Hey, folks. First off, check out this awesome interview the 4L monarch David Brothers has done at the Comics Reporter. It’ll take you about three days to read, but it’s a good one.

So while I have the usual suspects in David, Space Jawa (is there any other kind of Jawa?) and Was Taters (is there any other kind of Taters?), I also got one from aggressively horny ducks (are there any… um…). He sent it to David, who found it buried in his spam because it came from a guy named aggressively horny ducks. That’ll happen. Why I obviously have What If #200 taken care of, our foul and fowl reader sent in his own panel because, “I don’t care a lot about continuity but this is just foolish.”

True enough, though if any panel from that issue raises my eyebrow, it’s the one of Namor punching Bullseye while saying — not yelling — “Imperious $#%^.” Imperious what? Imperious cock? Imperious fuck? Did he drop the n-bomb? What?

Sadly, to everyone’s dismay I’m sure, I totally misplaced my copy of Carnage #2. Still, we must carry on.

Astonishing Spider-Man & Wolverine #4
Jason Aaron and Adam Kubert

Astonishing X-Men: Xenogenesis #4
Warren Ellis and Kaare Andrews

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There’s little more disappointing in comic books than a bad ending. A story that’s bad from start to finish? It happens all the time. A story or series with a rough beginning? As long as they can get past it and get their footing, it gets a pass. A rough ending, on the other hand, easily poisons your final thoughts on a product. For instance, let’s say Return of the Jedi ended with a scene of Luke saving the galaxy by viciously murdering Darth Vader and the Emperor. Not only would that have sucked, but Return of the Jedi would have sucked and the Empire Strikes Back would have sucked in retrospect.

That’s how I feel about Siege, the miniseries by Brian Michael Bendis and Oliver Coipel. The miniseries ended about a week ago and I wasn’t quite sure what to make of it initially. Why did the ending bug me so much?

First, let’s look at the miniseries itself and how it ranks as an event. At only four issues (regardless of the unfortunate delay), it’s really refreshing. With Secret Invasion and Blackest Night, I’ve become completely sick of overly long event comics. This goes doubly for the two examples, as it means every single comic tie-in is going to be the same basic story told over again. Siege is quick and to the point. The issues are action packed and move the story forward at breakneck speed. The tie-ins are quite good for the most part, with the worst being at least inoffensive. It’s the first event where the Ben Urich tie-in mini is actually pretty good.

The art’s rather nice too.

Then you have to look at what it’s all about. Usually with these event comics, they do so well because they’re really dynamic story ideas. You can rant about how people only buy them because they’re important to continuity, but I mostly disagree on the basis of having described these stories to non-comic readers and seeing their reactions. If you tell someone about what World War Hulk or Civil War or Blackest Night is about, a lot of the times they’ll come across as interested.

How do you describe Siege to somebody? “There’s this crazy jerk who is one of the country’s bigwigs and he conspires with a trickster god to attack a floating city of gods in Oklahoma just because they’re there. The crazy jerk has a uber-powerful ace in the hole and a bunch of superheroes interject themselves into the battle.” It doesn’t have any real kick to it.

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Welcome to a very special Siege/Brian Michael Bendis/Luke Cage/Keith Giffen-themed This Week in Panels. For those of you new to the concept, every week, we take every new comic we’ve read since Wednesday and sum it up with one panel as a way to give you the gist without being entirely spoiler-heavy. hermanos has broken the rule against using full or two-page images as panels, but he writes the non-existent checks, so I’ll let it slide.
(joke’s on Gav, that page from BPRD: King of Fears is the top half of a page and the bottom half are a series of reaction shots. not technically a two-page splash! that’ll be two week’s non-pay for libel. -djdb)

Amazing Spider-Man #631
Zeb Wells, Emma Rios and Chris Bachalo

Astonishing X-Men: Xenogenesis #1
Warren Ellis and Kaare Andrews

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Well, it’s Sunday night and we’re ready to strike!
Our special forces are in for a fight!
With heroes in the air and zombies on the ground!
This Week in Panels is takin’ over the town!
We gotta get ready! We gotta get right!
There’s gonna be some comic art at 4th Letter tonight!

So get ready…
I MEAN, get ready…
ARE YOU READY FOR SOME PANELS?!
A COMIC BOOK INVASION!

