Quick hits!

–Shadow of the DAMNED trailer is heat rocks. Suda51 is dope, Shinji Mikami is pretty straight, and Akira Yamaoka is cool, so I’m basically on-board day one, and I don’t even really care about video games any more.

Video Games | Shadows of the Damned | TGS 10: Debut Trailer HD

XBox 360 | Playstation 3 | Nintendo Wii

-Did anybody else look at that Shadowland: Blood on the Streets book the other week? I flipped through it, got to like page four and was like “nope.” Why?

Yeah, naw, I’m good man. You go on and take that somewhere else.

–Shadowland: Daughters of the Dragon is similarly wack. Look at the soft batch of an action scene in this preview. Everything about it is a turn-off–the way they just hop off the motorcycles, the stiff art, the absurd fight in a truck that is also a shapechanging warehouse, whatever whatever. Gross.

-I’ve been paying more and more attention to fight choreo in comics. It’s such a basic thing, and I’m growing increasingly certain that getting it wrong is absolutely ridiculous. It’s one-two-three-four–first this, then this, then this, and then this. A lot of superhero artists tend to do it the other way, pinup-pinup-pose-pinup, instead, and it looks like crap every time. It’s sequential art, right? Then it follows that the images we see should be in sequence, rather than a loose collection of images where people are maybe kinda sorta fighting/dancing. This is like drawing cross-eyed people or one leg noticeably longer than the other. C’mon, son. Do better.

-That new John Legend & The Roots? Wake Up!? It’s a cover album and it’s fantastic. That eleven minute version of “I Can’t Write Left Handed”, one of my favorite Vietnam songs, goes hard. Legend divas it up some, but I’m digging it. It’s basically a tribute to the ’70s, and Legend does really well.

-Grant Morrison wrote the superhero comic Bible when he wrote Flex Mentallo. I can’t even imagine why someone wouldn’t like it or what it says about cape comics and superheroes themselves.

-My launch PS2 still works and Shin Megami Tensei: Persona 4 is still basically the illest game on the system. I’m playing it again after a break of a year and some change. I’m in Rise’s striptease dungeon, but I think that Kanji’s gay bath house takes the prize for greatest stage of all time.

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Stuff I Read, Stuff You Should Buy
-I got a big box of books from Vertical, and I’ve made it through 7 Billion Needles (review coming here soon), and Chi’s Sweet Home 1, 2, and 3. I’m currently reading The Crimson Labyrinth and I finished Parasite Eve late last week. They’re all good to great, which is astounding. I know I read a lot of Viz, and for good reason, but Vertical, Inc is pumping out some great stuff while nobody’s looking. Parasite Eve was deeply weird and I never thought I’d say this, but I definitely read a scene where mitochondria masturbated.

–Empowered 6, huh? How good was that book? Sistah Spooky is killing me over here.

-Guess what’s on sale? Scott Pilgrim is on sale! The entire series! For fire sale prices! Links: Scott Pilgrim, Vol. 1: Scott Pilgrim’s Precious Little Life, Scott Pilgrim, Vol. 2: Scott Pilgrim Versus The World (v. 2), Scott Pilgrim, Vol. 3: Scott Pilgrim & the Infinite Sadness (v. 3), Scott Pilgrim, Vol 4: Scott Pilgrim Gets It Together, Scott Pilgrim Volume 5: Scott Pilgrim vs The Universe, Scott Pilgrim Volume 6: Scott Pilgrim’s Finest Hour

-Comics Alliance: we beat up on a crappy interview from The Atlantic, I review Empowered, Wildstorm is dead, and here’s some Marvel comics you should read.

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I read your comic, now I break weed up on it
“The Immortal” David Brothers, brother!: This week, there’s nathan, but penetra-er, I’ve got no comics this week, but I might buy Matt Fraction and Pasqual Ferry’s Thor because John Workman lettered it.
Miss Esthlizabeth: I tried to find a title that Esther’d never read, like maybe Prison Pit or Preacher, but eh… effort.
“Macho Man” Gavin Jasper: Green Lantern Corps, Justice League Generation Lost, Avengers Academy 04, Avengers 05, Deadpool Team-Up 889, Hit-Monkey 03, Hulk 25, Secret Avengers 05, Darkwing Duck 04

Anything worth reading this week?

