Who should I be reading on the internet? I need to update my blog roll and RSS feeds.

Comics preferably, but I’ll take not-comics, too.

Jay Smooth has some dope advice for you if you don’t know how to talk about things like actual people, instead of like mobile talking points attack vehicles.

You know, I was going to detail my San Diego con schedule here in excruciating detail. What panels I was going to (the ones with black people talking, obviously), what parties I got invited to (none, all of you suck), and what I was planning on eating (if SDCC is like E3, the food is expensive and terrible), but then I decided against it. Other sites are going to do it better than I will, and if you’re swift enough to be reading 4l! and going to E3, you’re swift enough to be able to look at a schedule and see what interests you.

Instead, I’m going to post the beginning and the end of The Immortal Iron Fist #16, the official end of the Brubaker/Fraction/Aja era of Iron Fist. They revamped the character, turned him into something viable and interesting for the first time in ages.

the beginning

the end

It’s nice to see a socially conscious superhero, innit?

This one goes out to Cheryl Lynn.

Right now I’m getting ready to go see The Dark Knight. As I type this, it’s near 2 am.

Unfortunately, my work schedule this week doesn’t give me many liberties in terms of checking this movie out at a reasonable time. Hell, it’s also the reason I’ve been a bit dry on updates lately. So the other day I went to the nearby IMAX, a one minute walk from work, and asked what the earliest showing was of the movie. The answer? 3 am. Eh, good enough.

Around this time it’s proper to discuss favorite Batman comics and stuff like that. For me, I look towards the Diniverse and the timeless Batman: The Animated Series. When people think of great moments in the Diniverse cartoons, they’re quick to mention the Flash tearing apart the Luthor/Brainiac hybrid or Tim Drake murdering the Joker. All great moments, but still somewhat fresh in the fans’ minds because of being the most recent.

For me, one of my all-time favorite moments is the latter minutes of His Silicon Soul, an episode of Batman’s cartoon that acted as a sequel to a story arc where he fought the evil computer HARDAC. In this episode, despite HARDAC’s destruction, a robot copy of Bruce Wayne/Batman exists. He wakes up and gets shot at by some thugs, quickly revealing that he’s a machine due to all the exposed wires hanging out of his stomach. Even though he truly believes that he’s Batman, it’s explained to him that he only has basic memories.

Luckily, someone made a YouTube video that condenses the episode into about 7 minutes. The final moments is some powerful, chilling shit.

On another note relating to the movie, there’s a Watchmen trailer attached to it. It’s online all over and it rocked my socks off. Shortly after its release to the internet, Entertainment Weekly revealed its Watchmen-oriented cover. I don’t know about you, but something seems a bit familiar about Ozymandias…

We danced on Sprockets 35 minutes ago.

There’s a lot of stuff at San Diego Comic-con. This’ll be my first, but I’m comfortable putting on my boss cap and telling you what you should go see.

Scroll down below to see which panel I’m on, too. Surprise!

10:45-11:45 Reinventing the Page: Stan Lee and Grant Morrison Talk Virgin Comics— Two of the most important creators in the history of comic books team up to discuss the bold new frontiers being explored in the art of storytelling. Legendary creator Stan Lee (Spider-Man, Hulk, Iron Man, X-Men) shares his insights on the world of comics and presents never-before-revealed hints of his new superhero universe with Virgin Comics. Joining Stan is prolific creator Grant Morrison (New X-Men, All Star Superman, Final Crisis), contemporary comics’ most active mind, who will discuss his new Virgin Comics animated online series MBX while offering his own insights on comics and engaging with Stan in a once-in-a-lifetime conversation about the long history and boundless future of their beloved medium. Ballroom 20
Categories: Animation | Comic Books | Webcomics | Writers & Writing

C’mon, it’s Stan the Man and GMoz. I don’t have a chance of seeing this one for a number of reasons. One: it’s gonna be packed. Two: my flight lands at 9:45. I bet it’ll be interesting, though.

1:00-2:00 Modern Masters: Live!— Modern Masters editor Eric Nolen-Weathington brings together three of the greatest artists in comics—Frank Cho (Liberty Meadows, Mighty Avengers), Michael Golden (Micronauts, The ‘Nam), and Mark Schultz (Xenozoic Tales, Superman: Man of Steel)—for a conversation about art, comics, and beyond! Room 5AB
Categories: Art and Illustration | Comic Books

I figure by this point, I’ll be at the convention, checked in, and ready to see something cool. I love the Modern Masters books, so this sounds like the bomb.

