Johanna Draper Carlson nails one of my problems with Alan Moore’s latest works.

I also, and I cringe at the potential response to this but I’m going to say it anyway, outgrew this kind of fanfiction years ago. When I was a kid, my impulse was to match up the casts of favorite TV shows (because I was a child of the 80s). It’s not that much more clever when Mr. Moore does it with literary figures, except in his case, you need a scorecard to recognize some of the more obscure ones. It’s also not very creative to think that simply having character A from book series B meet character C from TV series D makes for sufficient story. It doesn’t.

I haven’t read Black Dossier yet, nor Lost Girls, and you know what? I kind of don’t want to. I’ve gone into why I can’t get into Alan Moore, and LoEG seems to just be more of the same.

LoEG is continuity porn for literature geeks.

I’m tired of continuity porn and I’m tired of pastiche.

Stop being so clever, Mr. Moore, and write stories with real plots with your own characters.

Amen to that.

Like you’re probably well aware, acclaimed comics scribe Grant Morrison has been writing the ongoing Batman comic since late 2006 (aside from a fill-in arc by Ostrander and Mandrake after issue 658). It’s been a pretty polarizing run, with some (like me) enjoying the hell out of it, while others are annoyed by the inclusion of Batman’s son Damian and some of the more classical elements reintroduced to the universe. In any case, it’s still a Grant Morrison comic, and that generally means there’s more going on underneath the surface. The run has largely been using other characters to explore Batman himself: Damian, the Three Ghosts of Batman, Joker and arguably Ra’s Al Ghul (who has always been something of an anti-Batman). One of the most obvious examples of this is the recent Club of Heroes story arc in issues 667-669 (with art by the amazing J.H. Williams III). Since Morrison’s run is far from over it’s hard to analyze it in its entirity yet, but this story arc is (or at least appears to be) standalone enough to be worth a closer look. Plus it was just a lot of fun! The following article will contain spoilers for the arc, so read at your own heed, but there’s probably no reason to read the article if you haven’t finished the story in the first place anyway.

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This past weekend was the 2007 season finale for CHIKARA. The third and final show ended very badly, when young wrestler Lince Dorado landed wrong during a Shooting Star Senton (if you have any idea what that move means, you can see how it can go very wrong) and caused a major scare. He was taken to the back with the wrestlers, Lince’s family and the fans in fear of his fate. Thankfully, he’s relatively okay, but it could have been a lot worse. The main event of Chris Hero vs. Claudio Castagnoli was cancelled. Despite the year-long build-up, I don’t think anyone objected, considering the circumstances.

I wasn’t at that show, but I did make the one on Saturday. Fantastic stuff, including a main event that gave me some of the biggest laughs I’ve had all year. Being behind on my DVD’s for shows I didn’t have a chance to go to, I shelled out more money than I should have and bought a handful. More specifically, I got myself a copy of Bruised.

Based on Incredible Hulk #181, the battle of the doofy-looking Wolverine and Hulk is replaced with Tim Donst going up against Eddie Kingston. For some reason, they changed the background color and it looks more like a box of Wheaties.

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I’ve worked at Barnes and Noble for a little over two years and we’re getting ready for yet another painful holiday season. More customers = higher potential for people with something completely wrong with them.

I think it was on the Something Awful forums, but I remember someone once complaining about how B&N never discounts graphic novels ever. I had to think it over for a second, but the guy was right. In all the time working there, I don’t remember a single sale for anything graphic novel related, except possibly Alex Ross’ Mythology.

Maybe it says something about the industry’s success, but that’s changed a lot. Back during October, the hardcover trade for Marvel Zombies vs. Army of Darkness went 20% off. That’s an interesting precedent, considering despite the many, many copies sold of Marvel Zombies (at least in my store), even to the point of the warehouses being out of copies, it always remained list price.

As of today, there is a pretty impressive amount of discounted comic titles. I’m pretty certain this counts for every B&N. Off the top of my head:

– Heroes Volume 1
– Black Dossier
– Gunslinger Born
– Jodi Picoult’s Wonder Woman
– 300
– Absolute Sandman Volume 2
– Shooting War
– Marvel Encyclopedia
– DC Encyclopedia

Not a bad batch. Well, the Wonder Woman thing probably sucks, but B&N has a boner for Picoult and I’m interested in seeing how that sells. I think it’s about time the Marvel and DC Encyclopedias get an update, especially the latter. DC Encyclopedia still claims that Dr. Light killed Sue Dibny.

As a forced segue into a future article, Gunslinger Born was done by Peter David. I have one of his greatest comic issues ever coming to my mailbox any day and I can’t wait to review it. It’s a lost gem from my childhood that I had when I was like eight. Oh God, this is going to be sweet!