-You Made Me Read This!
-David made Esther read David Hine, Fabrice Sapolsky, and Carmine Di Giadomenico’s Spider-Man Noir!
-Esther made David read Ann Nocenti and John van Fleet’s Batman/Poison Ivy: Cast Shadows!
-Esther’s response when David told her about Spidey Noir: “My god. There could not possibly be a book that’s more you. Unless at the end of the comic Peter Parker goes to war.”
-David’s response when Esther told him to read an Ann Nocenti comic: “Oh no please don’t throw me into that briar patch!”
-6th Sense’s 4a.m. Instrumental for the theme music.
-See you, space cowboy!

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Verisimilitude is what makes stories work. It’s a measure of how true the story is and how closely it sticks to believability. Do characters speak, behave, and dress as they should? It’s a tough thing to nail and even tougher to describe. Verisimilitude requires a lot of intangibles to get right, the sort of things that you can only really judge via gut reactions. One man’s dead-on is another man’s completely wrong.

Creating believable white characters is relatively easy. White’s the default ethnicity for Americans, and we’re positively drowning in white culture, for whatever definition of white culture you choose to subscribe to, so you don’t need a lot of reference. Non-white characters, or white European characters, are something exceptional. They’re black or Mexican or Japanese or Scottish characters, rather than just characters. You have to put some sauce on them to get them right.

The black experience is one of those things that exists, but is different for every single person. It’s just real life–some things are common, other things are rare, and the full experience is something unique. The key to verisimilitude is capturing those common aspects so that people reading it can grab onto them. They provide a touchstone, or something to relate to. The more of the story that is true for you, the more of it that you’re willing to buy into. It’s a con. You get someone to believe one thing and they’re much more likely to believe the next thing you tell them.

Chris Claremont’s method was to layer on the shtick and hope for the best. It worked well enough at the time, but it comes off corny now. Attempts to make Luke Cage a believable black character resulted in what feels like parody today. If you look closely at your non-white character of choice, you can probably see these tics or traits clear as day. They’re an attempt to lend verisimilitude.

What I liked about Fred Van Lente and Mahmud Asrar’s Shadowland: Power Man 2 is that it’s one of the few cape comics in ages that actually felt like it reflected the black experience. It’s not corny, it’s not ironic, and it’s not self-conscious. It just feels natural. The next closest candidate would be Jeff Parker and Kev Walker’s Thunderbolts, but Power Man surpasses even that. It’s all due to verisimilitude.

It’s the little things. It’s the way Victor’s mom uses his whole name when she gets mad at him. A quick survey of my friends suggests that this happens in black and latino houses, but not so much in white ones. Or the way the white kids talk about how down they are because they listen to black music, clearly one beer and half a blunt away from hitting their black friends with a “my nigga” like it’s all good. It’s how the dialogue has subtle shifts away from the Queen’s English without dropping into a white impression of jivetalk.

Victor spends the entire issue calling Luke Cage “Carl,” a reference to “Carl Lucas,” his government name. It’s the sort of thing that’s just a diss in and of itself–he’s calling Cage out of his name as a show of disrespect. More than anything else, it puts me in mind of Cam’Ron’s 50 Cent diss “Curtis”, where he turned 50’s real name into a sing-songy diss. It’s both basic disrespect and a reference to the fact that Victor knows who Cage is and doesn’t buy into his hype.

Interracial dating is touchy, too. Every young black male, at least the ones where I’m from, knows to tiptoe around white girls, just in case. There’s nothing that people like better than a chance to paint a black dude as a victimizer of white virginity (see also: Kanye West/Taylor Swift and the out of proportion reaction), and you don’t want to get caught slipping. On the black side of things, a black guy with a white girl is a sell-out. Strong black men (there’s about eight, total) need to stick by their sisters, blah blah blah.

So yeah, when Victor is airing out Cage for leaving the hood and deserting his people, he’s definitely going to get at Cage for marrying a white girl. And yep, Cage is definitely gonna be extremely pissed, because I guarantee almost every black girl he knows (with the exception of Storm) has been giving him the side-eye. That kind of nagging is senseless, but it happens, and people cope. Some people laugh it off. Others get up in your face and dare you to say some ☠☠☠☠ about their wife. Victor’s apology even rings true–it’s an unfair accusation, rooted in centuries old brainwashing, and everyone knows it. But, we still do it.

It is what it is.