1:00-2:00 Mark and Sergio— The world’s fastest cartoonist joins forces with the Comic-Con 2008 weekend record holder for panel moderation! Yes, it’s Mark Evanier and Sergio Aragonés together again. Expect lots of talk on Groo and anything else these two whirlwinds are conspiring to bring us in the near future. Room 8
Categories: Comic Books | Comic-Con Special Guest Spotlights & Appearances

If you hate Sergio Aragones, you are a filthy Commie and possibly a zombie.

1:00-2:00 The Future of the Comics Pamphlet— Are serialized comics in a death-spiral? Is the graphic novel the sole shape of comics to come? Retailers including Carr D’Angelo (Earth 2 Comics), publishing representatives including Joe Keatinge (Image Comics), and cartoonists discuss the state of the periodical with moderator Douglas Wolk (Reading Comics). Room 32AB
Categories: Comic Books

Trades up, floppies down! I mean, this should be interesting!

2:00-3:00 Science Fiction That Will Change Your Life— A discussion of science fiction stories intended to make you rethink your whole life or alter your perceptions. With Annalee Newitz (editor-in-chief, io9.com; contributor, Wired), Austin Grossman (author, Soon I Will Be Invincible), Charlie Jane Anders (news editor, io9.com; contributor, Lady Churchill’s Rosebud Wristlet), Graeme McMillan (weekend editor, io9.com, contributor, Newsarama), and Patrick Lee (editor, Sci-Fi Wire). Room 2
Categories: Science Fiction & Fantasy | Writers & Writing

Graeme is family, so I’ll try to check this out. I don’t really like sci-fi, though, so we’ll see where it goes!

2:00-3:00 The Middleman— Creator and executive producer Javier Grillo-Marxuach (Lost) and The Middleman actors Matt Keeslar (Dune) and Natalie Morales (CSI: Miami) discuss the bizarre world of The Middleman. Based on the graphic novels by Javier Grillo-Marxuach, The Middleman follows the surreal life of twenty-something Wendy Watson as she gets recruited by a top secret agency to fight comic book-esque criminals under the guidance of her straight-laced boss, The Middleman. Room 5AB
Categories: Comic Books | Television

The Middleman is the bomb. I’m really impressed with that show, so I’ll check this out.

It gets bonus points for using Dub to abbreviate W and the Wally West/Barry Allen joke in the first episode.

3:30-4:30 Entertainment Weekly’s The Visionaries: Comic Creators— Jim Lee (All-Star Batman & Robin), John Cassaday (The Astonishing X-Men), Matt Fraction (Casanova), Mike Mignola (Hellboy), Robert Kirkman (The Walking Dead), Colleen Doran (A Distant Soil), and Grant Morrison (Final Crisis) are the writers and artists blazing a path into the future of comics. Coming from both the mainstream and the independent worlds, these men and women can provide unique insights into the comics landscape. Moderated by Entertainment Weekly staff editor Nisha Gopalan. Room 6A
Categories: Comic Books | Comic-Con Special Guest Spotlights & Appearances

Chances of me getting into this panel: less than zero.

5:00-6:00 The Third Annual Comics Podcasting Panel— The best of the best in comics podcasting returns to San Diego for the third annual discussion of comics podcasting and how it’s affected the comics media. A no-holds-barred discussion with comics podcasters Bryan Deemer and Peter Rios (Comic Geek Speak), Charlito and Mr. Phil (Indie Spinner Rack), Joe Gonzalez and Jimmy Aquino (Comic News Insider), Josh Flanagan and Conor Kilpatrick (iFanboy), and John Mayo and Bob Bretall (Comic Book Page). Room 32AB
Categories: Comic Books | Fandom

Josh and Conor from iFanboy are good buddies, so I’ll check this panel out. I’ll even stick around for the end, in part because–

6:00-7:00 The Comics Blogosphere— The blog explosion has opened up a new frontier for comics criticism. This lively (and inevitably bloggable) discussion features David Brothers (4thletter!), Jeff Lester ( The Savage Critic(s)), Laura Hudson (Myriad Issues), Tim Robins (Mindless Ones) and moderator Douglas Wolk (Reading Comics). Room 32AB
Categories: Comic Books | Fandom

my panel is next in the same room! I am going to talk about… I do not know. Possibly comics, blogging, or some combination of the two. it should be interesting. I’ve actually been reading the blogs of everyone else on the panel for a while, so I’m feeling like the odd man out. Still flattered, though!

