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Blokhedz: Keeping It (Magical) Real(ism)

March 6th, 2007 Posted by david brothers

It’s a tale as old as time. (Pardon the slight Beauty & The Beast reference.)

There is a child, sometimes a boy, sometimes a girl, with a hidden talent and a good heart. They may not recognize this talent at the beginning of the story, but others see this potential in them and attempt to nuture it. Outside forces discover this talent and attempt to either take it away or control it. Eventually, the child realizes his or her worth and takes control of that power.

There are a lot of reasons why this story is so old. It speaks to the idea that we’re all special, and if only we can find that special thing inside of us, we’ll be happy forever. It’s a cautionary tale from parents to children, warning them to stay on the straight and narrow. It’s a fun adventure romp about a relatable person doing great things. It’s a morality play, will you or won’t you abuse that power? There are dozens of interpretations.

This is a classic story. It’s straight out of Campbell. It’s Spider-Man, Superman, Star Wars, Snow White, and a thousand other stories. It’s a story we all know and can appreciate, and a story we’ll likely be telling for hundreds of years to come.

This is also the story of Blokhedz.

First, some info and errata. (I’m trying out these new Amazon links and info formatting. Good idea, bad idea? They seem a little large, which could make formatting a pain.)

Title: Blokhedz #1: Genesis
Creators: Brandon Schultz and Mike and Mark Davis
Homepage: Blokhedz.tv
Publisher: Street Legends Ink/Simon & Schuster/Pocket Books
ISBN: 1416540733
Book Info: Blokhedz #1: Genesis collects Blokhedz #1-4, originally published in 2004 by Street Legends Ink. It is going to be released on March 20, 2007, and will be followed up by a straight to graphic novel volume 2 in Fall 2007.
Misc. Info: Interview with Format Magazine. Publishers Weekly article on the move to Pocket Books.

Extra special thanks to Ed Schlesinger at Pocket Books for getting me one of the last comp copies at New York Comic-con last weekend!

Blokhedz is the first offering from Pocket Books’s graphic novel line to my knowledge, and it’s a good start.

The hero of the book is Blak, a young black kid in Empire City. He’s extraordinarily skilled at rapping, both from written rhymes and freestyling. The book opens on him telling the story of a tragic shootout. From the first scene onward, it’s clear that he’s torn between two things. Is he going to be a smart rapper and speak the truth, or is he going to play dumb and rap about things he was never involved in? Is he going to be true to himself or is he going to “keep it real?”

The person he was rapping about is his older brother Konzaquence, who cautions him to stay true. He doesn’t want to see his little brother fall down the same path he did and gives him his lion medallion as a kind of contract between the two of them.

The hook in the book is that the words in rhymes can alter reality. It’s a little bit Dr. Strange, a little bit Biblical, and, to me at least, a little bit Invisibles. The first time this power is shown is when Vulture, a rival rapper and gangster, has his crew attack Blak. This causes Blak to lose his medallion and pride, but gain new abilities. His words become reality.

Blokhedz #1: Genesis is an engaging read. The story is familiar, but tilted to a new angle. Blak has to dodge the allure of gangs, thug rap, and life in the city in order to survive. His older brother has been there, done that, and did the time for the crime, literally. One of his brother’s old running buddies has gone from drug-dealing to running a rap label, bringing to mind Prince Paul’s A Prince Among Thieves, wherein Mr. Large, the guy who runs all the crime in the city, also dabbles in rap management. He courts Blak and, unbeknownst to him, uses his rhymes to create Crypt, a drug that hits the streets hard.

It’s about choices. Blak is torn between good or evil, God or the Devil, and vengeance or justice, but he must choose one side or the other. Both sides are tempting, but Blokhedz presents one side as being right. Good and evil are clearly delineated in the book, even down to the bad guys looking sinister. Vulture, for example, looks more than a little like his namesake and behaves worse than that. It’s simplistic, but it works. It’s also kind of refreshing in today’s comics landscape to see this kind of black-and-white viewpoint, particularly when pulled off without being either preachy or overly adult.

