You know those Marvel cartoons from the 60’s with the really awful animation and stills taken from the comics themselves? A guy by the name cyphrx took this style and made his own Avengers parody, based on what he considers the aftermath of the very first issue.
Enjoy the Newer Mightier Ultimater Avengers, but be warned, it does feature bad language and blurred out Hulk dong.
A year ago, I bought, read and reviewed Peter David’s novelization of Spider-Man 3. I thought it was pretty good and went on record to say that Sam Raimi would have to go out of his way to fuck up that movie. Wouldn’t you know it, he did exactly that. He deleted a handful of scenes that would have turned the movie’s three villains into more than ridiculous, one-dimensional jokes. While he removed all the valuable Eddie Brock and Sandman scenes, he made it even worse by hardly shaving off any whiny Mary Jane moments.
I made the decision to go for round two. This time Peter David writes a novelization based on the upcoming Iron Man film. More than anything, I was curious. The build-up has been nice. Not just with the trailers, but the feeling that there’s love in the movie. I recall Jon Favreau saying that in preparation, he had been reading every single issue of Iron Man from the 60’s on. So would love be enough to make this story work?
Yes. Yes it really would.
I’m not going to give out explicit spoilers, but if you really want an absolute blank slate to the point that you didn’t even watch the trailers, by all means don’t read this and instead just give me $5.
With hermanos becoming the senior editor at PopCultureShock, it was only natural that I’d tag along. Now, as it turns out, the last three days have featured me in some fashion.
For Wednesday, it’s me doing an article for Alternate Current, the weekly thing where a guest blogger writes about whatever. Here, I discuss the five What If comics that came out over the past months, which will be available next month in trade form. Really strong year for those. If you’re by any chance interested in doing an Alternate Current article, contact hermanos.
For Thursday, it’s the very first installment of Comics From the 5th Dimension! That’s right, I now have my own weekly column, where I discuss the stranger corners of the comic universe. Read on as this week I discuss The Adventures of JELL-O Man and Wobbly, a really wacky comic written in part by Peter David and Kurt Busiek. Plus it has a Sonic the Hedgehog preview insert as a bonus mini-review.
Keep in mind that hermanos wrote that front-page headline for it. I saw that and was like, “JELL-O Man was before Bill Cosby? What? No!”
And for Friday, I sit in for another installment of Picks and Pans. Along with four other reviewers, I take a look at a handful of stuff that came out this week. For me, I went with Immortal Iron Fist, Invincible, Wolverine: Origins and Incredible Hercules.
So go and read if you’re up for it and join me every Thursday for another go at Comics From the 5th Dimension. Believe me, I have like a year’s worth of material already.
Earlier tonight I was in the middle of a conversation about how many Cable archetypes there are in comics and this little idea clicked in my head. It’s silly, but I can’t shake the need to at least give it a mention.
DC has been playing around with Kingdom Come a lot lately. I haven’t been reading Justice Society of America, but I know Starman is from that reality and they’ve been using a good amount of heroes and villains from that story since the new volume started up. Most notably KC Superman and Gog from Kingdom. Geoff Johns writes JSA and is also a co-writer of Booster Gold.
Recently, Booster Gold introduced the title character’s father. He never showed up in Booster’s old series, including his issue of Secret Origins, but I suppose something was suspect about his lack of appearance mixed with Booster choosing never to bring him up. Now he’s in league with Per Degaton, an old school Despero, Ultra-Humanite and the mysterious Black Beetle. What they’re planning isn’t exactly known.
When he was teaming up with corrupt time-traveler Rex Hunter, Booster Sr. (I don’t recall ever seeing his name) was out to undo the destinies of the Justice League so that he could use time travel to his advantage and become the ultimate superhero. Think about that. He wanted Superman, Batman and all the rest out of the way so that he could be the top hero. He’s totally missing the point about what being a superhero is about and it’s set to someday blow up in his face. Sound familiar?
Not just that, but notice the short, white hair and scar going down his right eye. Seemingly based on Cable, just like another DC character.
What I’m wondering is if Geoff Johns has any intentions on somehow taking this guy…
…and having him change costumes so he can someday be this guy…
I’m not saying that this is going to happen. I’m not even certain if I want it to happen. All I’m saying is that if it does happen, I totally called it. Just throwing that out there.
Just a quick post to point out that after six months or so of forgetfulness, I’ve finally updated the site’s Table of Contents. This is good news if you want easier navigation through the Ultimate Edits and the Black History Month posts. Remember, any post accompanied by the Juggernaut is good reading. So they say.
Also, Solenna keeps updating that damn Greg Land tracer gif. Let’s give her a hand!
