Super-Man: Jonathan Kent
July 8th, 2008 by david brothers | Tags: all-star superman, DC comics, frank quitely, grant morrison, krypto, superboy, supermanYo, I can’t fully become my mother’s guiding light
’til my dad returns to tell me what the other side is like
I keep the things you taught trapped in mind
I know you cared…
Even though you weren’t here half the time
But who am I to blame?
I’d probably do the same in your shoes
–Copywrite, “June”
Fathers are an important element of a lot of comics characters origins, and I haven’t really seen a lot of attention aimed in that direction. This is odd, because the three biggest comics characters (Super/Spider-/Batman) are orphans with surrogate parents. Superman has Jonathan and Martha Kent, Batman has Alfred, and Spider-Man has Aunt May and Uncle Ben. I’m going to talk about Jonathan Kent, and Ben Parker to a lesser extent, in specific here, I think.
(For what it is worth, Martha, Martha, and May [their supergroup is named 3M and May is lead singer] provided the compassion that fuels all three heroes in their daily interactions with the citizenry. In each case, both parents are vital and equal components of the hero’s heroic persona. That should probably be another post, however.)
I could probably do an essay apiece on these guys, so I’ll take it slow and focus specifically on the treatment of Jonathan Kent in All-Star Superman #6, “Funeral in Smallville.” I find the regular DCU Jonathan interesting, too, especially in light of Adventures of Superman #500, but I’ll get to that later.
Ben’s influence on Peter Parker is two-fold. First, he’s the source of Peter’s superheroic morality. “With great power comes great responsibility” is basically the reason that Spider-Man became a hero, instead of a celebrity. The other angle is that he’s a source of grief and guilt for Peter, providing a secondary reason for him to keep heroing. Ben Parker is, essentially, Peter Parker’s first failure. Gwen and Captain Stacy are two further failures.
Jonathan Kent, in light of this issue, is essentially Ben Parker. In this updated story about Clark Kent’s past, Jonathan is already elderly at this point, and has heart troubles. Three mysterious Supermen appear and attempt to prevent Clark from fighting a Chronovore. Instead, Clark presses on into battle and loses three minutes of his life. In those three minutes, his father suffers a fatal heart attack and dies.
Before this, Clark was essentially invincible. There was nothing he could not do. There was nothing he could fail at. However, his first failure was harsh enough to instill in him a resolution (I’d hesitate to call it a fear) to never fail again.
The scene where Jonathan dies is cut into the fight against the Chronovore, including a rough scene where Clark is flying so fast that his hair ignites while he screams that he can “save everybody.” The scene directly after that is the funeral, which explains the moral fiber that Jonathan instilled in his son.
“Jonathan Kent taught me that the strong have to stand up for the weak and that bullies don’t like being bullied back. […] He taught me about life and death.”
This page is about as good a summary of Superman’s modus operandi as you’re going to get. He’s there to work toward a better world, to protect those weaker than him, and to live up to his father’s example. In a very real way, Superman’s hero, the person he looks up to the most and attempts to emulate, is a normal man.
This adds an interesting wrinkle to the All-Star Superman. He’s already experienced the worst feeling in the world and it became a vital part of his character. He took the loss, adjusted, and now he’s there to try and live up to his father’s memory. It isn’t guilt, exactly– it’s more of a respect thing.
The twist in the issue is that one of the Supermen is actually our Superman, who has traveled back in time. He’s there for one last chance to be with his father. He knows that he can’t save him, and that sometimes bad things happen, but that you’ve got to take joy where you can get it. If that means talking with your father about your future just before he dies… so be it. It’s an experience to be treasured, yeah?
Damn it, I just need to go buy the friggin’ AS Superman trade already …
by Pj July 8th, 2008 at 09:53 --replyYep, you do.
by david brothers July 8th, 2008 at 13:49 --replythis was one of my favorite issues
it still hits me hard when i see him flying back to his pa, with his hair catching fire, screaming “i can save everybody!”
good stuff
by Pat! July 8th, 2008 at 17:22 --replyThank you for this.
I love this issue. I’m not a Superman fan, but damn it’s too well written. That final page of a indestructible divine golden flower “growing from” Pa Kent representing the man and his legacy (what he taught his son, and what eventually came out of that — Superman concentrated into one simple man’s life and ideals) just kills me.
The issue has too much greatness to even begin to cite here (the barbelith forum has some great bits on it), but that thematic thread alone makes it perfect. And all in that manner of big great landscape of supehero-poetry (adolescent anxiety about the future turned into this cosmic misenscene and anxiety about death filtrated into huge super metaphors, a beast that eats/harvest time, supermummy-superman, future golden buddahsuperman etc). It’s truly a stand out story amongst superhero fiction.
by Birdy Zip July 9th, 2008 at 09:45 --replyThe Funeral in Smallville issue is probably my favorite issue of Morrison’s AS Superman series. I’m a sucker for father and son stories.
by NeoKefka July 10th, 2008 at 09:39 --reply[…] don’t even know, man. « Super-Man: Jonathan Kent She’s A Hellcat, Baby » Crisis on Infinite Supermen July 9th, 2008 by david […]
by 4thletter! » Blog Archive » Crisis on Infinite Supermen January 7th, 2009 at 21:01 --reply