I think I’m out of intro fodder. Let’s just get to the meat, then.

85) WHAT IF THE VISION HAD DESTROYED THE AVENGERS?

Issue: Volume 2, #5
Writer: Jim Valentino
Artist: Jim Valentino
Spider-Man death: No
Background: When the Avengers first met Wonder Man, he was secretly dying of a rare radiation disease. Baron Zemo offered to cure him if he helped destroy the Avengers. Appearing as a friend, Wonder Man led the team into a trap. Soon he had a change of heart and sacrificed himself to save Thor. Giant Man recorded Wonder Man’s brain patterns in hopes that he could live on. He did, later on, in the form of the Vision. While an android, Vision’s personality was based on that of Wonder Man’s. Some time later, Wonder Man did return from the dead, but that’s beside the point. What if Wonder Man had his change of heart before luring the Avengers into a trap?

Wonder Man tells the Avengers that he’s supposed to trick them, but can’t due to how they’ve treated him with such dignity. Giant Man talks with Reed Richards about a possible cure for Wonder Man’s condition as Wonder Man fights alongside the Avengers. After the brawl with Zemo’s forces is over, Giant Man gives him the cure and saves his life. Wonder Man is granted membership into the Avengers.

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When it comes to doing countdowns of the best What If issue, I’m not the first. A couple years ago, Wizard magazine had their own top ten list. Here is their version:

10) What If Captain America Were Revived Today? (volume 1)
9) What If the Beast Continued to Mutate?
8) What If the X-Men Lost Inferno?
7) What If the Fantastic Four Had Not Gained Their Superpowers?
6) What If Pheonix Had Not Died? (volume 1)
5) Humor issue (volume 1)
4) What If Daredevil Killed the Kingpin?
3) What If the Hulk Went Berserk?
2) What If Conan the Barbarian Were Stranded in the 20th Century?
1) What If the Alien Costume Had Possessed Spider-Man?

Does this list coincide with my list? Not very much. Only two of those issues make it into my top ten. Three of them aren’t even on my list in the first place (I already talked about why #7 sucked). One of them is in this article.

Back to the real list. Read the rest of this entry �

Man, I totally didn’t have time to whip up that post I promised you yesterday. It’ll probably come later Saturday. I’ve been busy busy with both welcoming back a friend who just came back into town and some super top secret writing projects that I will be sure to share when I’m sure that I’m able to. Non-Disclosure Agreements make for great teases, but poor fun!

Believe me, though. I will definitely explain to you guys why not only does Jim Lee draw the definitive X-Men (he is to X-Men what McGuinness is to Superman and Romita Sr/Jr is to Spider-Man), but why the early 90s X-Men are some of my favorite X-books. The accompanying image is yet another bit of evidence that Gambit is awesome. He caught a bullet and tossed it back! It’s from X-Men #1.

Want to know something super-nerdy? I bought the X-Men: Mutant Genesis trade (it collects X-Men 1-7), and I realized that I practically studied these books way back when. Some of the coloring errors, like where color leaked into dialogue balloons here in this excerpt were fixed, but Beast is still blue from his feet to his teeth in that first big spread of the X-Men, and there are really only a handful of skintones: White, Asian, Black, and Stubbled. The cover has been recolored or retouched, too. I knew this from memory.

I love the X-Men.

It’s time to begin. Er… now that I’ve done two prelude articles before starting this off, I now realize that I don’t have anything to say for an intro. I could always go over the history of the series. Yeah, let’s do that.

What If first started in 1977 with the issue What If Spider-Man Had Joined the Fantastic Four?, based on the very first issue of Amazing Spider-Man. The series lasted for seven years until ending with issue #47, What If Loki Had Found the Hammer of Thor? For the most part, the quality remained about the same.