Seeing as how Hoatzin and hermanos have been getting so much attention for the criticism pile-on for Greg Land in light of him being the sour milk in the bowl of X-Men cereal… whoa! I’m not sure how I feel about that metaphor.
Anyway, I too have made a discovery about Mr. Land. I found an old sketch of Land’s from Ultimate Fantastic Four and noticed it looked a bit off. There’s something strangely familiar about this scene.
Maybe I’m just looking at it too hard. I don’t know.
By the way, Solenna updated her Peabody Award winning Greg Land/X-Men #500 gif. Good for her.
With Secret Invasion on the horizon, you can bet your ass that there’s been plenty of theories and speculation. Bendis has given us some major hints and claims that ideas have been there since the beginning of New Avengers. The Raft, the House of M, the Civil War, Taskmaster going back to his original costume instead of his badass hoodie ensemble, and others are all the fault of the Skrulls in one way or another.
I’m not going to spend this post going over who I think is probably a Skrull. But since you asked: Dum Dum Dugan, Spider-Woman, Hank Pym and maybe Thing and Luke Cage. Spider-Woman is still a hero despite her Skrullitiousness.
Comedian and cartoon rat Patton Oswalt mentioned having read the first three issues, thanks to being good friends with Bendis. One of the more interesting quotes in his blog entry is, “As it stands right now, someone’s holding a possible key to stopping the Skrulls, and it’s the LAST person in the Marvel Universe you’d want with that info. And no, it’s not Dr. Doom.”
Some think that this means Marvel Boy, which would make sense in a way, since Brevoort admitted to him being in the first issue. I, on the other hand, think he’s talking about the Hood. Some things to think about:
1) Not even Brother Voodoo could see through Dr. Strange’s illusion at the New Avengers secret headquarters. With his cat-eyed vision, Hood saw through it easily. Hood’s magic trumps Strange’s magic.
2) Secret Invasion is supposed to involve the Skrull gods. I believe that the creature that gives Hood his powers is one of these gods. We know nothing about it other than its appearance and the powers it gives Hood. One of these powers is making him so invisible that NOTHING can detect him. Compare that to the current crop of Skrulls who are so advanced that NOTHING can detect them either.
3) On a Skrully level, the Hood’s recent actions could work into their plans. Not only is he distracting the New Avengers, but he gets Dr. Strange to leave the team and his plan is generally about fucking with the superhero population.
4) Despite all the whining about how much Tigra got smacked around, keep in mind that it was only Hood who got to do anything to her. With witnesses. Every instance of the Hood attacking a hero could be explained away, such as Wolverine will heal, shooting Strange leads to that deus ex machina, and when he gets ready to shoot Iron Fist, Tigra shows up to stop him. The SHIELD agents, I’ll get to in a sec.
5) After his defeat at the end of New Avengers Annual #2, the Hood starts talking to someone. Possibly himself or the creature that gives him his powers. Look at his final line.
Is he really talking about the Avengers?
This leads me to ponder one of two scenarios for the Hood. First, he may be a pawn of the Skrull god and not even know it. He’s helping the invasion against his own interests.
Second, the Hood has been fucking with the Skrulls longer than we’ve known. This whole time he’s been able to see through their tricks and knows that the hero community will never work with him on this. His whole villain team-up idea is really just his own way of dealing with the Skrull threat by trying to get them to kill what he knows to be Skrull imposters. Some of those SHIELD agents were probably Skrulls, possibly covered up by other agents after they were killed.
Tigra is in on this. All those acts of humiliation was a game.
Secret Invasion is the most fun comic book guessing game since Identity Crisis. At least it’ll probably have a better payoff.
A while back, I read Jerry Lewis’ book Dean and Me: A Love Story. I never knew much about either guy, but I saw Lewis on Letterman shilling it one night and the stories he told sounded interesting enough that I picked the book up. It’s a heartbreaking story of two friends whose ten year relationship as business partners went to shit due to their own personal flaws and their individual growth as performers. A very good read. Keep in mind that you can’t hear Jerry when you read it, so that’s a plus.
Something interesting Jerry brought up is how Dean Martin was a big comic guy. He was huge into Superman, Batman and Captain Marvel. According to the book, after the first time meeting Frank Sinatra, it was meeting Bob Kane that was Dean’s most star struck moment. It was a neat thing to read about, since in those days comics really were made for kids and Dean Martin was the coolest motherfucker around.
One of the movies they made in their time as a duo was Artists and Models, a movie seemingly custom made for Dean. The very concept of it made me interested enough to want to track down the movie, but it wasn’t until recently that it was available on DVD. I finally got around to watching it and while it isn’t the best movie of the 1950’s, it’s still not bad. It’s definitely interesting to look back on, in terms of the comic-related parts.
