Chris Eckert has a fascinating look at The Comic Reader, a fanzine from the late ’70s/early ’80s, over at FBB. The inaugural edition of what I hope is going to be a series is pretty fascinating, and even explains those weird painted marks on old comics.

[…]Denny O’Neil contributes an open letter to Steve Skeates, responding to an earlier interview where Skeates lambastes what he perceives as O’Neil’s dishonest business practices and “lukewarm liberalism” masquerading as as “radicalism”.

So in case you were wondering everyone, politics invaded comics a long time ago. Blame Nixon.

TCR allows O’Neil to ramble for over two pages, mixing inside jokes with lengthy quotations from Camus and e.e. cummings, old convention anecdotes and critiques of specific issues of Aquaman. What’s amazing is that these are not the kneejerk slapfights we’ve grown accustomed to in the blogosphere, these are letters delivered by parcel, debates with months between retorts. But even with those hurdles, creators found time to fight!

Go give it a read.

I’m going to go in a different direction for the next week.

Since I was a kid, long before I even got into comics in the first place, I was into professional wrestling. The flashiness, the controlled violence, the good vs. evil and so on caught my eye. As I got older, I grew to appreciate more about it. I was able to tell that, wow, the Ultimate Warrior wasn’t very good and that someone like Tito Santana or Ted Dibiase was more worth my time. Even at its worst over the years, I’ve still followed it on some level. They always have at least a couple things worth watching for.

I started watching in early 1991. I remember this because on the episode of WWF Superstars, they kept going over the upcoming Royal Rumble pay-per-view. I ended up ordering the show and having a bunch of friends over to watch it. I was hooked. Fast-forward to the present. It’s a week away from the 2009 Royal Rumble and I have in my collection the ridiculous 20-disc set of the first 20 shows, as well as the DVD for last year’s event.

I’ve decided to rank them. Why? Because that set was fucking expensive and I want to get as much mileage out of it as I can. Even at its worst, it’s always a fun match and tends to be as unpredictable as you can get.

The rules of the Royal Rumble are simple. Thirty men draw a number from #1 to #30. The men who drew #1 and #2 enter first. Every minute or two later, another guy comes out. The way to eliminate someone else is to throw them over the top rope so that both feet hit the floor. The last man standing is considered the winner. In the early days, the winner would get bragging rights. Later, the winner would get a guaranteed title shot at Wrestlemania. And of course, there was the one time where the match itself was for the championship.

I’m only counting the Rumble matches themselves here, not the shows. Nobody cares about the Hogan/Andre contract signing or Razor Ramon vs. IRS.

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You ever read the Geoff Johns and Jeff Katz run of Booster Gold? It was pretty good stuff. The majority of it dealt with Booster’s personal quest to use time travel to save the life of the 2nd Blue Beetle and Booster’s 1st best friend, Ted Kord. Rip Hunter kept insisting to Booster that this was an impossibility and that it would mess up time something fierce. Booster didn’t listen and with the help of Dan Garrett, Jaime Reyes and the mysterious Black Beetle, saved Ted’s life.

Wouldn’t you know it, everything went wrong. This was all some kind of scheme by Mr. Mind and the present was reduced to Max Lord and his OMACs laying waste to almost all the superheroes. Ted saw that his death had a role in the grand scheme of things and seemingly killed himself in some kind of time travel clusterfuck with the use of Black Beetle’s scarab. Booster was broken up about it, but got over his failings with the help of Batman’s compassion.

Despite Ted’s redeath, we were given a happy ending. But wait… what’s this?

Hey! Ted’s alive after all! Johns himself said so. Good for Ted.

Not all good. What’s he going to do now? Ted Kord is supposed to be dead. Blue Beetle is supposed to be dead. He can’t go back to the blue and lighter blue. Even if you ignore there already being a Blue Beetle around (in a sadly cancelled series), an arc in Manhunter shows that Ted being alive would ruin Wonder Woman’s defense for killing Max Lord. It would make her look even worse in the public eye.

It’s a shame. A young guy like himself given a second chance. He’s rich, he’s brilliant, he’s a gadget wiz, he’s got his own secret hideout and you know he’s just raring to go back to fighting crime. Blame it on the economy, but sometimes a talented guy just can’t find a job.

Wait a minute… Wasn’t there a job opening this week?

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I was planning to see Watchmen when it came out in theaters, but I wasn’t particularly excited about it.  As I’ve said before, it follows the extra dark trend of superhero movies.  For me, an extra dark superhero movie is like extra dark chocolate.  Yes, it’s trendy these days, and everyone agrees that it’s classier, but most of the fun has gone out of it. 

However, then I learned that Fox started legal proceedings against Warner Brothers and the movie would be delayed, or perhaps even, (gasp), never released.

So of course then, I wanted to see it, needed to see it, started concocting I Love Lucy type schemes in order to get to see it, like unearthing one of those suits that I bought when I thought going to work meant wearing suits when in actuality going to work means advancing far enough that you don’t need to wear suits anymore, and pretending to be a lawyer (I would also probably need a briefcase) and saying that I represented one side or the other in order to get to see it.  Or perhaps I would find someone on the internet to whom it had been leaked, and beg it off of them, and transfer it to others using the netname Rorschach/Owlman4evah.

And now, the legal issues have been settled, and the movie is out in March, and I’m thinking, ‘Okay.  I’ll see it.  If it’s playing at that theater where they let you pump your own butter on to the popcorn.’

It’s sad when you’re a grown woman and you realize that you would be easily tricked into helping Tom Sawyer whitewash a fence.

“All right. It’s conceivable you could beat me, Avenger. But it would take you a very long time. Tell me this, though – do you want to?”

“No. You’re not the enemy. We’re all just pawns, in a larger scheme.”

