About a year or so ago, I recall explaining Jeph Loeb to somebody. The guy I was talking to only read Marvel, so he didn’t understand why I found Loeb’s writing so annoying. The only thing he knew of him was Loeb’s old Batman stuff, which of course, was very good. This was before Fallen Son, Wolverine and it’s not like he was going to read the then-new miniseries Onslaught Reborn anyway.

I explained it via Superman/Batman and how ridiculous it got after Jeph’s son tragically died of cancer. Loeb’s writing took a turn for the worse to the point that he only relies on his whole “Toss everyone into the mix and watch it sell despite quality” gimmick to get by. He still gets high profile comic jobs that will continue to do well based on both the topic and the great artists he’s usually paired with. No matter how bad his Hulk run is, it will capitalize on both the McGuinness art and the phenomenon of Greg Pak’s amazing Planet/World War Hulk epic. Wolverine was unreadable, but it’s Wolverine and the pages looked amazing.

My friend didn’t care much about Superman or Batman, so my explanation of why it was so bad towards the end of Loeb’s run didn’t work. To better explain, I jokingly came up with Jeph Loeb’s Spider-Man/Wolverine. A hypothetical comic where in one story they would face Doctor Octopus, who has for some reason taken over the Hand. Or a story where Ben Reilly returns with an adamantium skeleton. Or a story with Mary Jane becoming the new Phoenix. If anything else, I knew that there would be some kind of story arc where Venom and Magneto would team up. Such a concept makes no sense in any way, but that would never stop Loeb from shoehorning those two popular villains together for the sake of another epic crossover filled with random guest appearances.

I was only half joking when I suggested it, and yet here it is. Much has been said about Jeph Loeb and MAD!’s Ultimates 3 #1. Very few of it good. It’s nice of them to wait until December to release this, as we can be sure that this is really the worst comic of the year. In a year where Mary Marvel turned slutty and fought a demon made of dead babies who threatened to eat her poop, it was still toppled by this muddy comic that can only be considered the Ultimate line’s first great step into self-destruction.

This comic needs its own special take. Much like Christopher Bird‘s deservingly popular take on Civil War, I teamed up with Something Awful forum member ManiacClown to create Ultimate Edit. Speaking of Mr. Bird, he was gracious enough to help me find a font that doesn’t scrape the eyes. Nice guy.

That’s it for today. Join us tomorrow for the next three pages.

Day Two!
Day Three!
Day Four!
Day Five!
Day Six!
Day Seven!

(Note: This was originally meant to be a few paragraphs, only it stretched into a full rant about a series of things. I’m not a Spider-Man expert and haven’t read every single thing he’s been in for the past few years. Forgive me if my information is off. But I feel that I know enough for my ire to be justified.)

Back when Marvel was in the latter days of the Spider-Man Clone Saga, the writers all got together to brainstorm a good way to end this massive story arc. They needed something big. A lot of the ideas weren’t so good, like revealing a big chunk of it to be a virtual reality program or have Peter Parker go public with being a clone or just kill off Ben during Onslaught. Some were a bit better, like revealing that Judas Traveler was Seward Trainer from the future and that Seward betrayed Peter into thinking he was a clone all this time. The most interesting and best way to keep both Peter and Ben fans happy turned out to be a time loop.

See, Ben would start remembering events that happened to Peter. Being buried alive by Kraven or fighting Venom. Then, during a big villain gathering climactic finale, Carnage would mortally wound the Judas Traveler and Scryer would reveal his true self. He is Mephisto, orchestrating this whole mess.

As part of this craziness, Peter is sent back in time five years with a distorted memory. Hence, neither is the clone. Peter Parker and Ben Reilly are both Spider-Man, just aged a bit differently. Not the best story ever, but it wasn’t too bad.

There were a handful of reasons why this idea was turned down. Ben should be more aged if this was true, but considering the healing part of his powers and the relatively less stressful life he’s had in those five years, I could buy that they’d still look the same. Then there are a couple continuity issues, like how Mephisto is supposed to be dead around that time. But the main reason why it was tossed out?

