As much as I love fighting games and their storylines, just about all of them run into one major problem: if the series goes on long enough, the writers will run out of ideas and just pull off the same story over and over again with slight variation. King of Fighters reached this point after their ’97 incarnation. Mortal Kombat got there in its third game, though they were original enough in their ideas that it didn’t get too stagnant until several games later. Street Fighter went on for a while without this, up until Street Fighter 4. Soul Calibur is probably the worst offender, as despite five games, they’ve yet to come up with a story other than “guys fight each other in search of sword that just won’t die.”

Tekken, which is by the same company as Soul Calibur, is also a pretty bad offender. On one hand, the later the game, the more personality we get out of the characters. On the other hand, almost all the characters are window dressing to the never-ending infighting between the Mishima family members, who are all a bunch of assholes.

See, you have Heihachi Mishima, who is an asshole. He’s opposed by his son Kazuya Mishima, who we discover at the end of the first game to also be an asshole. Then in the third game, we get Kazuya’s son Jin Kazama, who seems like an all right guy for a while, only to succumb to being an asshole by the end of Tekken 5. Tekken 5 also introduces Heihachi’s powerful father Jinpachi Mishima, who is a pretty sweet guy, only he’s possessed by a power that’s forcing him to be an asshole.

Insert your Spaceballs joke right here.

Let’s go back to the simpler days, when the rivalry was no more than Kazuya vs. Heihachi. Tekken 3 was just being released, leading to the most popular era for the Tekken franchise. To tie in with this, the comic company Knightstone put together an attempt to retell the story of the first few games with Tekken Saga.

What’s with Kazuya? It’s like he’s spooked by Law’s ability to completely ignore getting hit in the skull with lightning. Or maybe he’s weirded out by Paul Phoenix’s hair.

Tekken Saga #1 came out in October, 1997. John Kim was the writer with Walter McDaniel an art. It begins years before Tekken 1, where Heihachi holds a meeting with his top underlings at the Mishima Zaibatsu (which in the comic is spelled “Zabitsu”). Conveniently, all three of his businessman flunkies turn out to be fathers of Tekken series mainstays: E. David Gordo, Bernard Chang and James King.

Read the rest of this entry �

The fourth volume of Lone Wolf & Cub, The Bell Warden, is excellent. I enjoyed it more than any other volume so far, in part because it got right into the things that I really enjoy about the series. Lone Wolf & Cub has a couple of major draws for me: the historical fiction aspect and the way Ogami’s quest affects Daigoro. The Bell Warden digs into both subjects, and is stronger for it. There may be a bit of buyer beware below, so, you know, be wary.

Parting Frost is the third of the four stories in this volume, and probably the best of all of them. Ogami only shows up toward the end, allowing the bulk of the tale to be all about Daigoro. It’s a very sad story, as it opens on Daigoro being left alone and wondering about his father. After he realizes that his father is late, he decides to go out and find him. If his father died in battle, so be it. Daigoro will simply die, as well.

What’s striking about the story is just how capable Daigoro is. He’s smart enough to know that no one will be inclined to help him, so he sets out on his own. He knows that his father goes to temples to pray after an assassination, despite walking the assassin’s road. He seeks out a number of them, before finally stopping at one, exhausted and hungry. He gives up and sits down under the stairs of one. The text doesn’t say it outright, but it’s clear that he’s prepared himself for death.

A lot is made of how, in comics, readers can/will/are supposed to identify with certain characters.

I’ve talked a lot about how, when I was a kid watching Batman: The Animated Series, Batgirl was my favorite character.  A girl, running around, having adventures, kicking ass, taking names and sassing Robin was just about the coolest thing little Esther had ever seen.  And while I can’t deny that I feel a certain personal investment in Barbara Gordon, exulting in her triumphs and enduring her failures, I don’t think that’s the same as identifying with her.  Most of the characters in the Batverse are too perfect to identify with.

Identification also depends a great deal on the reader as well as the character.  When you were a kid you might feel a kinship with a fictional child, but when you’re an adult, often you look at the same character and think, “What a brat.”

