Let me go ahead and get this out of the way. Gail Simone on Wonder Woman got the same reaction from me that J. Torres doing a fill-in on WW did. None.

I haven’t liked her last year and a half of work or so. Villains United was okay, but I didn’t even finish Secret Six. BoP started off great (that first year or two was stellar), too, but even that feels like it fell off. Gen13 and All-New Atom? No thanks. I don’t know, I think that my tastes are changing or something, but her work just doesn’t click with me like it used to. No slight to her, or at least I hope not, it just ain’t my thing.

It got me thinking, though. Who could get me to read Wonder Woman? I came up with two names who I think would be pretty dope on the book, and both of them are even female-type people!

Louise Simonson and Ann Nocenti.

C’mon, don’t even say you wouldn’t read that.

Weezie deserves it. X-Factor, New Mutants, Man of Steel… Steel. She’s paid her dues ten times over. I shouldn’t even need to explain this one. She’s apparently written a WW novel, but I haven’t read it. I think she’d be pretty awesome on the book.

Ann Nocenti wrote some of my favorite Daredevil stories, did a Batman/Poison Ivy book a few years back with John Paul Leon (I think, it may have been John van Fleet?) that was pretty solid. I will love her forever for creating Typhoid Mary, the best she-villain that isn’t named Harley Quinn. (I really, really like Typhoid Mary and Harley.) I think that Nocenti could do a pretty bomb off-kilter WW book and deliver a book that would defy more than a few expectations. Dante’s Inferno ala Diana Prince. Or even something real world and political, she’s good at both kinds.

I may not be excited for Gail on WW, but either of these two would make me jump for joy. Shoot, Weezie is the reason why I’m going to be reading Marvel’s Mystic Arcana when I don’t even really like two of the four characters involved (Scarlet Witch and Black Knight. Magik is generally better as a kid, and Sister Grimm has a dumb codename but is pretty cool.).

Anyway, yeah. Give me Weezie and Ann. I think that they’d be worth it.

Also, c’mon Marvel, reprint this thing already.

From Geoff Johns’s forum:

First things first, I haven’t done any of the fill-ins because, beyond JSoA and GREEN LANTERN, I’ve leaped ahead on ACTION COMICS and am already working on the last half of 2007 and into 2008. Kurt and I are totally in sync and have laid out the plans for 2007 and 2008 and it’s always a pleasure to work with him in the same Superman-verse.

Much like WONDER WOMAN, the last chapter of LAST SON will be in ACTION COMICS ANNUAL #11 later this year when Adam’s finished with it. This, quite frankly, allows us to move ahead and get our work on Action Comics coming out monthly with the stories we want to tell.

Donner and I resume our Action run with Eric Powell’s three issue arc “ESCAPE FROM BIZARRO WORLD” which we’re already working on. I’ve seen the first several pages and Eric is doing fantastic work.

I’ve really been enjoying Action Comics, so it’s nice to see that Last Son will finish and we’ll get some Eric Powell books this year.

However, DC has thoroughly botched two launches through late creators: Action Comics and Wonder Woman.

Last Son was supposed to be six issues long. It was supposed to end this month, or maybe last month. We have seen three parts of it. The bad part is that Last Son was good and supposed to be monthly. I’m sure that the trade will be wonderful.

Wonder Woman is going to have five writers over 13 issues. Allan Heinberg, Will Pfeifer, Jodi Picoult, J. Torres, and Gail Simone. Gail is definitely an improvement, but to be quite honest I don’t know that she’s enough of an improvement. Her latest work has left me kind of unimpressed. I mean, a Barney joke in Gen13? What?

Anyway, this is a textbook example of how to screw up a big-time relaunch.

Small wonder that Marvel is beating the pants off DC in numbers. Eight out of the top ten books are Marvel, with only JLA #6 charting for DC at #6.

Something’s gotta change. DC isn’t working and OYL turned out to be a non-starter.

DC released a teaser image a few months back for DC Countdown. It made the usual run around the comics blogosphere, in part for the graphic (read: hilarious) violence shown in Max Lord’s turned around neck and the Atom’s tiny, tiny arm poking out of the dirt.

