I’d be blogging, but I’m in Tokyo right now, getting my Lupe Fiasco on. I leave you in Gavin and Esther’s very capable hands for the next week or so.

I am taking suggestions for things to buy, however. The only thing I have planned is to hit the BAPE store and find a bookstore that carries art books. What’s on must-read or must-have status these days?

Tom Spurgeon knows how to fix comics, and he’s got a list of 24 things to start with.

10. Institute A Gender/Race Rooney Rule At The Bigger Comics Companies

I know this would be controversial, and maybe not even desirable. Still, I can’t help but think of the National Football League’s Rooney Rule when I think of the lack of female creators and creators of color and the even bigger absence of such individuals in industry positions.

What this would mean is that for every job and for every freelance gig that opens at a participating company, a woman or a cartoonist of color would get to pitch or interview for that gig. This doesn’t mean they’re hired, or doesn’t mean that you can’t have as many folks as you want of whatever gender or racial background pitch or interview if you want. What it does is guarantees that those people that haven’t done well in the comics industry are for the length of the program getting in front of more people with power in the comics industry. They have an opportunity for the duration of the program to make an impression and gain experience at making presentations to comics industry editors and publishers. In return, the industry gets a more frequent look at a group of creators and potential industry members that it has — for whatever reason — not done a very good job of exploiting to maximum effect. If an industry like professional football can matter-of-factly look at its history of hiring and giving assignments and realize that they’re not making the best use of all the talents out there for whatever reason, the comics industry should be able to do the same on a volunteer basis.

This is actually one of the least interesting points in a 24-point essay. It’s the least interesting because all of the other points are so good, particularly numbers 6, 7, 11, and 24.

I really dig Geoff’s blog. It’s one of my must reads for a variety of reasons. We have similar tastes, except when they are almost polar opposites, he’s a great writer, and he’s smarter than I am. Below is an excerpt from his post about ASBAR #10, which is an overall great read. Scott, one of his co-bloggers (is there a word for that?), absolutely nails a lot of what I like about ASBAR #10. Also, Miller/Lee Barb Gordon rules, from the Miller-style dangly earrings (scope the logos) to the entire demeanor. She’s a teenager.

Now I just need to get back to posting in Geoff’s comments and conversating about all this. I’ve been too busy to do so lately. I’m done with a big project, though, so I can come back with a bang.

Remarkable: Comics Out September 24, 2008 (All Star Batman)

First of all, Miller is acknowledging his own part in what would become the “Grim and Gritty” era of comics while simultaneously ridiculing it by having Gordon dismiss it by calling Batman a ‘Jerk.’ It’s also important to note that Gordon’s assessment of Batman as a ‘Jerk’ is important for how Miller views Batman; he has always felt that Batman should NOT be your buddy. He’s supposed to be scary, he’s not your friend but he’s the first guy you’d want to have your back in a dark alley. This informs so much of the way that Miller has portrayed the character, particularly in this series.

Miller gives us an interesting bit of background on Batman and Catwoman: they knew each other and were romantically involved in their adolescence. Hmmm, two people who share a young romance and grow up to be on opposite sides of the law? Sound familiar to anyone?

Batgirl is back in this issue and I get the feeling that Miller likes her a lot more than Robin and is using her as a sort of Carrie Kelly stand in. I also love that she is the ‘Fucking Batgirl’. I love the contrast of this with ‘The Goddamned Batman”. “Goddamned” is a very adult swear; it is a blasphemy and, as such, it carries weight. “Fucking” is a child’s curse word; it is shocking for the sake of shock and exactly the kind of thing that a rebellious youth would say to rail against the world.

I also like how, later in the issue, Gordon decides not to come down hard on his daughter because, as far as he’s concerned, she’s being hard enough on herself but, just a few issues earlier, you’ll remember that she was boasting about how great she was at bullshitting her dad. She’s playing him like a violin.

SkottieYoung.com: Business Isn’t the Same

I hate to admit that in some ways, I’ve become the guy who talks about the music of his youth is so much better than what the “kids” today listen to. But dammit, I’m right!!!!

I can remember running home after school to try and catch the 1 hour of hip hop they would play on tv. I loved it. It was so new and different that everything else and I craved it before I knew what a craving was. I’m not going to pretend that I know why it spoke to me so much or say I was ahead of the curve on anything. I just loved it. KRS-One, Public Enemy, Nice & Smooth, Special Ed, Eric B & Rakim, 3rd Bass, Big Daddy Kane… I could keep listing names all day. It just felt fun, and energizing. One of my favorites of those days was Eric and Parish…EPMD. Get the BoZack. You got to Chill, Crossover, Headbanger, on and on and on and on. I remember being heart broken when they broke up but got my smile back in ’97 when they brought it back. They really frame the sound that I remember as a kid growing up.

Skottie Young is one of my favorite artists. That New Warriors miniseries he did with Zeb Wells was definitive, and Marvel really needs to give him an Amazing Spidey arc. Click through to check out his blog.