This is a good read, and a pretty good book for kids, despite a little bit of salty, but censored, language. There are a few gaffes, such as a handful of main characters appearing on-screen and having speaking roles without actually being introduced. I didn’t know the name of Essence, the spoken word poet and inner city crusader, until a chapter and three scenes after she was introduced, if memory serves. The focus of the book is on Blak, of course, but it would be nice if his supporting cast didn’t feel quite so not-there. A brief introductory bit of dialogue, or even a caption presented with the same flair and style found in the rest of the book would be great and enhance the read. We get that Blak has friends, but they’re a group of friends, rather being distinct individuals.

Still, this is a great start. It’s easy to read and the art is quite attractive. It’s a blend of American and anime-inspired art and it works really well. The characters can convey emotion easily. The book looks a lot like a cartoon, but in a good way. I’ve got to give them props for the backgrounds, too. Even in Marvel or DC produced comics, the “Big Two,” the backgrounds tend to be pretty bland, nondescript, and sometimes even nonexistent. These backgrounds are busy. They’re cluttered. They’re almost completely covered in tags. They have character. You really get the feeling that Empire City is a genuine city thanks to this attention to detail.

Blokhedz #1 is a good showing, and it’s cheap, too. It’s well worth a read.

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I Read Comics talks 4l

March 2nd, 2007 Posted by david brothers

Yeah, so I accidentally overslept this morning, which means that I need to be out the door post-haste.

In the meantime, though, I got a lovely email from Lene Taylor of I Read Comics. She found my essay on Patriot via Kalinara and found it worth reading! It touched her enough that she talked about it on her podcast, which you may find here.

Give it a listen, and then go on to listen to her back catalog. Very good stuff!

Thanks again to Lene for featuring the post.

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Read Good Comics: Firestorm #33

February 28th, 2007 Posted by david brothers

Firestorm has had a rocky run recently, but the quality has never wavered. Jason Rusch’s coming of age tale has been smart, interesting, and well-drawn. I even got Jamal Igle to sign the Firestorm trade I bought at the con that collects the One Year Later story arc… and is also the only collection out.

firestorm33_cover.jpg Yes, lads and ladies, DC’s crap trades department put out a trade of a series 20-odd issues in and are going to cancel the series with #35 in April. A few trades earlier on and Firestorm could’ve built an audience. C’mon, DC! You’ve got Time Warner backing you. If Marvel can trade every series ever, including Marvel Nemesis: The Imperfects, you can do it, too! The bookstores are the future!

No biggie, though! There’s nothing wrong with buying canceled books, especially ones that look as good as this. Stuart Moore and Jamal Igle had a great run, but Dwayne McDuffie and Ken Lashley are on tap for the final three issues. Here’s the solicit for #33.

The superstar creative team of Dwayne McDuffie (JUSTICE LEAGUE UNLIMITED, STATIC), Dan Jurgens (Superman, Captain America) and Ken Lashley (The Flash) bring Firestorm to bold new heights! Jason Rusch and Prof. Martin Stein just want to get their lives back to normal, but the New Gods have other plans! When Orion comes looking for Prof. Stein, you can bet a throwdown’s not far behind! Guest-starring the Seven Soldiers’ Mister Miracle!

C’mon, now. You’re a comics fan on the internet. I know that you liked Justice League and Justice League Unlimited. Dwayne McDuffie was behind a lot of the cool stuff on that show, so Firestorm #33 is pretty much guaranteed to deliver a good-sized bang for your three bucks.

Still not convinced? Look here for an interview and a quick preview. Jason Rusch is growing up, gaining confidence in his powers, and is still rookie enough to make Orion mad.

It drops today, it’s got New Gods, super-science, and a quality protagonist. We may not be able to save the series before it’s canceled, but we can read a good story along the way.

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NYCC02 Miscellany

February 25th, 2007 Posted by david brothers

I caught three awesome panels today– Make Me Laff with Kyle Baker, Black Panel, and BET Animation panel. I’ll have thoughts on them later fa sho, but I just wanted to put this out there. I don’t think that Newsarama or CBR have covered either of them.

