And another New York Comic Con is in the can. Once again, I went all four days. The problem was, I had no real direction for this run. There was nothing I was especially looking forward to and a lot of stuff I used to be excited about have lost their luster. Panels went from something I’d schedule for to something I can take or leave. Hitting Artist Alley is always cool, but I’m doing the same thing with it I’ve always done. Plus I’m trying to spend less than previous years.

As someone who’s never exhibited or been part of a panel, I’ve run out of stuff to experience at NYCC. I mean, there’s that speed dating thing, but I keep forgetting to sign up for that and part of me is thankful for it. Maybe next year. This time I wanted to try something I’ve never done before on a day that wasn’t October 31st. I was going to try cosplay. Each day a different costume.

Well, not every day. About a week before the show, I was talking to Internet Superstar Chris Sims and I joked about getting a couple t-shirts made saying “I’M A DAVID BROTHERS GUY.” Chris said that I shouldn’t be joking. I should be doing. And so, I had them made just in time for the show.

Some context for the uninitiated: Paul Heyman is a staple in professional wrestling who used to run his own promotion Extreme Championship Wrestling before that went under and he became part of the WWE. He’s recognized by many as one of the top minds in the wrestling world, unless you bring finances into it. He understands talent and has a knack for good writing that shows off the strengths of performers while hiding their weaknesses. For a while, he existed on WWE TV as a manager and mouthpiece for various top-ranking bad guys (most notable being Brock Lesnar, who went on to have a successful UFC career after the fact) while behind the scenes, he was one of the head writers. He ended up being let go because he wasn’t the most agreeable with upper management.

Years later, on an episode of Raw, CM Punk was doing a storyline where he was preparing to win the WWE Championship on the same night his contract was ending with threats that he’d leave the company with the belt. During a scripted speech with ties into real life, he said, “I’ve been the best since day one when I walked into this company. And I’ve been vilified and hated since that day because Paul Heyman saw something in me that nobody else wanted to admit. That’s right, I’m a Paul Heyman guy. You know who else was a Paul Heyman guy? Brock Lesnar. And he split just like I’m splitting. But the biggest difference between me and Brock is I’m going to leave with the WWE Championship.”

About a year later, Brock Lesnar came back. Soon Heyman followed. Then they had Heyman become Punk’s manager. Anyone Heyman represented was referred to as, “a Paul Heyman guy.” Soon guys like Curtis Axel and Ryback joined the Paul Heyman Guy umbrella. T-shirts were made and while he’s a bad guy on TV, many wrestling fans wear them out of support for the man they consider to be a genius of the genre.

And that’s why Chris and I had to wear those shirts and mess with David’s head. Let me tell you, the reaction was completely and utterly worth it. The perfect mix of, “Fuck my life…” and, “Oh, you guys.”

Real talk, though. It was really great getting to see David and Chris. It’s been years since I’ve seen David in person and he’s seriously the coolest, chilliest, nicest guy. Chris is also an upstanding gentleman and was really cool by introducing me to various people, including Kieron Gillen.
Also on Thursday, I came across a vendor booth at the far end of the showroom floor. They had a bunch of stuff on sale, including the X-Statix Omnibus. That series is already something I’ve been meaning to read, but the deal made it a must-have. Normally priced at $150, they sold it for only $39. I had to lug it around with me all day because I wasn’t going to let them sell out of it without me.

On Friday, it was time for costume #1: Fred Flintstone.

Here’s me with DW Cycloptopus from Kaiju Big Battel. He’s a lot bigger on TV.

Read the rest of this entry �

21) Flash vs. Luthiac

Justice League (Unlimited) is to animation what Avengers is to film. Just this perfect chain of world-building that escalates more and more, delivering all the while. While the first season of Unlimited was quite fantastic, it had one glaring flaw: no Flash. Wally only went as far as showing up a couple times with no lines in group shots. It wasn’t until the following season that he even got to do anything.

Everybody stopped being mad about that after the episode “Divided We Fall”, where the core members of the Justice League are taken apart by the hybrid of Lex Luthor and Brainiac. The villain prepares to kill off Flash, a prophecy set up throughout the season. Flash – the comic relief of the team – frees himself and runs off scared.