Several years after cancellation, a special was released called What If Iron Man Had Been a Traitor? While not exactly a classic, it seemed to have helped bring the rebirth of the series as volume 2 started the very next year, 1989. Volume 2 followed the same structure of the first volume: Uatu the Watcher would go on a monologue about who he is and what he does, followed by spelling out just what the issue’s story is about. Like I mentioned a couple articles back, this is a good way to learn Marvel history. Me, I just found out Shang Chi’s backstory days ago. Before that all I knew about him was that he’s some martial artist guy without fear and his name makes him sound like Shang Tsung and Quan Chi from Mortal Kombat did the Fusion Dance.

I can’t be alone in this, can I? Read the rest of this entry �

If I’m posting on this here comics blahblahblog, I try to ensure that we’re working with snark-free waters. Not these Snark Free Waters, but similar in spirit nonetheless. Personally, I feel that comics are too awesome to waste sniping at each other and the creators. If I have a grievance, I’ll air it out professionally, courteously, and in a coherent manner. If I can at all help it, you’ll never hear the words “(author) is a hack” come out of my mouth. 99% of the time that word is thrown around, it’s completely untrue, and there’s really a better way to say “I don’t like this guy’s work.”

So, in the spirit of the idea that comics are freaking awesome and we’re all freaking awesome for reading them, even you in the back with the bad haircut, I’m going to present to you a Cool Comics Love-In. It’s a snapshot of what I like in comics right now, be they single issues, series, or other, and you better like it, too, or else I’ll and hopefully you’ll dig it as well. Let’s see if I can do these three or four at a time, once or twice a week okay?
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“What people often forget, of course, is that Magneto, unlike the lovely Sir Ian McKellen, is a mad old terrorist twat. No matter how he justifies his stupid, brutal behaviour, or how anyone else tries to justify it, in the end he’s just an old bastard with daft, old ideas based on violence and coercion. I really wanted to make that clear at this time.”
–Grant Morrison

I’m not usually one to complain about comics companies “destroying” characters. In fact, I think it’s kind the kind of stupid invective that gives comic fans such a negative fanboy image. “Destroying” is a loaded term, and there’s much, much better ways to express your feelings on the matter. This may be my attempt at that, or my attempt at putting my foot in my mouth. U DECIDE.

I do think, however, that comics companies can make/allow some fairly terrible narrative choices. Turning Xorn into some kind of Jerry Springer-esque twin brother was one. Actually, every time Xorn has been mentioned outside of Morrison’s New X-Men has been a mistake, I think. Identity Crisis left a bad taste in my mouth, despite Rags Morales’s excellent art. I liked the scene where Batman and Robin are trying to get to Tim Drake’s house before his dad dies. That was powerful, but the death of Jack Drake? Bleh. He was a cool dude. Mark Millar turning the New Warriors into patsies? Bah, Doom says.

So basically what I’m saying is, not everything comics companies do is great. Big surprise, huh? I once read a comment Keith Giffen made about the death of Blue Beetle. He said he wasn’t mad about it, and that his only feelings on the matter were “I would’ve done it differently.” I think that’s all any fan can really say. “I would’ve done it differently.” Mark Waid once said something like “Comics is the only industry where 90% of your audience thinks that they can do it better than you.” It’s true.

Long, rambling introductions aside, DC screwed the pooch on the Batbooks when they made the main man overly angry, right? Well, what about the satellite titles? Catwoman went from a must-read book to “Peace out, homey!” all in the space of one issue for me. Batgirl has renounced her title and is pretty much a villain now.

I am okay with one of these things, but I do not like the other. Let us begin, then.
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So, anyone who spends any amount of time speaking to me tends to find out that I am very, very pro-black. There’s a song by dead prez that goes, “Thirty-one years ago I would’ve been a [Black] Panther.” This is so true in my case that I have actually gone back in time and helped found a chapter of the Black Panther Party in Brooklyn. I did this when I was a little older. Time travel is tricky, all right?

I was sitting here thinking, as us intellectual types are wont to do, and I’m not feeling the love, comics. You aren’t treating your black characters right. You call Jason Rusch, the new Firestorm, a token, an affirmative action quota kid, and all kinds of other nasty names. Bishop? Bishop had a perm. What kind of self-respecting, non-pimp black man wears a perm? Virgil “Static” Hawkins and his imprintmates at Milestone went the way of the dodo, despite being some of the best comics to come out of the ’90s. Static was the first Ultimate Spider-Man, if you get me. Don’t even get me started on the reaction to Captain America: Truth – Red, White, and Black, or the kind of glaring lack of writers of color at the big two.