There are other parts that rang true, too. A distrust of altruism and a trust of money. The only people who’ll work for you for free is family, and they’ll only do it under duress. But if you put money in someone’s pocket? That’s a contract. The emphasis on staying where you’re from as an indicator of your realness. Commanche’s implication that getting clean money is less than making brown paper bag money. Most especially, though, is the way that Victor can’t escape his dad’s shadow. He’s going to end up paying for his father’s sins even as he’s busy atoning for something he said to his father by wrapping himself up in his father’s past. He’s stuck in his orbit and he really can’t escape it.

I like that Van Lente is actually using Cage’s past beyond someone talking about how he did time. My main man DW Griffith is still MIA, but Shades & Commanche make an appearance, amongst several other old Cage villains of varying levels of competence. Cage’s past actually has a direct connection to the current story, but not to the point where you have to have read all of his old appearances (though marvel makes it easy on you). I like how it implicitly sets up a road less traveled dichotomy between Cage and Victor’s father. If Cage had chosen differently or stayed with his gang, things could have been very different.

I really enjoyed that Van Lente and Asrar brought back a bunch of Cage’s old villains. They look silly, and they’re treated like jokes, but not like blaxploitation jokes. Ha ha afros and platform shoes! Cage and his comic tend to get summarized as “Where’s my money, honey?” over and over again, which is both a disservice to the character and needlessly reductive. Jokes about how blaxploitation is soooo wacky are trite.

But really, it’s the verisimilitude that did it. I know the FBB4l! axis found it to be a very strong book, and that includes a black guy from the south, a different black guy from New York, a white guy from Kansas, and a Dominican dude from Queens. It isn’t a black book in that it’s constantly screaming at you about how black it is and look at this this is like The Wire, this is the hood, man. No, Power Man builds a world around Victor Alvarez that is just intensely believable. I want more like this.

Shadowland: Power Man 2
Words by Fred Van Lente, art by Mahmud Asrar.

I think it’s fair that I speak for both myself and Gavin and say that this is our review of the issue:

I look forward to this being used as a pull quote for the trade.

(More on this later, as I think that the way this book approaches black life in the Marvel U is super interesting, and ties into something else I’ve been meaning to talk about [Aqualad]. I just wanted to put this out there. Get up on it.)

————–

Edit:

Hey, folks. Gavin here, totally horning in on David’s wonderful post. For those of you who are reading Shadowland: Power Man and you need a retro who’s who, check out my two–parter on Luke Cage’s early villains. Also helps if you read the Luke Cage miniseries from a couple months ago and wondered who the hell Lionfang is.

miscellany
-You know what’s weird? I’m actually kinda curious about X-23 this week. I like Marjorie Liu, so, y’know, maybe? But four bucks… ehhhh.

–Prison Pit: Book Two is this week. It opens with a dude pooping. The cover is blood-soaked. There’s a strap-on at some point in the book. I’m new to Johnny Ryan, but this book is repulsive and attractive and awful and fascinating all at once. It’s vile, man, and I’m ready to read some more.

-This week in Brightest Day, we find out what the deal is with Aqualad. I kind of feel like everyone who popped up with “Oh, so the black character can’t swim, huh? Way to be racist, DC Comics!” is feeling pretty dumb right about now, yeah? The presence of a stereotype is not necessarily an indicator of racism or stereotyping. It’s cool to throw a jaundiced eye at cape comics, but c’mon. Context and understanding is just as important as playing watchdog. I mean, his name is Aqualad, he lives in one of the driest places in the country, and has a mysterious past. C’mon, son. Y’all got to do better, this is basic.

-I bought Black Milk’s Album Of The Year and Rah Digga’s Classic today. Digga is one of my favorite rappers (Dirty Harriet is dope, miss me if you disagree) and This Ain’t No Lil Kid Rap is dope. The remix with Redman is hard, too. Black Milk is a dope producer out of Detroit, and his last joint was heat rocks, so Album of the Year was definitely getting purchased.

-The cover to Classic instantly shot up to my top five favorite album covers, too. It’s on par with Illmatic.

-I love how iTunes likes to just wipe my iPod without even asking me. I had it on manually manage for a couple weeks (which sucks) and flicked it back over to auto since iTunes 10 is New and Improved. Mistake, ’cause the first thing the all-new iTunes did was wipe my whole iPod right before I left for work. Thanks for that.

–Machete was dope.

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elsewhere
–I talk about how much of a piece of crap OMIT was and some crazies come calling, post a sneak preview of Darwyn Cooke’s The Outfit, and talk about Butch Guice paying homage to Kirby and Steranko in Captain America.