This week I’m going against my rule of never using a final, or even last-page, panel for this. Why? Because that Deadpool Team-Up panel completely sums up the entirety of that issue and why Stuart Moore wrote it in the first place.

Batman Confidential #41
Sam Kieth

Blackest Night: Wonder Woman #3
Greg Rucka and Nicola Scott

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Welcome to this week’s edition of This Week in Agents of Atlas. We have a lot of Agents of Atlas this time around, so let’s get to the Agents of Atlas!

(Not shown: the Agents of Atlas backup story in Incredible Hercules)

Amazing Spider-Man #618
Dan Slott and Marcos Martin

Authority: The Lost Year #5
Grant Morrison, Keith Giffen and Jonathan Wayshak

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Welcome back, my friends. This time we have a special guest panel from reader taters, who’s been reading The Mighty. Let’s give her a hand!

Blackest Night: The Flash #1
Geoff Johns and Scott Kolins

Blackest Night: Wonder Woman #1
Greg Rucka and Nicola Scott

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About a year and a half ago, I got into a comic called Awakening, written by Nick Tapalansky and drawn by Alex Eckman-Lawn. Released by Archaia, the dark zombie mystery of a title had me interested for the first three issues, but then… nothing. The series went on hiatus for the longest time, only for it to finally resurface.

Did it resurface as #4? No, even better. Recently, a hardcover collection has been released, featuring the first half of the planned ten-issue series. It’s good stuff and is a good read for the upcoming October mood.

I invited writer Nick Tapalansky to an interview. He was gracious enough to both answer my questions and not hit me.

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Follow-up #1
Follow-up #2
Follow-up #3
Follow-up #4
Follow-up #5

(Don’t read #4 if you intend on seeing that Orphan movie any time soon)

It’s been an interesting week for Dr. Doom. Wait, let me rephrase that: Dr. Doom has been a total jerk this week! Yes, I know being a jerk is his thing, but he’s gone the extra mile lately. In Dark Avengers, he’s rude to Osborn and his henchmen for saving his life. In Dr. Doom and the Masters of Evil, not only does he double-cross Magneto, but the entire miniseries is reasoning to make Doom even more of an asshole. Then you have Dark Reign: The Cabal. In one segment, he burns alive two of his servants just to make sure Loki is who she says she is.

Plus there’s the first segment, written by Jonathan Hickman and Adi Granov. I thought it was a cool segment (I love Granov-drawn Venom), but… I just didn’t think they went far enough. So I went back and fixed it up. The first page is untouched, but I’d like to think that the rest of it is an improvement.

Interesting that Doom thinks that Noh-Varr and Ares won’t stand for Osborn’s shit for too long. Plus I guess we’re getting the Spider-Man movie Goblin armor in comic form once Osborn gets tired of being Iron Patriot.

This is several days late, but like I’ve said, computer troubles. Read it anyway.

Secret Invasion has come and gone. Skrulls are old news and now the more beloved villains are beginning to step forward, forming their own little Evil Illuminati. Fittingly, they all counter the original Marvel faction in their own way.

– Tony Stark is replaced by a more ruthless businessman/inventor in Norman Osborn, who shares similar ideals on unity among the powerful.
– Reed Richards is replaced by Victor Von Doom, his eternal rival when it comes to his intelligence.
– Charles Xavier is replaced by Emma Frost, who, while heroic, could potentially do some more underhanded things to help her race. Then again, look at who I’m talking about. Xavier’s done some shady stuff already. Bendis originally wanted Magneto for the role, but you know how it is for that guy.
– Doctor Strange is replaced by the Hood, the magical avatar of the Dread Dormammu himself.
– The enigmatic and overly powerful Black Bolt is replaced by the more enigmatic and more powerful Loki, now in a female form.
– Namor, once a proud king able to own the room with his regal presence, is replaced by a meeker, disheveled and more desperate shell of himself.

Norman puts together his own Secret Society concept and tries to sell it onto the others. The two main points of interest are the mystery man – which I will get to in a second – and the suggestion by Doom to Namor that this will all lead into some kind of massive supervillain Civil War in the future.

That discussion is for another time. Let’s discuss the mystery man.

“If you so choose as to even lift a suspicious eyebrow towards me and mine… you and my friend here will have some words. Emma, you’re a psychic, I can feel you poking around in my head now… You read minds… Tell me… Am I lying?”

“No.”

“Something for even a goddess of mischief to think about.”

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