12 months after DC’s problematic reboot made its way onto the scene, we finish the month of getting various #0 issues of DC properties. A couple comics are canceled as of their #0s, which includes the clever use of which in Resurrection Man. For years, that guy’s been wandering around while wondering who he really is and where he comes from and to have his story end in the origin issue is kind of perfect.

One comic I’m disappointed to see go is Captain Atom by JT Krul and Freddie Williams II. Not at all surprised, granted. In fact, I’m surprised it lasted as long as it did (I had similar feelings about ill-fated comics Azrael and Magog). The series was selling terribly and did even worse than Hawk and Dove, which makes me incredibly disappointed because that means at least two people were buying Hawk and Dove before that got the axe.

I feel Captain Atom got a bad rap and was far better than most gave it credit for. It’s no surprise why. Captain Atom is a bunch of comic book wrongs somehow making a right. That’s excluding Williams, who while there are a couple issues that seem a little too fluid and melty, his art is great stuff. I mean, this is a comic written by JT Krul. That is NOT a name that makes you optimistic. You can reboot continuity all you want, but people will still remember a tripping Roy Harper holding a dead cat and thinking it’s his daughter. The fact that he hasn’t worked on anything notably good since then keeps that red flag flapping.

Then you have Captain Atom himself. Captain Atom is one of those guys who I really want to like, but know it’s a hard sell. He’s pretty boring most of the time. He’s a Superman-level hero without much of a spark. He’s so boring that they’ve given themselves no choice but to try and turn him into a villain three times and all three times it went horribly wrong. There have been times when he’s shown promise. I thought he was the perfect ambassador character to interact with the Wildstorm Universe during Captain Atom: Armageddon. I’ll even say that I didn’t hate his portrayal in the days of Extreme Justice. Judd Winick was able to make something of him in Justice League: Generation Lost but, oops, Flashpoint happened and that character growth no longer matters.

You put a character that’s hard to pull off with a writer who can’t pull off something readable and… you get something good! There’s something inspiring about that. I still won’t buy anything with Krul’s name on it that involves a bow and arrow, but I’ll be a little more open-minded to his future work.

I feel that Captain Atom is the best use of the New 52 concept trying something new. New 52 is essentially DC’s Ultimate Universe, only it’s the new mainstream instead of a parallel. Too many characters are nothing more than a reset button for the sake of telling the same stories, but you have guys like Morrison’s Superman who go in a slightly different direction. Captain Atom strays away from the original concept while holding onto just enough, making him a cross between pre-Flashpoint Captain Atom, Dr. Manhattan and the Sentry.

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From Justice League: The Rise of Arsenal 2, with words by JT Krul and art by Geraldo Borges:

What do the judges say?

Swing and a miss, b.