Mephisto doesn’t really belong in a Spider-Man story!

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Spider-Man 3 on DVD came out recently. I think I’ll wait off on it for the eventual Spider-Man 3.1 release. In honor of this movie, let’s look at the two debuting villains: the Sandman and Venom.

Venom made complete sense. I think most everyone with a brain knew how this was going to play out from the beginning. First movie would have to be Spider-Man’s top nemesis the Green Goblin. Second movie would have to be Doctor Octopus, who, while doesn’t have all that much of a personal connection to Spider-Man, is such a persistent villain that the public equates him as one of the other top bad guys. The third movie had to have Venom. Who else?

Yes, there are a ton of unused Spider-Man villains out there, but does Mysterio really have the star power of Venom? Do you really see 14-year-olds getting all giddy because they heard the next Spider-Man movie will have the Vulture? No. He may not be the most popular villain among the comic writers and especially Sam Raimi, but he certainly plays the third corner in the Big Three for Spider-Man’s rogues gallery.

The Sandman is a sensible addition because of his classic nature, trademark street clothes appearance and the potential of how his powers would look on the big screen. That and Thomas Hayden Church looked so perfect for the role it was impossible to say no to.

They are two very different villains. One is one of the originals, the other is a product of the late 80’s. One is a team player, the other is a loner. One is an overly-milked cash cow, the other isn’t known for starring in any major storyline. But they are mainstays in the comics and will remain so for some time. That begs the question, how often do Venom and the Sandman meet up in the comics?

As far as I can tell, there are three stories about the two of them butting heads. I won’t count minor appearances, like Mark Millar’s Marvel Knights Spider-Man run. Sure, Venom and the Sandman were both in it, but they had no real interaction. This also goes for any illusion or dream sequence or what-have-you for Spider-Man seeing an army of villains running towards him.

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I was supposed to have a Spider-Man 3 related article up tonight. That isn’t happening. Let’s look at the excuses I have this time:

– Sick as a dog. If you ever spend a couple months on a diet, I don’t care how much of a hurry you are in. You never, ever have McDonald’s. I’m never making that mistake again.

– That CHIKARA DVD contest ends on November 1st. I need all the time I can to dedicate to Photoshop usage.

– Guitar Hero 3, motherfucker.

– Part of the article involves rereading Spider-Man: Reign. If I’m doing that, I need about six hours of mental preparation.

But I’m not here empty-handed. Since it’s Halloween, a day about dressing up in goofy costumes, here is Venom dressed as a nun. Is there a good reason for it? Probably. Maybe. I don’t know. I forget.

If it wasn’t for the fact that Frank Cho apparently needs ten hours to draw each female butt cheek and get it just right, the current arc in Mighty Avengers would be long over and we would be getting ready for the symbiote invasion. That’s not stopping New Avengers, where the underdog superheroes have already been possessed by the liquid nightmares. Not too much of the story is revealed yet. We still don’t totally understand what is going on and how all this came to be. Instead, New Avengers focuses more on the Hood hanging back with old Luke Cage villains and a Punisher bad guy Bendis has taken a shining to.

We do know that in the story, we will eventually see what looks like the Carnage symbiote take over Wasp and become giant. Bendis has also spilled the beans long ago that Doctor Doom is behind this for some reason. The first place my mind goes to is the old Spider-Man arcade game from the early 90’s. Not only did that game feature a 40-foot Venom, but the gist of the plot is that Doom was trying to take over the world with an army of symbiotes.

But that’s not what this article is about. This is about the first time New York City was under siege by the toothy, gooey monstrosities. As much as it might pain you to do this, let’s take a trip back to 1995, for the Planet of the Symbiotes.

