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Publisher for a Day: DC Comics

October 13th, 2006 by | Tags: , ,

I’ve seen this in various places (specifically BSS and Newsarama) and I figure it’s worth a bit of wider notice.

You’re publisher at DC for a day. You can change three creative teams, create three new books, and cancel three to make room for the new ones. What do you do? Show your work.

New Teams

Wonder Woman

Heinberg isn’t working for me. In fact, I hate it. His book reads like he’s finally got a chance at the character, so he’s going to throw in every stupid trope ever. The Dodsons are pitch-perfect, however, so they can stay. The new team would be Joe Kelly and The Dodsons. Kelly was the one writer on JLA who made me genuinely and truly like Diana, so he deserves another crack at her. His Diana was a warrior and generally awesome. I’d like to see his treatment of her post-Crisis. If the Dodsons are unavailable, I’d love for Doug Mahnke to take another shot at drawing the Maid of Might Princess of Power Thunder from Down Under— does WW have a catchy subtitle? Mahnke’s “wet-hair Wonder Woman” (so-called by one Thomas Wilde) is the best version of her I’ve ever seen. It worked.

Teen Titans

This book has been crazy downhill for ages and DC needs something relatively childsafe. Put Daimon Scott and Skottie Young on art and let Ty Templeton write. Ty’s old work on Batman Adventures was better than a lot of the more mainstream bat-stories. He can bring kid-friendly stories with adult sensibilities to the table, and Scott and Young bring some hyper-expressive and awesome art… let ’em go wild.

JLA

Meltzer’s run has been wack, just like Heinberg’s on WW. Replace Meltzer with… hm. I’d say replace him with Dwayne McDuffie. He definitely knows the JLA well enough to do a rocking job. Give him Doug Mahnke on art because I love Mahnke. If not Mahnke, make it Justiano for some bright and shiny superheroics.


New Books

ZOOM

The creative team would be David Brothers and Gavin Jasper Geoff Johns on words and Karl Kerschl on art. The idea came from something that Mr. Gavok and I bounced around one night over IRC. Here’s the angle:

Bart Allen, Flash, is in trouble. Gorilla Grodd not only has him on the ropes, but is inches away from killing him. He’s groggy, and Grodd has telepathically turned off his access to the Speed Force and the calming words of Grandpa Barry, Wally, and Max. In short, Bart is in trouble deep. His heart sinks as he hears a voice begin speaking.

“Barrrrrrt Allen. Flaaaash.” The voice pauses. “Fastestmanalive.”

It’s Zoom. Wally’s worst enemy and a man who gave Bart nightmares. He flashes into and out of visibility and time. He is directly in Bart’s face, at his side, and below him, studying him. Grodd laughs and welcomes his comrade. He doesn’t even see Zoom turn before Zoom is right in his face.

“GorrillaGrrrrrrrrrodd,” Zoom says. “Monkey.” Grodd’s face falls and twists in anger.

What happens next can only be described as a dismantling. Zoom takes Grodd apart, shattering almost every bone in his body and putting him out like a light. He turns back to a shocked Bart.

“Hunter Zolomon. Zzzzzzoom. Fastestmanalive. Show me how tobeabetter herrrrrro.”

(I swear, I didn’t do this blog post just so I could post that. Well, not totally.)

After the Crisis and Rogue War, Zoom realizes that he has no one to blame but himself for his troubles. He was not the hero he thought he was, and he lost his wife because of it. He turns to the one man left alive who he can connect with, Bart Allen, Flash. Zoom is going to become a (better) hero and he’s going to learn at the feet of a man who is tied to a heroic legacy, whether he wants to teach him or not.

Fourth World

The team is Grant Morrison and Walt Simonson trading back and forth on writing chores, while Jamal Igle and Walt Simonson handle art chores. I think that working from a Morrison or Simonson script could push Jamal, an already incredible talent, into the stratosphere. Morrison and Walt are the only two who have shown themselves able to properly handle the Fourth World, anyway, so give them the book, let them go wild, and keep Byrne away from it. I see this as a kind of antholgy title, with an A story and a B story, both of which are 16 pages long and written by either Grant or Walt. I want some bright and shiny and incredible Kirby, and those two are the ones to do it.

Gotham Confidential

This would be another anthology, this time starring Slam Bradley, Jason Bard, Eel O’Brian, and Harvey Bullock, or perhaps Montoya depending on how 52 shakes out. In short, the supporting cast of Gotham City. The writers would be Brian Azzarello, David Lapham, Darwyn Cooke, and Will Pfeifer. I’d like to see a rotating team of artists, from Cooke to Lapham to Eduardo Risso to Kano to maintain the noirish feel. Total vanity title here, guys.


Cancelled Books

Outsiders: Wack.
Green Arrow: Wack.
Flash: The Fastest Man Alive: Just so-so, but my idea is better and builds out of this series, so it has to go.

(DC, seriously, I would write ZOOM for free holler at a brothers man c’mon)

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5 comments to “Publisher for a Day: DC Comics”

  1. Bwa. Outsiders is fun. Sans Grace.


  2. I’m allergic to Winick :)


  3. Damien Scott would be a great choice for a relaunched Titans. I do like Daniels’ art in general, but Scott’s kinetic, stylish art is much better for what the Titans should be.

    If they brought back the Doom Patrol, it’s a waste to leave them in limbo. Maybe Peter Milligan and Mike Allred would have an interesting take on it.


  4. Wow, I really disagree on WW and JLA. And Kelly was my least favorite JLA writer, after Austen.

    I like those new ideas, though. Especially Zoom. >>c


  5. Man, I loved Kelly on JLA. The Obsidian Age through his final arc were fun stuff, and Manitou Raven was pretty dope.

    I kind of wish that Manitou Dawn were still around, though. JL:Elite was tops.