I did a lot of purchasing at the NYCC. Oh man, did I. Curious? Here’s the list of what I came home with that was new, not counting magazines (Wizard with Claire and Nikki from Heroes on the cover, UVC Magazine) and sketches.

40 oz Collection – Jim Mahfood
Ares: God of War – Mike Oeming/Travel Foreman
Batgirl: Destruction’s Daughter
Blokhedz
The Blvd Sketchbook volume 2.0 – John Paul Leon/Trevor Goring/Tommy Lee Edwards/Sean Chen/Bernard Chang
Diesel Sweeties: Pocket Sweeties Volume One – R Stevens
Diesel Sweeties: How I Blew My Thursday Night – R Stevens
DMZ v2: Body of a Journalist – Brian Wood/Riccardo Burchielli
Firestorm: The Nuclear Man: Reborn – Stuart Moore/Jamal Igle
The Five Fists of Science – Matt Fraction/Steven Sanders
Freddie E Williams II Sketchbook
Ghost Rider – Howard Mackie/Javier Saltares/Mark Texeira
Goats – Contains One Space Battle – Jonathan Rosenberg
Goats – A Tale of Two Comics – Jonathan Rosenberg
Grant Morrison: The Early Years – Timothy Callahan
JLA/Avengers – Kurt Busiek/George Perez
Justice League: A New Beginning – Giffen/DeMatteis/Maguire
Kabuki Metamorphosis HC – David Mack
Khary Randolph Sketchbook
Modern Masters v3: Bruce Timm
Modern Masters v6: Arthur Adams
Modern Masters v8: Walter Simonson
Modern Masters v9: Mike Wieringo
Modern Masters v10: Kevin Maguire
Naoki Urasawa’s Monster v7
Nat Turner Encore Edition – Kyle Baker
One Page Filler Man – Jim Mahfood
Project Romantic – Various
Puttin’ the Backbone Back – Jim Mahfood
Runaways HC v2 – Brian K Vaughan/Adrian Alphona/Takeshi Miyazawa
Wigu: The Bravest Boy in the World – Jeffrey Rowland

Ouch, my wallet. Cons are bloody expensive.

I’ve already read Blokhedz, and a review on that is forthcoming. That Ghost Rider trade is the first seven or eight issues of the series that introduced Danny Ketch, and I bought it because I either have bad taste in comics or am a complete and utter masochist. Or maybe it’s good, I dunno. Kabuki: Metamorphosis rounds out my Kabuki collection, which is a good thing.

The Grant Morrison volume is a lit-crit look at Zenith, Animal Man, Doom Patrol, and Arkham Asylum. Yes! It also includes an interview with The God of All Comics in the back about the book and his work.

I got a little more superheroic stuff than I really wanted to. I’m not only a superhero reader. At least two fifths, and sometimes even three fifths, of my top five are non-supers. (100 Bullets, Kabuki, Stray Bullets.) (I also like bullets, I guess). Still, seven out of thirty-one ain’t bad, though the Modern Masters volumes technically aren’t comics. I also haven’t read a lot of this stuff, or haven’t read it in years at the very least. It’s probably 85-90% new content to me.

Here’s the kicker: I’m planning on reviewing all these books. Yeah, that’s right. It may be a grouped review, it may be a single review, but I want to put my thoughts out there about all of them, excepting only the Modern Masters because those are awesome by default, and the sketchbooks, because they aren’t exactly reviewable, save for the one by The Blvd.

I’ve also got the PC demo of the Marvel Trading Card game to look at, as well as a free copy of the Marvel Comic Book Creator software. Should be an interesting few weeks!

Firestorm has had a rocky run recently, but the quality has never wavered. Jason Rusch’s coming of age tale has been smart, interesting, and well-drawn. I even got Jamal Igle to sign the Firestorm trade I bought at the con that collects the One Year Later story arc… and is also the only collection out.

Yes, lads and ladies, DC’s crap trades department put out a trade of a series 20-odd issues in and are going to cancel the series with #35 in April. A few trades earlier on and Firestorm could’ve built an audience. C’mon, DC! You’ve got Time Warner backing you. If Marvel can trade every series ever, including Marvel Nemesis: The Imperfects, you can do it, too! The bookstores are the future!