Gangstarr Girl: Blaxploitation Friday #21 (The Horror Edition)
Blaxploitation Friday #21 (The Horror Edition)

If you’ve been following this series then you realize that despite the overall cheesiness of blaxploitation movies, the basic theme is movies geared toward the African-American community–something that we can call our own. Yes, the characters are very stereotypical and the movies tend to follow the same plots like sticking it to the man, a big score (involving money), pimps, the bad chick on a rampage of vengeance, etc. but you didn’t think there could be blaxploitation movies without factoring in the horror genre did you? If so, you are sadly mistaken.
Kicking off the blaxploitation Friday horror edition is JD’s Revenge.

I’ve been following GG for a minute now, in part because of these posts about blaxploitation. Go check it out, it’s always interesting.

Complex Blog » Percy Carey Talks Comics With GZA

Percy Carey: Any final thoughts about comics and the importance they hold?

GZA: Growing up, I read comics all the time. They’re great inspiration; they can show you the world is full of possibilities. Now, my son reads comics, and it’s something that we can share. It’s really a good feeling being able to share something like that with him, and now working on doing my own, it’s really cool to give back to that world.

Weekly column by MF Grimm!

Join artist LeSean Thomas ( Co-Director/Supervising Character Designer of Peabody Award Winning “The Boondocks” Animated Series ) as he debuts his art book MIDNIGHT MARAUDER: THE ART OF LESEAN THOMAS VOLUME 2, a second collection of illustrations, conceptual designs and tutorial anecdotes. Featuring visual ranges from American animation and anime-influenced stylings to edgy, urban-driven aesthetics, it’s a visual tour de force of unique and dynamic work from one of today’s top American contemporary character artists.

I got a look at an early copy of the art book and it is super dope. If you’re in LA, here’s the details:
Date: Saturday, September 20, 2008
Time: 5:00pm – 10:00pm
Location: 33THIRD GRAFFITI SUPPLY/VINTAGE VINYL RECORDS STORE.
Street: 5111 West Pico Blvd.

I won’t be able to make it, since I’m stuck in San Francisco getting my work on, but I think this is a pretty cool event. If you’re in town, go to it and grab a copy of the book.

It’s got a great title, too.

This sounds like a pretty good cause.

Charitybuzz.com is hosting an online charity auction benefiting Jayni and Chevy Chase’s Center for Environmental Education; a non-profit organization dedicated to “green” k-12 schools across America through initiatives that provide energy efficient facilities, encourage healthy food and lifestyles, and promote civic environmental education. I was wondering if you could publicize a donation from Robert Downey Jr. on your blog:

To raise proceeds and awareness for the organization Robert Downey Jr. has teamed up with charitybuzz to give one lucky bidder the chance to join him for a day on the set of Iron Man 2. Valid for 2 people in Manhattan Beach, CA, spring 2009. Based on availability. Winner(s) will spend time with Mr. Robert Downey, Jr. in his trailer.

Check out more info here. The auction closes on September 23rd, so you’ve got just under a week if you want to bid.

FOR IMMEDIATE RELEASE:

TOP COW ANNOUNCES WINNERS OF 2008 PILOT SEASON
2008 PILOT SEASON WINNERS

Fans vote for TWILIGHT GUARDIAN and GENIUS to get their own series
LOS ANGELES, Calif., September 18, 2008 – Top Cow Productions, Inc. announced today that the winners of the 2008 Pilot Season campaign are Twilight Guardian by writer Troy Hickman and artist Reza and Genius by writers Marc Bernardin and Adam Freeman and artist Afua Richardson.

For over a month, fans went to the Top Cow website, the Pilot Season website or other sites once per day, every day, to vote for their favorite 2008 Pilot Season one-shots. Pilot Season is an annual initiative Top Cow began in 2007 that borrows its concept from the television industry: Six “pilots” are submitted for consideration to be “picked up for a season,” except instead of TV executives deciding their fates, it’s the fans! 2007’s top two vote getters, Cyblade and Velocity, will debut with new series later this year. 2008’s winners will debut with new series in 2009.

Twilight Guardian and Genius beat out Urban Myths by Jay Faerber and Jorge Molina, The Core by Jonathan Hickman and Kenneth Rocafort, Alibi by Joshua Hale Fialkov and Jeremy Haun and Lady Pendragon by Matt Hawkins and Eru.

Twilight Guardian is about an average woman with a particular kind of OCD that drives her to patrol a nine-block area in her neighborhood every night, and about the other “night people” and situations she encounters because of it. Genius asks the question, “Alexander, Hannibal, Napoleon, Patton. What if the greatest military mind of OUR generation was a 17-year-old girl who grew up on the tough streets of an urban war zone?” Both books resonated with a majority of the voters and their creators are ecstatic, excited and even surprised.

“Holey crullers! I really don’t know WHAT to say,” said Troy Hickman. “I feel like I did once at a convention years ago when I somehow wound up on an elevator with Mr. Curt Swan, and I remember thinking, ‘Something’s gone terribly wrong. They’ve accidentally let me on the IMPORTANT elevator!’ The creative teams on the other Pilot Season comics are just terrific, some of the most talented people working in this, or any, medium, and I feel so proud to even be included in this competition. And big congrats to Genius for winning the other spot!”