6:30-7:30 So You Want to Do a Graphic Novel— Writer and publisher Larry Young assembles a team of writers and artists to unlock the secrets and unveil the mysteries of completing your own graphic novel. Panelists Adam Beechen (Final Crisis), Steven Grant (Two Guns), Kirsten Baldock (Smoke and Guns), Matt Silady (The Homeless Channel), and Manny Bello (Dugout) kibbitz, cajole, and inspire you. Room 3
Categories: Comic Books | Writers & Writing

Wrapping up Thursday is this panel. Matt and Kirsten are Writers Old Fashioned cohorts and Larry Young is a good friend. I’ll sprint from my panel to this one, I think! It should be interesting, though I bet I’ve already heard a few of these stories.

Tomorrow, I’ll go over Friday and Saturday. I’ll hopefully have some hi-content posts for y’all later this week.

Today I went to yet another CHIKARA show. When all the fun was over, I walked outside to find an ice cream truck. Since it was hot as hell in the arena, I indulged in a vanilla cone with sprinkles. As I’m enjoying it, I find wrestler Vin Gerard just lounging around by the entrance.

Gerard’s story is this: he used to be Equinox, a masked luchador with sloppy high-flying skills that hung around the undercard until being unmasked. He was exposed as being Vin Gerard, a drop-out of the CHIKARA Wrestlefactory who decided to sneak onto the roster by pretending to be a Mexican export. He was ostracized by his peers and fell down a downward spiral of anger and black eyeshadow. Basically, he’s emo.

The thing is, he uses this twist to give what may be one of the most genius pieces of wrestling merchandise I have ever seen. Sometimes wrestlers will give you a signed 8-by-10 of themselves for a couple bucks. Not Vin. No, for a couple bucks, you get a H8-by-10. He will sign a picture of himself, make it out to you and list just why he hates you.

I couldn’t pass this up and paid him with my free hand. By this point, the sun has already melted my ice cream to the point that it’s covered my hand and is dripping on the sidewalk. Ergo…

What a guy.

And on another note, during intermission, me and CHIKARA newcomer Steve “The Turtle” Weiner (whose theme is that awful/awesome song from the TMNT Coming Out of Our Shells Tour) did a happening duet of one of Coach Z’s greatest hits. Truly, this man is my kindred spirit.

Basically, my interpretation of Batman is this: Batman loves his job. There’s more to it, of course, but that’s the most important bit.

Part of Batman enjoying his job means that the “Bruce Wayne is the mask” interpretation is both true and false. In the sense that Bruce Wayne is overall expendable and exists solely to provide income for Batman, it is definitely untrue. As Jon Bernhardt says in this piece for Funnybook Babylon, Bruce Wayne as Mask is a drastic misreading of Dark Knight Returns, and antithetical to the idea of Batman.

In essence, Batman wears two masks. One is the Batman mask– it’s an urban Zorro. The other is Playboy Bruce Wayne, and that one is an exercise in theatrical distraction. Playboy Bruce Wayne provides the perfect alibi. Who’d believe that this flighty guy could ever do anything worthwhile? This is part of the reason that Bruce Wayne hasn’t had a lasting relationship. The Playboy role is a barrier against that.

The Batman mask, though, is the interesting one. Bruce Wayne is, at heart, damaged goods. When his parents were murdered in front of his eyes, Bruce Wayne immediately went from innocent to lost. He can’t make the same emotional connections that other people do. Look at his best friends– all costumes. Does Bruce Wayne have non-costumed, or non-costume related, friends? Lucius Fox, perhaps.

Bruce is incapable of sustaining a regular relationship. He connects best with the other people who wear costumes, or run in those same circles. Look at his long-term on-again/off-again relationship with Catwoman. Look at Zatanna and Wonder Woman. Maybe it’s just a side effect of the job and shared experiences, but he tends to hang with super-women.

Anyway, going from innocent to lost doesn’t mean that you stop being a kid inside. The Batman mask and persona, if you think about it, are the reaction of a kid who had his childhood stolen from him. He puts on a mask and a cape, emulating his favorite hero, and fights the thing that hurt him when he was a child. He goes out at night and plays at being a hero. Look at Batman’s conduct. He puts on a gruff voice and uses parlor tricks to strike fear into the hearts of criminals, who are “a superstitious and cowardly lot.” He’s acting like something he thinks criminals would be afraid of.

