s amplified when you realize that they hadn’t done anything with it. Peter David tried to use the spikes here and there in his Friendly Neighborhood run, but that was pretty much it. Not only did The Other make his powers seem stupid, Marvel made no effort to make us believe otherwise. They just shrugged and gave up on it.

It makes me think of how some people generalize The Death of Superman. Some say that any real comic reader knew that Superman would be back in a short time and that the whole thing was rather pointless. In that over-simplification, you ignore how that entire story (maybe without all the mourning issues) brought so much to the Superman mythos. First, it gave us a villain who, while used badly over the years, is still considered an iconic monster. One Superman villain was redesigned into a more fearsome and recognizable form, while another was redesigned into an interesting tweener character. Then we got two new superheroes with staying power and the groundwork for Hal Jordan’s descent into madness.

Hell, look at Hal Jordan! I mean he’s so handsome and dreamy and—sorry. Look at how many people frothed at the mouth at Green Lantern: Rebirth and the first few issues of his series. Without the return of Jordan, there wouldn’t be Sinestro Corps and the two Green Lantern series wouldn’t be nearly as fantastic. It paid off in the end.

I’m going to take a moment to look at four changes in comics, each an example of one of the four possibilities. A good change that worked out, a bad change that didn’t, a bad change that paid off and a good change where the ball was dropped. Maybe this will be a series. I don’t know.

Read the rest of this entry �

This goes out to d00gz and the 52 worlds.

The end of 52 revealed that there are 52 earths in the DCU, each of which ripe with imagination and new ideas and wonder.

(from 52 #52)

Today, DC Comics revealed their list most of the 52 worlds over on Newsarama.

Hang on, can I start over?

Today, DC Comics revealed that most of the new worlds promised in 52 have been replaced with a bunch of crappy Elseworlds that no one read, less people liked, and even less people cared about.

Earth-2: Home of the original Justice Society (first appearance 52 #52 – this earth’s Superman and Power Girl are missing)
Earth-3: The Crime Society’s world (first appearance 52 #52)
Earth-4: Home of the Charlton characters (a.k.a. – the Watchmen-esque world) (first appearance 52 #52)
Earth-5: Home of the Fawcett (Shazam) characters (first appearance 52 #52)
Earth-8: World of Lord Havok and the Extremists – called Angor by its natives (Countdown #29)
Earth-9: Tangent Universe (upcoming in Tangent: Superman’s Reign #1)
Earth-10: Home of the Quality (Freedom Fighters, Uncle Sam, the original Ray, etc) characters (first appearance 52 #52)
Earth-11: World of reversed genders ( Arena #1 and The Search For Ray
Palmer: Superwoman/ Batwoman #1)
Earth-12: The Next Generation, beyond Batman (i.e., Batman Beyond?) (Arena #1)
Earth-13: World of dark and arcane heroes ( Arena #1)
Earth-15: World of heroes realized (Donna Troy as Wonder Woman; Jason Todd as Batman) (Countdown #30 – the earth of this universe was destroyed in Countdown #24)
Earth-16: Home of the Super-Sons ( Arena #1)
Earth-17: A post WWIII, apocalyptic universe (first appearance 52 #52)
Earth-18: World of the Elseworld’s Justice Riders ( Arena #1)
Earth-19: World of Elseworld’s Gotham by Gaslight (The Search For Ray
Palmer: Gotham By Gaslight #1)
Earth-21: World of Elseworld’s New Frontier ( Arena #1)
Earth-22: Elseworld’s Kingdom Come Universe (first appearance 52 #52)
Earth-26: Universe of Captain Carrot and the Amazing Zoo Crew (Captain Carrot
And The Final Ark #1)
Earth-30: World of Elseworld’s Superman: Red Son (Countdown #32)
Earth-32: World of Elseworld’s Batman: Darkest Knight (Arena #1)
Earth-34: World of Elseworld’s Amazonia ( Arena #1)
Earth-37: World of Elseworld’s Thrillkiller ( Arena #1)
Earth-40: World of Elseworld’s Liberty Files ( Arena #1)
Earth-43: World of Elseworld’s Batman: Red Rain (The Search For Ray Palmer:
Red Rain #1)
Earth-48: Forerunner’s world (Countdown #46)
Earth-50: Wildstorm Universe (first seen 52 #52)

Just in case you’re keeping score at home, here are the genuinely new Earths, ones that we’ve never seen before:
Earth-15: World of heroes realized (Donna Troy as Wonder Woman; Jason Todd as Batman) (Countdown #30 – the earth of this universe was destroyed in Countdown #24)
Earth-17: A post WWIII, apocalyptic universe (first appearance 52 #52)
Earth-48: Forerunner’s world (Countdown #46)

There are three new Earths out of 26 announced now, one of which has already been destroyed and the other I think is barren of life or populated by Forerunner’s race or something stupid like that?

Good going, DC. You have the opportunity to create a gang of new characters, settings, and stories and you go right into Fanboy Masturbation territory.

(edit: T’Shan was not BP’s sister. Shuri is.)

To our readers from When Fangirls Attack!– welcome! Check out the post and don’t be afraid to leave a comment, okay? Onward.

It’s been a long time, I shouldn’t have left you,
Without a strong rhyme to step to.
Think of how many weak shows you slept through,
Time’s up! I’m sorry I kept you!
–Rakim

Man, this article is crazy late, isn’t it? Just, uh, six months or so.