…or does he?

I don’t even care about anything after he vanishes. It’s the limit-breaking beatdown that I go back to. The beautiful way the score starts to creep in the moment he hits his first surprise punch. The way Luthor seems so taken aback that he doesn’t even try to come up with any plan, which, if you look at it, means that Luthor’s idea of merging with Brainiac is their undoing, since Brainiac wouldn’t have been so distracted by ego. Flash is someone who’s been ignored from episodes because he’s so hard to write and they’ve even nerfed his powers so much that he had a hard time catching up to a van one time, so his existence on the cartoon is vindicated in this moment where he kicks ass with such speed that he vibrates in place, Zoom-style.

22) It’s the YETAY!

When you ask a wrestling fan about the funniest and most absurd concept in the history of the business, they’ll give you one of two answers. One is the Gobbledy Gooker, a much-hyped and mysterious giant egg that finally hatched to reveal a dancing guy in a goofy turkey suit. Then there’s the Shockmaster, a complete failure of a segment where a new wrestler meant to be the next big thing proceeded to trip on live TV, knocking off his mask and causing the entire scene (as well as his career following) to fall apart.

For me, nothing is as gleefully silly as the Yeti.

The Yeti was born from a storyline involving Hulk Hogan and Randy Savage against the Dungeon of Doom, no doubt the silliest of all major factions in wrestling history. It was made up of an old, fat man barking orders at his “son” Kevin Sullivan and a collection of henchmen wrestlers, all goofy as all get out. The whole thing is such a clusterfuck that I’m going to bypass most of it, but the main conflict is Hogan vs. the Dungeon’s biggest and newest threat, the Giant. The Giant is billed as being Andre the Giant’s son, wanting to avenge his father against Hogan. On an episode of Nitro leading up to their big PPV match at Halloween Havoc, they show a huge block of ice. Kevin Sullivan refers to the figure inside as the Yeti, only he insists on pronouncing it “Yeh-tay”.

At the end of the final show before the PPV, Hogan fights off the Giant in the ring and some crazy lights start going off. The crowd is excited and with only a second of airtime left, the ice on the stage explodes to reveal… a seven-foot-tall guy dressed as a mummy.

And if that doesn’t tell you to purchase the PPV, I don’t know what does.

The match itself continued its clusterfuck ways and by the end, Randy Savage and Lex Luger come to Hogan’s rescue. Soon after, the Yeti follows, accompanied by Tony Schiavone on commentary screaming, “And the YETAAAAY!” Yes, even he’s insisting that not only is this giant mummy a yeti, but it’s pronounced exactly the way Sullivan insisted. Somehow, it’s that little detail that acts as the lynchpin to why this is so wonderfully ridiculous. Hell, they’re so focused on the YETAY! that it’s a footnote that Luger has already turned on Hogan and Savage in the ring. During this beating, the Yeti and Giant bearhug Hogan from each side and Yeti moves his hips back and forth in a way that makes him look like he’s raping Hogan. When he isn’t attacking anyone, he wanders the ring with his arms out like Frankenstein. Despite being in the ring for only two minutes, his bandages have already torn a bunch and we can see plenty of his skin, showing how flimsy a concept the mummy wrestler idea was to begin with.

As far as I know, there was no follow-up to Yeti fighting Hogan. Instead, he faded rather oddly into obscurity with no fanfare. First he started dressing like a ninja instead of a mummy. Then he kept that look and changed his name to Super Giant Ninja. He immediately lost to the One Man Gang and was repackaged for another day.

YETAY!

Read the rest of this entry �

Tonight we have what I guess would be considered the WWE’s third most important show of the year, Summerslam. I mean, on paper, it’s supposed to be the secondary Wrestlemania, but everyone and their imaginary friend loves Royal Rumble more. I look forward to the show despite the roadblocks it sets up. There are only six matches signed. One of these matches is a throwaway Divas match I couldn’t care less about. One of the championship matches is Rey Mysterio vs. Kane and while I love Kane and don’t mind Mysterio, I don’t need to be reminded of their abysmal, “Is he alive or is he dead?” feud.