Though, this doesn’t mean that he doesn’t love his job. Being Batman is what Bruce Wayne uses as an outlet for his aggression. One thing Frank Miller does in All-Star Batman that I love is that he writes a Bruce Wayne who has a childlike glee at being Batman. Everything from the dialogue to the inner monologue speaks to a man who is a) acting (he’s deciding which persona to put on before he strikes), b) acting poorly (Dick Grayson sees through him immediately), and c) loves doing it anyway (“Every inch of me is alive“). He strikes with a laugh, rather, “the laugh” because he knows it scares criminals. He makes it a point to use theatrics when he fights. It gives him an advantage in the fight and it lets him playact.

I mean, for real, though. That giant t-rex and all those other trophies were in the cave before Robin got there. That’s Brucie at work.

Batman is a dark, serious, brooding, and violent knight, but he’s also someone who has to enjoy what he does. He likes getting out there, acting gruff, and breaking bones. He likes being able to make people safe and striking terror into the heart of criminals. In DKSA, this is best shown by the scene where he’s relaxing and leaning back in his Batplane, hands behind his head and feet up on the console. “Striking terror. Best part of the job.”

Batman is also that guy who is scarily competent at everything. It isn’t that he’s a genius. He’s just a person of maybe slightly above-average intelligence who applies himself. He studies and practices and trains with a fervor most people don’t ever employ. He can place the origins of accents by simply hearing them, give you the etymology of certain words and which poems they were used in and why, and even track a wolf eighteen miles through the underbrush. Why? Because he thought it’d be a good idea to know all these things.

He’s the ultimate jack-of-all-trades. In hindsight, he essentially spent the remainder of his childhood studying to become the Batman. He travelled the world, studied martial arts, science, and who knows what else solely so that he could be the best at his job. He turned himself into a detective of incredible skill just in case he needed it later. He’s an obsessive amongst obsessives, if that makes sense. Capo di tutti capi.

Finally, Batman has to have Robin. Robin is the perfect foil for Batman. Where Batman is the guy who lost his childhood, but never really left it behind, Robin is the child that came close to losing his, but managed to find it again. Batman isn’t so much a father figure to Robin as a big brother. They go and hang out together and play all the same games.

Robin existing gives both of them a chance to win back some lost humanity. They can use each other for moral support, since they are so similar in origin, and when that doesn’t work, they can go out and bust heads together. For Bruce, Robin is in danger of going down the same path he did. He’s lost his parents in a tragedy, just like Bruce did, but being Robin gives him a chance to cope. It gives him an outlet for his grief.

Alfred keeps Bruce honest. When he sometimes slips a little too deep into the Batman persona and starts to walk his talk, Alfred is there to call him out on it. His constantly sarcastic wit reminds Bruce that he is still a human being, and an adult at that.

The somber, super serious, depressed, hates-to-live Batman that was popularized a few years back is a mistake. Batman gives Bruce Wayne a reason to live and enjoy life. He likes being Batman. He feels that it’s right. Robin provides a balance to his darkness, and Alfred keeps him honest.

That’s the way it should work, anyway.

What If THIS Was the Fantastic Four is a comic that nearly passed me by. For whatever reason, my comic shop didn’t even get it in until I got wind of it and had it ordered for myself. It’s a good thing it got on my radar, because it’s a classy issue and well worth the read.

It’s about the New Fantastic Four sticking together as a team, which has been done before. While that wasn’t a bad issue, this one goes in different directions. Not just the optimism and the opposite use of Dr. Doom, but the 90’s story barely included Ghost Rider at all, while here he takes center stage.

The true story of the issue is this: it was meant to come out with the other What If issues around December. Mike Wieringo, the artist, was seven pages into drawing Jeff Parker’s script when he passed away. Rather than leave the comic alone, many of Wieringo’s artist friends got together and finished the comic themselves. Art Adams, Stuart Immonen, Humberto Ramos, Mike Allred and many others help tell the story of four loners joining together in snazzy black and blue tights. Plus it has a Mini Marvels page about them at the end!

If anything, the comic gives me one of my favorite sequences in recent history.

Though there are a couple snags. Parker forgot that Daniel Ketch was Ghost Rider during the New F4 storyline and had Wieringo draw Johnny Blaze. They kept it that way so as not to mess with Wieringo’s art. Then we have a scene later in the book where Skottie Young depicts Dr. Doom’s face with his mask off. Last I recall, that’s supposed to be one of the big no-no’s in comics.

I really need to redo that Top 100 list. Probably after the next batch come out. They’ve really been on the ball with these lately.