No biggie, though! There’s nothing wrong with buying canceled books, especially ones that look as good as this. Stuart Moore and Jamal Igle had a great run, but Dwayne McDuffie and Ken Lashley are on tap for the final three issues. Here’s the solicit for #33.

The superstar creative team of Dwayne McDuffie (JUSTICE LEAGUE UNLIMITED, STATIC), Dan Jurgens (Superman, Captain America) and Ken Lashley (The Flash) bring Firestorm to bold new heights! Jason Rusch and Prof. Martin Stein just want to get their lives back to normal, but the New Gods have other plans! When Orion comes looking for Prof. Stein, you can bet a throwdown’s not far behind! Guest-starring the Seven Soldiers’ Mister Miracle!

C’mon, now. You’re a comics fan on the internet. I know that you liked Justice League and Justice League Unlimited. Dwayne McDuffie was behind a lot of the cool stuff on that show, so Firestorm #33 is pretty much guaranteed to deliver a good-sized bang for your three bucks.

Still not convinced? Look here for an interview and a quick preview. Jason Rusch is growing up, gaining confidence in his powers, and is still rookie enough to make Orion mad.

It drops today, it’s got New Gods, super-science, and a quality protagonist. We may not be able to save the series before it’s canceled, but we can read a good story along the way.

I caught three awesome panels today– Make Me Laff with Kyle Baker, Black Panel, and BET Animation panel. I’ll have thoughts on them later fa sho, but I just wanted to put this out there. I don’t think that Newsarama or CBR have covered either of them.

The BET Animation panel was, in a word, incredible. They’re doing extremely big things, and they showed a couple shorts that blew my mind. Hopefully the trailers will hit the net soon. I got to speak with Denys Cowan, who is an extremely nice guy, after the show, and I remarked (paraphrasing here) that, like a lot of the hip-hop I grew up with, these shorts are extremely subversive and, for lack of a better word, revolutionary. I told him that I’m in the Jay-Z generation, but I grew up on Rakim and PE and KRS, and each and everyone of them was subversive.

His response? “Exactly.”

Yes. This is good.

If you folks see any coverage of either the Black Panels or BET Animation panels anywhere, or discussion, can you drop me a comment? I really want to see some other reactions. BET hasn’t had a complete Road to Damascus moment, but they’re getting there.

More later. I’m completely out of it. I’ve got to say that this con has completely revitalized my interest in blogging and writing.

Also, the Marvel and DC panels pretty much universally blow. Vertigo was good, but blah on the rest.

My infinitely patient buddy Mark Poa sent me an email all the way from the Philippines about a guest article on Civil War. He points out quite a few things that Marvel could have, and should have, done differently. Check it out below!

My friend asked me: “I remember you saying in an LJ post that you were on the side of Tony Stark in Civil War. Fair enough, I think that some sort of regulation is probably required in the case of superhumans, myself. But the burning question is, how do you think this should work? The way Tony’s been doing things is certainly not the best.

Ah, I do so love comic book type hypothesis.

Why is Superhero registration necessary?
1. People with superpowers are similar to special skills. CPAs, lawyers, doctors, and other professionals are registered so that their skills can be monitored and standards could be set for their use. I see superheroes as going through this route… registering as professional superheroes.
2. Registering would mean having standards. Training, education, special tests… all to ensure that activities would be regulated and that special provisions can be made for the use of special skills.
3. It’s a failsafe in case a superhuman goes rogue. Real names are registered

What did Iron Man and the pro-regs do wrong in Civil War?
1. Antagonize Captain America. Really, between Iron Man, Antman and Mr. Fantastic vs. Captain Freaking America… I know where the heavier symbol is.
2. Make it seem like registering would mean revealing your identity… and actually forcing Peter Parker to reveal his identity. Bad move in terms of getting other heroes to join.
3. Forcing heroes to register. Which inevitably turned it into an Us vs. Them thing.