(Max Lord and Dudley Soames go to the same chiropractor.)

There was also some talk of DC’s alternate Earths and blah blah blah. There was something about this image that was bugging me and I could never quite put my finger on it. I’ve found it now, though.

Superman is clutched to Wonder Woman’s bosom, sitting awkwardly, and sobbing his laser eyes out.

Uh, no. That’s stupid. It’s stupid on an Olympic level.

Superman wouldn’t cry. That isn’t in his character. Never happen.

Superman died once. Died in the arms of the woman he loves. His only concern was that she, and the rest of the city, was safe. He didn’t weep. He only stopped once he found out that he’d saved the day.

Superman is, like it or not, a father figure. He’s the hero that other heroes look up to. Having him crying is just ridiculous. It doesn’t fit his character. In All-Star Superman #1, he’s told that he’s going to die. His response?

“There’s always a way.”

Think about when you were a kid. When your dad was crying or upset, that’s when you know when things were serious. No kid wants to see that. It’s terrifying.

That’s the effect that Superman crying would have on the populace.

That’s why Superman will never cry. He’s too much of a hero for it. He’s too Superman for it. He knows the effect that would have on people. It’d be like seeing your father cry, but worse.

Superman: Back In Action got it right. Even in a country that distrusts him and doubts his identity, he is still the hero. He isn’t going to break down and get upset, he’s going to do his job.

All-Star Superman got it right. He isn’t going to cry and moan about his lot in life. He is going to live, fix it if possible, but if not– that’s okay. Life will go on. In the meantime, he’s going to give life his best shot.

Keep your weak Superman. He’s an imposter, a liar, a fraud, a coward, and a cheat.

He is the Man of Steel, not the Man of Kleenex.

More on fathers later.

I’m going to level with you. This is not going to be an impressive group of characters. Remember how the last article had Captain America and Captain Marvel and shit? The most famous character here is known for having a cameo in X-Men 2 and a damn near non-existant role in the third movie. But we are going to delve into some really weird stories. Oh, yes.

God, I hate you, Wonder Woman.

CELESTIALS

Eternals #2 (1976)

The Celestials are mentioned a few times in the first issue of Eternals, but we don’t get to actually see one until the next issue. Now, bear with me on this because I don’t know the slightest thing about the Eternals and I’ve never really paid attention to the Celestials. The story here has to do with Ikaris and his archeologist friends fighting some Deviants until Ajak comes in on a spaceship and saves the day. All of the sudden, this guy shows up.

Sorry. Too much trippy exposition for me to follow.

CHALLENGERS OF THE UNKNOWN

Showcase #6 (1957)

I would barely even know who these guys were if it wasn’t for New Frontier and that one Amalgam story where the Challengers of the Fantastic fought the mighty GALACTIAC. Looking at it from the beginning, these guys have one cool origin story.

Rocky Davis, Professor Haley, Red Ryan and Ace Morgan are four different guys announced to be guests on a radio show dedicated to heroes. As they ride the same plane, they run into turbulence and crash.

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My style is “War and Peace” – your shit is just the Cliff Notes
–El-P of Company Flow, “Definitive”

Thomas Wilde hit me with this term some years ago. “Nerd blind spots.”

Nerd blind spots are those things that you’re an inordinately big fan of, which leads to being more willing to try anything involving those things. An example is the guy who went to see each Star Wars prequel movie in the theater and had high hopes that “Maybe it’ll be good this time.” It leads to a furher loss of objectivity in an already completely subjective realm, i.e., opinions.

I’ve got a few nerd blind spots. The Jim Lee-era X-Men is one, to be certain. I’d love to own all of that in trades. Spider-Man is probably my biggest, as I’ll pretty much read something that guest-stars Spidey unless I know that it’ll 100% suck. In the same sense, though, I enjoy Spidey so much that I have this idea built up in my head of what Spider-Man should be, so I can be quite critical of Spider-books. I dropped Amazing Spidey when Mike Deodato came onto it, mostly because he was completely inappropriate for the book. Millar’s Spider-Man run sacrificed characterization for plot and turned out to be a fake Hush. That kind of thing.

