Welcome back to This Week in Panels, that weekly bit where we cut down comics with a chainsaw until only the most crucial panels remain to tell you everything you really need to know about them.

Helping me hack comics to pieces this week are Gaijin Dan, Matlock, and Gavok. All of us are armed and dangerous, but we’re really not much a threat as long as you don’t let us get in close.

As you might expect after last week, I saw Guardians of the Galaxy this week. The movie didn’t quite live up to what I was expecting, but I’m pretty sure that’s only because what I was expecting was pretty much impossible for any movie to live up to. It’s still right up there alongside Winter Soldier and Dark World to help Marvel’s Phase 2 kick Phase 1’s butt, and it is without a doubt by far the flat out funniest entry into the Marvel Cinematic Universe to date – I can’t think of another of Marvel’s movies that even comes close in the number of straight-up laugh out loud moments.

Gavok could back me up on that, too. He flat out said “Have you seen Guardians of the Galaxy yet? Go see Guardians of the Galaxy.”

Provided he’s not too busy morning over Zilius Zox, at least.

But enough of that, it’s time for panels!

All-New Ghost Rider #5 [Gavok’s Pick]

(Felipe Smith & Tradd Moore)

All-New Ghost Rider #5 [Matlock’s Pick]

(Felipe Smith & Tradd Moore)

Aquaman Annual #2

(Jeff Parker & Alvaro Martinez)

Read the rest of this entry �

“HEY, EVERYBODY!”

Louie!

“WHO’S GOT SOMETHIN’ FOR ME?!”

I do!

“WHAT IS IT?!”

A bunch of panels from comics that that me, David Brothers, Was Taters, Space Jawa and David Uzumeri read this week!

“…eh, what the hell. I WANNA DIP MY BALLS IN IT!”

Amazing Spider-Man #654
Dan Slott, Paulo Siqueira, Ronan Cliquet de Oliveira and others

Batgirl #18
Bryan Q. Miller and Dustin Nguyen

Read the rest of this entry �

A year ago I talked to David Brothers about an idea I had for the site. I had tried writing reviews of weekly releases before, but I never got into it. There were a couple reasons and they’re both about redundancies. I can tell you about how great the latest issue of Captain America is, but so will every other site. There are so many other comic sites that will give better reviews of new stuff that I don’t know why anyone would give a damn what I have to say among all that. Then there’s the fact that comic quality doesn’t change so often within the series’ run. If I tell you that Captain America is great one month, chances are it’s going to be just as good the next. Why waste my breath? If I want to give you my opinions, I want it to at least be interesting and hopefully unique.

I thought back to the first issue of the Agents of Atlas miniseries from several years back. The general response of people who read it and tried to push it was to point out that there’s a scene where a 1950’s robot runs down a hallway while carrying a talking gorilla and that gorilla is firing four uzis with his hands and feet. I figured that maybe that could be the unique way to cover the comics of the week. I’d settle on one panel that really pushes what the comic is about, more than often more than the cover does. It’s no longer so much a review as it is giving you a gist on what we all read. At the same time, I would make sure not to have any major spoilers. If the comic has Wolverine beat up Daken in the climax, then I won’t show it. I will, on the other hand, show them about to fight it out.

If anything, it was also an excuse to keep me from straying from doing anything for the site too long at a time. I’d have a deadline of some point every Sunday and I’ve been pretty good on that. I’ve only delayed two weeks and those were because of a lengthy power outage and the loss of my computer.

I didn’t know if it would work, but David said to go for it. Now it’s been a year and I thought it would be fun to do an extra installment in a retrospective form. The idea was to pick one of my favorite panels from the previous 52 weeks, but with the challenge of not double-dipping from the same title at any point. Here we go!

Adventure Comics #4
Geoff Johns, Sterling Gates and Jerry Ordway

Amazing Spider-Man #617
Joe Kelly, Max Fiumara and Javier Pulido

Read the rest of this entry �

This week we have a special collaborator Was Taters who didn’t want me to credit her, but I am anyway. So there.

I personally love the pick for Batgirl #13, because I’m imagining that Meatwad is nearby, off-panel.

B.P.R.D.: Hell on Earth New World #1
Mike Mignola, John Arcudi and Guy Davis

Batgirl #13
Bryan Q. Miller and Pere Perez

Read the rest of this entry �

Welcome to this week’s edition of This Week in Agents of Atlas. We have a lot of Agents of Atlas this time around, so let’s get to the Agents of Atlas!

(Not shown: the Agents of Atlas backup story in Incredible Hercules)

Amazing Spider-Man #618
Dan Slott and Marcos Martin

Authority: The Lost Year #5
Grant Morrison, Keith Giffen and Jonathan Wayshak

Read the rest of this entry �

We’re almost done with yet another week of this awful Morrison mind-scramble crap. God, what a hack. Between this and his Seven Soldiers run, I don’t even get why the man gets any work. Did you even read his New X-Men run a few years back? The guy who followed him was SOOOO much better.

But enough about that. Yesterday’s update saw some incomprehensible garbage involving Rubik’s Cubes and Metron as a tard. I don’t know, Final Crisis sucks. Let’s move forward!