-Over Moviefone way, I talk Marvel and Pixar.
comics are for children
Black King David: Amazing Spider-Man 643, Hellblazer 271, Joe the Barbarian 7, New Mutants 17, Thunderbolts 148
Esther Waller: Tiny Titans 32, Birds of Prey 5
White King Gavin: Azrael 12, Joe The Barbarian 7, Astonishing Spider-Man Wolverine 3, Avengers And The Infinity Gauntlet 2, Deadpool 27, Incredible Hulks 613, Marvel Universe vs The Punisher 4, Shadowland Power Man 2, Steve Rogers Super-Soldier 3, Thunderbolts 148

-Good news!
-If you’ve ever wondered how often we can say “boobs” or “pornography” in sixty seconds, this is definitely the show for you.
-If you’ve ever wanted to hear David and Esther debate the use of exploitation in comics and media, this may be the show for you.
-I mean, what’s the difference between porn and exploitation cinema?
-(The answer is probably “narrative.”)
-Is exploitation ever okay?
-(Yes.)
-If you’ve ever wanted a show that has a debate that ends in consensus, or even a point, then you should probably listen to some other podcast.
-Fifty minutes, whoo.
-6th Sense’s 4a.m. Instrumental for the theme music.
-See you, space cowboy!

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–Podcast Alley feed!
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Khari Evans: I guess my man prefers to let his art speak for itself, because I can’t even find so much as a Deviant Art. If Evans happens to read this, though, email me, I want to interview you.
Books: Thor: Ages of Thunder, Daughters of the Dragon: Samurai Bullets, Shanna, the She-Devil: Survival of the Fittest, Immortal Iron Fist Vol. 3: The Book of Iron Fist
Why? Hmm… three reasons, no particular order.

1. He can draw believable black people. Not just default people colored brown, but like real deal, proper facial structure having, broad nosed, thick lipped colored folks. Some of the best artists in the industry can’t get that right, but Evans does it like it’s nothing.

2. There’s this word I heard used in various ways growing up. “Stank.” Sometimes it was “Put some stank on it,” like jazz it up. Sometimes it was my cousin calling some girl I like “stank.” (I eventually quit asking her opinion on girls I liked.) It’s one of those words with several uses that all derive from the same origin. “Stank” is, more or less, “attitude.” Not like a cheery attitude, or a negative attitude, but a “How about you stop giving me lip and having an attitude” attitude. Evans can draw some stank girls and he puts some stank on it when he draws them. My granddad might say that “He draws some mean girls, boy!”

Nobody in comics draws a sneer like Khari Evans, man. Nobody even comes close. That top panel in ke-theorder01.jpg is killer. Misty’s face in ke-daughters04.jpg and ke-daughters06.jpg is probably the meanest ice grill you’ll see. Evans gets the lip curl, the eyebrows, he gets the whole thing right.

But that just betrays a deeper understanding of facial expressions, doesn’t it? ’cause Colleen’s dumb “Ha ha I got a surprise for you girrrrrrrrl” face in ke-daughters02.jpg is dead on, too. Or the mix of giddiness and determination in the two in ke-daughters03.jpg. Body language, too. How often do you see crossed ankles in comics? And yet, in ke-daughters01.jpg, they’re right there. That slump into the couch–let me stop.

3. You can’t really see it here because I chose scenes from one book I really like a lot, but Evans is on point with fashion, too.

(4. Thighs.)

I picked up Final Crisis: Rogues’ Revenge yesterweek. It’s Geoff Johns and Scott Kolins following up on the run that got me into the Flash.

Here’s something I liked from it:

Bastard cape comics are weird. On the one hand, you can watch Captain Cold in cartoons on TV. On the other, he murders people as needed. There’s such a weird disconnect there, but I think I’m done trying to reconcile it. Who cares anymore, right? Love it or leave it alone.

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Amazon stuff: Not much this week. I messed around and ordered Gotham Central one and two on a whim. Went back an hour later to cancel them since I already have the trades and whoops too late, son. I ordered them because I don’t have all of the trades, so I figured the HCs would be a good pickup. Then I realized that I could just buy the trades I’m missing, which is a functional, if less handsome, solution, but c’est la guerre. The end result is that my mom’s getting more books by Greg Rucka free of charge. She likes Queen & Country, and she likes mystery/cop novels, so maybe these will float her boat. (I should start charging her for all the books I give up, this is just absurd.) But yeah: uncharacteristically light Amazon week for me.