Hellcat is the best comic you didn’t get last week. Kathryn Immonen and David LaFuente a comic that’s best described as “delightful,” and Stuart Immonen’s cover is pretty awesome, too. Here’s a bit from the comic to convince you to rectify your sin and go back and get the book. Brian Hibbs reviewed it, too.

Go buy it.

I’ve gotten into a couple conversations over the past week or so about Superman. I’m not sure what brought it on. Maybe it’s something in the air, or the creative changes on Superman, or whatever whatever. One thing that always comes up is what exactly makes up your own personal Superman.

It’s that personal continuity, or apocryphal continuity that Morrison inadvertently created, again. Some stories count for you that don’t count for others. Other stories are so terrible (War Games) that you just wish everyone else would pretend like they never happened. Why even mention [Sins Past, Parallax, Clone Saga]? They suck, leave them in the past, right? Anyway, apocryphal continuity is something that I think everyone practices, whether they realize it or not. I mean, seriously, how many Superman fans think that Superman really almost starred in a porno with Big Barda?

My Superman is pretty widely defined, but there are a few pet peeves and specific traits I think he should have. First and foremost, though, is that he doesn’t say “Great Rao!” or “Moons of Krypton!” or whatever fakey-fake Kryptonian religion crap he found out about second-hand. That’s lame and way too Silver Age-y. So is “Great Scott!” Superman talks like a normal person.

Superman and the Legion is one area that I’m not entirely certain on. I have a friend (or two) who swears that the Legion is necessary for his life as a boy, but I’m not so sure. My thought was that Superman’s powers don’t fully manifest until he’s basically grown, as in Birthright or the Death/Return of Superman. As a kid, he knew he was different, and he at some point found out who and what he was, but he wasn’t exactly a Superman at that point. Sure, he could fly, maybe had a little bit of laser eyes, but he wasn’t thoroughly amazing.

The reasoning behind the Legion of Superheroes being significant for Superman’s origin is that it shows him the impact he will have on the future, which serves to simultaneously create an environment where you can tell stories about Superboy fighting things other than runaway tractors and bears (or whatever infest the midwest) and to create a situation where Superman must live up to his own legacy.

Basically, I kind of liked it when the only legacy Superman had to live up to was his father’s. It’s smaller scale and much more personal, I think. He’s just a young, confused kid who’s got to find his own way in the world and try to do the best he can. Knowing for a fact that you basically become the greatest hero to ever do it takes away from that a bit. It makes him more sure of himself without doing the legwork. I’m not a hardliner on it, though, and can go either way. I’m just hesitant about the Legion because I can’t really get into it in general.

Superman is an alien, but he is also a human being. In fact, he is a human being first and foremost. He was raised by people who instilled that in him, along with humility, a need to do right, and a need to not do too much. He has the power to wreck the planet to get his way, but he studiously avoids any action like that. He understands the fear that would strike into the hearts of regular people. So, he tries to live his life the way his parents raised him.

Kryptonite will kill him, but so will the loss of Lois Lane. I really liked Brian Azzarello and Jim Lee’s For Tomorrow in part because it hammered that point home. Superman lost his wife, and losing his wife basically means that he lost his center. He isn’t out of control, exactly, but he’s much less likely to go easy on you. Lois is the most important thing in his life and his anchor with both his human and Kryptonian heritage.

In the Fortress, he’s Kryptonian. He’s surrounded by the remains of a dead world and statues of his birth parents. In Kansas, he’s surrounded by his past and his oh-so-human parents. With Lois, he can let down his guard and be both. In Action Comics #775, “What’s So Funny About Truth, Justice, and The American Way?”, there’s a bit where he’s laying in bed with Lois and thinking about the next day when he’s due to throw down with some people who might actually murder him.

The scene is the perfect intersection of man and hero. When Clark is Superman, he has to be flawless. He can’t make mistakes. He has to be perfect in order to protect the Earth. As a man, though? In the dark, with his wife? He’s allowed to be unsure and imperfect. He’s allowed to let his voice crack and wonder if he’s doing the right thing, even though he already knows that it’s the only thing he could ever do.

Superman, like Captain Marvel, should always be one of those few superheroes I think should stay kid-friendly. There’s just something about him that encourages that. Maybe it’s what he stands for or how he operates, but a story about Superman having committed murder, for instance, is a hard sell for me. You could add mind control into the mix and I still wouldn’t be interested. He’s Superman. He doesn’t do that kind of thing. Ever. That’s the way it goes.

Also, my Superman got into a fight with Muhammad Ali and caught a beatdown.