So why am I so jazzed about the show? Team WWE vs. the Nexus in an elimination tag match. The Nexus has been one of the better wrestling storylines in past years, despite its own set of roadblocks (Daniel Bryan/Bryan Danielson being fired, Wade Barrett’s visa problems, Ricky Steamboat’s injury). I can only hope the storyline doesn’t get killed as of the end of Summerslam, yet at the same time, I don’t want them to last long enough to get destroyed by a returning Triple H. God, I really don’t want to see Triple H involved with this in any way.

For those new to the big main event, here it is laid out DC Comics style.

(click for bigger version)

Let’s see who we got on here…

Read the rest of this entry �

This time, I’ve sadly been left high and dry by my 4th Letter comrades. Feh. Guess I’ll have to take care of this week myself. Maybe they won’t have anything to add to my weekly segment, but I’ll have something to add to their little podcast tomorrow, just you wait and see.

Adventure Comics #4
Geoff Johns, Sterling Gates and Jerry Ordway

The Authority: The Lost Year #3
Grant Morrison, Keith Giffen and Darick Robertson

Read the rest of this entry �

Can you believe Infinite Crisis only ended a little over two years ago? It feels so much longer. At the time, it was an exciting time to read DC. A lot was going down, 52 was on the horizon, One Year Later was starting up, among other things. The miniseries did come off as a letdown, but considering how hyped it was, how could it be anything but? By the time the seventh issue landed, with its rushed art to meet the deadline, I couldn’t be happier to be done with this whole storyline.

Sometime after, author Greg Cox wrote a novelization of Infinite Crisis. Such an odd concept, isn’t it? A novelization of a comic book? It’s like the literary version of hearing a country singer covering a rock group’s hit song. I guess I shouldn’t talk, since years back, before I was even into comics in the first place, I read the novelization of Knightfall. Plus there’s the whole movie novelization thing I do for the sake of getting site hits.

I didn’t read Cox’s take on Infinite Crisis, but through chance, I discovered an interesting piece relating to it. A company called Graphic Audio had done a book on CD version of his take. That’s right, an audio book based on a book based on a graphic novel. What an insane concept. Too curious, I ordered the two sets and spent a couple weeks listening through them. Yes, weeks. The entire story is told with twelve discs over the course of thirteen hours. Thirteen hours to tell the story of seven issues.

Well, that’s not fair. It’s more than just the seven issues. Cox chose to cherry-pick tie-in issues to help pad out the story to differing success. This includes the end of Crisis of Conscience where Superboy Prime attacks Martian Manhunter, the Spectre vs. Shazam fight from the end of Day of Vengeance, the part of Gotham Central where Crispus Allen got killed, an issue of Aquaman and parts of the Rann/Thanagar War Special.

Read the rest of this entry �

The weekend of chunky guys dressed like Colossus and hot women dressed as Slave Leia has come to an end. I myself had a great time, spent with hermanos from this very site and a whole bunch of guys from Funnybook Babylon. Sadly, Thomas “Wanderer” Wilde deemed himself “too broke” to consider joining us and Hoatzin would have probably involved a gigantic plane ticket paid in rare diamonds, since he’s from Europe. I don’t know. I really have no grasp on how that type of thing works. Besides, Hoatzin seems to have vanished from our planet. What happened to that guy?

This one movie sent the other movie into space.

Day One

Last year I got to New York the day before the con started, which allowed me enough rest and whatnot. This year I had to come in the first day of the event and kill time until David Uzumeri came in from Canada, since he was in charge of dealing with the hotel. I walked straight from the Port Authority bus terminal to the Javits Center, which tired me the hell out.

After getting my swanktastical press pass, I met up with hermanos and Joseph of FBB. They were at a panel starting up that was a screening for a new Will Eisner documentary. Since I was tired from all that walking, I decided to stick around and watch it. I found it interesting in the sense that I honestly didn’t know all that much about Eisner, which is almost a sin if you’re a comic fan. The four of us (David U. showed up towards the end) mostly agreed that while it had some fantastic stuff in there, such as taped conversations between Eisner and guys like Kirby, the sum of it was incredibly dry.

