Welcome to this weeks special Post-Halloween Pre-Election Day edition of THis Week in Panels! Part of that absolutely terrifying stretch of time between two of the scariest days of the year!

Helping me haunt the site with panels this week are the Gerrymandering Gaijin Dan, Attack Ad Matlock, Lobbyist AnarChris, and Gridlock Gavok. BOO!

In other scary news this week, it’s absolutely terrifying how good the AXIS Carnage miniseries started out. Gavok and I both agree it’s the best comic of the week, and if the rest of the mini-series is as good as the first issue, I’d be inclined to say it’ll make the whole AXIS thing worth it regardless of how bad the rest of the event is.

For that an other haunting, decapitated panels, let’s get on with the show!

Archer and Armstrong #25

(John Layman and Ramon Villalobos)

AXIS: Carnage #1 [Matlock’s Pick]

(Rick Spears and German Peralta)

AXIS: Carnage #1 [Jawa’s Pick]

(Rick Spears and German Peralta)

AXIS: Carnage #1 [Gavok’s Pick]

(Rick Spears and German Peralta)

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Gaijin Dan is off this week, meaning there’s not much going on in the black and white/right-to-left side of ThWiP stuff. Instead, it’s me and Matlock and Space Jawa. We all read She-Hulk, which I suppose should tell you something about the quality of that book.

I wrote stuff! The other day I did a review of Box Brown’s Andre the Giant: Life and Legend, a biographical graphic novel about the 8th Wonder of the World. Then I did a review for Ashes of CHIKARA, a movie released based on CHIKARA being “closed down” for eight months. One of them I really liked. The other, not so much.

And now on to the super late panels.

Amazing Spider-Man #1.1
Dan Slott and Ramon Perez

Aquaman and the Others #2
Dan Jurgens and Lan Medina

Batwing #31
Justin Gray, Jimmy Palmiotti and Eduardo Pansica

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It’s that thing where me and some guys take comics we read and cut them down into one panel that best explains the comic! Yeah! That thing! It’s me along with Matlock, Gaijin Dan, Space Jawa and smashpro.

For the first time in forever, we got a good issue of What If. Plus TWO enjoyable Cullen Bunn comics in one week. I’m as shocked as you are.

All You Need Is Kill #12
Hiroshi Sakurazaka, Ryosuke Takeuchi, Yoshitoshi ABe and Takeshi Obata

Batman #30 (Gavin’s pick)
Scott Snyder and Greg Capullo

Batman #30 (Matlock’s pick)
Scott Snyder and Greg Capullo

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Welcome back to another ThWiP. It’s a bit delayed because of my WrestleMania overload. In relation to WrestleMania XXX, I watched sixteen and a half hours of WWE television from Saturday night to Monday night. WWE Network can be addicting if you let it. Speaking of, I wrote an obituary for Undertaker’s WrestleMania streak after his big loss against Brock Lesnar the other night.

You know the drill. I have Gaijin Dan, Space Jawa, Matlock and a rare appearance by Was Taters. In the end, I read an excessive amount of comics this week. Highlights include Batman ’66, Moon Knight and Ultimate Spider-Man.

What If: Age of Ultron #1 is a hot mess.

All You Need Is Kill #10
Hiroshi Sakurazaka, Ryosuke Takeuchi, Yoshitoshi ABe and Takeshi Obata

Aquaman and the Others #1
Dan Jurgens and Lan Medina

Batman ’66 #31
Jeff Parker and Jonathan Chase

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Okay, well, maybe “mediocre” is going too far. Superior Carnage had a really good first four issues, but then the last one put all the interesting toys back in the box.

MASSIVE week of panels this time around with 40+ images. I read a lot, but so did Matlock, who is still keeping up with DC’s big event for whatever reason. Though I guess Bane dressed as Batman riding a horse isn’t the worst reason. Flanking us as usual are Gaijin Dan and Space Jawa.

Though, I’m wondering. Should I fail them?