How would I approach it better?
1. Convince Captain America to support the move from the start. Address his concerns. No forcing of registrants? Check. No drafting of heroes into S.H.I.E.L.D .? Check. Get him as a spokesman. Pronto!

2. I liked She-Hulk’s Dan Slott’s attempt to explain this by having She-Hulk say that no one is forced to reveal their identity to anyone except S.H.I.E.L.D. It sounds logical. No one but your fellow heroes would have to know your identity. Also, there should be measures to address fear that the database of S.H.I.E.L.D. would be hacked. I don’t know… keep all the information in Aaron “Machine Man” Stack or something? Just assure the registering heroes that their identities would be kept safe.

On a tangent… Not that secret identities mean much in Marvel anyway. The only hero I think that had a pretty intact and decent secret identity was Spider-man and look what happened. 😛

3. Highlight the benefits of registration rather than forcing people to register. Registering would mean special status in society? Okay! Special training? Okay! Clearance from police agencies and access to the S.H.I.E.L.D. resources and labs? Okay! Get them special tax privileges in exchange for registering and following the rules? Right on!

That’s how I see it anyway. Sadly, I think the Marvel U’s level of distrust would prevent formulating any kind of “win-win” situation.

What do you think, sirs?

Yeah, it’s been a week. My bad. All I can say is that the day job and the writing job are conspiring to kill my free time. I can definitely say that I won’t leave the site alone for a week again, though. That’s just inexcusable.

Now that the mea culpas are out of the way, let me give you another reason to be angry. You get a re-run today. Yeah. Sorry.

Before I had 4l, I had a blog on Livejournal called Guerilla Grodd. I catalogued the comics news of the day and added in a little commentary and original content. I was high off Journalista! and The Beat, so I had to have my own linkblog, too, you know?

I started an examination of Grant Morrison and Cameron Stewart’s Seaguy. I got to issue 2 before I stopped, and I’ve been meaning to rewrite these completely. In the interest of not having this freaking site be bare any longer, I’m going to reproduce the first commentary, which covers Seaguy #1, here.

Read it. It’s old, but I think I make some pretty decent points, and I do hope that you’ll tell me if I’m wrong. The clickable links are almost all images, by the way.

Cripes, man. I hate to blog about what I’m going to blog about, but I feel like I owe it to you guys. I want to talk about Marvel Boy and Spider-Man: Reign and Kabuki and black heroes and The Other Side and everything else, I just have to make the time for it.

In the meantime, though, please enjoy this. We’ll be back asap, all right?

Welcome to the fifth installment. Took me longer than expected, but a lot of these guys are big names. If you reach the end of the article, Batman will reward you with his greatest quote ever.

CABLE

New Mutants #87 (1990)

Originally, Cable appears in Uncanny X-Men #201 (1986) as a baby, but I figure it would probably make more sense to show his real introduction. The story begins with a terrorist act by a team of Stryfe’s henchmen in some facility. The only one I actually recognize is Four-Arm. After they leave, a new figure enters through a hole in the wall.

Cable tracks Stryfe’s team on their next mission, where they plan to kidnap a couple kids out of a government facility. He takes the battle to the enemies, but their numbers eventually overwhelm him. He’s left to die and the mutants get away. The issue ends with Cable in military captivity, thinking about how he went at this the wrong way. He’s going to need help.

Read the rest of this entry �

Hal Jordan watched a snail crawl along the edge of a straight razor. That’s his dream. That’s his nightmare.

Hey, now. Looks like it’s time for another installment of Ruining the Moment! Let’s roll.

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(edit: T’Shan was not BP’s sister. Shuri is.)

To our readers from When Fangirls Attack!– welcome! Check out the post and don’t be afraid to leave a comment, okay? Onward.

It’s been a long time, I shouldn’t have left you,
Without a strong rhyme to step to.
Think of how many weak shows you slept through,
Time’s up! I’m sorry I kept you!
–Rakim

Man, this article is crazy late, isn’t it? Just, uh, six months or so.

It’s late for a number of reasons. I’ve been trying to ramp up my writing career, which means more time writing about games, less about comics. Did it work? Well, I’m no longer living paycheck to paycheck, but talk to me in another six months.