Shortly after, we went to the panel on online journalism, with guys from Newsarama and CBR there. It wasn’t as good as the comic blogging panel from last year and mostly focused on arguing over criticism vs. getting press releases. Once that was done with, I was rested up enough to do some wandering.

Read the rest of this entry �

From Geoff Johns’s forum:

First things first, I haven’t done any of the fill-ins because, beyond JSoA and GREEN LANTERN, I’ve leaped ahead on ACTION COMICS and am already working on the last half of 2007 and into 2008. Kurt and I are totally in sync and have laid out the plans for 2007 and 2008 and it’s always a pleasure to work with him in the same Superman-verse.

Much like WONDER WOMAN, the last chapter of LAST SON will be in ACTION COMICS ANNUAL #11 later this year when Adam’s finished with it. This, quite frankly, allows us to move ahead and get our work on Action Comics coming out monthly with the stories we want to tell.

Donner and I resume our Action run with Eric Powell’s three issue arc “ESCAPE FROM BIZARRO WORLD” which we’re already working on. I’ve seen the first several pages and Eric is doing fantastic work.

I’ve really been enjoying Action Comics, so it’s nice to see that Last Son will finish and we’ll get some Eric Powell books this year.

However, DC has thoroughly botched two launches through late creators: Action Comics and Wonder Woman.

Last Son was supposed to be six issues long. It was supposed to end this month, or maybe last month. We have seen three parts of it. The bad part is that Last Son was good and supposed to be monthly. I’m sure that the trade will be wonderful.

Wonder Woman is going to have five writers over 13 issues. Allan Heinberg, Will Pfeifer, Jodi Picoult, J. Torres, and Gail Simone. Gail is definitely an improvement, but to be quite honest I don’t know that she’s enough of an improvement. Her latest work has left me kind of unimpressed. I mean, a Barney joke in Gen13? What?

Anyway, this is a textbook example of how to screw up a big-time relaunch.

Small wonder that Marvel is beating the pants off DC in numbers. Eight out of the top ten books are Marvel, with only JLA #6 charting for DC at #6.

Something’s gotta change. DC isn’t working and OYL turned out to be a non-starter.

Have you guys read the new Marvel and DC solicits? I love comics, but those things are a bore and a half. It’s like they don’t even want you to read their books.

It’s cool, though. Here are the ones that are new and good and interesting. Jumping-on points only here, with one exception, perhaps. My pithy and vitally important commentary is in italics.

DC Comics is first since Marvel is better!

BATMAN #667
Written by Grant Morrison
Art and cover by J.H. Williams III
The Batmen of All Nations reunite for a weekend of fine food and nostalgia, but an unexpected visitor has other plans for the gathering. Batman, Robin, and the rest of the Club of Heroes find themselves trapped and at the mercy of a dangerous madman on the Island of Mister Mayhew!
This is why I read Grant Morrison. Mad ideas that sound completely goofy. He’s Silver Age with a Modern Age sensibility. Plus, I hope the sweet Knight and Squire from JLA Classified 1-3 shows up.

ROBIN #163
Written by Adam Beechen
Art by Freddie E. Williams II
Cover by Patrick Gleason & Wayne Faucher
It’s Tim Drake’s first Father’s Day as Bruce Wayne’s adopted son, and he wants everything to be just right. Unfortunately, the justice-crazed supervillains known as The Jury pick that very day to go on a murder spree in Gotham City!
This is a great idea for a story. The “family” part of Bat-family doesn’t get looked at often enough. “The Jury,” though, conjures up images of a certain ’90s anti-Venom team.

BATMAN: HARLEY & IVY TP
Written by Paul Dini and Judd Winick
Art by Bruce Timm, Joe Chiodo and others
Cover by Timm
Paul Dini and Bruce Timm -two of the masterminds behind Batman: The Animated Series – join forces in this volume collecting the miniseries BATMAN: HARLEY AND IVY! Also included is the special: HARLEY AND IVY: LOVE ON THE LAM by Judd Winick and Joe Chiodo, plus a newly-colored story rom BATMAN BLACK AND WHITE VOL. 2!
It’s Harley Quinn, so shut up and buy it.
Read the rest of this entry �

Sorry for being a week late. The holidays drained me faster than a three-way with Rogue and Parasite. …Please pretend I didn’t just say that.