The story thus far: Venom was in the midst of his anti-hero run, which only I enjoyed, apparently. Though stationed in San Francisco for a while, he relocated to New York City because the crossover potential was stronger. Enter Ben Reilly, the Scarlet Spider. This clone of Peter Parker heard Venom was in the area and made his superhero debut by defeating him. By removing the symbiote from Eddie Brock with his impact webbing (remember that?), he was able to dominate Venom in a way Spider-Man never could at that point. Eddie and the symbiote stayed separated for quite a while, until getting involved in an adventure with his colorful symbiote children introduced in the Lethal Protector story. Eventually, Eddie and the symbiote became one again.

Here’s the thing that few people realize about Eddie Brock, or at least Eddie Brock in the 90’s. Eddie never really was all that crazy. He was never the picture of perfect mental health, yes, but he wasn’t a raving lunatic. All of that came from the symbiote and being Venom. When the symbiote and its influence were taken away during that period of time, Eddie had time to reflect. He realized all the death he’s caused and how pointless his hatred of Spider-Man was. He didn’t intend to ever wear the costume again and instead just wanted to die. After being forced to don the symbiote again, the subtle control over his actions returned. This time, he’s more aware of it and wants to investigate it.

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Amazing Spider-Man #121 and 122 are without a doubt two of Spidey’s most important issues in his 45-year history. In these two consecutive issues, he both lost his girlfriend Gwen Stacy and ended up killing his big villain Norman Osborn. Since then, the latter has been undone and the former has been beaten into the ground with Peter’s whining and made worse with that stupid baby retcon.

In retrospect, #123 is also an important issue. It’s the first meeting between Spider-Man and Luke Cage, Hero for Hire.

Luke Cage was still a very new character at the time with about a year to his name. He spent that first year mostly fighting low-rent hoods and some corny villains that I’m sure we will never see reinvented into 21st century badasses. By his eighth issue, he crossed paths with Dr. Doom, his first interaction with a mainstream Marvel character. It also led to the absolute greatest issue of any comic ever. The internet agrees with me.

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Weird Wonder Tales #3

Year: 1973
Writer: Various
Artist: Various
Synopsis: Weird Wonder Tales is a collection of older Twilight Zone-type stories reprinted together. There are four of them here and none of them have much to do with that cover. No mud monsters attacking people in cemeteries here.

The closest is the first story, which begins with our female protagonist being assaulted by a fish man crawling out of a muddy canal. Things calm down immediately, as the fish man means no harm. He’s part of an underwater race of fish people and got lost. Now he’s on the surface and people run and scream from him. The woman allows him to stay at her place for the night so he can continue the search the next day. The fish man remains at the woman’s place longer than expected, but keeps giving her gifts like pearls and other jewelry. She comes to realize that this creature is in love with her. On her way to find the creature and confront it, she finds the police are in her shed, brutalizing the poor guy. Turns out that the fish man had been robbing jewelry stores for these gifts.

And then…

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I really like comics. Sequential art is possibly my favorite medium. But unfortunately not all comics are good and sometimes it’s necessary to show some tough love. Occasionally one must criticize books that fail at their intended goal and examine what precisely went wrong, for the sake of comics, because comics should be good. The recently completed White Tiger, written by Tamora Pierce and Timothy Liebe and drawn by Phil Briones and later Al Rio and Ronaldo Silva, happens to be one of those books.

Although it’s a niche book, I feel it deserves closer examination for a variety of reasons. It’s a spinoff of Brian Michael Bendis and Alex Maleev’s fantastic definitive run on Daredevil. It’s a comic about a legacy character. It’s a comic about a female character. It’s a comic about an ethnic character. It’s a comic by a popular novelist (and her husband) doing their first comics work. It’s also a comic that, so far, has done very badly in sales, dropping from 24,663 copies for issue #1 to 13,621 copies for issue #5.