The number one reason why it’s late, other than business and laziness, is that it is hard as crap to find good black female characters in recent comics. I mean, Monica Rambeau had a bit part in Black Panther and I’m not much for Nextwave’s portrayal of her, so she doesn’t really count. There was the great-granddaughter (grandniece?) of Jim Harper in Robinson’s Batman: Face-the-Face, but, uh, she had maybe nine panels of dialogue total, and that’s probably being generous. I’m not as familiar as I should be with Milestone’s work (beyond Static), so I wouldn’t feel comfortable putting any of those characters on this list. Bishop’s daughter in X-Men: The End has three strikes against her. 1) She’s Bishop’s daughter. 2) She’s in X-Men: The End. and 3) She’s Bishop’s daughter and is in X-Men: The End. Onyx is kind of cool, but I know exactly nothing about her and she got punked by Jason Todd so she’s out. Pantha, according to Wikipedia, is black, but, again, I know nothing about her. Thunder, from Outsiders? No thanks, hoss.

So… this is going to be a little different. It’s a top three because, frankly, there aren’t enough good black female characters out there. I’d include Glory Grant, ’cause she’s pretty awesome, but when’s the last time you saw her in a comic that wasn’t Civil War Frontline #10? (Nice guest spot, even if it was only a panel.) A better question– how many of you even remember who Glory Grant is? Monica Lynne is in the same situation. Charlotte Jones? Same deal.

I entertained the possibility of putting Monet St Croix on her, at least partially because I really enjoy her character. But, that’d make this a top 4 and these lists are traditionally either top three, top five, or top multiple of five. Four is right out.

So, a top three. But, I’m telling you, I better see some awesome black females over the next year or I’m going to do something reprehensible! I mean, black females in comics are like black head coaches in the NCAA!

zing!
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BLADE

Tomb of Dracula #10 (1973)

“They call me… Blade! Blade the Black Agent X!”

Times change, don’t they? The story that introduces Blade doesn’t so much go into his background, other than his hobby of offing vampires. He takes care of some of Dracula’s henchmen early on and then fights the big bad on a cruise ship. When Dracula has things won, one of his mind-controlled lady victims comes to jump his bones. This distracts Dracula enough that Blade can get back up. Dracula makes the decision to leave, though the boat will explode in moments. Blade tosses everyone off the boat and makes it to safety himself, knowing that he and Dracula will fight again one day.

BLINK

Uncanny X-Men #317 (1994)

Before Blink was well-known for her role in Age of Apocalypse and Exiles, she showed up in regular 616 continuity as part of the Phalanx Covenant. Along with members of Generation X, she finds herself captured by the Phalanx.

When attacked by a being named Harvest, Blink uses her power to teleport him away while tearing him apart. Other than that, she follows the others as they attempt to escape, knowing that the Phalanx was unable to find a way to dampen their powers.

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(This is the first of what’ll probably be a couple of posts today from me, with probably a Gavok post following after. Stay tuned, true believer!)

Dear Marvel:

I went into Wolverine Origins #10 this week with much trepidation. I thought that Jubilee, one of my favorite characters, was going to bite it. I mean, seriously, look at this solicit you sent out:

It all ends-and it all begins-in this issue, featuring both the death of a beloved Marvel character and the debut appearance of a new one: the son of Wolverine!

What was I supposed to think?!

However, Daniel Way and Steve Dillon (probably) didn’t kill her and showed that Wolverine still sees her as a daughter figure of some kind. I liked that bit, even if the rest of the issue was a little so-so.

(I would like it a little more if she still had her powers and her and Kitty Pryde teamed up to fight Wolverine II [or whatever his name is], but that’s okay. I also really like the idea of Jubilee as a mutant rights activist.)

But, I just wanted to let you guys know that I’m happy she is (probably) not dead. I’d hate to form JERK, the JubilEe Resurrection Kult, and show you that Hal Jordan fans have nothing on me.

I’m kidding.

Maybe.

Please don’t kill her 🙁

david b
age 10 1/2

(seriously, do another Jubes and Kitty story please, the one about illyana was probably one of the six good things scott lobdell ever wrote)