All-New Invaders #2 (Gavin’s pick)
James Robinson and Steve Pugh

All-New Invaders #2 (Matlock’s pick)
James Robinson and Steve Pugh

All You Need is Kill #3
Hiroshi Sakurazaka, Ryosuke Takeuchi, Yoshitoshi ABe and Takeshi Obata

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The whole 4 Elements article concept is David’s baby. The four ties into the four in 4thletter and 4thletter comes from David’s name because he’s an egomaniac, an Eggo maniac and possibly a Lego maniac. You can also say that the four comes from there literally being four elements, but I’m pretty sure there are like a hundred of those things, so that’s definitely wrong.

This is David’s site and all, but Carnage USA is my comic. It’s a comic specifically made for ME. Me. Gavin Jasper. And since I’m Gavin, which starts with the seventh letter of the alphabet, that means I need to talk about the 7 Elements.

Carnage USA is the sequel to last year’s Carnage, both by Zeb Wells and Clayton Crain. Carnage was the story that returned Carnage from his grizzly death of being torn in half in space by the Sentry back in 2005. It acts as a loose sequel to the character’s most mainstream adventure Maximum Carnage while introducing yet another symbiote anti-hero in Scorn. By the end of the story, not only is Cletus Kasady alive and reunited with his blood-red costume, but he’s also on the loose and nobody knows where he’ll end up next. All we know is that he has something bad on the horizon.

The plot of Carnage USA has Cletus venture to Doverton, Colorado, where he goes to a slaughterhouse and kills the entire stock of cows. The symbiote grows off the meat and expands to the point that he’s able to infect and assimilate the entire town through plumbing. A handful of the Avengers (Spider-Man, Captain America, Wolverine, Hawkeye and Thing) are sent to go deal with it and find a town of frightened human puppets before Carnage takes them too. Spider-Man gets away and the government goes to plan B… while trying real hard not to move to the dire plan C, which is to blow the county to kingdom come.

This miniseries helps support the idea that in comics, there are no bad characters, but bad writers. For such a mainstream villain who got his own popular videogame back in the day, Carnage’s death was met with little backlash. For years he’s been seen as nothing more than 50% shallow Venom mixed with 50% shallow Joker. Nobody’s ever really tried to write something decent with him and whenever he got the spotlight with his own one-shot, it was usually a bunch of gory dreck that didn’t do anything for me.

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This week marks the release of the first issue of Zeb Wells and Clayton Crain’s Carnage USA. This 5-issue series is a sequel to last year’s Carnage. Originally set to be called Astonishing Spider-Man/Iron Man, Carnage told the story of how Cletus Kasady and his alien costume came back from having the Sentry tear them in half in space back when New Avengers was first starting up. Cletus was shown to be alive, albeit with a robotic bottom half and proceeded to give both heroes a headache while unintentionally creating a new hero with a living costume.

As a guy who never cared for Carnage and had no desire to see him come back, I consider the miniseries shockingly good. It’s definitely worth checking out. The end showed that Carnage was biding his time for his next move while keeping his mindless and loyal pet Doppelganger on a leash. That leads right into Carnage USA where the serial killer has manifested his powers in a scary way that makes him more megalomaniacal than he’s ever been shown. He tussles with a couple members of the Avengers and the fact that this is the first issue should tell that it doesn’t work out so well for the good guys just yet.

It’s the final page that sells me on the series. For the sake of spoilers, I’ll blot out the bottom part in the preview, but click to see the full glory.

Hey now! Someone call the doctor because it’s been well over four hours! Zeb Wells obviously wrote this entire comic for me specifically. I’d imagine that there are a lot of people confused by some of the names here, so as the world’s foremost expert on all things Venom, I thought I’d give a quick who’s who.

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I admit that I’ve been putting this one off for quite some time. It’s only natural, since it means having to read Maximum Carnage for the first time in about fifteen years. For a while, I didn’t even intend to review this story since it’s been covered to death across the internet, but then I realized that my take may have its own flavor. After all, I’m a guy who likes Spider-Man, loves Venom and tolerates Carnage. That last one already puts me on a different path from most reviewers.