“I’m shocked, really,” said Adam Freeman. “Genius is not a traditional comic and I suppose that is one of its greatest assets as well as its biggest obstacle. We weren’t sure how readers would react but we knew it was a story we were passionate about. Kudos to Top Cow for being the only publisher willing to take that risk with us. Someone wiser than me once said, ‘Never underestimate your audience’ and, truth be told, we did a little on this one. We didn’t think people would ‘get it’ but apparently they did.”

“Hell, I’m just thrilled to have won something,” added Marc Bernardin. “Seriously though, it’s like Adam said: We knew Genius was an uphill battle, but every now and then, those uphill battles get WON.”

“I blew my voice squealing like a happy pig for a half hour and came up with at least five victory dances,” exclaimed Afua Richardson when she found out Genius was one of the winning titles. “I feel like I won one for all the oddballs out there—all the artists left of center, for the chicks who fight stigmas in comics, all of them!”

Now that the winners have been declared, the creative teams will work with Top Cow’s editorial department to start planning out their series, which will debut in 2009.

“Issue #1 of Genius sparked a few pretty heated debates in some circles but that was only the first act to a much larger story,” explained Freeman. “There is a lot more to tell. I am very curious how the future issues will be received because, trust me, this book is not going where you think it is.

“We’re going to dip a bit into Destiny’s back-story and the forces that combined to make her the woman she is today,” teased Bernardin. “And we’re going to show just how bloody revolution can be.”

“I look forward to a) seeing what happens next; b) getting the chance to work with Marc and Adam again; and c) really getting a chance to show my stuff,” asserted Richardson. “I just really want put my best foot forward on this.”

“Well, now comes the fun part: making comic books,” conveyed Hickman. “Let’s see if we can take Twilight Guardian where comics haven’t gone before. I don’t want to give anything away, but I promise you there will be comedy, and drama, and plenty of the unexpected. Maybe she’s a Skrull…”

“Everyone here at Top Cow wants to wish a hearty congratulations to the teams on Twilight Guardian and Genius for a hard-won victory in this year’s Pilot Season,” proclaimed Top Cow Publisher Filip Sablik. “It was an incredibly close race across the board and these two teams campaigned hard for the fans’ votes. The fans have spoken and we’ve already got the wheels in motion to give them more of what they want!”

🙂

Batman’s Comedy of Eros, by Dennis O’Neil – ComicMix news

Comics have come a considerable distance in the few years since I left editing. Hell and damn, once verboten seem okay both in comics and on TV, and a few gamier locutions are beginning to pop up. But I don’t believe the medium – comics – has evolved to the point where authentic street lingo is expected.

This is about the All-Star Batman thingaling. I guess what he’s meaning by “authentic street lingo” is curse words, but I don’t exactly see why comics have not, or would not have, evolved to the point where it is expected.

“Motherloving” is a terrible, terrible word. It was bad in Ennis’s Punisher, it was bad in Priest’s Panther (or was it Deadpool?), and it was bad in last week’s issue of Amazing Spidey. “Butthat” is pretty bad, too. “*@#($&” is annoying, but not as annoying as the fake Legion grife and sprock and frak and whatever.

I saw The Incredible Hulk with Ron from iFanboy and James and Kirsten from Isotope. There is a bit in the movie where the old school Hulk theme plays. We were talking about the movie afterwards, and Kirsten remarked that playing the Hulk theme was a bad move. It was something that pulled you out of the movie and just reminded that you that you were a dumb comics fan who was seeing a dumb movie about a dumb guy who turns into a big dumber guy.

That’s what the fake censoring does. No one is doing it for the “Hee hee it was almost a cuss word” thing. People do it because the other ways look stupid. The other ways just serve to remind you that, HEY, this is a comic book, buddy! They jerk you out of the story. They look stupid.

The black bars are actually pretty elegant. I think the first place I saw them, and really noticed them, was in Adam Warren’s work, though Milestone used a variant of it. It’s reminiscient of the TV beep or music video cut. It takes away the word while still allowing it to remain present for dialogue flow or character purposes. A lot of all-ages titles get this right. They don’t use fake curse words. If they have a situation that needs them, they don’t replace it with “motherlover.”

Some people don’t like to be reminded that they are reading a comic while they’re reading. It isn’t a comics hate or self-hate thing. It’s no different than being pulled out of a movie or novel. It’s distracting. It hurts your enjoyment of the book.

So, yeah. Put me down with the people who expect authentic street lingo out of comics, be it superhero or otherwise. I can’t think of a single reason why not. If it isn’t a book that that is mature readers (and that is an essay to come, as Frank Miller had a really interesting discussion about it in some Sin City lettercols years ago) and you are worried about backlash, bleep the words.

David U from FBB has some more thoughts on the immaturity thing here.

More to come. I’ve been at work all day yesterday, all night last night, and possibly all day today again. I want to talk about this stupid streak of self-loathing comics fans have, or at least loathing toward other comics fans, and more on censorship and labeling.

I guess the long and short of it, though, is that labeling isn’t something I’m down with and self-loathing is for idiots.