The BET Animation panel was, in a word, incredible. They’re doing extremely big things, and they showed a couple shorts that blew my mind. Hopefully the trailers will hit the net soon. I got to speak with Denys Cowan, who is an extremely nice guy, after the show, and I remarked (paraphrasing here) that, like a lot of the hip-hop I grew up with, these shorts are extremely subversive and, for lack of a better word, revolutionary. I told him that I’m in the Jay-Z generation, but I grew up on Rakim and PE and KRS, and each and everyone of them was subversive.

His response? “Exactly.”

Yes. This is good.

If you folks see any coverage of either the Black Panels or BET Animation panels anywhere, or discussion, can you drop me a comment? I really want to see some other reactions. BET hasn’t had a complete Road to Damascus moment, but they’re getting there.

More later. I’m completely out of it. I’ve got to say that this con has completely revitalized my interest in blogging and writing.

Also, the Marvel and DC panels pretty much universally blow. Vertigo was good, but blah on the rest.

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Comic-con Stuff

February 22nd, 2007 Posted by david brothers

The 4l crew (myself, Gavin, and Wilde) are hitting the NY Comic-con this weekend. If you want to meet up, send your info to 4thletter@gmail.com!

I get in Thursday afternoon, with the other two arriving Thursday evening. We’ll see how this goes, hey?

Anyway, I figured that I want to get a few trades signed while I’m there. Here’s what I’m packing and who I want to sign it.

Annihilation Vol 1 HC – Dan Abnett, Andy Lanning, and Keith Giffen
Seven Soldiers Vol 1-4 – Everyone
Stormbreaker: The Saga of Beta Ray Bill – Oeming
Thor Visionaries Vol 1: Walt Simonson
Wildcats 3.0 vol 1 – Dustin Nguyen
Echo: Vision Quest – David Mack
Superman/Batman: Public Enemies – Ed McGuinness and Dexter Vines

I’m also taking my DS and a few novels for the trip. The Death And Life Of Superman by Roger Stern (I wonder if I can get that signed?), Green Lantern Sleeper Book One by Christopher Priest, Black Girl Lost by Donald Goines (not comics), No Dominion by Charlie Huston (not comics), and maybe one or two others. I do not know yet!

We shall see how this goes. Blogging may be light, depending on internet access.

Is there anything that we absolutely have to hit? This is my first con, so I kind of want to see all the cool stuff I can. I think we’re meeting up with some goons, and I’m pretty sure that I’ll make the PopCultureShock party on Saturday night. I want to pack my schedule and hang out with cool cats.

Anyone else attending?

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Dear DC Comics re: Red Arrow

February 16th, 2007 Posted by david brothers

Dear DC Comics,

Red Arrow is a stupid name.

Change it back. :colbert:

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You’re a Wonder, Woman

February 15th, 2007 Posted by david brothers

My style is “War and Peace” – your shit is just the Cliff Notes
–El-P of Company Flow, “Definitive”

Thomas Wilde hit me with this term some years ago. “Nerd blind spots.”

Nerd blind spots are those things that you’re an inordinately big fan of, which leads to being more willing to try anything involving those things. An example is the guy who went to see each Star Wars prequel movie in the theater and had high hopes that “Maybe it’ll be good this time.” It leads to a furher loss of objectivity in an already completely subjective realm, i.e., opinions.

I’ve got a few nerd blind spots. The Jim Lee-era X-Men is one, to be certain. I’d love to own all of that in trades. Spider-Man is probably my biggest, as I’ll pretty much read something that guest-stars Spidey unless I know that it’ll 100% suck. In the same sense, though, I enjoy Spidey so much that I have this idea built up in my head of what Spider-Man should be, so I can be quite critical of Spider-books. I dropped Amazing Spidey when Mike Deodato came onto it, mostly because he was completely inappropriate for the book. Millar’s Spider-Man run sacrificed characterization for plot and turned out to be a fake Hush. That kind of thing.

A lot of people have these nerd blind spots, be it for characters, themes (noir, how I love thee), or creators. These aren’t bad things at all, I figure. If you enjoy a book, that is all that matters. Everyone needs, if not obsessions, at least pointed interests.