Carnage falls into the category of, “It’s not the character that’s bad but the writing.” Carnage can be in a great story, I’m sure. We just haven’t seen it yet, though the Carnage miniseries (originally going to be called Astonishing Spider-Man and Iron Man until Marvel realized they could lure more readers in by naming it after the long-dead villain) has certainly had its moments. In preparation, I read through Carnage’s original story arc in the pages of Amazing Spider-Man #361-363, which isn’t at all an offensive story. The Micheline/Bagley joint mostly acts as a way to both remove Venom from his status quo where he peacefully lived on an abandoned island while believing Spider-Man to be dead as well as giving Venom an excuse to fight alongside Spider-Man against a threat greater than both of them.

This idea, which I’m sure sold like gangbusters, was made fun of in the pages of the Ren and Stimpy Show #6 when Spider-Man made a guest appearance to fight a mind-controlled Powdered Toast Man.

This was written by Dan Slott, who would go on to create Anti-Venom and a bunch of gimmicky Spider-Man costumes. Pot and kettle.

So anyway, Carnage was a decent enough villain for his initial story. If they kept their cool about it, he’d probably be more accepted by your average comic fan. Instead, they went nuts over how this was the best idea Marvel’s come up with in years. The covers would literally say that Carnage was so awesome that they had to put his name on the cover twice! It was this thinking that made Marvel brass believe that a lengthy Spider-Man arc spanning all his books should be centered around this supervillain.

After reading Maximum Carnage, I felt that it had a lot of similarities to the Clone Saga. Part of it is the innocent idea of taking a character who’s been taken off the board in a previous story and bringing them back for the sake of telling a bigger, better story. Due to the hype behind the character, many issues are dedicated to telling this story. Too many issues.

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“HEY, EVERYBODY!”

Louie!

“WHO’S GOT SOMETHIN’ FOR ME?!”

I do!

“WHAT IS IT?!”

A bunch of panels from comics that that me, David Brothers, Was Taters, Space Jawa and David Uzumeri read this week!

“…eh, what the hell. I WANNA DIP MY BALLS IN IT!”

Amazing Spider-Man #654
Dan Slott, Paulo Siqueira, Ronan Cliquet de Oliveira and others

Batgirl #18
Bryan Q. Miller and Dustin Nguyen

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Venom was certainly making himself known in late 2004. Not only did he have his ongoing series and his role in Marvel Knights Spider-Man, but Marvel decided to give him top billing in yet another miniseries! This time, we got Venom/Carnage, or Venom vs. Carnage. At least, the latter is how it appeared in the solicits, but the former is how it shows up in the book. I mean, I guess the slashed one makes it easier to type, but adding “versus” makes anything sound cool. Would people be that interested in “Freddy/Jason” or “Aliens/Predator”? No. Not at all.

Venom/Carnage came out in September, 2004, only weeks before the Venomous storyline, which would seemingly kill off Eddie Brock and make Mac Gargan the new Venom. A couple months later, Carnage would be flown into space and torn in half by the Sentry in the pages of New Avengers. So why would they be making a miniseries about these two characters who are about to be changed so radically? Why, it would be for an introduction!

The series is written by Peter Milligan with the art by Clayton Crain. Crain’s style is very unique, looking like an ultra-glossy wax museum made of CGI. His human characters can look very off at times, but when someone’s face is covered and they’re in costume, they look pretty rocking. This goes double for the symbiote characters, such as Venom and Carnage on that above cover. The symbiotes get by on being made to look cool and this guy makes them look cooler, so give them a minseries, why not.

From writing up these articles and having to reread these stories, I think I’ve noticed a hiccup in the storytelling process. In the Spider-Man story The Hunger, it ends with the Venom symbiote saying that it’s pregnant. Daniel Way’s Venom series ends with Venom becoming a huge monster that’s meant to unleash some kind of world-ending output that can’t be described. My own educated guess would be that Toxin, the character this installment is about, was meant to be that offspring. Only, Peter Milligan was plotting Venom/Carnage and thought, “Eh… fuck it, we’ll make it Carnage’s kid.”

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