Although stellar sales figures shouldn’t be expected from a niche book by an unproven creative team, the fact that the book shedded over ten thousand readers in the course of issues 1 to 5 means people just plain aren’t liking it. In an industry where new characters, even legacy characters, are hard to push and both ethnic and female characters are rare, it’s sad to see a book about a new ethnic superheroine fail so badly. But why did the book fail? After reading it, I have come to a conclusion: It’s a bad comic book, in just about every way. Let’s review. Bear with me: This will be long. Read the rest of this entry �

First thing, big thanks to whoever submitted the comics/wrestling parallels article to Fark. You are a true class act, whoever you are.

Said article is also deemed incorrect thanks to Mr. Kennedy getting himself suspended and therefore written out of the “Vince McMahon’s long-lost son” storyline. Though I guess that does make him the wrestling version of Captain Atom.

Electronic Arts has announced another Marvel fighting game with no title yet. Rather than be a sequel to Marvel Nemesis, even in style, the game appears as a Marvel version of War of the Monsters. War of the Monsters was an all right game, though pretty shallow. The new game doesn’t look very different.

Here is the trailer and here is the in-game footage. The roster so far is Spider-Man, Captain America, the Hulk, the Juggernaut and Dr. Doom. Allow me to rail on the footage, character-by-character.

Spider-Man: Cool that they go with the small-eyed look, much like Alex Ross intended with his original Spider-Man movie designs. The part where he saves the blond lady from the falling building, but does nothing to save Bruce Banner reminds me of that Jay Pinkerton parody with the avalanche.

Captain America: Apparently able to punch the Hulk a mile away, Captain America pretends to be alive for this upcoming game. The designers show that they’ve come up with like a hundred sketches of what Captain America should look like here. Listen, I know I’m not paid the big bucks like you fine fellows, but why not… I don’t know… make him look like Captain America?!

See? Capcom got it right.

Hulk: They end the trailer with the Hulk yawning. I don’t get it.

Juggernaut: For a guy magically given an instant and infinitely buff body, why does the Juggernaut look like he needs to do some sit-ups? And stop trying to make him resemble the Vinnie Jones movie version. That’s not something that needs emulating.

Doctor Doom: First off, nice kilt, Scrooge Von Duck. Here I thought Doom was a strategic mastermind that acted evil behind the defenses of diplomatic immunity, not a guy who terrorizes the populace by taking a stroll through New York City in broad daylight. It looks like Jim Rhodes redesigned Doom’s armor by giving him missiles instead of the trademark energy gauntlets. Plus he blows up a building in his attempt to kill Spider-Man, showing that even Doom is over 9/11. No tears this time.

I’ll have a real article up tomorrow. Stay tuned.

About now I’m in the middle of writing three different articles while planning to finally update the Table of Contents. It’s annoying, because I want to have something to post, but I end up being torn between all the different projects and nothing really gets done in time. It’s like I’m a monster that has to choose between the scientist that created him or the loving child that befriended him. Too much time looking back and forth and too little time getting results.

What I’m meaning to say is that this here post is going to be really pointless. More so than usual.

As an introduction, let’s look at this quote from my interview with wrestler “Lightning” Mike Quackenbush:

“A certain type of personality and humor attracts a very specific demographic to CHIKARA, and in that way, we end up in bed with (figuratively speaking), and surrounded by, like-minded individuals. There are so many thematic similarities between pro-wrestling and comic books, that there is bound to be some level of crossover.”

This is very true. There are the obvious comparisons, like the concepts of heroes battling villains in a repeated contest of good vs. evil. Colorful costumes. Slick names, whether they be codenames or last names. Mantles are passed down. Bad guys turning to good guys. Good guys turning to bad guys. Characters with names like Sandman, Mysterio, Hercules, Nitro, Crossbones, Rorschach, the Punisher, etc.

But I got to thinking. There are a lot of similarities between comic books and professional wrestling that go unnoticed. Follow me.

In comics, one of the most entertaining guys is a talented man by the name of Morrison.

In wrestling, one of the most entertaining guys is also a talented man by the name of Morrison.

They both have connections to mind-blowing drugs, now that I think about it.

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