“While on Madripoor’s wharf, Venom has a Zen moment: If the fish aren’t biting, then it is time to bite the fish! Confucius he is not.” — Marvel Swimsuit Special: Mad for Madripoor

Venom’s run as an anti-hero with his own solo series lasted a full five years. Unfortunately, we’re at the point where he only has three months left in that five year tenure. Yes, I’m afraid it’s time for Venom to be cancelled. Why? I can think of at least two reasons.

First off, I have to imagine sales were in the crapper. This is due to a variety of things. The comic industry as a whole was feeling the backlash of the 90’s collector boom and almost deep-sixed completely. Spider-Man’s Clone Saga had a horrible stigma to it that I’m sure turned people away from the arachnid side of the Marvel universe. Then there’s personal experience. Now, I stopped reading comics by this point, but just from these articles I can tell nobody was buying these. None of the comments in these articles have anyone talking about how they read the entire run. At most, people recall reading 2-3 different Venom arcs, but that’s it.

The second reason for its cancellation is definitely the rubber banding of the Spider-Man-related comics. Clone Saga was originally intended to fix Peter Parker and make him the fun-loving wise-cracker like he used to be instead of the depressing psycho he had become. Three years later, it was a resounding disaster that Marvel wanted to wash their hands of. In their opinion, the best way to do this would be to set a lot of things back to the classic depiction. Sandman was a villain again. Norman Osborn wasn’t really dead after all. The Aunt May who died was really an actress hired by Osborn. Peter and MJ’s baby was kidnapped under the guise of a miscarriage. Doctor Octopus was resurrected by the Hand. Of course, Venom would have to be pushed back into being primarily Spider-Man’s arch-nemesis.

I think that last part shows how messed up the Clone Saga was. Green Goblin, Doc Ock and Venom are considered to be his Big Three in terms of villains. Look at where they all were during that era: Venom? Good guy. Octopus? Dead. Green Goblin? Dead, dead, dead and good guy. All he had to fall back on were Carnage, Jackal and Doc Ock with boobs. Poor guy.

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When I was little… my father was famous. He was the greatest samurai in the empire, and he was the Shogun’s decapitator. He cut off the heads of a hundred and thirty-one lords.

It was a bad time for the empire.

The Shogun just stayed inside his castle and he never came out. People said his brain was infected by devils. My father would come home and he would forget about the killings. He wasn’t scared of the Shogun, but the Shogun was scared of him. Maybe that was the problem.

Then, one night, the Shogun sent his ninja spies to our house. They were supposed to kill my father… but they didn’t.

That was the night everything changed.

-GZA, “Liquid Swords” from the album “Liquid Swords”

I didn’t come to Lone Wolf & Cub through the First Comics run, which had covers by Frank Miller. I never read the original manga, saw the subtitled films, or even saw Shogun Assassin. No, my introduction to Lone Wolf & Cub came via a series of skits on GZA’s classic rap album Liquid Swords.

The first track on the album began with the text quoted above, and it was one of the most amazing things I ever heard as a kid. My cousin Franchesca and I would play the tape over and over, but particularly that part. We even had the whole quote memorized, from the “sam-rai” to the “devils” to the screams of the mother between the last two lines. The tape may have popped at some point, I’m not sure. But we played it a lot.

There are a few other skits from the film scattered throughout the album. The most notable among them is the “Come boy… choose life or death” from the beginning of 4th Chamber, a Wu-Tang classic among classics. I don’t know if this is true for my cousin or not, but Liquid Swords was elevated above even the usual fantasizing that rap brings along with it. Yeah, being from a place called Shaolin would be awesome, and so would the kung fu aesthetic that the first few Wu albums were filtered through. The Lone Wolf & Cub, or Shogun Assassin, quotes took it to the next level. I knew nothing about LW&C but what this album said, which wasn’t a lot. It was just enough to catch my interest and force my imagination to fill in the blanks.