To give you an idea, here’s the opening scene, where Eugene (Lewis) and his obsession with comics gets he and his roommate Rick (Martin) fired.
Eugene is mostly into a comic called Bat Lady. Not only does his obsession cost Rick work, but sleep as well, as Eugene’s always having these crazy dreams about a character named Vincent the Vulture and won’t stop screaming. Otherwise, Eugene really wants to write children stories and Rick wants to get work as an artist.
Two ladies take residence in their apartment building. One is Abigail (Dorothy Malone), the writer and artist of Bat Lady, and the other is Bessie (Shirley MacLaine), who works as her model. There’s a subplot where Eugene sees Bessie in full Bat Lady gear and is stoked to find out that the character is actually real, meanwhile giving little notice to Bessie when she’s out of costume. Rick first thinks comic art is a joke, but upon getting the hots for Abigail and realizing how he could easily make a fortune off of it, he quickly changes his mind.
Rick doesn’t have a single comic idea, but instead just steals from Eugene. Whenever Eugene talks in his sleep, Rick would just write down his ideas and secretly work on his own Vincent the Vulture series. It’s pretty ridiculous.
The comic book stuff is pretty funny to watch, just to see how little things have changed. Abigail’s editor keeps insisting that comics need to be more violent and that gore sells. Jerry Lewis’ portrayal of a comic-loving manchild is like a parody of something that barely exists yet. Not to mention his thing for Bat Lady cosplay. A mother blames violent comics for her child’s erratic behavior, yet blatantly shows that she is actually a really shitty parent. The movie is totally before its time.
I should also mention that at one point, Eugene claims on national TV, “Comic books have made me retarded.” I guess that term wasn’t so off-color back then, but it made me laugh.
It is very funny too, despite one really, really bad Rear Window reference. Jerry Lewis may be annoying at times, but with Dean there to play off of him, they really had great comedic chemistry.
It’s just unfortunate that sometime after the one hour mark, the movie goes off in a completely different direction. There’s a subplot out of nowhere on how the Vincent the Vulture comic includes half of a formula that the US government has been using for their rocket ships. So the secret service is trying to get to Rick and Eugene before the Russians can. Huh?!
Other than that, it’s totally worth a look. You can pick it up off Netflix, along with another one of their movies on the same disc.
Oh, and while I was getting that YouTube clip above, I came across this.
The comic of Jeph Loeb is fearful. Were the new scrapped vessel body and onslaught where the origin it changes read? Is this junk what?
Oh, sorry. I just tried venting at Jeph Loeb’s current work, only I translated it into Japanese and again back to English. It’s funny how that turned out, isn’t it?
If you recall, a few months back I posted an article that featured the comic adaptation of the Street Fighter live action movie. Sure, I had a ball with it and hopefully you enjoyed it as well, but something felt off about it. Having already seen the movie, it took out a lot of the flavor of the comic. That got me thinking.
There are a ton of comic book superhero movies out there and when you look at it, only recently have they been getting it right more often than naught. Back in the day, yes, we had stuff like Superman 2, but good movies like that were flukes. I like a bad movie as much as the next guy, but even I’ll admit that I’ve stayed away from these monstrosities for one reason or another.
Luckily, I don’t have to see these movies. Marvel and DC have almost always been kind enough to release these superhero stories the old fashion way, within the pages of a comic book. Why overpay for popcorn and sit in a cold theater when I can read about Shaq fighting crime while laying in a hammock in my back yard? I’m sure I won’t have to worry about bad acting or bad special effects.
This will be my first of several articles delving into the double-translated works of superhero movie comics.
The background of this movie confuses me a bit. From the little research I did after reading the comic, it was finished and released in the UK back in 1990, but then they did a bunch of re-shoots and edits before simply releasing it on video in the US in 1992. When I read a summary of the story for the finished version, it definitely shows that Stan wrote his comic about the initial screenplay of the film prior to the edits.
What’s that I said about Stan? Yes, I mean that Stan. The Stan. Stan Lee wrote the comic version of the movie with Bob Hall on art. This makes everything more interesting, since Stan Lee’s storytelling contrasts with anything you can imagine in a movie environment.
I was in a pretty weird mood when I came up with this, but a while back I created a thread at Something Awful’s Batman’s Shameful Secret forum about musical comic covers. The idea being, take a musical act, album title or lyric and place it on a comic book cover. It didn’t last all that long, but it was definitely fun while it lasted. Unfortunately, it got to the point where I got really sloppy and lazy for the sake of a quick joke. Like taking a solicited cover of Batman fighting Damien and adding “Sonny Came Home… WITH A VENGEANCE!” using a shitty font. Most of these are just as guilty, but I love them anyway.
