I love Ed Brubaker and I love his work with Captain America. Believe me, I really do. But am I the only one who feels kind of disinterested in Captain America Reborn? Brubaker’s run with the character has shown that mysteries with obvious answers aren’t so bad when the storytelling is excellent.

It looked like they were bringing Bucky back and, lo and behold, they did. It looked like they were going to turn Bucky into Captain America and, low and behold, they did. The stories were obvious based on the hints and how natural they felt, but Marvel still acted like they were mysteries.

It’s not working this time, honestly. We knew from issue one that Cap would be coming back. The first issue was a basic explanation as to how he would be coming back. Everything else has felt like filler. Even worse, we’ve been given some scenes of Steve Rogers alive and well after this, so there’s no real drama to look at.

New Avengers Annual #3 shows Steve surprising everyone by showing up on the last page in his chainmail tights. The latest issue of Iron Man has both Caps there to share their shield. Before either of those is Dark Avengers Annual, ending with Steve in a more SHIELD-like outfit hanging out with Bucky Cap on their hunt for allies against Osborn.

Aha! The plot thickens. Since it was official that Steve was coming back, there had been lots of speculation that he was going to be taking over the Fury/Hill/Stark/Osborn spot as king of the superhero/government relations mountain. This would allow Bucky to remain as Captain America for at least a little while longer. This will probably be covered in part next week as Captain America: Who Will Wield the Shield? is released. This isn’t to be confused with Captain America: All Those Who Chose to Oppose his Shield Must Yield.

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Absolutely massive set of comics this week. What If: World War Hulk is my pick of the week, even despite the crappy Thor story and the even worse comedy stuff at the end. The main story rocks.

Adventure Comics #5
Geoff Johns, Sterling Gates, Jerry Ordway and Francis Manapul

Batgirl #5
Bryan Q. Miller and Lee Garbett

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Welcome back, my friends. This time we have a special guest panel from reader taters, who’s been reading The Mighty. Let’s give her a hand!

Blackest Night: The Flash #1
Geoff Johns and Scott Kolins

Blackest Night: Wonder Woman #1
Greg Rucka and Nicola Scott

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I’ve been asked to comment on the recent announcement about the new WWE Heroes comic on its way. For those who haven’t heard, 20 issues will be released by Titan Publishing, depicting the WWE wrestlers as fighting zombies and leopard men and stuff. I don’t know.

The press release mentions the inclusion of these wrestlers and personalities: Triple H, Undertaker, Randy Orton, Batista, Shawn Michaels, Big Show, John Cena, CM Punk, Kane, Edge, Chris Jericho, Matt Hardy, Rowdy Roddy Piper, Carlito, Jim Ross, Jerry Lawler and Kelly Kelly. Wait, Roddy Piper?! What? Why?

Another thing that bothers me is that why are they going to go through the trouble of doing a WWE comic book and NOT include the Hurricane, who is a wrestling superhero? He was born for this role! What is up with that?

I’ve followed the history of licensed wrestling comics. First we had WWF Battlemania in 1991, which I covered in two parts. It was doofy and kiddy, but not overly offensive in the grand scheme of things. A year later, Marvel released World Championship Wrestling, which I reviewed in three different parts. That one was both poorly written and showed the reasons for why doing a month-by-month story based on wrestling that’s written and drawn long in advance is a recipe for failure. At the end of the decade, we were given WWF comics by Chaos. This included comics based on Steve Austin, Mankind, the Rock, Chyna and the Undertaker. I recently reviewed Undertaker in two parts.

So I think I have enough authority to say that this is going to be bad on an epic scale. I can’t wait. I just feel sorry for writer Keith Champagne, who already took a hit for being assigned the job of writing Countdown: Arena. God, what a mess that was.

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One of the themes of We Care a Lot has been that Venom has been written so differently over the years, including stories coming out at the same time. A good deal of the frustration comes from how all of his stories are one shared continuity. People disagree, but I love continuity. I think, when done right, it adds a special dimension to stories and empowers them.