THE BEYONDER

Secret Wars II #1 (1985)

We start out with another iffy entry. The Beyonder was present during the first Secret Wars. That’s obvious. It’s just that at no point did he actually appear. That didn’t happen until the horrifying sequel. We know him for his silly disco outfit, but that wasn’t what he originally showed up in.

I like it. We see him talking with the Molecule Man, who tries to explain things to him in a way that is admirably calm and casual. Molecule Man and Volcana send Beyonder on his way as he takes a more subtle form on his quest for experience. This form is of Molecule Man himself. He proceeds to turn a desk into apples, turns a fat television writer into a super-villain and then turns invisible and follows Captain America around for the hell of it.

Read the rest of this entry �

That’s a damned good question, Michael. First appearing in the pages of 52 Week 8, Supernova’s since been a mystery. Where does he come from? What exactly are his powers? What is his role in the grand scheme of things? And just who is this guy?

First, let’s take a look at Supernova’s various appearances up to this point:

Week 8: Over the course of several days, we see the first appearances of this red, white and blue stranger. On Day 3, he appears before an old woman and her grandchild, glows real bright and brings them across the street before they can be crushed by a falling monorail. The next day, he appears among firemen who are about to get crushed by falling debris. Glowing brightly once more, the new hero makes the debris vanish. The next day we get reports of him cleanly shearing a gunman’s rifle in half, as well as saving one woman’s daughter from a riptide. Booster Gold, whose image has just been destroyed a week earlier, rants about this new character in front of one Clark Kent.

Week 10: Clark Kent, having just been fired at the Daily Planet, sees Supernova flying around the city. With sudden inspiration, he hops out the window and freefalls. Supernova swiftly catches him, assures him of his safety and asks if he’s okay. Clark pulls out a tape recorder and asks for an interview. As Clark later explains to Lois, they didn’t get too far before seeing Bahdnesian terrorists stealing a military all-terrain vehicle. Supernova puts down Clark and uses his glowing power (which Clark describes as “peculiar eyebeams”) to take away the pavement under the vehicle, locking it into the ground. Supernova poses and answers a couple questions from Clark, trying hard to conceal himself. He sees a child almost walk into the hole in the ground, teleports in a bright light and appears in front of the child. The way he responds to the boy shows that he has some semblance of a personality under the mask. Clark tells Lois that he believes that Supernova’s on the level and that he has an air of experience about him. Elsewhere, Booster is growing more and more frustrated, while Skeets admits that even he doesn’t know who Supernova is from his historical files.

Week 15: The big one. Booster takes on a giant sea monster in the middle of Metropolis. He fails pretty badly, including a bit where he causes a massive power outage. Supernova flies in, soars to the monster and with a bright blast, zaps him away. Supernova offers his hand to Booster and makes a comment about Booster not caring about the people he saves. Noticeable frown under the mask. Booster snaps and tackles Supernova. The two brawl, showing that Supernova is at least strong enough to trade fists with Booster. Supernova’s only use of powers are to momentarily blind Booster. Supernova highly disapproves of Booster, saying he’s too pathetic to be considered a joke. Skeets mentions a radiation leakage. Supernova wants to stop it, but Booster sucker-punches him and tries to stop it himself. Beaming at his return to greatness, Booster saves everyone, but is engulfed in an explosion. Supernova, shocked, flies upwards and catches Booster’s body. To the horror of Clark and the noticeable surprise of Skeets, Booster Gold is just a skeleton in futuristic tights.

It’s worth noting that there were two alternate endings to this issue. In one ending, Booster turns to dust upon landing in Supernova’s arms. In the other, there is no radiation leakage. Supernova tries to teleport Booster back a few feet. At the same time, Booster turns on his force field. The result causes Booster to be cut in half. A horrified Supernova swears he didn’t mean for it to happen and Clark Kent believes him. Supernova covers one half of Booster with his cape while Clark uses his jacket on the other half.

Read the rest of this entry �