It’s time to start round 2 of this experiment. It’s the second month and we’re getting our second issues. Will the good comics continue to be good? Will I regret giving some of them another shot?
The DC comics I didn’t get this week due to dropping them a month ago are Green Arrow, Hawk and Dove and Red Lanterns. To fill the void, I figure I’ll talk briefly about the two miniseries that just started up.
First up is Action Comics by Grant Morrison, Rags Morales and Brent Anderson. The wave of awesome continues and Morales eyes or not, I’m enjoying the hell out of it. The carefree Superman really is a breath of fresh air and I just wish more writers could get a handle on it more than Morrison and, from little we’ve seen so far, Johns. What I truly enjoyed was how it portrays Lex Luthor. He goes from cruel and egotistical on his quest for knowledge and dominance to a desperate coward at almost the drop of a hat. One thing I’ve always loved about Lex Luthor is his main weakness of being closed-minded. Once he believes something, it takes a lot of persuasion for him to change his mind on it. It’s much like how AI characters lose due to humans making human choices, but for Luthor, it’s about non-Luthor people making non-Luthor choices. That’s why he could never put it together that Clark and Superman were the same in older continuity. If he were Superman, he’d never have a secret identity, ergo Superman is just Superman. This leads to him acting like he has four aces when it turns out Superman has a royal flush up his sleeve. Then we get this perfect angry face.
I have a feeling the new Luthor is going to have a couple more character surprises. I can’t wait. Better believe I’m sticking.
Speaking of rad comics, Animal Man follows up on the first issue’s momentum. It’s kind of jarring, yet welcome, how similar the Baker family is to the Richards family in FF, only more suburban and a couple family members don’t have powers. It’s reached its stride in being an off-putting horror comic, but there’s just enough family togetherness to make it work. Ellen is justifiably pissy about what’s going on, but not pissy enough to make her unlikeable. Maxine’s know-it-all hold over her now powers mixed with being a naïve child make her almost as creepy as whatever the real threat is, but it’s kind of sweet how she stands up for her brother. I also find it kind of funny how when Cliff – the son of a superhero – is threatened, the very first person he calls for help is his mother. That’s a cute touch.
When it’s creepy, it’s disturbing. The hippo sequence is gross as hell and we still don’t know what we’re really up against. Just that whatever it is, it’s unsavory and downright demonic. I’m hooked. Sticking.
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