But what of other continuities? The alternate realities and all that? Hell, you can do all the damage you want and it won’t have any affect. Have Gambit as the third Summers brother? Sounds stupid, but go ahead. Have Batman kill the Joker? Go for it! Have Richard Fisk become Daredevil? Sure, why not? Because at the end of the day, Gambit isn’t a Summers brother, Joker’s still kicking and Matt Murdock is still wearing crimson. If you can make a good story out of it, even better!

So let’s look at Venom in the other worlds. This will be a two-parter, followed by a similar look at alternate futures. What better way to start than Marvel’s go-to series for alternate storylines and one of my personal favorites: What If!

I’ve covered What If issues like wildfire before – and I do plan to reprise my Top 100 list a bit after the new batch or releases are finished – so I won’t go too in-depth. The first alternate story for Venom is What If the Alien Costume Had Possessed Spider-Man (#4 in the second series) by Danny Fingeroth and Mark Bagley.

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Let it be known that the best part of Beavis and Butt-head was the videos. The fact that the first Christmas special was nothing but them watching TV makes this my all-time favorite episode. Thank God for YouTube.

16 years later and that discussion about Christmas movies still makes me laugh like an idiot. That and the first five seconds of the third video.

A good variety of panels this week. Granted, it may not be the greatest thing that I’ve been reading Clone Saga out of pure nostalgia mixed with curiosity, but that’s still better than hermanos reading Jeph Loeb’s Hulk for whatever damn reason.

Amazing Spider-Man #613
Mark Waid and Paul Azaceta

Arkham Reborn #2
David Hine and Jeremy Huan

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Solo #7 was originally supposed to have a cover by Mike Allred that depicted the 1960’s Adam West incarnation of Batman dancing the Batusi. It was replaced with Wonder Girl doing the same pose. One of the rumors as to why it was scrapped was that Dan Didio wants to put the kibosh on emphasizing the West-style Batman due to beliefs that West’s portrayal ruined the character for many decades up until Dark Knight Returns returned him to form. You get the idea: you can’t take a man dressed as a bat with underwear over his pants seriously if you’re reminded of that show where Cesar Romero painted over his mustache.

Is it true? Probably not. Batman: The Brave and the Bold is very Dick Sprang Batman and Sprang’s take on the Caped Crusader is practically brothers with Adam West Batman. Then again, I’m not sure if Didio had any real say in that.

But the precedent is there. There are fans out there who seem so stuck in their ways that to even portray their beloved character in a different tone offends them. That’s the case with the current Rick Remender Punisher storyline, Franken-Castle.

People HATE this image and all it represents. If you’re seeing this for the first time, chances are you might be thinking, “What the hell is this shit?!”

It’s awesome, that’s what it is.

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This time, I’ve sadly been left high and dry by my 4th Letter comrades. Feh. Guess I’ll have to take care of this week myself. Maybe they won’t have anything to add to my weekly segment, but I’ll have something to add to their little podcast tomorrow, just you wait and see.

Adventure Comics #4
Geoff Johns, Sterling Gates and Jerry Ordway

The Authority: The Lost Year #3
Grant Morrison, Keith Giffen and Darick Robertson

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Earlier today I put up another edition of This Week in Panels. When I was getting the one for Batman and Robin #6, I noticed something odd. A striking similarity that didn’t poke out the first time I read it. At first I was wondering if it was a coincidence, but then I looked further into it and noticed that there were even more similarities. Being that this is Grant Morrison, I knew all of these nods had to be intentional.

One of the things about Dick Grayson as Batman is that he needs his own villain. Yes, he can fight the Joker, but it wouldn’t be the same. They wouldn’t have the magic of Bruce and the Joker as rivals. On the other hand, there’s Jason Todd. Ever since he’s been brought back to life, he’s been wasted potential. Whether he’s Red Hood, Nightwing, Red Robin or Batman with guns, he’s been in one bad story after another. And while Bruce Jones’ horrible Nightwing squandered Dick vs. Jason, the potential is still there. Dick Grayson and Jason Todd are meant to be archenemies. Todd would play off Dick far better than he would Bruce.

So if Jason Todd is Dick Grayson’s Joker, then they need to cement this. Most would consider Alan Moore and Brian Bolland’s Killing Joke to be the ultimate Batman vs. Joker story. It’s fitting that the first six issues of Batman and Robin have been something of a retelling of that very story. Let’s look at the two:

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