A lot of people have these nerd blind spots, be it for characters, themes (noir, how I love thee), or creators. These aren’t bad things at all, I figure. If you enjoy a book, that is all that matters. Everyone needs, if not obsessions, at least pointed interests.

This ties in, at least a little bit, with something I’ve thought over before. What’re your definitive versions of characters? I don’t mean stories, necessarily, but the way they are drawn. Who’s Superman, for example, do you think of when someone says “Superman?” Who has put an indelible stamp on that character?

Definitive tends to imply that there is only one version, but that isn’t quite right. Spider-Man/Peter Parker takes a bunch of different forms for me. Jazzy John Romita’s cool version from back in the day is on the list, as well as Jumpin’ John Romita Jr’s recent look for the webslinger during his run on Amazing with JMS. Another notable is Humberto Ramos, who draws pretty much the perfect “big foot”-style Spidey, and Mark Bagley is another big gun. Those are the four people I think of when I think “Spidey.” Todd McFarlane used to be on the list, since he was really part of my first exposure to Spidey, but he’s been crazy out-paced. he still draws the best webs, though.

Daredevil, oddly, isn’t Frank Miller’s version. It’s Alex Maleev’s. Maleev made that book his own, and his noir stylings were pitch perfect. The X-Men are Jim Lee’s, through and through. More specifically, X-Men #1-era Jim Lee. His people looked like heroes. They were all strong, attractive, rugged, and powerful.

Superman is Ed McGuinness’s version, no question. Not even Frank Quitely could top it, despite the fact that All-Star Supes is a quality book. McGuinness brings a kind of pop comics exuberance to the character that I just love. He’s big, he’s burly, and he’s happy.

This ties right into my next point– Wonder Woman. This part of the post is due almost directly to Loren Javier’s post and the ensuing comments thread here.
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Ah, it’s Valentine’s Day. A day that honestly means nothing to me. But I can pretend. I did have a huge, ten-page article written up, but before posting, I remembered hermanos’ warning that he would bludgeon me to death with a life-sized bust of Ultra-Humanite if I were to ever write up Galactus/Giganta erotic fanfiction. So that’s out.

I swear, the scene with the Seattle Space Needle was one of my finest works.

Instead, I think I’ll show a bit of appreciation to our fans. No, not our regulars. You, who come to 4th Letter every couple of days to check for updates. This isn’t about you.

No, not the people who stumble upon 4th Letter by clicking on links in forums and other comic blogs. We appreciate you guys too, but this isn’t about you. Not today.

(Note: Article not totally work safe. You’ve been warned)

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Yeah, it’s been a week. My bad. All I can say is that the day job and the writing job are conspiring to kill my free time. I can definitely say that I won’t leave the site alone for a week again, though. That’s just inexcusable.

Now that the mea culpas are out of the way, let me give you another reason to be angry. You get a re-run today. Yeah. Sorry.

Before I had 4l, I had a blog on Livejournal called Guerilla Grodd. I catalogued the comics news of the day and added in a little commentary and original content. I was high off Journalista! and The Beat, so I had to have my own linkblog, too, you know?

I started an examination of Grant Morrison and Cameron Stewart’s Seaguy. I got to issue 2 before I stopped, and I’ve been meaning to rewrite these completely. In the interest of not having this freaking site be bare any longer, I’m going to reproduce the first commentary, which covers Seaguy #1, here.

Read it. It’s old, but I think I make some pretty decent points, and I do hope that you’ll tell me if I’m wrong. The clickable links are almost all images, by the way.

Cripes, man. I hate to blog about what I’m going to blog about, but I feel like I owe it to you guys. I want to talk about Marvel Boy and Spider-Man: Reign and Kabuki and black heroes and The Other Side and everything else, I just have to make the time for it.

In the meantime, though, please enjoy this. We’ll be back asap, all right?

Welcome to the fifth installment. Took me longer than expected, but a lot of these guys are big names. If you reach the end of the article, Batman will reward you with his greatest quote ever.