Have you ever felt a strong connection between yourself and a comics character?  And if so, does the connection endure, or has it faded?

Newsarama has DC’s advance solicits for September up, and there’s a couple of interesting bits.

THE WEB #1
Written by Angela Robinson; co-feature written by John Rozum
Art by Roger Robinson & Hilary Barta;co-feature art by Tom Derenick & Bill Sienkiewicz
Cover by Stanley “Artgerm” Lau
Variant sketch cover by JG Jones
Spinning out of August’s “Red Circle” event from superstar writer J. Michael Straczynski comes the new ongoing adventures of the selfish rich-boy hero the Web, and the mysterious-undying Hangman. Writer/director Angela Robinson (D.E.B.S.) and artist Roger Robinson (BATMAN: GOTHAM KNIGHTS) spin the tales of The Web, a man who has only recently come to understand the burden of true heroism. He’s fighting crime on his own terms, and for his first mission he’s hunting down the men responsible for killing his brother!

TEEN TITANS #75
Written by Felicia D. Henderson; co-feature written by Sean McKeever
Art by Joe Bennett & Jack Jadson; co-feature art by Yildiray Cinar & Júlio Ferreira
Cover by Joe Bennett & Jack Jadson
Variant cover by Andy Clarke
Come celebrate our gala 75th issue with an all-star cast of Titans past and present! Joining this issue for the extravaganza is new ongoing writer Felicia D. Henderson, a co-executive producer on TV’s hit show Fringe! Don’t miss this start to a fresh new take on DC’s premier teen team!

No, the interesting bit is not the annoyingly vague sell copy. “Our hero has a mission! Our team has a fresh new take, which is unlike the other new takes we’ve had over the past four years! Fringe! Comics!”

Felicia D Henderson and Angela Robinson are both black women. Felicia Henderson, in particular, gets a whole gang of goodwill from me just because she wrote for Fresh Prince, Family Matters, and, to a lesser extent, Moesha.

My question is– is this the first time Marvel or DC have employed two black female writers? Is it the first time they’ve employed one? Comics historians, do your duty.

(The rest of the solicits are snoozles.)

Yesterday’s installment of Ultimatum Edit brought our remaining heroes to Magneto’s lair. Magneto showed that he has balls of steel (which he can manipulate) by not blowing their planes out of the sky. Then Angel died gratuitous Loeb death #529 and Sabretooth got shot in the eye, which is as much of an inconvenience as Superman’s cellophane S was to Non.

Let’s take it home.

And there we go. Funny how Cap and Valkyrie are more of a threat to Magneto than Thor after all. ManiacClown insisted I didn’t make any jokes about how it looks like Valkyrie has the runs during that silhouette panel where Magneto cuts her, so good on him.

And if you’re rightfully wondering about that sound effect that I inserted into that scene, well, I couldn’t help myself. You see, it’s a ridiculous piece from a ridiculous sequence in a ridiculous comic that I will be reviewing in the coming days. Want a peek? Knock yourself out. But don’t say I didn’t warn you.

Phew. Only one more issue of this left.

Week 5!

Geoff Johns and Ethan van Sciver’s Flash: Rebirth #3 explains Barry Allen’s bowtie (again), features a race between Flash and Superman (Flash wins, because the other races were for charity), and the return of a Flash villain (surprise!). It’s bringing a very Silver Age character into a modern context, resulting in the kind of story that Barry hasn’t really appeared in before, to my knowledge. It’s kind of like Green Lantern: Rebirth, which was the revitalization and redemption of a Silver Age icon whose time had passed some years before. The new Supergirl is the old Supergirl, the new Kid Flash used to be the Flash, and Green Lantern is doing a story that springs from, what, eight pages from twenty years ago?

And I’m bored.

I’m not on the “DC sucks, Marvel rules!” tip, because a lot of Marvel books are boring me in a different way than most of DC’s current output. I’ll read a book if an interesting team is on it, obviously, and I buy a gang of Vertigo. But, when I think of what I’m least interested in currently, DC is the first thing on my lips.