Years later, when I actually found out about Lone Wolf & Cub and watch Shogun Assassin, I was pleased to see that it wasn’t too different from what I’d imagined it was as a pre-teen. Sure, Ogami Itto looks pretty homeless and unkempt to be a formerly famous samurai, and Daigoro is barely a toddler rather than the young kid of about my age I’d imagined him to be, but the concept is strong and has legs.
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Hunter.

I’m a huge fan of Darwyn Cooke, which should come as no surprise to anyone who reads 4l!. I’m also a big fan of Payback’s Straight Up Director’s Cut, one of the few Mel Gibson movies I still watch on purpose. I first saw it when I was a kid and enjoyed it, but the new cut makes it more true, in tone at least, to Richard Stark/Donald Westlake‘s The Hunter. This series is about an unrepentant criminal getting into situations that sometimes involve evil actions to get out of, which basically makes it right up my alley as far as story concepts go.

So, what’s all this got to do with Darwyn Cooke? I’m a fan of a lot of things, but rarely do things that I’m a big fan of intersect like they are going to when Darwyn Cooke draws an adaptation of Richard Stark’s The Hunter. That link contains a link to the preview, which is a downloadable PDF.

What I’m trying to say is that you need to read this, or else you’ll hate yourself forever. The release date can’t come fast enough.

It’s been an interesting week for Dr. Doom. Wait, let me rephrase that: Dr. Doom has been a total jerk this week! Yes, I know being a jerk is his thing, but he’s gone the extra mile lately. In Dark Avengers, he’s rude to Osborn and his henchmen for saving his life. In Dr. Doom and the Masters of Evil, not only does he double-cross Magneto, but the entire miniseries is reasoning to make Doom even more of an asshole. Then you have Dark Reign: The Cabal. In one segment, he burns alive two of his servants just to make sure Loki is who she says she is.

Plus there’s the first segment, written by Jonathan Hickman and Adi Granov. I thought it was a cool segment (I love Granov-drawn Venom), but… I just didn’t think they went far enough. So I went back and fixed it up. The first page is untouched, but I’d like to think that the rest of it is an improvement.

Interesting that Doom thinks that Noh-Varr and Ares won’t stand for Osborn’s shit for too long. Plus I guess we’re getting the Spider-Man movie Goblin armor in comic form once Osborn gets tired of being Iron Patriot.

Back in the day, hermanos used to have all those cool “4th Letter is for…” graphics. Hm… his name does start with D. Yeah, let’s do it.

Neat!

10) Separate Ways
Cable/Deadpool #42 (2007)
Writer: Fabian Nicieza

Cable’s “death” in the comics was oddly done. It took place in X-Men #200 with this Cable/Deadpool issue acting like deleted scenes. Deadpool doesn’t even get a cameo in the big X-Men issue. No respect.

Having just done away with Sabretooth and having smoothed over things with Deadpool for the umpteenth time in their relationship, Cable explains that he needs to destroy the island and destroy all the future-related information in his computers. Deadpool volunteers to find where Cable keeps the backup of that information so he can help take care of it. Right before Deadpool can take off, Cable stops him.

Cable walks through the wreckage of his island paradise and thinks, “Thank you. I’m proud of you. Goodbye.”

I couldn’t imagine a better final moment between the two.

With Cable fighting Gambit and Sunfire, Deadpool is off to find that computer backup while taking on the Acolyte Senyaka. Cable is on the losing end of his fight and thinks about the concepts of sacrifice. Before the island can explode, he makes sure to teleport Deadpool off the island and back to his apartment.

“You sacrifice yourself to keep your dream from being corrupted. But most of all… you do it for the people in your life who matter the most…”

Back in his apartment, the layout is similar to the opening scenes of Cable/Deadpool #1. Deadpool immediately destroys Cable’s computer backup, looks out the window and says, “I wasn’t worth it…”

He turns on the TV to see news of Providence exploding, validating that Cable’s out of the picture. Going from sad to serious, Deadpool ends the issue promising, “…and I won’t let you down…”

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You ever heard of that Mugen thing? It’s a program to make your own fighting game characters. While some people will just use it to make the usual Street Fighter vs. Mortal Kombat type of stuff using graphics and sprites that already exist, there are some people out there who go the extra mile and make an entire character from scratch. One such character is Deadpool, made to fit into the Marvel vs. Capcom style. Check out this video of him in use. Also, he has plenty of special intro animations.