This ties in, at least a little bit, with something I’ve thought over before. What’re your definitive versions of characters? I don’t mean stories, necessarily, but the way they are drawn. Who’s Superman, for example, do you think of when someone says “Superman?” Who has put an indelible stamp on that character?

Definitive tends to imply that there is only one version, but that isn’t quite right. Spider-Man/Peter Parker takes a bunch of different forms for me. Jazzy John Romita’s cool version from back in the day is on the list, as well as Jumpin’ John Romita Jr’s recent look for the webslinger during his run on Amazing with JMS. Another notable is Humberto Ramos, who draws pretty much the perfect “big foot”-style Spidey, and Mark Bagley is another big gun. Those are the four people I think of when I think “Spidey.” Todd McFarlane used to be on the list, since he was really part of my first exposure to Spidey, but he’s been crazy out-paced. he still draws the best webs, though.

Daredevil, oddly, isn’t Frank Miller’s version. It’s Alex Maleev’s. Maleev made that book his own, and his noir stylings were pitch perfect. The X-Men are Jim Lee’s, through and through. More specifically, X-Men #1-era Jim Lee. His people looked like heroes. They were all strong, attractive, rugged, and powerful.

Superman is Ed McGuinness’s version, no question. Not even Frank Quitely could top it, despite the fact that All-Star Supes is a quality book. McGuinness brings a kind of pop comics exuberance to the character that I just love. He’s big, he’s burly, and he’s happy.

This ties right into my next point– Wonder Woman. This part of the post is due almost directly to Loren Javier’s post and the ensuing comments thread here.
Read the rest of this entry �

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Deadshot’s Tophat and Other Beginnings: Cab to Cat

February 6th, 2007 Posted by Gavok

Welcome to the fifth installment. Took me longer than expected, but a lot of these guys are big names. If you reach the end of the article, Batman will reward you with his greatest quote ever.

CABLE

New Mutants #87 (1990)

Originally, Cable appears in Uncanny X-Men #201 (1986) as a baby, but I figure it would probably make more sense to show his real introduction. The story begins with a terrorist act by a team of Stryfe’s henchmen in some facility. The only one I actually recognize is Four-Arm. After they leave, a new figure enters through a hole in the wall.

Cable tracks Stryfe’s team on their next mission, where they plan to kidnap a couple kids out of a government facility. He takes the battle to the enemies, but their numbers eventually overwhelm him. He’s left to die and the mutants get away. The issue ends with Cable in military captivity, thinking about how he went at this the wrong way. He’s going to need help.

Read the rest of this entry �

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Ruining the Moment: Volume 2

February 3rd, 2007 Posted by Gavok

Hal Jordan watched a snail crawl along the edge of a straight razor. That’s his dream. That’s his nightmare.

Hey, now. Looks like it’s time for another installment of Ruining the Moment! Let’s roll.

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Breaking news!

January 31st, 2007 Posted by david brothers

Geoff Johns to exit Teen Titans

Who is the new writer?

So now…who’s taking over?

That would be current Robin scribe Adam Beechen beginning with TEEN TITANS #47.

Some people have already seen his name solicited on upcoming issues of “Titans East” – that’s because Adam’s come on early to co-write “Titans East” with me to get a sense of the team and to set the stage for his run as I close out mine. There are going to be some shake-ups and, more importantly, you will see the beginnings of a second Titans team forming…though not necessarily what you’re expecting. Adam’s especially nailed the characters of Kid Devil and Miss Martian and he’s delved head first into the vast Titans history to soak it all up.

I’ve been a fan of Adam’s work for a long time, starting with HENCH and his stories on the JLU book, and I’m anxious to see what he does with the TEEN TITANS. I’ve already heard a few ideas on where he wants to take the team and I’m really looking forward to them.

:crossarms:

I love Beechen, and I’ve been wanting to write more about his Robin run lately. This is great news, particularly because I’ll start buying Teen Titans regularly again. The last year and half, maybe two (whenever Titans Tomorrow ended) really hasn’t been to my taste, so I let the book lapse. Titans East drew me back in due to Batgirl.

Well played, DC Comics. You trick me into talking about not buying a book and then you put a scribe I really enjoy on it. Well played, indeed.