You’re a Wonder, Woman
February 15th, 2007 Posted by david brothersMy style is “War and Peace” – your shit is just the Cliff Notes
–El-P of Company Flow, “Definitive”
Thomas Wilde hit me with this term some years ago. “Nerd blind spots.”
Nerd blind spots are those things that you’re an inordinately big fan of, which leads to being more willing to try anything involving those things. An example is the guy who went to see each Star Wars prequel movie in the theater and had high hopes that “Maybe it’ll be good this time.” It leads to a furher loss of objectivity in an already completely subjective realm, i.e., opinions.
I’ve got a few nerd blind spots. The Jim Lee-era X-Men is one, to be certain. I’d love to own all of that in trades. Spider-Man is probably my biggest, as I’ll pretty much read something that guest-stars Spidey unless I know that it’ll 100% suck. In the same sense, though, I enjoy Spidey so much that I have this idea built up in my head of what Spider-Man should be, so I can be quite critical of Spider-books. I dropped Amazing Spidey when Mike Deodato came onto it, mostly because he was completely inappropriate for the book. Millar’s Spider-Man run sacrificed characterization for plot and turned out to be a fake Hush. That kind of thing.
A lot of people have these nerd blind spots, be it for characters, themes (noir, how I love thee), or creators. These aren’t bad things at all, I figure. If you enjoy a book, that is all that matters. Everyone needs, if not obsessions, at least pointed interests.
This ties in, at least a little bit, with something I’ve thought over before. What’re your definitive versions of characters? I don’t mean stories, necessarily, but the way they are drawn. Who’s Superman, for example, do you think of when someone says “Superman?” Who has put an indelible stamp on that character?
Definitive tends to imply that there is only one version, but that isn’t quite right. Spider-Man/Peter Parker takes a bunch of different forms for me. Jazzy John Romita’s cool version from back in the day is on the list, as well as Jumpin’ John Romita Jr’s recent look for the webslinger during his run on Amazing with JMS. Another notable is Humberto Ramos, who draws pretty much the perfect “big foot”-style Spidey, and Mark Bagley is another big gun. Those are the four people I think of when I think “Spidey.” Todd McFarlane used to be on the list, since he was really part of my first exposure to Spidey, but he’s been crazy out-paced. he still draws the best webs, though.
Daredevil, oddly, isn’t Frank Miller’s version. It’s Alex Maleev’s. Maleev made that book his own, and his noir stylings were pitch perfect. The X-Men are Jim Lee’s, through and through. More specifically, X-Men #1-era Jim Lee. His people looked like heroes. They were all strong, attractive, rugged, and powerful.
Superman is Ed McGuinness’s version, no question. Not even Frank Quitely could top it, despite the fact that All-Star Supes is a quality book. McGuinness brings a kind of pop comics exuberance to the character that I just love. He’s big, he’s burly, and he’s happy.
This ties right into my next point– Wonder Woman. This part of the post is due almost directly to Loren Javier’s post and the ensuing comments thread here.
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