The Bob/ninjas special move is inspired.

20) Telling off T-Ray
Deadpool #33 (1999)
Writer: Joe Kelly

With Joe Kelly’s run reaching the end, we’re given the big showdown between Deadpool and T-Ray. Using some magic mumbo jumbo, T-Ray is able to show his true past to Deadpool and Mercedes Wilson. T-Ray is the real Wade Wilson and made the mistake of saving the life of a no-good mercenary named Jack. Jack killed Wade in an attempt to take his identity and accidentally got Mercedes killed in the process. He went crazy and believed himself to be Wade Wilson.

T-Ray uses this revelation to show Deadpool how evil he truly is. He resurrected his wife as part of his plan to tear at Deadpool’s soul and make him suffer with guilt. Then he shows Deadpool all the people he’s ever killed. In one nice spread, we see a crowd of thousands, with many easy to recognize if you’ve been paying attention to his comic appearances. The absolute scale of what he’s done cripples Deadpool and causes him to question his own actions. T-Ray taunts Deadpool, asking him how it feels to see his whole attempt to redeem himself shattered by the knowledge that he never had any redeeming qualities in his past to begin with.

Deadpool then… starts laughing. He laughs hard. T-Ray is beside himself. How could he possibly react to his masterstroke with laughter? Wiping the tears from his eyes, Deadpool explains himself. Sure, T-Ray came close to breaking him, but then he had a moment of clarity about squirrels and coconuts.

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Welp. Thirty more to go. Let’s do this!

30) Submissive Blind Al
Deadpool #15-17 (1998)
Writer: Joe Kelly

Deadpool’s relationship with Blind Al is completely weird, but it goes from being wacky on the outside to disturbing on the inside. Despite being Deadpool’s prisoner and a victim of plenty of abuse, we see the Wade/Al dynamic as little more than slapstick. It’s shown to be so cartoony that we aren’t even supposed to care that Deadpool – for whatever impaired reason – has an old woman held in his house against her will.

The seriousness doesn’t truly show itself until Deadpool’s breakdown, which as some of you can figure, is going to be popping up later on the list. The short of it is that Deadpool did some horrible stuff to Blind Al and we got a better scope of the dark history of their relationship. After a couple issues, Deadpool gets over what he’s done and tries to sweep it under the rug, much like he handles many of his mistakes, but Blind Al won’t let him.

Deadpool comes home from his latest meeting with LL&L, high off of his good guy potential, only to find that Al has cooked and cleaned. She closes the door to her room, saying nothing more than, “Good night… master.” Deadpool remembers how much of a tool he’s been.

He tries what he can to get a rise out of her and maybe get her to joke around like they used to, but all she does is act completely submissive to everything he says. She acts like his servant and refers to him as the master and herself as the prisoner. He knows he has to apologize, but like the Fonz, he just can’t bring himself to saying he was wrong.

Jayce Russel also loved this whole bit.

The entire situation with Blind Al is just full of awesome bits, but issue #17, the scene that starts with, “Will you shut up and talk back to me already?!,” and the two pages that follow of Blind Al beginning her elaborate plan to attack Deadpool with kindness kills my ass. The neatly hung Deadpool outfits, the alphabetized ammunition, the grating way she drops “master” in constantly, they’re all the slap in the face that Pool spent the whole series working his way towards. I honestly might prefer Al to DP, and this is one of those moments that explain it. The way an old blind lady gets under the skin of one of the world’s best mercenaries is well-written, amusing and, maybe most of all, kinda tugs at the heart. She obviously thinks somewhat fondly of Deadpool, or she’d not bother with trying to save him, and watching him stubbornly trudge past all hope for redemption until almost the bitter end? Now that’s a motherfucker.

