There’s a lot going on in the world of Deadpool. The guy has like a million different comics going on at the moment with Deadpool, the soon-to-be-ending Deadpool: Merc with a Mouth, Deadpool Corps, Deadpool Team-Up, the miniseries Deadpool: Wade Wilson’s War and some other miscellaneous appearances. He’s been revealed as a new character in the long-awaited Marvel vs. Capcom 3, where his quirks include Moonwalking, beating his opponents with their own life bar, doing a Shoryuken, yelling, “YOU PRESSED THE WRONG BUTTON!” when losing and getting tentacle raped by accident via Morrigan Aensland in the opening cinematic.

He also, as recently revealed, is going to have three more comics coming out. One is Deadpool: Pulp, which is in the alternate universe decade-specific retelling spirit of the Marvel Noir series. All I know is that the Jae Lee covers are completely stellar, so that at least has my attention.

The second comic is Deadpool MAX by the team of David Lapham and Kyle Baker – a team that’s been making several comic fans weep in frustration. Isn’t that right, Mr. Brothers?

Then again, I’ll weep in frustration too if the interiors are done in Baker’s current ugly-as-sin computer generated art that makes me pray for the day when his trial copy of Poser finally expires. Come on, man. I know for a fact that you’re better than this.

Even more recently announced is Uncanny X-Force. In the wake of Cable’s death and the revelation that Cyclops put together the latest version of X-Force, Wolverine decides to keep the black ops dream alive himself with an even more secret team made up of Wolverine, Archangel, Psylocke, Fantomex and Deadpool. Deadpool and Fantomex in the same book? I’m completely there. It’s rather interesting how the recent arc in Deadpool’s core book where he joined the X-Men for all of several hours foreshadows this development several times over.

Oh, and Deadpool’s dimensional counterparts are going to be getting their own one-shots, so add that to the pile. Plus that Deadpool #1000 issue.

With Deadpool everywhere, I think it’s about time to get past the groaning and joking about how Deadpool is everywhere. I know I’m just as guilty as everyone else, rolling my eyes when they revealed a third on-going series, but I’ve long reached the state of acceptance. Why? Because most of the time, I’m enjoying the spread shot of Deadpool they’ve been handing us.

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Today is that annual day when websites like to toss in jokes about how they’re closing or now owned by _____ or how they’re going to make a sequel to your favorite videogame. All that shit. Personally, I’m not in the mood.

But on the subject of jokes, I think of the latest issue of Prelude to Deadpool Corps. For those of you who haven’t been able to keep Deadpool’s multiple titles straight, Prelude is Victor Gischler’s concurrent follow-up to the canceled on-going Deadpool: Merc with a Mouth, which will end in several months. It’s been a weekly, five-issue romp as Deadpool goes from universe to universe to put together a team of his female self, his hungry and decaying head from the Marvel Zombies universe, a kid version of him from a world where he’s a student at Xavier’s school, and a gross dog with regenerative powers. Each issue has a different artist and the quality ranges from good (Paco Medina) to Rob Liefeld.

I made the mistake of picking up #5 without even flipping through it. After all, it features the art of Kyle Baker. I mean, Kyle Baker is awesome! Didn’t you read Plastic Man? That series was brilliant! Okay, sure, the middle issues were a bit uninspired, but the rest of it was tops! He’d be absolutely perfect for a Deadpool comic. But it’s weird, I strictly remember that Baker’s done Deadpool work before. Something about Deadpool #900 and a segment of Merc with a Mouth when Wade went through different universes. For some reason I made myself forget about those issues. Why would I do that? Kyle Baker is an awesome artist.

I look through this issue and… oh, yeah.

Sweet Jesus! This comic has more lens flare than it does yellow word bubbles! Kidpool (not to be confused with the infinitely better, yet forgotten Kid Deadpool) complains about the lack of fries even though there’s two orders of them laying on the table! The Grandmaster and the Contemplator look like unfinished action figures! The textures are eye-rape! Everyone looks like rejects from that Avengers in Galactic Storm arcade game that nobody’s heard of!

There’s more that I’m not showing you. A lot of the time you can barely tell the difference between Deadpool and Lady Deadpool. Horrible filters and color schemes are rampant. When Dogpool crawls out of a crater after an explosive ship crash, his physical damage is portrayed by making random parts of him transparent. A subplot involves the Deadpool Corps opposing an army of Carebear knockoffs, but it doesn’t work. The whole point of the gag is that these guys are fighting and slaughtering a bunch of bloodthirsty space pirates who happen to be cute, but how do you portray that when everything about the comic is so goddamn ugly?

So, yes, April Fools Day is all about jokes. And yes, we get it, Mr. Baker. It’s a funny prank you’ve been playing on us for the past few months, but it’s getting old. You can go back to drawing GOOD art now. Any time, now. Please?