Ghostface Killah Lands Cameos In ‘Iron Man,’ ‘Walk Hard’ – Movie News Story | MTV Movie News

“I jumped in there for maybe 12 or 16 bars, nothing too major,” Ghost downplayed before describing his scene with the film’s star. “It was a good look for the kid because Robert Downey Jr. recognized me as soon as I seen him. He was like, ‘Yo, Tony!’ … For him to recognize me, I was kinda surprised by that. I didn’t know he even knew about the kid. … We called each other Tony onscreen. I’m like, ‘Tony Stark, I got your jet, I didn’t mess it up.’ He was like, ‘I got the Bentley for you, I laced it up.’ I had two girls with me, I was like, ‘That’s you [pointing toward the girls].’ I sent two birds at him. It was a wrap for that scene. He’s a cool dude and funny. Big up to Robert Downey Jr.

This Iron Movie cannot possibly get any more awesome. Yes.

(all covers from November 1983)

Hey guess who has a birthday today

no it’s not alan moore

(okay it is but he isn’t who i’m talking about)

me

How brilliant is that Amazing Spidey cover, seriously? Jonah in a tracksuit laying Spidey flat.

How many comic characters have come up with recently revealed/brought back into play children?

Wolverine has Daken and X-23, kinda. Agent 13 is preggo with Cap’s baby. Namor had that son show up in his mini. Superman has Chris Kent. Batman has Damian. Hulk has Skaar or whatever. Corsair had Vulcan, though that’s kind of stretching the timeline a little. Punisher’s got a tyke.

That’s eight in, what, just under two years?

Anyway, Christos Gage is one of my new favorite writers. His Union Jack was the bomb, his House of M Avengers was mostly recap/revamp for Cage fans, but good, and so on. He’s got a couple books dropping soon. Iron Man Annual #1 and T-bolts: Breaking Points. Both are one-offs.

Tony Stark as James Bond + Bruce Wayne is a brilliant move, seriously. Why hasn’t anyone done this before? It’s totally Tony Stark. Danny Rand is Kung Fu Billionaire, Tony Stark should be Mecha James Bond. I want to pick up both books now. Gage generally does good.

But yeah, there’s something else in those previews that I noticed. Check out this image and think back a few months to the Mary Jane statue thing.

I laughed.

My question is– is this a knee-slapper with a knowing wink or a face-slapper with a mean glare? It’s kind of obviously presented as something that isn’t altogether kosher or positive… my money is on wink.

Who is doing all the blogging on race? I know there is Rich Watson, Cheryl Lynn, and Bahlactus.

Is that it? Seriously? What am I missing? Who else is there? I want to read more.

The sum total of Speedy’s characterization in Green Arrow/Black Canary #2 amounts to “HEY I GOT AIDS PLUS I USED TO BE A HOOKER YOU GOTTA PROBLEM WITH THAT HUH DO YA?!”

Judd Winick? He’s Chris Claremont 2.0. I can’t think of a single reason to read his books, and I love Cliff Chiang.

Spider-Man 3 on DVD came out recently. I think I’ll wait off on it for the eventual Spider-Man 3.1 release. In honor of this movie, let’s look at the two debuting villains: the Sandman and Venom.

Venom made complete sense. I think most everyone with a brain knew how this was going to play out from the beginning. First movie would have to be Spider-Man’s top nemesis the Green Goblin. Second movie would have to be Doctor Octopus, who, while doesn’t have all that much of a personal connection to Spider-Man, is such a persistent villain that the public equates him as one of the other top bad guys. The third movie had to have Venom. Who else?

Yes, there are a ton of unused Spider-Man villains out there, but does Mysterio really have the star power of Venom? Do you really see 14-year-olds getting all giddy because they heard the next Spider-Man movie will have the Vulture? No. He may not be the most popular villain among the comic writers and especially Sam Raimi, but he certainly plays the third corner in the Big Three for Spider-Man’s rogues gallery.

The Sandman is a sensible addition because of his classic nature, trademark street clothes appearance and the potential of how his powers would look on the big screen. That and Thomas Hayden Church looked so perfect for the role it was impossible to say no to.

They are two very different villains. One is one of the originals, the other is a product of the late 80’s. One is a team player, the other is a loner. One is an overly-milked cash cow, the other isn’t known for starring in any major storyline. But they are mainstays in the comics and will remain so for some time. That begs the question, how often do Venom and the Sandman meet up in the comics?

As far as I can tell, there are three stories about the two of them butting heads. I won’t count minor appearances, like Mark Millar’s Marvel Knights Spider-Man run. Sure, Venom and the Sandman were both in it, but they had no real interaction. This also goes for any illusion or dream sequence or what-have-you for Spider-Man seeing an army of villains running towards him.

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