It’s late for a number of reasons. I’ve been trying to ramp up my writing career, which means more time writing about games, less about comics. Did it work? Well, I’m no longer living paycheck to paycheck, but talk to me in another six months.

The number one reason why it’s late, other than business and laziness, is that it is hard as crap to find good black female characters in recent comics. I mean, Monica Rambeau had a bit part in Black Panther and I’m not much for Nextwave’s portrayal of her, so she doesn’t really count. There was the great-granddaughter (grandniece?) of Jim Harper in Robinson’s Batman: Face-the-Face, but, uh, she had maybe nine panels of dialogue total, and that’s probably being generous. I’m not as familiar as I should be with Milestone’s work (beyond Static), so I wouldn’t feel comfortable putting any of those characters on this list. Bishop’s daughter in X-Men: The End has three strikes against her. 1) She’s Bishop’s daughter. 2) She’s in X-Men: The End. and 3) She’s Bishop’s daughter and is in X-Men: The End. Onyx is kind of cool, but I know exactly nothing about her and she got punked by Jason Todd so she’s out. Pantha, according to Wikipedia, is black, but, again, I know nothing about her. Thunder, from Outsiders? No thanks, hoss.

So… this is going to be a little different. It’s a top three because, frankly, there aren’t enough good black female characters out there. I’d include Glory Grant, ’cause she’s pretty awesome, but when’s the last time you saw her in a comic that wasn’t Civil War Frontline #10? (Nice guest spot, even if it was only a panel.) A better question– how many of you even remember who Glory Grant is? Monica Lynne is in the same situation. Charlotte Jones? Same deal.

I entertained the possibility of putting Monet St Croix on her, at least partially because I really enjoy her character. But, that’d make this a top 4 and these lists are traditionally either top three, top five, or top multiple of five. Four is right out.

So, a top three. But, I’m telling you, I better see some awesome black females over the next year or I’m going to do something reprehensible! I mean, black females in comics are like black head coaches in the NCAA!

zing!
Read the rest of this entry �

That’s a damned good question, Michael. First appearing in the pages of 52 Week 8, Supernova’s since been a mystery. Where does he come from? What exactly are his powers? What is his role in the grand scheme of things? And just who is this guy?

First, let’s take a look at Supernova’s various appearances up to this point:

Week 8: Over the course of several days, we see the first appearances of this red, white and blue stranger. On Day 3, he appears before an old woman and her grandchild, glows real bright and brings them across the street before they can be crushed by a falling monorail. The next day, he appears among firemen who are about to get crushed by falling debris. Glowing brightly once more, the new hero makes the debris vanish. The next day we get reports of him cleanly shearing a gunman’s rifle in half, as well as saving one woman’s daughter from a riptide. Booster Gold, whose image has just been destroyed a week earlier, rants about this new character in front of one Clark Kent.

Week 10: Clark Kent, having just been fired at the Daily Planet, sees Supernova flying around the city. With sudden inspiration, he hops out the window and freefalls. Supernova swiftly catches him, assures him of his safety and asks if he’s okay. Clark pulls out a tape recorder and asks for an interview. As Clark later explains to Lois, they didn’t get too far before seeing Bahdnesian terrorists stealing a military all-terrain vehicle. Supernova puts down Clark and uses his glowing power (which Clark describes as “peculiar eyebeams”) to take away the pavement under the vehicle, locking it into the ground. Supernova poses and answers a couple questions from Clark, trying hard to conceal himself. He sees a child almost walk into the hole in the ground, teleports in a bright light and appears in front of the child. The way he responds to the boy shows that he has some semblance of a personality under the mask. Clark tells Lois that he believes that Supernova’s on the level and that he has an air of experience about him. Elsewhere, Booster is growing more and more frustrated, while Skeets admits that even he doesn’t know who Supernova is from his historical files.

Week 15: The big one. Booster takes on a giant sea monster in the middle of Metropolis. He fails pretty badly, including a bit where he causes a massive power outage. Supernova flies in, soars to the monster and with a bright blast, zaps him away. Supernova offers his hand to Booster and makes a comment about Booster not caring about the people he saves. Noticeable frown under the mask. Booster snaps and tackles Supernova. The two brawl, showing that Supernova is at least strong enough to trade fists with Booster. Supernova’s only use of powers are to momentarily blind Booster. Supernova highly disapproves of Booster, saying he’s too pathetic to be considered a joke. Skeets mentions a radiation leakage. Supernova wants to stop it, but Booster sucker-punches him and tries to stop it himself. Beaming at his return to greatness, Booster saves everyone, but is engulfed in an explosion. Supernova, shocked, flies upwards and catches Booster’s body. To the horror of Clark and the noticeable surprise of Skeets, Booster Gold is just a skeleton in futuristic tights.

It’s worth noting that there were two alternate endings to this issue. In one ending, Booster turns to dust upon landing in Supernova’s arms. In the other, there is no radiation leakage. Supernova tries to teleport Booster back a few feet. At the same time, Booster turns on his force field. The result causes Booster to be cut in half. A horrified Supernova swears he didn’t mean for it to happen and Clark Kent believes him. Supernova covers one half of Booster with his cape while Clark uses his jacket on the other half.

Read the rest of this entry �

You can find the list, plus covers, over at Newsarama.

My commentary on the interesting books lies after the jump, and I’ve included the solicit text for them, too!
Read the rest of this entry �