When Deadpool receives Montgomery’s predictions on the future, he’s seemingly inspired to do the right thing. Al hears Deadpool hammering on a wall and finds that he’s been boarding up the Box – the room he’d use to torture Al – and that he genuinely is sorry for what he’s put her through lately. She snaps out of her ruse and embraces him, saying that this is a good start towards forgiveness. Deadpool tries to grant her freedom from this life he’s forced her into, but he’s cut off when Ajax teleports him away.

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Eh. I couldn’t resist.

40) Siryn Stays
Deadpool #5 (1997)
Writer: Joe Kelly

Deadpool’s healing factor has been on the fritz, and he’s offered help from a strange source in Dr. Killbrew. Killbrew is the sadistic scientist who tortured Wade and gave him his powers in the first place, but now he’s a guilt-ridden old man who wants to make things right. Deadpool really wants to tear him apart, but two things are stopping him. One, the cure for his ailing healing factor and two, Siryn is in his company for the adventure.

After a run-in with the Hulk, Deadpool has a blood sample that’s able to pump him back up to working condition. Behind Siryn’s back, he tries to murder Killbrew. Killbrew is only slightly reluctant, but accepts that he deserves this. Before Deadpool can end it for him, Siryn breaks the door down with her voice. She’s furious at Deadpool and stands in front of Killbrew to protect him.

The two argue back and forth, with Deadpool continuingly demanding Siryn leaves the room so he can do this. She flat out refuses, making him freak out. He doesn’t want to show this part of himself in front of her, but he’s being given no choice. Siryn demands to see proof that Deadpool’s inner animal wins out over the good man she knows he can be and lets it slip that she’s known for a while that Deadpool’s been creepily watching over her when she sleeps and feels safe because of it. She promises she’ll be there for him, allowing Deadpool to feel mercy for once in his life. He tells Killbrew to get the hell out of there ASAP and to thank Siryn for being able to keep his pulse.

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Based on one of the comments in an earlier article, I should probably mention that despite Deadpool being awesome in other forms of media (some of them, at least), I’m only counting comic book stuff for this countdown.

Sorry, no inclusions of the time in Ultimate Alliance where he talks to Weasel about the time he stabbed him in the leg for taking the last cheese puff. Or the conversation where he tries to convince Black Bolt to say “spatula”.

This also means no inclusions of animated Deadpool shooting Hulk and Wolverine with a crapload of tranquilizer darts before saying, “Hey, Logan! It’s me, Deadpool! I shot youuuuu!” Which is a shame in of itself because Hulk vs. Wolverine is such a brilliant depiction of the mouthed merc.

50) Rock ‘n’ Roll!
Identity Disc #2 (2004)
Writer: Rob Rodi

For those who haven’t heard of it, Identity Disc is a miniseries from a few years back that is essentially what happened when a writer decided to take The Usual Suspects and rewrite it with six supervillains. Five of the villains are interesting characters and help sell the series, but the other one sucks and is somehow the main character. Hint: I’m talking about Vulture.

Deadpool is part of this group in search for the Identity Disc, which has the identities of every superhero. In one scene, he hangs out with Bullseye, waiting to strike a facility and steal a skeleton key device. The two talk about what the Kaiser Soze knockoff of a villain has on them to make them play ball. For Deadpool, he’ll get information on where his ex-wife is. I don’t even think they meant Mercedes from the Kelly run, which makes it more of a continuity clusterfuck. For Bullseye, he’s tried working both sides of a gang war and it’s blown up in his face. If he does his job here, the slate will be wiped clean.

Finally, it hits nightfall and after all that waiting, they can finally get to business. Bullseye says, “Time to rock ‘n’ roll,” as the two sneak around the building. After all the lead-up, all that happens is Bulleye knocks a security guard out by flicking a piece of gravel onto his forehead and then finds the safe and gets the prize. Deadpool is angry over the complete lack of action and the fact that he wasn’t even needed to begin with.

To make up for it…

And there it is. The only scene from Identity Disc you’ll see on the list.

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