It’s cool, though. Blacks in comics have come a long way. Luke Cage used to be a patently offensive stereotype, though he’s been pretty well gentrified now. Stepin Fetchits abounded during the early years of comics. Comics great Will Eisner even had his own little stereotypical black kid running around. Did we have it as bad as Chop-chop and Egg-fu? Well, yeah. Stereotypes, unless played very carefully, tend to be ugly, ugly things.

Anyway, this is all introduction to the meat of the matter. A lot of black heroes are wack, but there are some gems, too. For every Black Goliath there’s a Black Panther, dig? So check the list and let me know what you think. Read the rest of this entry �

Over at Girls Read Comics Too, Karen Healy takes Joss Whedon to task for the current Hellfire Club arc in Astonishing X-Men:

What is it with Whedon and strong women? Not Whedon and strong “girls”, or at least his version thereof – they all get happy endings, even when they are, in fact, unacknowledged sexual abusers*. But what happens to his women?

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Let’s run some dates down, all right?
Superman: 1938
Batman: 1939
Wonder Woman: 1941
Flash: 1940 (or 1956)
Captain America: 1941
Spider-Man: 1962
Fantastic Four: 1961
Punisher: 1974
Blade: 1973
X-Men: 1963

Notice a pattern, here?

Most of your famous comics are what, at least thirty years old now? Here are some sales figures for March 2006. How many books in the top 100 are not spin-offs, revamps, or the continuing saga of an ancient property? We have The Sentry #7 coming in at #64, Cyberforce #1 at #83, Spawn #154 at #86, and Y the Last Man #43 at #93

Wait. Runaways. Issue #14 charted at #98.

Let me tell you a little bit about Runaways.
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Reader Review by Nez, send in yours to 4thletter@gmail.com!

“A hip, Warhol-ish journey through a cynical man/superman world as told by a jaded mafia princess, caught in the conflict between yuppie gas guzzlers, and hot lead”
That’s probably a fair example of what all the ‘big boy’ reviews are saying about SUPERMARKET (IDW), the latest showing from veteran comic-noir writer Brian Wood, and indie artist Kristian Donaldson. After reading issues #1 and #2, I’d almost be inclined to agree… almost. Don’t get me wrong, I’d recommend it to anyone, as it’s a terrific read. I just have a completely different take on it. Or do I?  
All vague banter aside, I committed to reading issue #1 after it was literally thrown at me. In a nutshell, SUPERMARKET is about one Pella Suzuki, (half Swede, half Japanese, go figure) a well–off (albeit extremely liberal) teenager who moonlights at a 24-7 convenience store as A) “It’s interesting”, and B) “Making her own money gives her a moral high ground over her parents”. Quickie-mart job aside, the hippie-teenage-rebellion crap is put on ice when “IT” happens. “IT” as it turns out is the brutal murder of both her parents. The situation worsens when after being directed to a secret family safehouse, Pella finds it being ransacked by Yakuza goons. To top things off, her credit cards have been shut down, leading her to believe that her parents were somehow involved in bad things. 
So far, SUPERMARKET (also a street term for the sprawl) has entertained me to say the least. Donaldson’s art is tight, yet grimy enough to get the job done. I would almost acquiesce to “hip” or “Warhol-ish”, if they didn’t sound so gosh darn retarded. Wood’s story moves at a pace that keeps you interested, without rushing things, and the unfolding details of this not-so-classic whodunit keep you wanting more. Between Yakuza chases to the revelation that her mother belonged to a Mafioso comprised of Swedish Adult Film Stars, SUPERMARKET delivers. So yeah, hip, mod, Warhol-ish, whatever, I guess I more or less agree with the ‘big boys’… Just don’t ask me to admit it.