As always, thanks to david “hermanos” brothers for helping me with this. He wanted me to remind you that a new Seaguy miniseries comes out today. Make sure to stay far away from that tripe. The last one was bad enough. Fucking Morrison.

We’re almost done with this week. Tomorrow, we get Darkseid at a rave and a guy with a bunch of bubble monitor things wrapped around his head. You can see a preview here.

First of all, I apologize for the title of this entry.

I’m not particularly well-versed in Green Lantern lore, but I’ve noticed a few trends in how people respond to Hal versus how they respond to Guy.

Even discounting the Kyle fans, Hal seems to be the less popular of the two. Among fans, an appearance by Guy gets cheers, while Hal is viewed as business as usual. There are a lot of reasons for that. Hal is business as usual for Green Lantern fans. When a character has been appearing pretty regularly since 1959, it’s a lot harder to keep up his appeal compared to the guy who, despite a shortlived series of his own, gets added in for spice every now and again. Guy is the more extreme character, and extreme characters tend to be interesting.

But Guy has his own deficiencies. Deficiency. Okay. He’s a jerk. A biggun. However, that deficiency is also his strength, as a character. Why? Because every character and every writer makes it clear that they know he’s a jerk. Once that happens, once the text makes it clear that the story is about a jerk who also happens to do good things, it’s possible to relish the outrageousness of the character the same way we can relish the violence and the spandex costumes.

Hal, on the other hand, is a Hero. He is shown as not only the first Green Lantern, but the best Green Lantern. The sense I’m getting from diehard Green Lantern fans is that the outrage is not just about the mistakes Hal makes, but the fact that he is being sold as the One True Lantern. Because of that, all of his flaws, from his odd courtship with Carol Ferris to that little tantrum during which he almost ended the Universe, are being excused or ignored. And so Guy, with his rudeness, sexism, arrogance, and sometimes outright meanness is popular, and Hal is reviled.

Maybe a little accountability goes a long way?

A month and a half ago, I posted this interview. Now the conclusion.

Note: Karu-Sil isn’t included in this image because she was off being phone pranked by Ambush Bug. I mean, she was off being a rogue. Yeah.

The universe still has the Rage of the Red Lanterns and the Blackest Night to deal with, but our new Oan President-Elect can get us through it. I hope.

Can you believe Infinite Crisis only ended a little over two years ago? It feels so much longer. At the time, it was an exciting time to read DC. A lot was going down, 52 was on the horizon, One Year Later was starting up, among other things. The miniseries did come off as a letdown, but considering how hyped it was, how could it be anything but? By the time the seventh issue landed, with its rushed art to meet the deadline, I couldn’t be happier to be done with this whole storyline.

Sometime after, author Greg Cox wrote a novelization of Infinite Crisis. Such an odd concept, isn’t it? A novelization of a comic book? It’s like the literary version of hearing a country singer covering a rock group’s hit song. I guess I shouldn’t talk, since years back, before I was even into comics in the first place, I read the novelization of Knightfall. Plus there’s the whole movie novelization thing I do for the sake of getting site hits.

I didn’t read Cox’s take on Infinite Crisis, but through chance, I discovered an interesting piece relating to it. A company called Graphic Audio had done a book on CD version of his take. That’s right, an audio book based on a book based on a graphic novel. What an insane concept. Too curious, I ordered the two sets and spent a couple weeks listening through them. Yes, weeks. The entire story is told with twelve discs over the course of thirteen hours. Thirteen hours to tell the story of seven issues.

Well, that’s not fair. It’s more than just the seven issues. Cox chose to cherry-pick tie-in issues to help pad out the story to differing success. This includes the end of Crisis of Conscience where Superboy Prime attacks Martian Manhunter, the Spectre vs. Shazam fight from the end of Day of Vengeance, the part of Gotham Central where Crispus Allen got killed, an issue of Aquaman and parts of the Rann/Thanagar War Special.

Read the rest of this entry �

I’ve talked about the differences between Marvel’s What If comics and DC’s Elseworlds comics before, but another major contrast has made itself apparent to me. They are both about taking a cool out-of-continuity concept and running with it as a full story. The problem with Elseworlds is that a lot of the time they get bogged down by either the need for familiarity (how many times has Kal-El become Superman when the entire idea of the story is that Kal-El is not Superman?) or the over-complication of the storyline.

Take JLA: Destiny for instance. The four-issue miniseries is based on a concept that is so full of promise that it could have carried the story itself. They could have just plugged it into the DC Universe and let loose a great story. Writer John Arcudi decided not to, seemingly going for more of an epic clusterfuck of a story. So this big twist in DC history is made into part of a bigger theme. It also becomes merely a subplot to the whole miniseries and this big shocker that should have been the selling point for the comic isn’t fully revealed to the reader until the third issue.

A couple years back, when I first read Destiny, I scoured online for reviews. I’m too lazy to check now, but all the reviews I found were for the first two issues only. Some didn’t make it past the first. Nobody knew what the point of the story was yet and had no indication that they were going to discover it in the final two issues, so everyone dropped it like a rock.

Read the rest of this entry �