Me: A bit of talky-talk on DC Comics, a preview of the new Charlie Huston/Shawn Martinbrough Punisher joint, and an exclusive (clue clue clue) ten-page preview of the next volume of Adam Warren’s Empowered. I’ve read it already, and I need it to come out and all of you to buy it, please. I want to talk about it with somebody. It’s great. The comments section on that post is great, too, Empowered fans rule. If your shop doesn’t carry it or you forgot to order it, check Amazon.

Not me: Kalinara reacts to something I wrote with some points I can’t really deny, Cheryl Lynn talks out her buying habits (I like seeing people talk about why they buy what they buy/don’t buy, have you noticed?), and Tucker Stone delivers the reviewing equivalent of a blunt laced with bubble kush and PCP. Go on. Get wet.

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@hermanos: Amazing Spider-Man 641, Amazing Spider-Man 642, Punisher Max: Hot Rods of Death 1, Weird War Tales
@estherschmester: Definitely: Batgirl 14 Maybe: Batman #703, Batman and Robin 14, Doc Savage 6, Red Robin 16
@Gavin4l: Batman And Robin 14, Booster Gold 36, Green Lantern 57, Justice League Generation Lost 9, Welcome To Tranquility One Foot In The Grave 3, Daken Dark Wolverine 1, Deadpool Corps 6, New Avengers 4, Ultimate Comics Avengers 3 2, Irredeemable 17

Anybody reading Shadowland? You want to do me a favor and quit that? You’re only hurting yourself.

I know there’s some Birds of Prey readers out there who also read this site. (At least, one, maybe, does Esther read this stuff or just her own posts? I bet I could zing her good and she would never notice…) Anyway, BoP fans! Honest question here, because it’s been picking at my brain.

Why do you read it?

BoP is in this weird space for me. Gail Simone isn’t really to my taste, but I can see why people like her. But Ed Benes, whoo boy. Simone said he “does lovely, subtle acting, and tremendous facial expressions and body language. I think he brings a very fiery European influence that is a wonderful remedy to some of the tired vaguely manga and video game-esque influences we’ve seen lately.” And man, let me tell you, I can’t think of a single thing in that sentence that I don’t want to pull apart, throw into a Glad bag, and drown in a river. He sucks, is what I’m saying, and I think he’s filling too many pages with drawings of women vulving like their life depends on it rather than doing things like having faces that emote and bodies that act. (No shots.)

One thing I noticed when poking around on blogs and reviews that praise BoP is that they only ever seem to praise Simone, and highly, at that. It’s her book, and with good reason, and Benes tends to get, at most, a line or two about a kick to the face or a guts pose. It comes across, and this is obviously a generalization, that fans of BoP enjoy Simone’s half of the book and tolerate Benes’s half. The art gets short shrift in a way that it doesn’t for other cape comics.

Is that weird? Am I seeing patterns where there aren’t any? I know that I have a (perfectly rational) dislike of the Benes studio’s work (ask me about it sometime), and others like have a perfectly rational like of their work (maybe). I liked it a lot more back when he was a cartoonier Jim Lee, the Wildstorm and early BoP days.

For the fans, are you reading it for Simone? Is it because there’s slim pickings for ladycomics with superheroes? Are you 100% into the comic, writing and art, and I’m just a jerk? For the non-fans, why aren’t you reading it?

Hellboy: The Storm (Mike Mignola/Duncan Fegredo) wrapped up this past week. It was a lead-in to the upcoming The Fury (get it?) and pretty fantastic. Elves, armies, kings of England, you know how Hellboy stories go.

Anyway, in the letters page was a pretty interesting question.

The scene in question from Mignola and Corben’s Hellboy in Mexico:

It’s not artistic license! Just like Clark Kent is Superman, and Bruce Wayne is Batman, the wrestler is his mask. The mask is sacred, and represents his true nature. When the mask is removed, or lost in a fight, the wrestler loses more than just the match.

So, after being infected by evil, the luchador up there turns into a heinous vampire bat-thing. He’s been corrupted. After Hellboy kills him, his identity, his true nature, is returned to him, and he finds peace.

Where’s my No-Prize?!

(If you haven’t read Hellboy In Mexico, or A Drunken Blur yet, you absolutely should pick up one of my favorite stories of this year.)