You know what I love? Crossovers.
Really, when you look at it, it’s such a fun concept. Write a story where the main selling point is that two pre-existing parties cross paths and interact. It says a lot about the power of fiction and the properties that come from it that you can even do that. At worst, it’s a cheap cash-in. At best, it’s an interesting character study.
I think my admiration for crossovers is similar to why I’m drawn to Marvel’s What If series and to a lesser extent DC’s Elseworlds. It’s a celebration of the characters and ideas that have been built up over time while lovingly stretching them in fantastic ways. Like, I’ve never seen Star Trek. At all. Never watched any of the shows or seen any of the movies. I think I tried watching the cartoon when I was really young, but it bored me into a coma. Anything I know about the series comes from pop culture. That said, when they did an X-Men/Star Trek crossover and had a scene of someone busting into the room to yell, “DR. MCCOY?!” and both Leonard McCoy and Beast react to it and then glare back at each other, I still laugh about it because it’s almost like that was the entire reasoning for doing the comic. If it wasn’t, you know that writer had that on the top of his idea list, just over, “Spock takes out Wolverine with the Vulcan Neck Pinch and then Wolverine gets back up because of his healing factor.” Story came secondary at best.
I figured that if crossovers are a celebration of the characters, then maybe it’s about time that I celebrate the crossovers. One of the great things about crossovers – and another similarity with What If – is that they’re all so damn fascinating. It’s hard to make one that’s dull and uninteresting. You might find a crossover that works out great for everyone involved and tells a good story to boot. More than likely, you’ll get a bizarre mess that’s fun to look back at.
I’m not going to strictly talk about comics here. I’m talking crossovers in all media, whether it be comics, TV, movies and so on. I’ll only count stuff that’s official. Fan works and the like don’t count. Avengers fighting the Squadron Supreme, who themselves are Marvel’s stand-ins for the Justice League, doesn’t count. Also, in-universe crossovers don’t really rate here. Spider-Man meeting the Hulk isn’t very special. Regular Spider-Man meeting Ultimate Spider-Man? Yeah, maybe. I’ll at least use DC/Wildstorm crossovers.
For this debut entry, I’m going to go with JLA vs. Predators from 2001, drawn by Graham Nolan and written by John Ostrander. Ostrander’s a guy who I respect enough that I did a double-take when I realized he was behind it because he’s better than this.
This is one of the six times the Predators have crossed over with DC, five of the times in stories involving Batman. It hits me how safe the Predators are in this situation as the story is already written the moment you come up with the title. The Predators have a little more substance and likability than the Alien xenomorphs, but at the end of the day, in situations like this, they’re just high-profile cannon fodder. It’s a race of nameless creatures made up of some loose traits created from scenes from the first movie and, to a lesser extent, the sequel. When the xenomorphs aren’t around to make them the lesser evil, the Predators are simply, “those assholes from space”. They’re cool as hell, but there’s no mystery on who will win and who will die while laughing and exploding.
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