CABLE

New Mutants #87 (1990)

Originally, Cable appears in Uncanny X-Men #201 (1986) as a baby, but I figure it would probably make more sense to show his real introduction. The story begins with a terrorist act by a team of Stryfe’s henchmen in some facility. The only one I actually recognize is Four-Arm. After they leave, a new figure enters through a hole in the wall.

Cable tracks Stryfe’s team on their next mission, where they plan to kidnap a couple kids out of a government facility. He takes the battle to the enemies, but their numbers eventually overwhelm him. He’s left to die and the mutants get away. The issue ends with Cable in military captivity, thinking about how he went at this the wrong way. He’s going to need help.

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(edit: T’Shan was not BP’s sister. Shuri is.)

To our readers from When Fangirls Attack!– welcome! Check out the post and don’t be afraid to leave a comment, okay? Onward.

It’s been a long time, I shouldn’t have left you,
Without a strong rhyme to step to.
Think of how many weak shows you slept through,
Time’s up! I’m sorry I kept you!
–Rakim

Man, this article is crazy late, isn’t it? Just, uh, six months or so.

It’s late for a number of reasons. I’ve been trying to ramp up my writing career, which means more time writing about games, less about comics. Did it work? Well, I’m no longer living paycheck to paycheck, but talk to me in another six months.

The number one reason why it’s late, other than business and laziness, is that it is hard as crap to find good black female characters in recent comics. I mean, Monica Rambeau had a bit part in Black Panther and I’m not much for Nextwave’s portrayal of her, so she doesn’t really count. There was the great-granddaughter (grandniece?) of Jim Harper in Robinson’s Batman: Face-the-Face, but, uh, she had maybe nine panels of dialogue total, and that’s probably being generous. I’m not as familiar as I should be with Milestone’s work (beyond Static), so I wouldn’t feel comfortable putting any of those characters on this list. Bishop’s daughter in X-Men: The End has three strikes against her. 1) She’s Bishop’s daughter. 2) She’s in X-Men: The End. and 3) She’s Bishop’s daughter and is in X-Men: The End. Onyx is kind of cool, but I know exactly nothing about her and she got punked by Jason Todd so she’s out. Pantha, according to Wikipedia, is black, but, again, I know nothing about her. Thunder, from Outsiders? No thanks, hoss.

So… this is going to be a little different. It’s a top three because, frankly, there aren’t enough good black female characters out there. I’d include Glory Grant, ’cause she’s pretty awesome, but when’s the last time you saw her in a comic that wasn’t Civil War Frontline #10? (Nice guest spot, even if it was only a panel.) A better question– how many of you even remember who Glory Grant is? Monica Lynne is in the same situation. Charlotte Jones? Same deal.

I entertained the possibility of putting Monet St Croix on her, at least partially because I really enjoy her character. But, that’d make this a top 4 and these lists are traditionally either top three, top five, or top multiple of five. Four is right out.

So, a top three. But, I’m telling you, I better see some awesome black females over the next year or I’m going to do something reprehensible! I mean, black females in comics are like black head coaches in the NCAA!

zing!
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There is an interesting bit of discussion going on over at Blog@Newsarama over the very same comments Joe Q made that I linked a couple days ago. Click over and read it. The comments thread is more interesting than the Bendis Board reports, because a couple interesting tangents have popped up. I’m reproducing a response of my own here because, 1) just spent a long bloody time typing it up while sitting in bed, 2) I kind of like it, and 3) “Joe Questrawman” is positively inspired at this time of day night and I feel like patting myself on the back for thinking of it in my addled state.

I come in with my is-allnow-comics zen at comment 14. Read the rest of the thread, too, though. It’s got some long posts, but interesting ones. I try to present both sides equally because, even though I may give DC a lot of crap (some of it is even deserved), I still love a lot of their comics, you know? I may not have spent my time in elementary school thinking up awesome Batman stories like I did with Spidey, but a lot of the characters are near and dear to my heart.

(Spider-Man is still better, though :spidey:)

One day, I will write on this blog about things that aren’t superheroes, I promise. I think I’m still in Wally Sage/Flex Mentallo mode, though. Morrison’s good comics are like mental viruses.

Anyway, read. feel free to discuss below or over on Blog@. It’s a conversation I’m quite interested in.
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