“Then we might be better off letting the others play out the events according to the desires of whoever’s pulling the strings – while the two of us try to find some real answers.”

“You’re on. Let’s go.”

— Batman and Captain America from JLA/Avengers #2

I remember back when Marvel and DC had their Marvel vs. DC back in the mid-90’s, it was my first real introduction to Captain America. Sure, I had seen him pop up in Maximum Carnage (wow, I read some shitty stuff when I was that age), but I didn’t understand what a big deal he was supposed to be until they said that he’s supposed to be Batman’s counterpart.

It was weird, since they didn’t seem to have much in common. When they did that Amalgam event and they merged Batman and Wolverine, it seemed to make some sense more based on the two of them being scowling badasses with kid sidekicks and psycho killer (qu’est que c’est… fa-fa-fa-fa fa-fa-fa-fa-fa-far better) bad guys. Even the idea of Batman being the counterpart of Iron Man worked out better, since their secret identities were virtually the same guy.

Yet Marvel and DC, despite all their differences, has written in stone that these two are not only counterparts, but equals. They’ve gone far enough to show Superman beating up the Hulk and Thor, but even when the fans vote on it, they refuse to show an actual winner in Batman vs. Captain America. I always found that interesting.

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Know what sucks about character death?

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Comics going up to four bucks has been a hot topic lately, with good reason. It’s a big jump in price from 3 bucks, and it’s coming at a time when people are screaming “Recession!” at each other like it was “bingo.”

Probably the best financial-based look at the price increase came from Conor at iFanboy, where he broke down price per page for trades and singles. Matt Silady hipped me to Marvel’s Ultimate trade and hardcover pricing a while back (ten cents per page on the OSHCs, approximately, saves you money, with Ultimate Power being the first to cost more than that), and I’d been paying attention to comic prices before then anyway, since I’d taken an axe to my pull list and gotten rid of 90% of the dross I was reading.

I found another interesting post this weekend, courtesy of Heidi Meeley. She breaks down some real-world equivalents for what you pay for comics:

12 comic books at $2.99 = $35.88
OR
Monthly electric bill at $34.76
That is a big one, right?
16 comic books at $2.99 = $47.84
OR
Cell phone bill at $49.95
Unfortunately, some form of communication remains a viable expense.

I buy most of my trades off Amazon at this point. Getting up to 60% off counts for a lot, particularly when it comes to OSHCs or Absolutes. As my attitude toward comics adjusts, I’ve become more comfortable with waiting to read, or even not reading, some stories. As the price of comics has gone up, I’ve become even more comfortable with waiting to read books and dropping other books entirely.

Basically, I don’t really have any interest in paying four bucks for a comic book, especially not when I can double that investment, add a couple bucks, and get six times the story. Four dollars for 22 pages is a quite a bit more than a bit much. I quit buying CDs when they went over 12 bucks for similar reasons. I started looking for sales. With comics, I’m looking for full stories. Serialization is good and all, and hanging with the gang on Wednesday is fun, but most stories are interminable when split up these days.

And with Marvel pulling tricks like sixteen pages of story and charging four bucks for books like Astonishing X-Men Ghost Boxes, which wasn’t even really worth three bucks to begin with, well, I don’t feel too guilty about making four bucks my hard line.

I’m done. Horse is dead.

Here’s a question*. Do you think that people who are interested in reading Vixen: Return of the Lion, with words by G Willow Wilson and pictures by CAFU, care about this?

The correct answer is no.

Vixen is a series that is a repositioning of a recently reintroduced Justice League character who hasn’t appeared regularly for years. Batman appears on a few pages out of the issue as a guest star on a rescue mission. There’s no mention of his troubles in RIP– he’s just Guest Star Batman. Guest Star Superman, Guest Star Red Arrow (ugh), Guest Star Black Canary, and Guest Star Black Lightning round out the cast.

No one cares about Batman RIP because it doesn’t matter in the context of Vixen. How about we kill this continuity spider-web stuff and just stick to the shared universe approach? “Hey, it’s Batman! I like Batman, and even though he is currently Jean Paul Valley in his ongoing comic, I’m not enough of an anal-retentive OCD nerd to care!”

I’m not saying that you should never acknowledge things… but use some discretion. It’s worthless here.

On the flip side, this is kind of hilarious. One of my favorite things about Marvel is that they don’t throw anything at the wall to see what sticks– they throw everything.

For those of you who don’t know, Midnight Sons was Marvel’s ’90s supernatural line. Morbius, Blade, Hannibal King, Frank Drake, Ghost Rider, Johnny Blaze, Vengeance, and Marvel’s other supernatural characters were in a supergroup, or loose affiliation to this supergroup, called the Midnight Sons. They fought vampires, satanist mummy people, demons, Mephisto, and whatever other vaguely supernatural enemies decided to come calling. They were about as edgy as you’d expect, too. The satanist mummy chick had her pentagram on her right breast, for example.

Anyway, it’s the kind of idea that you’d never expect to make a comeback, but so far we’ve said that for Luke Cage, Iron Fist, Bucky, Hellcat, Captain Marvel, Moon Knight, and so on- you get the picture. Marvel has a habit of revitalizing their b, c, d, and z-list in a way that’s either genuinely entertaining or entertaining on a curiosity level, at least temporarily.

I can’t promise it’ll be good, but it’s almost sure to be more interesting than the latest Superman origin re-telling.

*This question takes place after Secret Six Discussion, but before Weapons of Mass Destruction.

My PCS cohort Jon has hit us with another big idea– Comixup. It’s a feed aggregator plus network. Sites can trade links, banners, or whatever helps to try and make your mark. Hit up Jon if you want in, or check out the post on COMIXUP on PCS if you want more info.