It was the Flash/Superman race in Flash: Rebirth. I’m a Flash fan. It’s obvious, and I’ve written about my love for certain stories featuring character before. At the same time… the race was just another in a long line of nods at a time that was over before I was born. That’s the only reason it existed. It’s like a Family Guy joke– “do you remember when?” I don’t know what it added to the story except “Barry is a jerk now” and “Superman is slower than the Flash.” The bowtie thing– I don’t get it. Who cares about his bowtie? Is this something I’m missing? Does it hold some special significance, other than a woman he just met gave it to him, and he later married her?

No, it’s another “remember when?”

Answer: Yes.

“Interested yet?”

Answer: No. I’m tired of watching reruns.

IGN interviewed Greg Rucka about the upcoming Batwoman feature in Detective Comics. There are a couple of things I wanted to pull out and call attention to.

You know, nobody wants to read, and we certainly didn’t want to write an after school special. But as you’ll see in the origin, there is a moment when she has to pay a huge price for the fact that she is gay. She has to sacrifice something of incredible value to her just to be true to herself.

Ten bucks says that she falls victim to Don’t Ask, Don’t Tell. The concept art mentions a military background, and Rucka emphasizes that she isn’t Batwoman for the same reasons as Batman. Say if she were driven to serve, and it was something she truly believed in, and she was bounced out of the military? She gets back to Gotham, does the alcoholic thing for a while, and suits up, because she’s going to help people one way or another. Sound plausible?

But she is the first mainstream superhero who starts out of the box gay. And arguably she’s going to be the most prominent gay superhero.

What definition of mainstream is Rucka using here? There were a few characters in X-Statix a few years ago, and fifteen years ago we had what’s probably the best gay couple in comics– Donner & Blitzen, from Milestone’s Shadow Cabinet and Heroes.

Milestone isn’t obscure– it was published in cooperation with DC Comics, is fondly remembered by many, and sales don’t appear to have been too bad up until it closed its doors. What’s up with that?

As an aside– I don’t know if you noticed this, but IGN managed to misspell Renee Montoya’s name throughout the interview. Good going, guys. Way to, I don’t know, keep up the high standards.

(from marvel’s x-men #8, words by scott lobdell, art by jim lee)

This is one of those scenes that stuck out to me when I was a kid. Going from a picnic to a fight to a pie in the face to a plot twist is classic X-Men. This was the beginning of a downtime issue, which is another X-Men staple. The team would play baseball, go to a bar, or sit around doing nothing after the end of a big arc. This issue ended the drama of Bishop joining the team and a Wolverine-centric story in Germany, and led into an X-Men/Ghost Rider crossover set in New Orleans, where they all went up against the Brood in the NOLA underground. In hindsight, it’s pretty ridiculous, but still fairly funny. Gambit tended to get all of the best lines and scenes in old X-Men books.

This was also back when the book had a strange tone. There was a lot of droll and self-conscious humor throughout the book, verging on actual meta-commentary. It’s nice to see and gave the book a fun, off-kilter kind of feel. I’m not even going to mention the “Gotta be da shoes” Gambit/Jubilee bit.

Well, maybe I will later. But not right now.

Futurama is getting renewed. 

Twenty-six episodes. 

Next year.

If only Bea Arthur were still around to voice the Femputer.

It was only yesterday when Nick Fury got Dr. Doom to explain his behind-the-scenes role in Ultimates 3 and how it led to what’s going on in Ultimatum. Then Wolverine and Kitty Pryde hung out because there’s nothing important going on anywhere at the moment.

Let’s finish with that scene, then take a trip to Magneto’s place for punch and pie.

In case you’re wondering what the hell Magneto and Sabretooth are talking about, here, knock yourself out. The very fact that this song exists boggles my mind to this day.

And you see that final Hawkeye panel? In the original, he says, “That’s gonna leave a mark.” NO IT WON’T. THAT IS SABRETOOTH.

Tomorrow, ManiacClown and I will close out yet another week. It leads to a legitimately badass final page, other than how Storm looks like some kind of alien cripple doing an interpretive dance. You’ll know it when you see it.

Day Seven!