Back when I first started reading comics, in the 90’s (thunder noises), I was a bit too young to have any real income and was mainly relegated to read comics that had Spider-Man and/or Venom on the cover. One of said covers was for a What If about the New Fantastic Four, made up of Spider-Man, Wolverine, Hulk and Ghost Rider. I had never heard of this team, but the concept was too rad not to look at, so I got the issue.

That, from what I recall, was the only one I ever did get back then. I remember passing on one about Cannonball’s brother Josh because, hell, I didn’t even know who Cannonball was. Didn’t he show up once during the really shitty final season of the X-Men cartoon?

Like many comic readers, spider-clones and evil, magnetic Xaviers pushed me away from the hobby for years. I can’t really remember when I got back into it again, but I know it wasn’t long into it that I remembered the What If series. With nearly 200 issues out there, I only looked at those based on characters I knew about. X-Men and Spider-Man mostly. Then, over time, as I started to understand more about guys like Iron Man and Dr. Doom, I’d read their stories. Then Dr. Strange and Captain America. Then Fantastic Four and Namor. And so on and so forth.

Until Wikipedia came around, these comics were some of the best ways to get background on characters and storylines. I didn’t know a thing about how Strange became a sorcerer until reading these. I didn’t know the story behind how the Silver Surfer became Galactus’ flunky, only to be given independence. In fact, most of Captain America’s backstory I’ve learned from his What If issues. So thanks for the help, Uatu the Watcher.

After realizing how many of these I’ve read, I knew I had to finish the series off. And so, at the time of this article, I have about 30 issues left to go through. Once I’m done with those, it will be time for me to reflect on it with my list of the best 100 issues. Read the rest of this entry �

So, anyone who spends any amount of time speaking to me tends to find out that I am very, very pro-black. There’s a song by dead prez that goes, “Thirty-one years ago I would’ve been a [Black] Panther.” This is so true in my case that I have actually gone back in time and helped found a chapter of the Black Panther Party in Brooklyn. I did this when I was a little older. Time travel is tricky, all right?

I was sitting here thinking, as us intellectual types are wont to do, and I’m not feeling the love, comics. You aren’t treating your black characters right. You call Jason Rusch, the new Firestorm, a token, an affirmative action quota kid, and all kinds of other nasty names. Bishop? Bishop had a perm. What kind of self-respecting, non-pimp black man wears a perm? Virgil “Static” Hawkins and his imprintmates at Milestone went the way of the dodo, despite being some of the best comics to come out of the ’90s. Static was the first Ultimate Spider-Man, if you get me. Don’t even get me started on the reaction to Captain America: Truth – Red, White, and Black, or the kind of glaring lack of writers of color at the big two.

It’s cool, though. Blacks in comics have come a long way. Luke Cage used to be a patently offensive stereotype, though he’s been pretty well gentrified now. Stepin Fetchits abounded during the early years of comics. Comics great Will Eisner even had his own little stereotypical black kid running around. Did we have it as bad as Chop-chop and Egg-fu? Well, yeah. Stereotypes, unless played very carefully, tend to be ugly, ugly things.

Anyway, this is all introduction to the meat of the matter. A lot of black heroes are wack, but there are some gems, too. For every Black Goliath there’s a Black Panther, dig? So check the list and let me know what you think. Read the rest of this entry �

Next Monday seemingly marks the end of one of the greatest eras in animation. For fourteen years, we’ve been given what people call the “Diniverse” (named after a guy who barely writes actual episodes anymore). It started back in 1992 with a primetime showing of Batman: the Animated Series and after all these years, it’s going to die out with the finale for the fifty-eighth spin-off, Justice League Unlimited.

Lord knows the Diniverse made its stamp on both the world of animation and the world of comics. Characters like Harley Quinn were introduced… as well as more forgettable folk like Livewire and Lockdown. The comic version of Supergirl started wearing the white t-shirt and tight skirt made popular by Superman: the Animated Series. John Stewart took Kyle Rayner’s place as the token Green Lantern on the Justice League roster. Batman Beyond showed up in the pages of Superman/Batman for no reason whatsoever.

There are obviously changes here and there over how certain characters are portrayed. Many consider the Kevin Conroy-voiced Batman to be the defining version of the character, compared to the close-minded, paranoid caricature he’s become in the comics. Sure, the Joker kills people here and there on the cartoons, but at no point would they ever have him cripple Batgirl and strip her naked in order to drive her father insane on Cartoon Network. In the comics, Green Lantern and Hawkgirl have never been an item, nor has a big chunk of the JLU roster been members of any Justice League roster. Hawk and Dove sucked in both mediums, so there is that. Read the rest of this entry �

Ha Ha I Am Blogging About Bad Comic Books

Let’s talk for a moment, you and me, about things I hate.

I hate Venom, for example. I’ve never been able to stand that schmuck, ever since the Spider-Man books turned into the Venom Show back in the ’90s. I hate Howard Mackie for being the embryonic stage of Chuck Austen… and I hate Chuck Austen, because all right-thinking people do. I hate Scott Lobdell, Frank Quitely’s pudgy Play-Doh people, and any book that Ashley Wood drew…

…but most of all, I hate licensed comics that’re written by somebody who hasn’t even touched the source material. I really hate it when I’m familiar–or in this case, scarily familiar–with that source material.

That means I hate the Resident Evil comic books.

Call the neighbors and lock up the kids, folks. It’s time for a bunch of pointless fanboy bitching.

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Superman #163: What Do You Get the JLA for Christmas?

This very special issue of Superman comes from 2001, after Lex Luthor was elected President. In it, Superman goes around meeting with various JLA members to complain about the Luthor situation before giving them a crappy Christmas gift. Then he goes and fucks Lois in the city of Kandor while ripping off Plastic Man’s jokes.

The list of presents are as follows:

For Plastic Man: rubber bands
For Martian Manhunter: a box of Ore— er Chocos Cookies
For Aquaman: a Metropolis snow globe
For Green Lantern (the one without pubes): jewelry polish
For Flash: tube socks
For Wonder Woman: a tiny replica of Mjolnir, no doubt to remind her of the most unimportant subplot in Marvel vs. DC
For Batman: a magnifying glass
For Booster Gold and The Question: supporting character roles on the greatest cartoon on TV

A gimmick of the issue was that each segment was drawn by a different artist. That included the absolute horror of Rob Liefeld drawing Aquaman. Read the rest of this entry �

I love Marvel. I have ever since the beginning. I still own the first two comics I ever read. Amazing Spider-Man numbers 316 and 317, the second story involving Venom, I believe. It was a David Michelinie/Todd McFarlane joint. FOOM, Merry Marvel Marching Society, Marvel Zombie, you name it, I was it in an unofficial way because I was little and had no money. This stands to this day. Most of the DC books I read are published by Wildstorm.

There’s a lot of things I like about Marvel (Spider-Man). High on that list (after Spider-Man) is their trade policy. Is there a miniseries coming up soon that you want to check out, but you’d rather read it all in one chunk for better enjoyment? Grab the trade that’s gonna hit somewhere between one month and three months after the last issue ships. This is somewhere between two and two billion times better than DC’s trade program, which is “You’ll get the trade when we remember to actually print it.” Identity Crisis, for example, had a year-long wait and was released twice in floppy form before we finally got a trade. Common sense would tell you to strike while the iron is relatively hot and push that trade out there. Marvel does what DC don’t (that pun works a lot better with Sega and Nintendo, I think), though, so it’s all good.
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